藏品推薦:靜觀-佛
摘要:藏品推薦,精品推薦《靜觀-佛》Recommendation of Fine works: "wait and see-Buddha"我曾好奇于為什么一個漢字,為什么會有攝人心魄的美。心中有一個答案,大概是漢字是象形字,是古人取之于生活之中,宇宙萬物的意象。漢字之于世界其他語言文字的不同,在于承載了一種宇宙的意象美學,就是一種延伸的美術,融匯了哲理和藝術之美。
藏品推薦:靜觀-佛
精品推薦——《靜觀-佛》
Recommendation of Fine works: "wait and see-Buddha"
藏品名稱:《靜觀-佛》
Collection name: Jingguan Buddha
類別:書畫
Category: painting and calligraphy
我曾好奇于為什么一個漢字,為什么會有攝人心魄的美。心中有一個答案,大概是漢字是象形字,是古人取之于生活之中,宇宙萬物的意象。漢字之于世界其他語言文字的不同,在于承載了一種宇宙的意象美學,就是一種延伸的美術,融匯了哲理和藝術之美。
I used to wonder why a Chinese character has the beauty of soul. There's an answer in my heart. It's probably that Chinese characters are pictographs, which are the images of all things in the universe taken from life by the ancients. The difference between Chinese characters and other languages in the world lies in the image aesthetics of the universe, which is an extended art, integrating philosophy and the beauty of art.
“靜觀”在道家哲學中指冷靜地分析觀察。仔細審察,冷靜觀察。唐代王維《酬諸公見過》詩:“靜觀素鮪,俯映白沙。”宋代程顥《秋日偶成》詩之二:“萬物靜觀皆自得,四時佳興與人同。”這些都是對靜觀一詞的很好印證闡釋。
"Jingguan" in Taoist philosophy refers to the calm analysis and observation. Examine carefully and observe calmly. Wang Wei of the Tang Dynasty wrote a poem: "watch the plain tuna and look down on the white sand." The second poem of Cheng Hao in the Song Dynasty: "all things are self satisfied when they are still watching, and they are happy with each other in four seasons." These are all very good confirmation and explanation of the word "Jingguan".
靜觀是一種高度的修養(yǎng)和靜心的能力,能夠靜觀事態(tài)發(fā)展的人,定能冷靜沉著的應對面臨的各種復雜的事情。老子說:“企者不立,跨者不行”,不是一味的進取才是有為,以退為進和靜思內(nèi)省同樣重要。不容忽視的是人生“超然于世俗奔波之外”更高境界的大有為,更不該錯過的是人生旅途上“靜觀萬物皆自得”的大享受。
Meditation is a high level of self-cultivation and meditation ability. People who can observe the development of the situation will be able to calmly deal with various complex things. Lao Tzu said, "if an enterprise is not established, it will not be able to cross the enterprise". It is not only to forge ahead blindly, but also to make progress by retreating. It is equally important to meditate and introspect. What can't be ignored is the great achievement of the higher realm of life "beyond the worldly rush", and what should not be missed is the great enjoyment of "watching everything and enjoying themselves" on the journey of life.
觀山先生的這幅《靜觀》言簡意賅,但意蘊深厚,發(fā)人深思,特別適合掛在家中客廳、書房、辦公室這樣的私人場所,利于閱讀與反思,創(chuàng)造一個安寧的環(huán)境,給人一種沉著冷靜的思維方式啟發(fā)。此外,還可以掛在茶樓、酒店,在此品茶或者居住,實乃一種高雅的人生品位。
Mr. Guanshan's "Jingguan" is concise and comprehensive, but it has profound meaning and is thought-provoking. It is especially suitable for hanging in private places such as the living room, study and office, which is conducive to reading and reflection, creating a peaceful environment and enlightening people with a calm and calm way of thinking. In addition, it can also be hung in teahouses and hotels, where you can taste tea or live, which is really an elegant taste of life.
經(jīng)是教育弟子“諸惡莫作、眾善奉行、慈悲濟世”的做人處世準側(cè),追求”心無旁騖、涅槃寂靜“的精神境界,這與書法習字所追求的“心如止水、執(zhí)著不懈”的精神不謀而合,相互融通。古往今來,歷代書法名家通過抄經(jīng)習字,既提高書法技藝,又修煉品行,兩者相得益彰,其樂無窮。晉代以來,有多位書法名家書寫“佛”字或創(chuàng)作以“佛”字為主體的書法作品,編者竭力收集匯總,供廣大書法愛好者欣賞。
Jing is the spiritual realm of "no distractions, Nirvana and silence", which is in accordance with the spirit of "mind as still as water, perseverance" pursued by calligraphy, and is mutually compatible. From ancient times to modern times, the famous calligraphers of all dynasties have improved their calligraphy skills and cultivated their moral character by copying scriptures and calligraphy. They complement each other and have endless fun. Since the Jin Dynasty, many famous calligraphers have written "Buddha" or created calligraphy works with "Buddha" as the main body. The editors have tried their best to collect and summarize them for the appreciation of calligraphy lovers.
左一右二分結構。看這個佛字。首先注意這個單人旁。
Left right dichotomy. Look at the Buddha word. First, pay attention to this single person.
第一種是儀字撇和豎都向左側(cè)出弓。第二種是像字中的單人。撇和豎都是內(nèi)弓。這個佛字的單人便是第三種寫法。撇和豎均無弓三種寫法,除了形態(tài)的不同外,運筆的方法也有所不同。這需要臨寫者用心的體會。
The first is that both the left and the right of the instrument are bent. The second is like a single person in a word. Both the bow and the bow are internal. The single person of this Buddha character is the third way of writing. There are three kinds of writing methods without bow, i.e. skimming and vertical. In addition to different forms, there are also different ways to use the pen. This needs the experience of the writer.
由此可見,運筆之多方,則產(chǎn)生形態(tài)之紛呈。書之奧妙,也就在其中了。
It can be seen from this that the multi-faceted use of the brush produces a variety of forms. The mystery of the book lies in it.
作書不求運筆之多變,卻求書體之多姿。結果必然是,求美不成,反得其丑。畫虎不成反類犬了。就此三個單人旁,考驗你的運筆應變能力。自然,直行、左弓、右弓運筆是有曲別的。臨寫時多加體會。
To make a book does not seek the changefulness of the pen, but the variety of the body. The result must be that seeking beauty is not successful, but ugly. Drawing a tiger is not a dog. Next to these three single people, test your ability to move your pen. Naturally, straight line, left bow and right bow are curved. Add more experience when writing.
單人旁就這三中基本行式。其它雖有所不通,運筆就此三種了。
There are three basic lines beside a single person. There are three ways to use the pen, though others may not work.
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