范曾人物畫作品在當(dāng)代中國畫壇中可謂是獨(dú)樹一幟，有著很高的藝術(shù)性和表現(xiàn)張力，通過這些鮮活淋漓的潑墨人物可以很好的從中看到他對(duì)我國傳統(tǒng)文化獨(dú)到的見解。
Fan Zeng's figure painting works are unique in the contemporary Chinese painting world, with high artistry and expressive tension. Through these vivid and incisive ink splashing figures, we can see his unique views on Chinese traditional culture.
范曾是江蘇南通人，于1938年出生，從小就學(xué)習(xí)歷史、文學(xué)和繪畫，先后拜過多位名人為師，有吳作人、李可染、蔣兆和、李苦禪等諸位名家，深得他們的真?zhèn)鳌?/p>
Fan, born in Nantong, Jiangsu Province in 1938, has studied history, literature and painting since childhood. He has been taught by many famous people, including Wu Zuoren, Li Keran, Jiang Zhaohe, and Li kuchan. He has won their true biography.
1962年范曾在畢業(yè)之后就被分配到了中國歷史博物館工作，在1970年代末期的時(shí)候在中央工藝美術(shù)學(xué)院任教。在后來不久的時(shí)間里他又籌建南開大學(xué)東方藝術(shù)系，擔(dān)任主任的職位。范曾的歷史人物畫非常的清新典雅，瀟灑飄逸，生動(dòng)自然，1979年他第一次到訪了日本，被日本贊譽(yù)為中國近代十大畫家之一，此后，他又先后在香港、日本等多個(gè)地方舉辦了個(gè)人畫展。在1989年的時(shí)候他曾經(jīng)到法國居住，之后又回到南開大學(xué)任教。
Fan Zeng was assigned to work in the Museum of Chinese history after graduation in 1962, and taught in the Central Academy of Arts and crafts in the late 1970s. In the near future, he planned to establish the Department of Oriental Art of Nankai University and hold the post of director. Fan Zeng's historical figure painting is very fresh, elegant, elegant, vivid and natural. In 1979, he visited Japan for the first time and was praised as one of the top ten painters in modern China by Japan. Since then, he has successively held individual exhibitions in Hong Kong, Japan and other places. He lived in France in 1989 and then returned to Nankai University to teach.
范曾人物畫作品在1980年的時(shí)候非常的紅火，曾經(jīng)售賣出一幅四尺整紙17萬元的高價(jià)。在當(dāng)時(shí)的日本和香港、臺(tái)灣地區(qū)的畫廊投資者也都爭相購買范曾的作品，一時(shí)間洛陽紙的價(jià)格非常的昂貴，而范曾的畫作也是一路上漲，1989年5月8日，臺(tái)灣高雄的畫廊被竊，正在參展的二十七幅“范曾畫展”作品都被偷走了。
Fan Zeng's figure paintings were very popular in 1980. He sold a four foot paper for 170000 yuan. At that time, gallery investors in Japan, Hong Kong and Taiwan also competed to buy Fan Zeng's works. At one time, the price of Luoyang paper was very expensive, and fan Zeng's paintings also rose all the way. On May 8, 1989, the gallery in Kaohsiung, Taiwan, was stolen, and the 27 "fan Zeng painting exhibition" works that were participating in the exhibition were stolen.
范曾作畫主張用石濤“一畫論”之精義，力追天籟之境，精于白描，尤喜寫意人物。為表現(xiàn)歷史人物之神韻，他潛心研究歷史，悉心揣摩古今中外諸名家之作，他特別推崇陳老蓮和任伯年。范曾的歷史人物畫清新典雅,瀟灑飄逸,栩栩如生。
Fan Zeng advocated using the essence of Shi Tao's "one painting theory" to pursue the sound of nature. He was good at white drawing, especially in freehand brushwork. In order to express the verve of historical figures, he devoted himself to the study of history and carefully pondered the works of famous scholars at home and abroad, especially Chen Laolian and Ren Bonian. Fan Zeng's historical figure paintings are fresh, elegant, elegant and lifelike.
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