清代乾隆官窯流金花瓶一對
A pair of flowing Gold Vase in Qianlong official kiln in Qing Dynasty
清代乾隆官窯流金瓷器傳世品有一定的數量。它綜合了康熙與雍正兩朝的制瓷工藝,進一步發展本朝瓷器,從而創造出許多新穎的流金瓷器。清宮內務府造辦處乾隆時記事檔中記載了許多乾隆時景德鎮御廠為宮廷制瓷的史實,也反映出皇帝直接關注制瓷的情況。乾隆帝對有些流金器物的用途、型體、花紋的要求常有御旨,制作前要有畫樣或木樣,審查后才能正式燒制。器物的款識或有或無,寫什么樣的款識以及配合紋飾的詩句等都須經過乾隆皇帝的批準。另外,制瓷粗糙不合要求者還要賠補等情況,在檔案中也有詳細記載。當時的督窯官唐英一方面按皇帝的旨意制作精美的宮廷用瓷,另一方面,在保留前代精華的基礎上,還吸收了一些西洋的工藝技法,創造出許多新穎的流金瓷器。
In Qing Dynasty, there were a certain number of gold porcelain handed down from Qianlong official kiln. It synthesizes the porcelain making techniques of Kangxi and Yongzheng dynasties, further develops the porcelain of this dynasty, and creates many new flowing gold porcelain. There are many historical facts about Jingdezhen imperial factory's porcelain making for the court in Qianlong time recorded in the records of Qianlong time in the office of the interior affairs of the Qing palace, which also reflects the emperor's direct attention to porcelain making. Emperor Qianlong often had imperial edicts for the use, shape and pattern of some Liujin wares. Before making, there should be painting or wood samples, which can only be formally fired after examination. The recognition of objects, whether they have or not, what kind of recognition they write, and the verses that match the decoration must be approved by the Emperor Qianlong. In addition, those who do not meet the requirements for rough porcelain should be compensated, which is also recorded in the archives. Tang Ying, the then kiln official, produced exquisite imperial porcelain on the one hand, and on the other hand, on the basis of preserving the former essence, he also absorbed some Western crafts and techniques, and created many new gold porcelain.
首先在用色和施彩的工藝方面有了新的發展,除以流金繪畫為主,還常加繪料彩、金彩或黑彩,或與青花、五彩、斗彩并施于一器,這種在一件器物上施多種彩或同時以各種彩繪工藝制作的乾隆流金,可說是集多種陶瓷工藝成就于一身,充分反映了乾隆朝制瓷工藝的精湛。
First of all, there is a new development in the use of color and the technology of applying color. Divided by the flow of gold painting, it often adds material color, gold color or black color, or it is applied to an instrument together with blue and white, five colors and fighting color. This kind of flow of gold produced by applying multiple colors on an instrument or at the same time by various color painting technology can be said to integrate a variety of ceramic technology achievements in one body, fully reflecting the exquisite porcelain technology of the Qianlong Dynasty.
在用色和施彩的工藝方面有了新的生長,除以流金繪畫為主,還常加繪料彩、金彩或黑彩,或與青花、五彩、斗彩并施于一器,這種在一件器物上施多種彩或同時以種種彩繪工藝制作的乾隆流金,可說是集多種陶瓷工藝成就于一身,充實反映了乾隆朝制瓷工藝的精湛。在裝飾要領上泛起多種色地“”流金,如紅、黃、藍、綠、紫及多種色釉為地,可達十多種,有的在色地上彩繪帶有西洋色彩的纏枝花,有的在色地上借用琺瑯彩的軋道工藝用一種較尖銳的金屬工具劃刻出細膩的鳳尾紋,即所謂的“錦上添花”,內繪花鳥圖、山水人物圖及墨書乾隆御題詩等。這種色地流金纖巧繁縟,是亙古未有的,也是乾隆流金中數目多的。
There is a new growth in the use of color and the process of applying color. Divided by the flow of gold painting, it often adds material color, gold color or black color, or it is applied to an instrument together with blue and white, five colors and fighting color. This kind of flow of gold produced by applying multiple colors or at the same time with various color painting processes on an instrument can be said to integrate a variety of ceramic technology achievements in one body, which fully reflects the consummateness of Qianlong porcelain technology. There are many colors of flowing gold, such as red, yellow, blue, green, purple and many kinds of colored glazes. There are more than ten kinds of flowing gold. Some of them paint twigs and flowers with Western colors on the color ground, and some of them use the rolling process of enamel color to carve delicate Phoenix Tail patterns with a sharp metal tool, that is, the so-called "icing on the cake", drawing flowers and birds, landscape figures and Ink books, poems written by Emperor Qianlong, etc. This kind of flowing gold is delicate and complicated, which is unprecedented, and also a large number of flowing gold in the Qianlong period.
清乾隆描金梅瓶值錢嗎,首先在用色和施彩的工藝方面有了新的生長,除以流金繪畫為主,還常加繪料彩、金彩或黑彩,或與青花五彩、斗彩并施于一器,這種在一件器物上施多種彩或同時以種種彩繪工藝制作的乾隆流金,可說是集多種陶瓷工藝成就于一身,充實反映了乾隆朝制瓷工藝的精湛。
Is Qianlong's gold and plum vase valuable? First of all, there was a new growth in the use of color and the process of applying color. Divided by the flow of gold painting, it was often added with material color, gold color or black color, or applied with blue and white color and fighting color. This kind of Qianlong flow of gold, which applied a variety of colors on a piece of ware or made with a kind of color painting process at the same time, can be said to be a collection of a variety of ceramic technology achievements in one, fully reflecting Qianlong The exquisite workmanship of the porcelain made in the dynasty.
