齊白石(1864年1月1日─1957年9月16日)，祖籍安徽宿州碭山，生于湖南長沙府湘潭(今湖南湘潭)人。原名純芝，字渭青，號蘭亭。后改名璜，字瀕生，號白石、白石山翁、老萍、餓叟、借山吟館主者、寄萍堂上老人、三百石印富翁。是近現代中國繪畫大師，世界文化名人。早年曾為木工，后以賣畫為生，五十七歲后定居北京。擅畫花鳥、蟲魚、山水、人物，筆墨雄渾滋潤，色彩濃艷明快，造型簡練生動，意境淳厚樸實。所作魚蝦蟲蟹，天趣橫生。齊白石書工篆隸，取法于秦漢碑版，行書饒古拙之趣，篆刻自成一家，善寫詩文。曾任中央美術學院名譽教授、中國美術家協會主席等職。代表作有《蛙聲十里出山泉》《墨蝦》等。
白石老人曾有"刪去臨摹手一雙"句，反對的是誰，不能深究。但我們需要崇尚的是老人這種原創的精神。大理論家陳傳席先生曾這樣說"白石的山水太天才化了，只宜欣賞，不宜師學"。如果說白石老人的花卉翎毛有青藤白楊或他人的影子，那老人的山水才是真正的"我家山水"!盡管白石老人在山水上也繼承了前人的傳統(也曾學四王山水)，但改的比較徹底。劉新惠先生也認為"白石山水甲天下"!本幅《綠天野屋》，是具有文人化畫風的山水意境，氣勢雄渾，趣味高古;且構圖大膽，新穎絕倫，展現出出人意表的奇想。大家所謂白石老人的"饅頭山"是不加皴染的率性而為，這是真正的"獨抒性靈，不拘一格"的童心展現，是"吾寫吾法"的真性情的描繪。但這種率性而為并不是粗疏，試看白石老人筆下之芭蕉，說"疏可跑馬，密不透風"，還說"各有千秋，絕不雷同"，從這張畫上完全可以體會一番。每一片芭蕉葉子各具形態，或掩或映，或爭或讓，或壓或承，而最主要的是，盡管如此之繁雜，但絕不凌亂，只要你順著葉脈往下走，就能發現每片葉子都長在它應該長的那棵樹上。如果再拆開看每一根線條，那是功力的體現，篆籀筆法，且流暢自然，非成竹在胸者不能為之;非大師不能為之!就是您想用哪個名人詩句都概括不出而只能說的那句"嘆為觀止"!再看構圖，所謂經營位置，"計白當黑"亦或"色不異空，空不異色"是教學理論的范本。整個畫面是"白"與"黑"的沖突與融合。畫面好像沒有用色，仔細考慮是不是應該這樣想:頭上是晴朗的，一望無垠的藍天，占了大約畫面三分之一的空白，而中間"留白"是一片霧蒙蒙的云霧，綠色的芭蕉葉、白色小屋全用白描勾勒，蕉林小路曲徑通幽，回環之中引人入勝。而只是點厾的苔點兒和遠山是重色，須用筆繁多的絕不渲染，略為簡易的重筆為之，加上優美的自書詩文"芒鞋難忘安南道，為愛芭蕉非學書。山嶺猶疑識過客，半春人在畫中居"以及整個的濃墨題款，顯得對比強烈而沖淡和諧。最后試談本幅圖的境界，"有我之境"和"無我之境"或許是自我選擇的，舉個例子吧!在白石老人畫的這張綠天野屋里，或閑聊、或手談或獨釣，您是愿意呢還是愿意呢還是愿意呢!前人曾有《臥游圖》，說白了就是躺著看著畫兒，想在畫兒里面逛逛，或者小憩一會兒。那這張《綠天野屋屋》的境界，還真得您自個兒去體會了，心曠神怡，仿佛誤入仙境。白石老人的《芭蕉屋圖》有多幅，其"蕉屋"主題與遠游印象、家鄉記憶都有關系。最早的一幅同題畫作于1907年游欽州時名作《綠天過客圖》。以后《綠天過客圖》的變體畫，多題名"芭蕉書屋"或"蕉屋"。"芭蕉"形象在齊白石的藝術世界里成為入乎現實、卻又超越寫實的多元文人意境繪畫語言。白石老人一再描寫芭蕉主題詩畫，借著芭蕉，抒寫情懷，等同效法古代文人陶淵明不如歸去寓意，在充滿詩情畫意的芭蕉意象畫作，透露出個人懷鄉的感覺世界和心理世界。時代的進步，科技的發展是人類努力的必然，但"雙刃劍"的弊病就是造成了"世界是平的"，"同一性"是這個世界的特征，我們都生活在一樣的、狹小的、灰色的空間里;吃的、穿的、用的都是一模一樣的;漫無目的、無聊卻終日忙碌，不知何日就見到了地下的那個老皇上。白石老人的田園風格讓我們能回憶起童年那些美好，田間放牧、草間捉蟲、河里打漁摸蝦甚至是無事閑看路邊的野花。這些是每個成年人所謂"偷得浮生半日閑"所須重溫的那些逝去的日子。所以說白石老人的畫給人一種溫暖、一種期盼、一種寄托、更甚至說是光明。個人以為，收藏不僅僅是要體現它時下的價值，收藏的主要是文化。從藝術思想史的角度考慮，家國之思是每朝每代人都要經歷的苦痛，而作為表現手段之一的藝術形式繪畫可以用"暮鴉賓鴻"為之，也可以用畫家熟識的舊物表達，作為山水田園畫派的白石老人，用自己天才的表現方式做了《綠天野屋》，詮釋了其真情真性，都說思想與形式的統一。
此副《綠天野屋》作品，是白石老人在九十高齡的巔峰之作，且是白石老人在衰年變法的精品巨作。篇幅之大，長：365cm，寬：144cm，近四十八平尺。意境深遠，氣勢恢宏，仿如仙境真是美不勝收。極具投資收藏價值。
Qi Baishi(January 1, 1864-September 16, 1957), a native of Lushan, Suzhou, Anhui Province, was born in Xiangtan, Changsha, Hunan Province(now Xiangtan, Hunan). Formerly known as Chunzhi, the word Yan Qing, No. Lanting. After the name was changed, the word was born, No. Baishi, Baishi Mountain Weng, Lao Ping, Hungry, the owner of the borrowed hill hall, the old man on the boarding hall, and the three hundred stone rich man.It is a master of modern Chinese painting and a world cultural celebrity. He used to be a carpenter in his early years and later made a living selling paintings. After 57 years of age, he settled in Beijing. Good at painting flowers, birds, insects, landscapes, characters, ink and ink, rich and bright colors, concise and vivid shape, artistic conception is simple and simple. The fish, shrimp, insect, and crab that are made are interesting. Qi Baishi, a scholar, took the method in the Qinhanbei edition, and wrote the book in the interest of ancient times. He carved his own family and wrote poetry. He once served as honorary professor of the Central Academy of Fine Arts and chairman of the Chinese Artists Association. Representative works include "Frog sound ten miles out of the mountain spring" "ink shrimp" and so on.
The white stone old man once had the sentence "delete the copy of a pair of hands". The opposition is who can not be studied. But what we need to admire is the original spirit of the elderly. The great theorist, Mr. Chenchuanxi, once said that "the landscape of Baishi is too talented to be studied." If the flower feathers of the white stone old man have the shadow of Qingteng Poplar or others, then the old man's landscape is the real "my family landscape"! Although the white stone old man also inherited the traditions of his predecessors on the mountains(and also studied the four kings of landscapes), he changed it completely. Mr Liuxinhui also believes that "the white stone landscape is under control"! This "Green Sky House" is a landscape artistic conception with literary style. It is magnificent and interesting. And the composition is bold, novel, and shows unexpected ideas. Everyone's so-called "Shantou Mountain" of the white stone old man is not the rate of dyeing. This is the true "unique spirit, eclectic" display of innocence. It is the depiction of the true nature of "I write my law." However, this kind of frankness is not rough. Look at the plantain under the pen of the old man of Baishi. He said that "you can run horses and you can't breathe through the wind." He also said that "each has its own time, and you will never agree with each other." You can fully experience it. Each banana leaf has its own form, whether it is covered or reflected, or it is contested or given, or it is pressed or inherited, and the most important thing is that despite its complexity, it is not messy, as long as you walk down the veins. You can find each leaf on the tree where it's supposed to grow. If you open each line again, it is a manifestation of skill, seal writing, and smooth natural, non-bamboo in the chest can not be; No master can do it! It's the "amazing" you can only say when you can't sum it up in any famous verse! Looking at the composition, the so-called business position, "white when black" or "color is not different, empty is not different" is a model of teaching theory. The whole picture is a conflict and fusion of "white" and "black". The picture seems to have no color, and carefully consider whether it should be thought that the head is clear, and the vast blue sky accounts for about one-third of the blank screen, and the middle "white" is a fog. The green banana leaves and white huts are all outlined in white drawings. The banana forest path is quiet and attractive in the loop. Only the Moss point and the distant mountain are heavy colors. They must be rendered with a large number of pens, and they are slightly easier to use. Together with the beautiful self-written poem, "Annandao's shoes are unforgettable." The mountains still suspect that they have known the guests, and the people in the middle of the spring live in the paintings. "As well as the entire thick ink title, it appears that the contrast is strong and the harmony is diluted. Finally, try to talk about the realm of this map. "There is my situation" and "There is no me" may be self-selected, for example! In this green field house painted by the white stone old man, or gossip, or hand-talk or fishing alone, do you want to do it or do you want to do it? The predecessors had a "lying tour map", that is, lying down to look at the picture, want to browse in the picture, or take a nap for a while. The realm of this "Green Sky House" is really your own experience, relaxed and happy, as if you had strayed into Wonderland. There are many pieces of "Banana House Map" by the old man of Baishi. The theme of "Banana House" is related to the impression of travel and the memory of his hometown. The earliest painting of the same subject was the "Green Sky Passing Map" when he visited Qinzhou in 1907. Later, the "Green Sky Passing Map" was a variant of the painting, which was titled "Banana Book House" or "Banana House." In Qi Baishi's art world, the image of "Basho" has become a realistic, but beyond the realistic, multi-literary painting language. Bai Shi's old man repeatedly described the theme of plantain poetry and painting. Through plantain, he wrote his feelings. He was equivalent to imitating the ancient literati Tao Yuanming. He was more likely to return to the meaning. In the plantain image painting full of poetry, he revealed the feeling world and psychological world of personal nostalgia. The progress of the times and the development of science and technology are inevitable to mankind's efforts, but the malady of the double-edged sword is the fact that the world is flat and identity is the characteristic of the world. We all live in the same, narrow, gray space; Food, clothing, and use are all exactly the same; Aimless, boring but busy all day long, I do not know when I saw the old emperor underground. The pastoral style of the white stone old man reminds us of the beautiful childhood, grazing in the fields, catching insects in the grass, fishing in the river, and even watching wild flowers on the roadside. These are the days of the past that every adult has to relive in what he or she calls "stealing for the rest of his or her life". Therefore, Bai Shi's paintings give people a kind of warmth, a kind of expectation, a kind of sustenance, and even a light. Individuals think that the collection is not only to reflect its current value, the collection is mainly culture. From the perspective of the history of artistic thought, family thoughts are the pain that every generation must experience, and the art form painting as one of the means of expression can be used as "Muyabinhong", or it can be used as an old thing familiar to the painter. Expression, As the white stone old man of the landscape pastoral school, he used his genius to do the "Basho Book House" and interpreted his true feelings. They all said that the unity of ideas and forms.
This pair of "Greenfield House" works is the pinnacle of the white stone old man at the age of 90, and is a masterpiece of the White Stone old man's reform in the declining years. The length is large, length: 365 cm, width: 144cm, nearly fourty-eight square feet. The artistic conception is profound, magnificent, and like a fairyland, it is beautiful. Very investment collection value.
