傅抱石是美術(shù)史方面很有造詣的一位畫(huà)家，特別是他在日本東京帝國(guó)大學(xué)史學(xué)泰斗金原省吾門(mén)下研習(xí)美術(shù)史論，這使得傅抱石填補(bǔ)了美術(shù)史論研究許多領(lǐng)域的空白。美術(shù)史論的研究造詣對(duì)于他的美術(shù)創(chuàng)作具有很大幫助，把先秦唐宋時(shí)期的繪畫(huà)藝術(shù)變遷融入到自己的審美藝術(shù)之中，這形成來(lái)了傅抱石獨(dú)特的繪畫(huà)風(fēng)格。
Fu baoshi is an accomplished painter in art history, especially when he studied art history theory under the historical leader of Tokyo imperial university jinyuan province. The research on the history of art is of great help to his artistic creation. He integrated the changes of painting art in the pre-qin, tang and song dynasties into his aesthetic art, which formed fu baoshi's unique painting style.
此幅仕女畫(huà)長(zhǎng)：171.5cm寬：68.5cm。圖中仕女粉衣長(zhǎng)裙，略施粉黛，整齊的秀發(fā)，細(xì)長(zhǎng)的修眉，輕柔的身段，漫步于柳蔭溪邊，嫻雅高貴，風(fēng)姿卓約，回眸凝視，嫵媚動(dòng)人，彌漫著清新溫暖的春光。于是，柳蔭仕女成了愛(ài)情的化身，使作品內(nèi)涵得到進(jìn)一步升華，同時(shí)將畫(huà)面的意境不斷擴(kuò)展。這是一次情感激蕩的過(guò)程，也是一次精神體驗(yàn)的過(guò)程。于此，傅抱石以精湛的技巧真實(shí)表現(xiàn)了仕女的豐富與微妙，生動(dòng)描繪出幽雅的畫(huà)境與詩(shī)境，具有扣人心弦的藝術(shù)魅力。寥寥數(shù)筆體現(xiàn)了畫(huà)家深厚的繪畫(huà)功力。
Length: 171.5cm width: 68.5cm. The lady in the picture, wearing a long dress with a little powder and dai, has neat hair, slender eyebrows, and soft figure. She walks beside the liuyin river, elegant and noble, graceful and graceful, gazing back at her, charming and charming, permeating with the fresh and warm spring light. Therefore, lady liu Yin became the embodiment of love, which further sublimated the connotation of the work and expanded the artistic conception of the picture. It is an emotional and spiritual experience. In this, fu baoshi with exquisite skills to truly show the rich and subtle ladies, vivid description of the elegant painting and poetry, with exciting artistic charm. A few strokes reflect the painter's profound painting skills.
傅抱石是中國(guó)近現(xiàn)代中一位學(xué)者型的藝術(shù)大家。無(wú)論在美術(shù)理論還是繪畫(huà)、篆刻上傅抱石都有著很高的造詣，為新金陵畫(huà)派及新山水畫(huà)的創(chuàng)始人和代表人物。十余年來(lái)，其書(shū)畫(huà)作品也一直是中國(guó)近現(xiàn)代書(shū)畫(huà)市場(chǎng)所關(guān)注的焦點(diǎn)。有人粗略估計(jì)，傅抱石作品的存世量約在3000幅左右，遠(yuǎn)不及齊白石、張大千的十分之一，這也是市場(chǎng)熱烈追逐其作品的原因之一。此幅傅抱石仕女畫(huà)不僅是敘事的淋漓渲染，也是情境的瞬間奔涌，理所當(dāng)然成為傅抱石仕女畫(huà)的經(jīng)典之作，極具藝術(shù)價(jià)值和收藏價(jià)值。
Fu baoshi is a scholarly artist in modern China. Fu baoshi has high attainments in art theory, painting and seal cutting. He is the founder and representative of the new jinling school of painting and the new landscape painting. For more than ten years, its calligraphy and painting works have been the focus of the Chinese modern painting and calligraphy market. Some people roughly estimate that the number of fu baoshi's works in existence is about 3,000, far less than qi baishi and zhang daqian's one-tenth. This painting of fu baoshi ladies is not only the full rendering of narration, but also the instantaneous surging of the situation, which naturally becomes the classic painting of fu baoshi ladies, with great artistic value and collection value.
