圣翰德——四川高平縣十倆銀錠精品推薦
中國古代貨幣。即熔鑄成錠的白銀。始自漢代，其后各代皆有鑄造，但流通不廣。至明代盛行，但不是國家法定貨幣。至清，始作為主要貨幣流通。重量不等，因以“兩”為主要重量單位，故又稱銀兩。明清兩代白銀作為主要貨幣流通，鑄錠盛行。我們今天所見元寶尤以明清居多。
Saint-Hande _ High-quality Silver Ingots in Gaoping County, Sichuan Province
The silver ingot is mainly in Sichuan as the representative of the ten-two-round ingot type, and the bottom honeycomb is obvious. Chinese ancient currency. I.e., the silver cast into the ingot. Since the Han Dynasty, the later generations have cast, but the circulation is not wide. It was popular in the Ming Dynasty, but not the national legal currency. To the Qing Dynasty, it is the main currency circulation. The weight is not equal, because the "two" is the main unit of weight, it is also known as silver. In the Ming and Qing dynasties, silver was used as the main money circulation, and the ingot was popular. We have seen Yuanbao today, especially in the Ming and Qing Dynasties.color.
藏品名稱：四川高平縣十倆銀錠
藏品規格：重：261.28g
Name of Collection: Shihu Silver Ingot, Gaoping County, Sichuan Province
Collection specification: weight: 261.28g
銀錠鑄成后，由公估局鑒定并用墨筆批明重量和成色。明清銀錠的成色一般在95－98之間，外表具有銀的特殊光澤和溫潤。因澆鑄時范中殘留有氣體的原因，銀錠底部都有不規則的氣體空洞，俗稱蜂窩。蜂窩是鑒定真偽和成色的重要參考條件。蜂窩較深、洞圓潤光亮、神氣足、有彩色光澤者，成色必好。如果蜂窩中灰黑一片，銀錠則很有可能是低色或贗品。銀表面容易氧化，所以常有一層黑色和灰白色的氧化銀。白銀作為貨幣在我國有著悠久的歷史。自東漢以來黃金逐步退出流通，白銀地位日益提升，銀錠成為古代基礎貨幣之一。銀錠在宋朝以前稱銀鋌，銀鋌大約出現在三國和南北朝時期，至隋唐時已日益完善，唐代白銀貨幣的形制以銀餅和銀鋌為主，一般是長方形條狀，同時有餅狀和船形;宋代，尤其是南宋，白銀貨幣的使用范圍更廣泛，宋代和金朝銀錠在各地出土較多。宋代白銀貨幣形制以鋌為主，與唐銀相比形態變寬、變厚，正面四角微翹，呈砝碼形，兩頭兩個圓弧呈束腰形，遼、西夏、金的銀錠形制與宋差異不大;元代鑄造的銀錠形制則沿襲了金朝的銀鋌形制，弧首束腰，正面略凹，周圍有多道絲紋。
After silver ingots are cast, the weight and color are identified by the Bureau of Evaluation and marked with ink pens. The color of silver ingots in Ming and Qing dynasties is generally between 95 and 98, with the special luster and warm appearance of silver. Because of the residual gas in the casting, there are irregular gas voids at the bottom of the silver ingot, commonly known as honeycomb. Honeycomb is an important reference condition for identifying authenticity and color. The honeycomb is deep, the hole is round and bright, the air is enough, has the color gloss, the color must be good. If the honeycomb is gray and black, the silver ingot is likely to be a low color or fake. Silver surface is easy to oxidize, so there is often a layer of black and gray silver oxide. Silver, as a currency, has a long calendar in our country. History. Since the Eastern Han Dynasty, gold gradually withdrew from circulation, silver status is increasing day by day, silver ingots become one of the ancient basic currencies. Silver ingot was called silver collar before Song Dynasty. Silver collar appeared in the three Kingdoms and Southern and Northern dynasties, and became more and more perfect by Sui and Tang dynasties. The shape of silver ingot in Tang Dynasty was mainly silver cake and silver collar, which was generally rectangular strip, and there were cake and ship shape at the same time. In Song Dynasty, especially in Southern Song Dynasty, silver ingot was more widely used in Song Dynasty and Jin Dynasty. The shape of silver currency in Song Dynasty was mainly collar. Compared with Tang silver, the shape became wider and thicker, the front four corners were slightly warped, in the shape of weight, and the two arcs at both ends were waist shaped, Liao and West. In Xia and Song dynasties, the silver ingot shape of gold was not different from that of Song Dynasty, while the silver ingot shape cast in Yuan Dynasty followed the silver collar shape of Jin Dynasty, with an arc head waist, a slightly concave front and many silky lines around it.
明清時期是我國銀錠鑄造、使用、流通的鼎盛時期，其品種頗多，有五十兩、十兩、五兩、四兩、三兩、二兩和一兩等各種規格。一般的銀錠內都鑄有收入來源、產地、年份、成色、爐名或銀匠姓名等內容的銘文，內容歷代不盡相同。通過研讀銘文，可以鑒定銀錠屬于哪個歷史時期，收藏者只需了解銀錠上的銘文知識進行集藏即可。明清銀錠還有官鑄和私鑄之分，官鑄的銀錠一般把重量銘文鑄在側面，而且每錠都有銀局名，如“厘金局”、“官錢局”等，清代中后期各省鑄造的官錠還要鐫上省名，如“湖南厘金局”、“四川官錢局”等;私鑄銀錠銘文基本是私銀錢號名稱，如“興盛昌、震遠錢局”、“裕記匯號紋銀”等等。兩者的地位不同，其收藏價值也是無法相比的。在收藏市場上，同規格的官鑄銀錠與私鑄銀錠的價格相差很大，官鑄銀錠的標價往往是私鑄銀錠的數倍甚至十多倍。一是因為流傳下來的官銀數量更少;二是因為官銀成色足，制作也更精美;三是因為官銀附帶的史料價值正統可靠，買進的人也放心。此外，品相好的明清銀錠升值速度也較快，史料價值越強的銀錠則收藏價值越高，尤其是稅銀及刻有金融史料性文字的銀錠更是比普通品種升值空間大許多。
After silver ingots are cast, the weight and color are identified by the Bureau of Evaluation and marked with ink pens. The color of silver ingots in Ming and Qing dynasties is generally between 95 and 98, with the special luster and warm appearance of silver. Because of the residual gas in the casting, there are irregular gas voids at the bottom of the silver ingot, commonly known as honeycomb. Honeycomb is an important reference condition for identifying authenticity and color. The honeycomb is deep, the hole is round and bright, the air is enough, has the color gloss, the color must be good. If the honeycomb is gray and black, the silver ingot is likely to be a low color or fake. Silver surface is easy to oxidize, so there is often a layer of black and gray silver oxide. Silver, as a currency, has a long calendar in our country. History. Since the Eastern Han Dynasty, gold gradually withdrew from circulation, silver status is increasing day by day, silver ingots become one of the ancient basic currencies. Silver ingot was called silver collar before Song Dynasty. Silver collar appeared in the three Kingdoms and Southern and Northern dynasties, and became more and more perfect by Sui and Tang dynasties. The shape of silver ingot in Tang Dynasty was mainly silver cake and silver collar, which was generally rectangular strip, and there were cake and ship shape at the same time. In Song Dynasty, especially in Southern Song Dynasty, silver ingot was more widely used in Song Dynasty and Jin Dynasty. The shape of silver currency in Song Dynasty was mainly collar. Compared with Tang silver, the shape became wider and thicker, the front four corners were slightly warped, in the shape of weight, and the two arcs at both ends were waist shaped, Liao and West. In summer, the silver ingot form of gold is not much different from that of the Song Dynasty; in the Ming and Qing Dynasties, the period of the Ming and Qing Dynasties is the peak of the casting, use and circulation of the silver ingot in China. It has a large variety of varieties, including fifty-two, ten, two, five, four, three, two, and one or two different specifications. The general silver ingot is cast with the inscription of the source of income, the place of production, the year, the color, the name of the furnace, the name of the silversmith, etc., the contents of which are not the same. Through the study of the inscription, it is possible to identify which historical period the silver ingot belongs to, and the singer only needs to know the inscriptions on the silver ingot for collection. The silver ingot in the Ming and Qing dynasties is also divided into the official casting and the private casting, and the silver ingots of the official casting generally cast the weight on the side, and each ingot has silver. The local name, such as "Lujin Bureau", "government and money bureau", and so on, in the middle and late of the Qing Dynasty, the central and middle-later provinces cast the official ingot, such as the "Hunan Jijin Bureau", the "Sichuan Guanqian Bureau", etc.; the private cast silver ingot is the name of the private silver money, such as the "Xingsheng Chang, Zhenyuan Qian Bureau", the "Yu Jihui No.", and so on. The status of the two is different, and its collection value is not comparable. [1] In the collection market, the price of the co-cast silver ingot of the same specification is very different from that of the private cast silver ingot, and the price of the official cast silver ingot is often several times or even more than ten times that of the privately-cast silver ingot. one is because the amount of official silver is less than that of the official silver, because the silver of the official silver is sufficient, and the production also The period of the Ming and Qing Dynasties is the heyday of the casting, use and circulation of the silver ingot in China. It has a large variety of varieties, including fifty-two, ten, two, four, three, two, two, and one or two different specifications. The general silver ingot is cast with the inscription of the source of income, the place of production, the year, the color, the name of the furnace, the name of the silversmith, etc., the contents of which are not the same. Through the study of the inscription, it is possible to identify which historical period the silver ingot belongs to, and the singer only needs to know the inscriptions on the silver ingot for collection. The silver ingot in the Ming and Qing Dynasties is also divided into official casting and private casting. The silver ingots of the official casting generally cast the weight on the side, and each ingot has a silver bureau name, such as the "Lujin Bureau", "the official". in that middle and late of the Qing dynasty, the money bureau and so on, in the middle and late of the Qing dynasty, the official ingot to be cast also have the name of the province, such as the Hunan Branch Bureau, the Sichuan government and money bureau and so on; the inscription of the private cast silver ingot is mainly the name of the private silver money, such as the "prosperous chang, the earthquake yuan bureau, the margin of the margin", and so on. The status of the two is different, and its collection value is not comparable. In the collection market, The price of the same-sized official cast-in-silver ingot is very different from that of the private-cast silver ingot, and the price of the official cast-in-silver ingot is often several times or more times that of the privately-cast silver ingot. 3. The value of the historical materials attached to the official silver is positive. The whole system is reliable and the buy-in is assured. In addition, the rising speed of the silver ingot in the Ming and Qing Dynasties with good quality is also faster. The higher the value of the historical materials, the higher the collection value, especially the silver ingot with the silver and the financial historical materials, is much larger than the appreciation space of the common variety.
珍品現暫放于“四川圣翰德拍賣有限公司”有意可直接與公司聯系！
This treasure is now temporarily placed in "Sichuan Shenghande Auction Co., Ltd." is interested in direct contact with the company!
四川圣翰德是一家集藝術品線上線下展覽展銷、拍賣、文化交流、藝術鑒賞于一體的綜合性運營公司；以“汲取中國智慧，弘揚中國精神，創造中國價值”的經營宗旨，以高瞻遠矚的視野、積極的策劃運作能力、極具開拓精神的團隊，引領中國文化走向世界。
Sichuan Shenghande is a comprehensive operation company that integrates art online and offline exhibitions, auctions, cultural exchanges, and art appreciation. With the purpose of "drawing on Chinese wisdom, promoting the Chinese spirit, and creating Chinese values", the Chinese culture will be led to the world with a vision, active planning and operational ability, and a team with great pioneering spirit.
