高古玉器（漢代前）的取材，有的源于地方玉，有的來自新疆的和闐玉，大都取材于河床中的籽料或山流水料，這兩種玉料因剝離礦床時間很久，在不同的外界環境下，其自身已形成了玉皮和沁色。但是古人制玉卻認為皮和沁全是雜質而將其去掉只保留玉的精華部分、(商代的一些小動物留有玉皮及巧色)高古玉器大部分都帶有沁色。玉質的不同、地域不同、土壤的環境不同、埋藏的時間不同等因素造成玉的沁色也不同，有時一件玉器上會有幾種沁色。分辨古玉的各種沁色可以斷定古玉的真偽。我們如今看到真古玉的沁色都是成器后沁入的。高古玉多為帝王皇家達官貴人用玉，從用料、制作工藝、文化氣息上有著厚重深奧的內涵。除了欣賞古人的琢玉技藝、品味高古玉中神韻飛揚的歷史文化內涵以外，把玩一塊高古玉，就像品讀著年代久遠的歷史的傳奇，手中古玉演繹的人間故事隱約可觀，古意融融，人玉靈通，把玩者的心境是不可以用語言表述的。價值不菲的高古玉，琢制技藝十分精湛，無論是淺浮雕、透雕，還是陰線刻畫，均拙樸細精，實其中的“漢八刀”和雙溝碾法(又稱“游絲毛雕”)如今更是難以模仿。
The materials of high ancient jades (before Han Dynasty) are from local jades, Hetian Jades from Xinjiang, mostly from seed materials or mountain water materials in the river bed. These two kinds of jades have formed jade skin and Qinse in different external environments due to the long time of stripping the deposit. But the ancients made jade that the skin and Qin were all impurities and removed them, only preserving the essence of jade. (some of the Shang Dynasty's small animals had jade skin and clever coloring). Most of the ancient jade articles were colored with color. Different jade quality, different region, different soil environment, different burial time and other factors lead to different Qinse of jade. Sometimes there are several Qinse on a piece of jade. It can be concluded that ancient jade is true or false by distinguishing its various colors. Now we see that the color of the real ancient jade is all after it is made. High ancient jade is mostly used by emperors, royal officials and dignitaries. It has profound connotation in material, manufacturing technology and cultural atmosphere. In addition to appreciating the ancient jade carving skills and appreciating the historical and cultural connotation of the verve flying in the high ancient jade, playing with a piece of high ancient jade is like reading the legend of a long history. The human story played by the ancient jade in the hand is vague and considerable, ancient and harmonious, human jade is smart, and the mood of the player can not be expressed in words. The high ancient jade of great value has a very exquisite craftsmanship. Whether it's a shallow relief sculpture, an openwork sculpture or a Yin line depiction, it's simple and delicate. The "eight swords of Han Dynasty" and the double groove milling method (also known as "hairline carving") are more difficult to imitate nowadays.
明黃成《髹飾錄》：“描金，一名泥金畫漆，即純金花文也。朱地、黑質共宜焉。其文以山水、翎毛、花果、人物故事等；而細鉤為陽，疏理為陰，或黑里，或彩金像。”沈福文《漆工資料》具體介紹了描金漆裝飾的制作過程：“將打磨完的素胎涂漆，再髹涂紅色漆或黑漆，這層漆叫上涂漆。干燥打磨平滑后……推光達到光亮后，用斗透明漆調彩漆。薄描花紋在漆器面上，然后放入溫室，待漆將要干燥時，用絲棉球著最細的金粉或銀粉，刷在花紋上，花紋則成為金銀色。”這種方法制成的漆器有金碧輝煌的效果。早在戰國、漢代，中國已掌握了用金的方法，到宋代出現描金花紋的漆器，明代仇英即擅長描金彩漆制作。
Ming and Huang Cheng's "painting records": "painting gold, a clay painting paint, that is, pure gold flower text. Zhu Di and black are suitable. Its text takes mountains and rivers, feathers, flowers and fruits, character stories, etc.; while the thin hook is the Yang, and the dredging is the Yin, or the black Li, or the colorful golden statue. " Shen Fuwen's "painter's information" specifically introduces the production process of gold paint decoration: "the polished flat tire is painted, and then painted with red or black paint, which is called painting. After drying and polishing After the light is pushed to be bright, use the bucket transparent paint to mix the color paint. Trace the pattern on the surface of the lacquer ware, and then put it into the greenhouse. When the paint is going to dry, use a silk cotton ball to brush the thinnest gold or silver powder on the pattern, and the pattern will become gold and silver. " The lacquerware made by this method has a brilliant effect. As early as the Warring States period and Han Dynasty, China had mastered the method of using gold. By the Song Dynasty, there were lacquerware with gold patterns. Qiu Ying of Ming Dynasty was good at making gold colored lacquer.
千珍堂拍賣有限公司
Qianzhentang Auction Co., Ltd.
為扶持中國藝術市場,保護發掘中國各時期藝術文物,將藝術與經濟相結合,發掘文物藝術背后的價值,讓更多的人了解文物,將中國特有的藝術推向更廣的舞臺
In order to support the Chinese art market, protect and excavate artistic and cultural relics in different periods of China, combine art with economy, excavate the value behind the art of cultural relics, let more people understand the cultural relics, and promote the art with Chinese characteristics to a broader stage.
經過多方考察,選定民間藏品較多及中國古文化保存較好的中國西南地區的行政、文化、經濟中心成都作為藝術征集中心,故經過籌備,成立了四川千珍堂拍賣有限公司。
AAfter many investigations, Chengdu, the administrative, cultural and economic center of Southwest China, which has a large number of folk collections and a good preservation of ancient Chinese culture, was selected as the art collection center. Therefore, after preparation, Sichuan Qianzhentang Auction Co., Ltd. was established.
四川千珍堂以從事文物藝術品征集、拍賣、展覽、交流等活動為主,旨在通過各種文化交流活動,弘揚中華民族文化,提高中國藝術品在世界上的地位和影響;為海內外收藏家和機構提供一個物暢其流、物盡其用的高層次、高品質的文化交流空間。四川千珍堂秉承“依法經營、信譽至上”原則,以雄厚的人才優勢,嚴謹的審鑒態度、精湛的收藏品質量、暢通的客戶網絡,將藝術與經濟完美結合。
Sichuan Qianzhentang is mainly engaged in collecting, auctioning, exhibiting and exchanging cultural relics and works of art, aiming at promoting the Chinese nation's culture through various cultural exchange activities, improving the status and influence of Chinese art in the world, and providing a high-level and high-quality collector and institution at home and abroad with a smooth flow of things and their best use. Space for cultural exchange. Sichuan Qianzhentang adhering to the principle of "operating according to law and putting credit first", combines art with economy perfectly with abundant talent advantages, rigorous attitude of audit, exquisite quality of collection and unblocked customer network.
四川千珍堂業務范圍囊括舉辦大中型藝術品交流會、展覽、鑒定、修復、藝術資訊、舉辦拍賣會等;經營藝術收藏品品類涵蓋中國書畫、各時期瓷器、古代玉器、當代玉器、鉆石私人定制、珠寶首飾私人定制、古籍碑帖、油畫雕塑、陶瓷玉雕、竹木牙角、金銅佛像、木器家具、當代工藝品等。
Sichuan Qianzhentang's business scope includes holding large and medium-sized art exchange, exhibition, appraisal, restoration, art information, auction and so on; its art collection category covers Chinese calligraphy and painting, porcelain of various periods, ancient jade, contemporary jade, diamond private customization, jewelry private customization, ancient books stele, oil painting carving. Sculpture, ceramic jade carving, bamboo and wood tooth horns, golden and bronze Buddha statues, wooden furniture, contemporary crafts, etc.
隨著國內藝術品市場的蓬勃發展與多元化需求,四川千珍堂將以持續的創新力開辟品類化專場,擬開展書法、文房、玉器、鼻煙壺以及金銅佛像、當代工藝品等專業性很強的專場項目,為細化審美視野,引導專項收藏作出積極貢獻。
With the vigorous development of the domestic art market and diversified demand, Sichuan Qianzhentang will open up a special field of category with sustained innovation. It intends to carry out professional special projects such as calligraphy, study, jade, snuff bottle, golden and bronze Buddha statues and contemporary arts and crafts, so as to make positive contributions to refine the aesthetic horizon and guide the special collection.
四川千珍堂還將配合負責銷售的海外國際大型拍賣公司將征集渠道展向全球,卓具名譽地搭建起國際型藝術品交易平臺,促成海外文物高量回流。四川千珍堂拍賣有限公司迄今已成功舉辦多次品類豐富的海外藏家專場拍賣,地域遍及英國、法國、澳大利亞、加拿大、意大利、迪拜、美國等地。
免費鑒定,國際拍賣,快速出手
地址:四川成都市益州大道北段333號東方希望中心1棟501
Sichuan Qianzhentang will also cooperate with large overseas auction companies responsible for sales to expand the collection channels to the world, and build an international art trading platform with high reputation to facilitate the high volume of overseas cultural relics return. Up to now, Sichuan Qianzhentang Auction Co., Ltd. has successfully held many kinds of overseas collectors'special auction, covering Britain, France, Australia, Canada, Italy, Dubai, the United States and other places.
Free appraisal, international auction, quick start
Address: 501 East Hope Center, 333 North Yizhou Avenue, Chengdu, Sichuan
