藏品名稱：大泉五十
Collection name: Daquan 50
直 徑：2.8cm
Diameter: 2.8cm
重 量：5.5g
Weight: 5.5G
胡書“大泉五十”錢，在《契丹文珍稀錢幣考釋圖說》一書中有載。考釋：錢文是神冊五年（920）契丹大字頒行前的早期契丹文字。胡書“大泉五十”是契丹人制造的玩賞錢，不是行用錢。它以獨具匠心的設(shè)計，異化變形的文字，展示了契丹人的聰穎智慧和審美情趣，以實物證明契丹民族在早期文明程度已高度發(fā)達(dá)。
Hu Shu's "Big Spring 50" money is contained in the book "Textual Research and Explanation of Precious Coins in Khitan". Textual Research: Qian Wen was the early Khitan script five years before the promulgation of the large character of Khitan in the Book of God (920). Hu Shu's "Big Spring 50" is a kind of entertainment money made by Khitan people, not a kind of money. It demonstrates the wisdom and aesthetic taste of the Khitan people with its ingenious design and dissimilated and deformed characters, and proves that the Khitan nationality has developed highly in its early civilization.
這種胡書“大泉五十”錢當(dāng)時鑄量不會很多，因為它是供契丹貴族階層的玩賞錢。經(jīng)過“諸弟之亂”和千年戰(zhàn)火的摧殘，遺留在人世間的此種錢也一定很罕見，作為一種展示契丹文明的藝術(shù)品，能留到今天實在難能可貴。為請泉友品味胡書“大泉五十”情趣而發(fā)此錢。
This kind of Hushu "Daquan 50" money would not have been cast much at that time, because it was for the entertainment of the Khitan aristocratic class. After the "Rebellion of Brothers" and the devastation of the Millennium war, the money left behind in the world must be very rare. As a kind of art exhibiting the Khitan civilization, it is very valuable to remain today. This money is for inviting Quanyou to enjoy Hu Shu's "Big Spring 50" interest.
“大泉五十”鑄行時間雖然僅有13年是王莽新朝通行貨幣其字謄寫工致有加，字形巨細(xì)適中，整體結(jié)構(gòu)規(guī)范協(xié)調(diào)，筆劃橫直直立，凸顯莊重端美，書相威風(fēng)凜凜威風(fēng)凜凜典型，本色書風(fēng)神韻，莽爐出品而無需再表。其字廓紋飾皆深竣挺秀，鼓凸自然有度，錢文筆劃較為纖細(xì)，清晰可辨，緣接地章渾圓具備非常高收藏價值。
Although it was only 13 years since the founding of "Daquan 50" in Wang Mang's new dynasty, it was a popular currency with exquisite transcription, moderate size, standardized and coordinated overall structure, straight and upright strokes, solemn and dignified end beauty, majestic and majestic appearance of the book, natural and elegant style of the book, which was produced by mang stove without any need of further expression. Its characters are deep, straight and beautiful, bulging and natural. The strokes of Qian Wen are thin, clear and distinguishable. The edge grounding is round and round, which has a very high collection value.
