倫敦王琦人物瓷板畫精品
倫敦雜項專場為藏品強大的轉(zhuǎn)播效應(yīng)向各位買家推薦經(jīng)國際一級鑒定專家甄選的藝術(shù)珍品，為藏家牽線搭橋，讓上百件藝術(shù)珍品價值被發(fā)掘與重視，在拍賣會上得以高價成交。
For the powerful broadcasting effect of the collection, the London miscellaneous special session recommends to all buyers the art treasures selected by the international first-class appraisal experts, and bridges the way for collectors, so that hundreds of art treasures can be explored and valued, and can be sold at a high price at the auction.
【名稱】：王琦瓷板畫
【規(guī)格】：十一條屏
[name]: porcelain plate painting by Wang Qi
[Specification]: 11 screens
王琦（1884—1937），男，號碧珍，別號陶迷道人，室名陶陶齋。祖籍安徽，生于江西新建。中國陶瓷美術(shù)大師，民國時期景德鎮(zhèn)瓷繪名家。原擅捏面人，1901年來景德鎮(zhèn)后，向鄧碧珊學(xué)習(xí)陶瓷繪畫藝術(shù)和人像繪畫藝術(shù)，人物畫法為寫意，人體繪畫主要是瓷板肖像，后又學(xué)習(xí)錢慧安的繪畫藝術(shù)， 因扎實的繪畫功力和聰穎的繪畫悟性，很快就超過碧珊先生。1916年浮梁知事程安贈王琦“神乎技藝”一匾，從此聲名鵲起，財源滾滾而來。1916年王琦、王大凡赴上海參觀海上畫派畫展，接觸揚州八怪，尤喜歡黃慎的畫風(fēng)。
Wang Qi (1884-1937), male, No. Bizhen, No. Tao fan Taoist, room name Tao Tao Zhai. His ancestral home is Anhui Province, and he was born in Xinjian, Jiangxi Province. He is a master of Chinese ceramic art and a famous porcelain painter in Jingdezhen during the period of the Republic of China. He was good at making faces. After he came to Jingdezhen in 1901, he studied ceramic painting and portrait painting from Deng Bishan. Figure painting is freehand brushwork. Human body painting is mainly porcelain plate portrait. Later, he studied Qian Huian's painting art. Because of his solid painting skills and intelligent painting comprehension, he soon surpassed Mr. Bishan. In 1916, Cheng An, the governor of Fuliang, presented Wang Qi with a plaque of "supernatural skill". Since then, his fame has risen and his wealth has been rolling in. In 1916, Wang Qi and Wang Dafan went to Shanghai to visit the exhibition of the maritime School of painting. They met the eight monsters of Yangzhou, especially liked Huang Shen's painting style.
其運用繪像方法繪一般瓷器之人物頭面（俗稱西法頭子），仿黃癭瓢（黃慎）寫意法畫衣紋，頗稱新奇。1920年后，所繪瓷板畫《瞎鬧一場》、《鉆錢眼》、《節(jié)節(jié)高》均名重一時。王琦瓷上落墨，仿王羲之、懷素帖書體，所畫人物不繪布景，突出形態(tài)表情，別有趣味。與鄧碧珊等八人時相過從，品評畫理，有“珠山八友”之稱，一般則稱為“八大名家”。是“珠山八友”的領(lǐng)軍人物，他在汪曉棠和潘宇等人的影響下，先與王大凡等人發(fā)起和組織“景德鎮(zhèn)陶瓷研究社”，后又于1928年與王大凡等人組成藝術(shù)團體——“月圓會”，借此抒發(fā)胸志，以瓷會友。
It uses the painting method to draw the head of the general porcelain (commonly known as the head of the western method), and imitates the freehand painting method of Huang yingpiao (Huang Shen), which is quite novel. After 1920, the porcelain plate paintings "making a fool of myself", "drilling money hole" and "saving high" were all of great importance. Wang Qi's painting on the porcelain imitates Wang Xizhi's and huaisu's calligraphy style. The painted figures do not draw scenery, highlight the form and expression, and are not interesting. With Deng Bishan and other eight people, they have followed and commented on the painting theory. They are called "eight friends of Zhushan mountain" and "eight famous artists" in general. He was the leader of "eight friends of Zhushan". Under the influence of Wang Xiaotang and Pan Yu, he first initiated and organized "Jingdezhen Ceramic Research Society" with Wang Dafan and others, and then formed an art group - "moon circle meeting" with Wang Dafan and others in 1928, in order to express his ambition and make friends with porcelain.
此作品、品相極佳，保存完好，人物故事描繪栩栩如生，字體清晰可見，堪稱絕世佳品。此瓷板畫存世量稀少，世間少有之物。極具有研究和收藏價值。
This work is excellent in appearance, well preserved, lifelike in character story description and clearly visible in font, which can be called the best in the world. This porcelain plate painting is rare in the world. Extremely valuable for research and collection
