藏品推薦：《齊白石昆蟲花卉圖》
【名稱】《齊白石昆蟲花卉圖》
【書畫家】齊白石
【類別】書畫
【畫家介紹】
[name] "Qi Baishi insect flower painting"
[calligrapher and painter] Qi Baishi
[category] painting and calligraphy
[artist introduction]
齊白石(1864年1月1日─1957年9月16日)，祖籍安徽宿州碭山，生于湖南長沙府湘潭(今湖南湘潭)人。原名純芝，字渭青，號蘭亭。后改名璜，字瀕生，號白石、白石山翁、老萍、餓叟、借山吟館主者、寄萍堂上老人、三百石印富翁。
Qi Baishi (January 1, 1864 to September 16, 1957) was born in Xiangtan (now Xiangtan, Hunan Province), Changsha City, Hunan Province. Its original name is Chunzhi. It is Weiqing and Lanting. Later, it was renamed Huang, with the name of Bensheng. It was named Baishi, Baishi mountain Weng, Laoping, hungry old man, the owner of the mountain chanting hall, the old man in Jiping hall, and the rich man with three hundred stone seals.
是近現代中國繪畫大師，世界文化名人。早年曾為木工，后以賣畫為生，五十七歲后定居北京。擅畫花鳥、蟲魚、山水、人物，筆墨雄渾滋潤，色彩濃艷明快，造型簡練生動，意境淳厚樸實。所作魚蝦蟲蟹，天趣橫生。齊白石書工篆隸，取法于秦漢碑版，行書饒古拙之趣，篆刻自成一家，善寫詩文。曾任中央美術學院名譽教授、中國美術家協會主席等職。代表作有《蛙聲十里出山泉》《墨蝦》等。
He is a master of modern Chinese painting and a world cultural celebrity. In his early years, he worked as a carpenter, and later he made a living selling paintings. At the age of 57, he settled in Beijing. He is good at painting flowers and birds, insects and fish, landscapes and figures, with vigorous and moist ink, rich and bright colors, simple and vivid modeling, and simple and simple artistic conception. The fish, shrimp, insects and crabs are very interesting. Qi Baishi is a calligrapher of seal script, which is based on the tablet of Qin and Han Dynasties. It has the charm of running script and is good at writing poetry. He once served as honorary professor of the Central Academy of fine arts and chairman of China Artists Association. The representative works are "frog sound ten miles out of mountain spring", "ink shrimp" and so on.
2017年12月17日晚，齊白石作品《山水十二條屏》亮相拍場，最終以9.315億元人民幣成交，成為目前最貴的中國藝術品。
On the evening of December 17, 2017, Qi Baishi's "Twelve screens of mountains and rivers" appeared on the stage, and finally sold for 931.5 million yuan, becoming the most expensive Chinese art.
齊白石在北京定居后，內心卻是“故里山花此時開也”，的思想軌跡。齊白石不可能將家鄉草木趕過黃河帶到北京，但家鄉草木卻作為一種自然信息隨齊白石來到北京，并化作藝術信息傳達出來，以實現齊白石心理的平衡。齊白石刻了許多寄托著懷鄉之情的閑文印，如“吾家衡岳山下”、“客中月光亦照家山”，是齊白石自抒胸臆的第一主題。齊白石寫了許多的懷鄉詩， 如：“登高時近倍思鄉，飲酒簪花更斷腸，寄語南飛天上雁，心隨君侶到星塘。”又如“飽譜塵世味，夜夜夢星塘”、“此時正是梅開際，老屋檐前花有無”，這些詩句是齊白石“夜不安眠”、“枕上愁余”時所些的肺腑之語。變法和著變意，變意和著變法，鄉心伴著童心，童心也總念鄉心。
After Qi Baishi settled down in Beijing, his heart was the thought track of "hometown flowers are blooming at this time". Qi Baishi can't drive his native plants and trees across the Yellow River to Beijing, but as a kind of natural information, his native plants and trees come to Beijing with Qi Baishi and convey it as artistic information to achieve the psychological balance of Qi Baishi. Qi Baishi engraved many idle seals with homesickness, such as "under the mountain of my family's Hengyue", "Moonlight in the guests also shines on the mountain of my family", which is the first theme of Qi Baishi's self-expression. Qi Baishi wrote many homesickness poems, such as: "when I ascended the heights, I was homesick nearly times. When I drank Zanhua, I was heartbroken. I sent a message to the wild geese flying in the south, and my heart went to Xingtang with my husband." They are also the words of Qi Baishi's heart when he "sleeps at night" and "sleeps on the pillow". Changes and changes, changes and changes, with the rural heart with the childlike, childlike heart also always read rural heart.
齊白石的作品《我最知魚》，畫著小魚圍逐釣餌，是齊白石少時作慣之事，故能知魚"；齊白石77歲時畫《墨豬出欄》，是因為齊白石有一顆“牧汝追思七十年”的心；齊白石畫那些黑蜻蜓、紅甲蟲，是因為齊白石還記得鄉里人叫黑蜻蜒作“黑婆子”，叫小甲蟲作“紅娘子”，這正是農民眼中的草蟲，是農民的審美情趣；齊白石畫鲇魚題“年年有余”，畫石榴象征多子，畫桃子象征多壽，這也是民間藝術喻意象征的特色。
Qi Baishi's work "I know the most about fish", which depicts small fish around fishing baits, which is what Qi Baishi used to do when he was young, so he can know fish "; Qi Baishi painted" black pig out of the market "when he was 77, because Qi Baishi had a heart of" Mu Ru remembers 70 years "; Qi Baishi painted those black dragonflies and red beetles, because Qi Baishi still remembered that the villagers called black dragonflies as" black women "and small beetles as" little beetles ".“ Red Lady ", which is the grass insect in the eyes of farmers, is the aesthetic interest of farmers; Qi Baishi painted the catfish title" more than every year ", painted pomegranate as a symbol of many children, painted peaches as a symbol of longevity, which is also the feature of folk art metaphor.
齊白石筆下的鐘馗、壽星、仙佛一類作品，也是農民們聊天時嘴邊上的對象。這類作品，是齊白石的戀鄉情結和童真情趣的自然流露，是“以農器譜傳吾子孫”的愿望，是一種有異于“詩書傳家遠”的農民意識的自覺的表白。當齊白石畫《白菜辣椒》時，不僅有感于紅與黑的對比，同時也為“牡丹為花之王， 荔枝為果之先，獨不論白菜為菜之王”，而憤憤不平；齊白石在有關畫白菜的題句中，所表示的“不是獨夸根有味，須知此老是農夫”，“不獨老萍知此味，先人三代咬其根”，正是《農耕圖》中的那位老農的自白。也是齊白石對本色、本質毫不掩飾的自我肯定。
Zhongkui, Shouxing, xianfo and other works written by Qi Baishi are also the objects on the lips of farmers when they chat. This kind of works is the natural expression of Qi Baishi's love for the countryside complex and childlike interest, the desire to "pass on our children by means of agricultural utensils", and the self-conscious expression of farmers' consciousness which is different from that of "poetry and books are far away". When Qi Baishi painted cabbage and pepper, he was not only impressed by the contrast between red and black, but also resented that "peony is the king of flowers, litchi is the first fruit, and cabbage is the king of vegetables alone". In the title sentence of painting cabbage, Qi Baishi expressed that "it's not only boasting about the taste, it's important to know that it's always a farmer" and "not only Laoping knows the taste, three generations of ancestors bite its root". This is true. It's the confession of the old farmer in the farming map. It's also Qi Baishi's self affirmation to the nature and essence.
齊白石從來沒有入仕愿望、懶于應酬、不管閑事、與世無爭、始終以一顆純真的心，沉浸在藝術的體驗之中，沉浸藝術故鄉里。齊白石的鄉心、童心和農人之心的流露和藝術中的鄉土氣息，根源于齊白石的勞動生活。齊白石也曾在藝術上走投無路，那是虛假地因襲“八大山人”的情感所必然遭到的碰壁命運，實質上那是齊白石的心態與過去的文人之間不相諧和的結局。當齊白石認定自己是農夫時候，往年儲備的自然信息便源源不絕地奔赴腕底、舌端、刀鋒，化作了新的藝術信息，拋棄了古人表達情感的藝術手段，創造出表達齊白石特有情懷的藝術語言和藝術形式。齊白石藝術中的鄉心、童心和農民之心的真誠流露，是齊白石的真心和本質的藝術表現。齊白石以本質、自我、變法、變意以及本質的藝術表現，才是齊白石“衰年變法”的深刻底蘊。
Qi Baishi has never wanted to be an official, lazy in social activities, regardless of his own business, and has always been immersed in the experience of art and the hometown of art with a pure heart. Qi Baishi's rural spirit, childlike spirit and farmer's heart and the local flavor in art are rooted in Qi Baishi's working life. Qi Baishi was once hopeless in art, which was the inevitable fate of his false following the feelings of "the eight mountain people". In fact, it was the result of the disharmony between Qi Baishi's mentality and the literati in the past. When Qi Baishi thought that he was a farmer, the natural information that he had stored in the past years came from the bottom of his wrist, the tip of his tongue and the blade of his knife. It turned into a new art information, abandoned the ancient art means of expressing emotions, and created an art language and art form to express his unique feelings. Qi Baishi's sincere expression of the heart of the country, the heart of the child and the heart of the farmer is his sincere and essential artistic expression. Qi Baishi's artistic expression of essence, self, transformation, meaning and essence is the profound connotation of his "transformation in declining years".
咨詢熱線：周經理 17129180068【微信同號】
Consultation Hotline: Zhoujingli 1712918068[WeChat same number]
