圣翰德— 唐代素三彩布袋和尚（彌勒）造像 精品推薦
唐三彩，中國古代陶瓷燒制工藝的珍品，全名唐代三彩釉陶器，是盛行于唐代的一種低溫釉陶器，釉彩有黃、綠、白、褐、藍、黑等色，而以黃、綠、白三色為主，所以人們習(xí)慣稱之為“唐三彩”。因唐三彩最早、最多出土于洛陽，亦有“洛陽唐三彩”之稱。
唐三彩在中國文化中占有重要的歷史地位，在中國的陶瓷史上留下了濃墨重彩的一筆。唐三彩誕生于唐代是有其文化淵源的。首先，成熟的陶瓷技術(shù)是唐三彩誕生的物質(zhì)基礎(chǔ)；其次，唐代盛極一時的厚葬之風(fēng)是促成其誕生的直接導(dǎo)向；第三，唐代各個領(lǐng)域的歷史文化是孕育其最好的藝術(shù)養(yǎng)料。唐三彩的誕生也是三彩釉裝飾工藝的誕生，是釉彩裝飾和胎體裝飾結(jié)合的過程。輝煌璀璨的唐三彩，其絢麗斑斕的藝術(shù)效果在雕塑精美、造型生動的俑上得到了完美的發(fā)揮和淋漓盡致的展現(xiàn)。
Tang Sancai, the treasure of the Chinese ancient ceramic firing process, the full name of the three-colored glazed pottery in the Tang Dynasty, is a kind of low-temperature glazed pottery in the Tang Dynasty, the glaze color has yellow, green, white, brown, blue, black and other colors, and is mainly yellow, green and white, so people are used to it as the "Tang Sancai". For the first time of the Tang Dynasty, the most unearthed in Luoyang, also known as the "Luoyang Tang Sancai".
Tang Sancai plays an important historical position in Chinese culture, leaving a rich and colorful one in China's ceramic history. The Tang Sancai was born in the Tang Dynasty with its cultural origin. First of all, the mature ceramic technology is the material basis of the birth of Tang Sancai;Secondly， the great wind of great burial in the Tang Dynasty was the direct guide to its birth. Third, the historical culture in all fields of the Tang Dynasty was the best artistic nutrient. The birth of Tang Sancai is also the birth of tri-color glaze decoration technology, which is the process of combining glaze decoration and carcass decoration. The brilliant Tang Sancai, its colorful and colorful artistic effect is obtained on the exquisite sculpture and vivid shape. The perfect play and the most incisive presentation.
藏品名稱：唐代素三彩布袋和尚（彌勒）造像
唐三彩在唐代的興起有它的歷史原因。首先陶瓷業(yè)的飛速發(fā)展，以及漢族雕塑、建筑藝術(shù)水平的不斷提高，促使它們之間不斷結(jié)合、不斷發(fā)展，因此從人物到動物以及生活用具都能在唐三彩的器物上表現(xiàn)出來。
唐代貞觀之治以后，國力強盛、百業(yè)俱興，同時也導(dǎo)致了一些高官生活的腐化，于是厚葬之風(fēng)日盛。唐三彩當(dāng)時也是作為一種冥器，曾經(jīng)被列入官府的明文規(guī)定，一品、二品、三品、四品，就是說可以允許他隨葬多少件，但是實際上作為這些達官顯貴們，并不滿足于明文的規(guī)定，反而他們往往比官府規(guī)定要增加很多的倍數(shù)，去做這種厚葬。官風(fēng)如此，民風(fēng)當(dāng)然也如此，于是從上到下就形成了這么一種厚葬之風(fēng)，這也就是唐三彩當(dāng)時能夠迅速在中原地區(qū)發(fā)展和興起的一個主要原因之一。唐三彩的復(fù)制和仿制工藝，在洛陽已有百年的歷史，經(jīng)過歷代藝人們的研制，唐三彩工藝技術(shù)逐步完善，燒制水平不斷提高，使'洛陽唐三彩'的工藝技巧和藝術(shù)水平達到了一定的高度。在國際市場上，唐三彩已成為極其珍貴的藝術(shù)品，曾在有80多個國家和地區(qū)參加的國際旅游會議上被評為優(yōu)秀旅游產(chǎn)品，被譽為“東方藝術(shù)瑰寶”。唐三彩大馬、駱駝等曾作為國禮，贈送給50多個國家的元首和政府首腦。
The rise of Tang three colors in Tang Dynasty has its historical reasons. First of all, the rapid development of ceramic industry, as well as the continuous improvement of Han sculpture, architectural art level, promote their continuous combination, continuous development, so from characters to animals and living utensils can be shown on the Tang three-color utensils.
After the rule of Zhenguan in Tang Dynasty, the national strength was strong and all kinds of business flourished, at the same time, it also led to the corruption of the lives of some senior officials, so the wind of thick funeral flourished. At that time, the Tang three colors were also included in the express regulations of the government, one product, two products, three products, four products, that is to say, how many pieces could be allowed to be buried with him, but in fact, as these dignitaries and dignitaries, they were not satisfied with the provisions of the clear text, on the contrary, they often increased a lot more multiples than the government regulations to do this kind of thick funeral. The official style is so, and the folk style is of course the same, so it forms such a kind of thick funeral style from top to bottom, that is, the Tang three colors were able to quickly be in the Central Plains at that time. One of the main reasons for the development and rise of the district. The reproduction and imitation technology of Tang three colors has a history of one hundred years in Luoyang. After the development of artists in past dynasties, the Tang three colors technology has been gradually improved and the firing level has been continuously improved, so that the technological skills and artistic level of 'Luoyang Tang three colors' have reached a certain height. In the international market, Tang three colors has become an extremely precious work of art, has been appraised as an excellent tourism product at the international tourism conference attended by more than 80 countries and regions, and is known as "the treasure of oriental art". Tang tricolor horses, camels and so on as a national gift, presented to more than 50 heads of state and government heads of government.
唐三彩，中國古代陶瓷燒制工藝的珍品，全名唐代三彩釉陶器，是盛行于唐代的一種低溫釉陶器，釉彩有黃、綠、白、褐、藍、黑等色，而以黃、綠、白三色為主，所以人們習(xí)慣稱之為“唐三彩”。因唐三彩最早、最多出土于洛陽，亦有“洛陽唐三彩”之稱。此件藏品具有一定的市場價值跟極高的收藏價值
Tang Sancai, the treasure of the Chinese ancient ceramic firing process, the full name of the three-colored glazed pottery in the Tang Dynasty, is a kind of low-temperature glazed pottery in the Tang Dynasty, the glaze color has yellow, green, white, brown, blue, black and other colors, and is mainly yellow, green and white, so people are used to it as the "Tang Sancai". For the first time of the Tang Dynasty, the most unearthed in Luoyang, also known as the "Luoyang Tang Sancai". The collection has a certain market value and a very high collection value
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