和田玉材質(zhì)溫潤喜人，上手厚實而不顯累贅，盤玩起來手感上佳，一直以來都是制作手把件的優(yōu)質(zhì)原料，隨著歲月的流轉(zhuǎn)產(chǎn)生不同的變化，時間所帶來的韻味是每一位玉友都會想要看到的。和田玉手把件不僅對于玉質(zhì)的要求很高，而且要從各個方面綜合去品評，目前坊間流傳的挑選把件的準則難免有些誤區(qū)，讓很多朋友走了彎路。
Hotan jade is warm and pleasant in material, thick in hand but not cumbersome. The plate feels good when playing. It has always been a high-quality raw material for making handlebars. With the passage of time, there are different changes. The charm brought by time is what every jade friend would like to see. Hetian jade handlebars not only have high requirements for jade quality, but also need comprehensive evaluation from all aspects. At present, there are some misunderstandings in the popular criteria for selecting handlebars, which make many friends detour.
把玩和田玉也講求一種意境，把件選料最好是優(yōu)質(zhì)和田玉子料，在質(zhì)地上要求玉質(zhì)細膩純凈，油潤度高，光澤溫潤，顏色上從細膩純正，色澤均勻來考慮，不一定要追求整體的白度。
Playing Hotan jade also emphasizes a kind of artistic conception. The best choice of materials is high-quality Hotan jade material. In texture, it is required that the jade should be fine and pure, with high oil and luster. In color, it should be considered from fine and pure, with even color. It is not necessary to pursue the overall whiteness.
接觸手把件不長的朋友往往貪大，實際上針對把件而言，一是太大攜帶不方便把玩起來不順手，二是比較容易磕碰。其次，尺寸太大的和田手把件很容易讓人感覺審美疲勞，缺乏一種精致感，并且和田手把件講究的是盈盈在手，握放自如，合適的比例造就的完美手感才會讓人有想盤玩的欲望。正常情況下把件厚度不宜超過三厘米，長寬不宜超過八厘米。
A friend who does not have a long handle is often greedy. In fact, for a handle, one is too big to carry, which is inconvenient to play, and the other is relatively easy to bump. Secondly, Hotan handlebars, which are too large in size, are easy to feel aesthetic fatigue and lack of a sense of delicacy. What Hotan handlebars pay attention to is that they are filled in the hands and can be held freely. The perfect handfeel created by appropriate proportion will make people want to play. Under normal circumstances, the thickness of the parts shall not exceed 3cm, and the length and width shall not exceed 8cm.
和田玉手把件很能體現(xiàn)雕刻師的精湛技藝，將完美的意蘊和圖案展示在方寸之間絕非一件易事。雕工的好壞對于把件的價值至關(guān)重要。但是對于把件而言，雕工并不是越繁瑣越好。我們在選擇的時候重點把握的應(yīng)該是雕刻線條的流暢程度，不應(yīng)該有毛邊。如果雕工很細致很繁瑣，在我們把玩的時候，如果雕工有所輕薄，是很容易磕碰損壞的，所以簡潔流暢的雕工才是手把件的評判標準。過于精細反而不利于把玩。
Hetian jade handlebar can reflect the exquisite skills of sculptors very well. It is not easy to display the perfect meaning and pattern in a square inch. The quality of the sculptor is very important to the value of the piece. But for a piece, the more complicated the sculptor is, the better. When we choose, we should focus on the smoothness of the carving lines, and there should be no burr. If the sculptor is very meticulous and tedious, it is easy to bump and damage if the sculptor is light and thin when we play, so the simple and smooth sculptor is the standard for judging the handlebar. Too fine is not good for playing.
和田玉的題材基本都是寓意吉祥的，整體都很符合國人的審美觀點同時契合傳統(tǒng)文化，玉雕的創(chuàng)意在進來不斷進步，越來越多的新奇元素在雕件當中起到了畫龍點睛的作用，這讓很多“涉玉未深”的朋友覺得和田玉手把件的題材越新則越好。其實題材代表著寓意，手把件要契合自己的身份，適合自己才是最佳選擇。
The themes of Hetian jade are basically auspicious, which are in line with the aesthetic view of Chinese people and the traditional culture. The creativity of jade carving is constantly improving, and more and more novel elements play the role of finishing point in the carving, which makes many friends who are "not deeply involved in jade" feel that the more new the themes of Hetian jade carving, the better. In fact, the theme represents the moral. The best choice is to fit your identity and suit yourself.
手把件可以說是和田玉當中比較古老的文化載體，題材一味的求新違和感會很強，根據(jù)玉質(zhì)因材施藝才是精品之作，雕刻的風(fēng)格、到位的題材、精湛的雕工才能構(gòu)成一個高價值的和田玉手把件。
Handlebar can be said to be the relatively ancient cultural carrier among Hetian jade. The theme of blindly seeking novelty will have a strong sense of harmony. According to the quality of jade and the materials, the art is a masterpiece. The style of carving, the theme in place and the exquisite sculptor can constitute a high-value Hetian jade handlebar.
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