四川永合利拍賣有限公司，為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
Sichuan Yonghe Li Auction Co., Ltd. For the strong dissemination effect of collections, we recommend to buyers the art treasures selected by experts of national first-level appraisal, and make a bridge for Tibetans, so that the value of thousands of art treasures can be excavated and valued, and high-priced transactions can be concluded at auction.
【名稱】清中晚期佛像足金
【規格】重：111.42g 長：42.18mm 高：35.04mm
【類別雜項
[Name] Foot Gold Statue of Buddha in the Middle and Late Qing Dynasty
[Specification] Weight: 111.42g long: 42.18mm high: 35.04mm
[Category Miscellaneous
此藏品為為清中晚期足金小佛像，重：111.42g 長：42.18mm 高：35.04mm。
This collection is a small statue of the foot-gold Buddha in the middle and late Qing Dynasty. It weighs 111.42g in length, 42.18mm in height and 35.04mm in height.
佛教自東漢時傳入中國中原地區，迄今已經有兩千多年的歷史了。唐以前的佛像藝術價值，但因存世有限，市場上非常罕見。十六國后趙建武四年(公元338年)銘款造像，是目前發現的中國有明確紀年的最早的金銅佛像。南北朝時期，我國佛教進入了全面發展時期，佛像藝術在新的時代風氣影響下也進入了空前的發展階段，這時金銅佛像也流行起來。隋唐時期，佛像藝術隨著國家的統一，政治、經濟的強大和佛教的發展進入了鼎盛時期。佛教造像不再亦步亦趨于外來模式和手法，而是向著個性化、理想化的新型模式發展，呈現出嶄新的時代風貌。五代兩宋時期，佛教藝術開始走向世俗化，佛像藝術中應有的神圣性和理想主義精神大大減弱，而世俗的現實性成分大大增加，佛像藝術帶著濃重的世俗審美特征。元代佛像藝術最為引人注目的是新的藝術形式，即藏傳佛教造像藝術的傳入和影響。
Buddhism has been introduced into the Central Plains of China since the Eastern Han Dynasty and has a history of more than two thousand years. The artistic value of Buddha statues before Tang Dynasty is very rare in the market because of their limited existence. The statue of Zhao Jianwu's inscription in the fourth year (338 AD) after the sixteenth kingdom is the earliest bronze and gold Buddha statue with a definite age found in China. During the Northern and Southern Dynasties, Buddhism in China entered a period of comprehensive development, and the art of Buddha statues also entered an unprecedented stage of development under the influence of the new era atmosphere. At that time, bronze and gold Buddha statues were also popular. During the Sui and Tang Dynasties, with the unification of the country, the Buddhist statue art entered its peak period with the powerful politics and economy and the development of Buddhism. Buddhist statues no longer follow suit and tend to foreign models and techniques, but towards a new model of individualization and idealization, showing a brand-new style of the times. During the Five Dynasties and the Song Dynasty, Buddhist art began to become secular. The spirit of sacredness and idealism in Buddhist statue art was greatly weakened, while the realistic elements of Secularity were greatly increased. Buddhist statue art had strong secular aesthetic characteristics. The most noticeable art form of Buddhist statues in Yuan Dynasty is the introduction and influence of Tibetan Buddhist statue art.
明代嘉靖時，佛教藝術重新回歸到漢地傳統藝術風格獨立發展之路。特別在萬歷時期，漢地佛教造像藝術獨盛一時。到了清代，在康熙、乾隆的扶持下藏傳佛教再度大興，藏傳佛像藝術又重新占領內地藝術舞臺。明清的金銅佛像就構成了今天中國古代佛像投資市場的主體。明代鑄造金銅佛像非常興盛。明早期的漢傳佛教造像，身材比例比較適中，身軀飽滿結實，線條簡潔流暢，豐腴而不虛，近人而不俗。
In Jiajing of Ming Dynasty, Buddhist art returned to the road of independent development of traditional artistic style in Han Dynasty. Especially in the Wanli period, Buddhist statue art in the Han Dynasty flourished for a time. In the Qing Dynasty, with the support of Kangxi and Qianlong, Tibetan Buddhism flourished again, and Tibetan Buddhist statue art occupied the mainland art stage again. The gold and bronze Buddha statues of Ming and Qing Dynasties constitute the main body of the investment market of ancient Buddha statues in China today. The casting of gold and bronze Buddha statues was very prosperous in the Ming Dynasty. In the early Ming Dynasty, the statues of Han Buddhism were moderate in proportion, full and strong in body, simple and smooth in line, rich but not empty, close to people but not vulgar.
金佛通體呈金黃色亮澤，摸上去手感光滑。背部部底端，有花紋點綴，更添立體感，從品相上看，黃金佛整體保存完好，是一次性澆鑄而成的。 此金佛是不可多得的精品，含金量較高。在古代，由于提煉技術的限制，含金量達到80%就已經是“足金”了。
The golden Buddha body is golden and shiny. It feels smooth. The bottom of the back is embellished with patterns, which adds a three-dimensional feeling. From the aspect of appearance, the Golden Buddha is well preserved and cast in one time. This golden Buddha is a rare fine product with high gold content. In ancient times, due to the limitation of refining technology, gold content of up to 80% has been "enough gold".
此件小金佛，足金打造。器型精美，線條柔和流暢，慈祥莊嚴，高僅寸余，卻納無邊佛法，深藏著莊重與神奇，今天談到佛像收藏，毫無疑問佛像首當其沖，構成了今天中國古代佛像投資市場的主體。此金佛包漿渾厚，渾然天成，保存下來更是難得，在佛像中為上品，具有極高的文化藝術價值和收藏價值。該藏品雖經歷了無窮歲月，但上面的包漿也見證了其歷史的積淀，具有非常明顯的歷史過渡性特征，有著難以言喻的收藏價值。藏品保存完好，清晰程度好，現存世量稀少。
This little golden Buddha is made of full gold. Today, when it comes to the collection of Buddha statues, there is no doubt that Buddha statues bear the brunt and constitute the main body of the investment market of ancient Chinese Buddha statues. This golden Buddha is thick and natural. It is rare to preserve it. It is a top-quality Buddha statue with high cultural and artistic value and collection value. Although the collection has gone through endless years, the pulp above also witnessed its historical accumulation, with a very obvious historical transitional characteristics, has an indescribable collection value. The collection is well preserved, clear and rare.
