青花山水人物紋茶盞（一對）
Blue and White Landscape Character Line Tea Calendula (A Pair)
民間青花瓷畫自誕生以來，留給我們無數鮮活生動引入遐想的形象，作為一種裝飾手法，已經融入我們生活和精神的一部分。
Since its birth, folk blue and white porcelain paintings have left us countless vivid images that lead to reverie. As a decorative technique, they have been integrated into our life and spirit.
青花山水人物紋茶盞（一對）
Blue and White Landscape Character Line Tea Calendula (A Pair)
茶杯
口徑約：6.5cm
底徑約：3.1cm
高約：3.1cm
茶碟：
口徑約：10.1cm
底徑約：5.6cm
高約：1.7cm
套盞托造型古樸、端莊，整體比例協調，線條流暢，充滿陽剛之美。淺弧壁和寬板沿被模壓成
相等的弧形，足里向外斜削一刀有輕微的旋削痕跡，底足無釉，細沙底刷一層赫紅色漿料，胎質精細，薄厚適度，青花色澤淡雅，清麗，少有暈散，器物釉質肥厚，可見細小釉泡攢聚密集，給人以溫潤柔和之感。
Set Calendula holder modelling simple, dignified, the overall proportion of coordination, smooth lines, full of masculine beauty. Shallow arc wall and wide plate are pressed into different arcs along the moulds. A knife with slight whirling marks is obliquely cut out from the inside of the foot. The sole is glassless, and the sand bottom is brushed with a layer of Hercynian paste. The texture is fine, the thickness is moderate, the color of blue and white is elegant, clear and beautiful. There is little dizziness, and the glaze of the utensils is thick. It can be seen that small glaze bubbles accumulate densely and give people a feeling of gentleness and softness.
盞托的圖案裝飾分雙層，盞壁繪山水人物紋，古人“仁者樂山，智者樂水”之說由此可見一斑。人物面為側面。整體比例協調，繪工精致，簡練清晰。整個盤的修飾，構圖簡潔，格調高雅，層次清晰，線條活潑流暢。
The design decoration of the Calendula is divided into two layers. The Calendula wall paints landscape figure patterns. The ancient saying that "benevolent people are happy with mountains and wise people are happy with water" can be seen from this. Personal face is profile. The overall proportion is coordinated, the painter is exquisite, concise and clear. The decoration of the whole plate is concise in composition, elegant in style, clear in level and lively and smooth in line.
器內外釉色調基本一致，底部釉面泛白且薄，與器身有別。釉色白中閃青，胎釉結合緊密，修胎較規整，旋胚痕較明顯。胎土淘洗得很純凈，胎體堅致縝密，斷面似糯米糕，份量較重。
The color of glaze inside and outside the vessel is basically the same, and the bottom glaze is white and thin, which is different from the body. The glaze is white and glistening blue. The fetal glaze is tightly bonded. The trimming is more regular and the embryo scratch is more obvious. The bauxite is washed very pure, the body is firm and meticulous, the section is like glutinous rice cake, the weight is heavier.
