元代景德鎮(zhèn)瓶、罐之類器型，采用分段制胎，然后再用胎泥粘合而成，粘接處器表往往突起，給人以不平之感，外壁接痕經(jīng)打磨，但內壁接痕仍清晰可見，器物頸部內側略加切削，內壁均不修削，所以在器里的底、腹、口等處胎體接痕表現(xiàn)明顯。一般器物的足邊不規(guī)整，有彎曲現(xiàn)象，說明元代制胎時不講究修坯，因此顯得成型工藝較粗糙。但小型器物也有精致者，胎質顯得潔白細膩。削足處理方法常見底足足端外墻斜削一刀，大器足底寬厚多為挖足，挖足有深有淺。器物圈足不十分整齊，呈彎曲狀。器底可見螺旋狀的切削痕，大瓶、大罐的底部旋削紋較粗、較疏，盤和碗的切削痕較細、較密。底部和圈足內外粘有窯砂，有些已熔入釉中。高足杯的高足與杯身以泥漿拼接，交接處可以看見黃色或漿色擠壓泥漿，杯把足端的圈足厚薄不一。子扣套合結構的蓋，采用子扣與器蓋先成型后粘接工藝。清晰地看見接痕。碗的底部胎體較厚重，足內露胎，中心微微突起，俗稱"臍"狀，實為拉坯痕跡。瓶、罐等大型器物底部中心處常見一內凹的圓點，在燒制大器時，為防止塌底，需在底部中心或稍偏處放一個用耐火土做成的圓餅或圓圈作支點，圓點就是由此形成的。大罐底部多為寬圈足，不規(guī)整，有的底中心有較淺的螺紋痕跡。一般大件器物胎體厚重，但重量適中，如超重或超薄都值得考慮。此瓷器，品相保存完好，紋飾清晰，成色極好，難能可貴，為難得的瓷器收藏佳品，具有極高的收藏及投資價值。
In the Yuan Dynasty, Jingdezhen bottles and pots were made of segmented tires and then bonded with tire mud. The surface of the bonding parts often protruded, giving people a sense of unevenness. The outer wall marks were polished, but the inner wall marks were still clearly visible. The inner wall of the neck of the utensils was slightly cut and the inner wall was not trimmed, so the bottom, abdomen and mouth of the utensils were not cut. Maternal joint marks were obvious. The irregular foot edges of general utensils and the bending phenomenon indicate that the Yuan Dynasty did not pay attention to the trimming of tires, so it appears that the forming process is rough. But there are also exquisite small utensils, the fetus appears white and delicate. The common foot-cutting method is oblique cutting one knife on the exterior wall of the sole foot end. The width and thickness of the sole of the big tool are mostly foot-digging, and the foot-digging is deep and shallow. The utensil circle is not very neat and curved. Helical cutting marks can be seen at the bottom of the machine. The bottom of large bottles and cans has rough and sparse spiral cutting lines, and the cutting marks of plates and bowls are finer and denser. There is kiln sand on the bottom and inside and outside of the ring foot, some of which have been melted into glaze. The foot and body of the cup are joined together by mud. The mud can be squeezed by yellow or paste color at the junction. The circle foot of the cup holder is different in thickness. The cover of the sub-button sleeve structure adopts the process of forming the sub-button and the cover before bonding. Clearly see the contact marks. The bottom of the bowl has a thick carcass, the inner part of the foot is exposed, and the center is slightly raised. It is commonly known as the "navel" shape, which is actually a drawing trace. A concave circle is common at the bottom center of large vessels such as bottles and tanks. In order to prevent the bottom from collapsing, a round cake or c
目前，藝術品行業(yè)，瓷器，玉器，字畫，雜項，四大類的價格持續(xù)上漲，維穩(wěn)不跌。特別是瓷器板塊，一些稀有瓷器價格都在千萬以上。古往今來，大家就有儲蓄瓷器的傳統(tǒng)習俗，自2008年以來，瓷器藏品在各大交易會上風頭鵲起。瓷器是當今保藏界的一大搶手。
At present, the prices of art industry, porcelain, jade, calligraphy and painting, miscellaneous items and four categories continue to rise and remain stable. In particular, the price of some rare Chinaware is more than ten million yuan. Throughout the ages, there has been a traditional custom of saving porcelain. Since 2008, the collection of porcelain has gained prominence in various trade fairs. Porcelain is one of the most popular preservation products in the world today.
像這件瓷器，具有十分高的升值潛力和保藏價值。道理很簡單——物以稀為貴。眾所周知，一些瓷器成為收藏界的搶手貨，除了其存世量鳳毛麟角，更在于其不再局限于收藏與愛好，超乎想象的升值空間是其屢遭“圍觀”的焦點，甚至被譽為“21世紀最具潛力的藏品”
Like this porcelain, it has very high appreciation potential and preservation value. The truth is simple - scarcity is the most precious thing. As we all know, some porcelain has become a hot commodity in the collection circle. In addition to its rare stock, it is no longer confined to collections and hobbies. The incremental space beyond imagination is the focus of its frequent "spectator" and is even praised as "the most potential collection in the 21st century".
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