清代楊晉漁隱圖。楊晉(1644- 1728) 字子和，一字子鶴，號西亭，自號谷林椎客、鶴道人，又署野鶴，江蘇常熟人。山水為王牽入室弟子，嘗與繪圣祖南巡圖頗精。晚年每多率筆，未免蒼而不潤，神氣便少。然農村景物則頗工，尤長畫牛，多寫意，夕陽芳草，郊牧之風宛然在目，兼及人物寫真，花鳥草蟲。此圖是典型的楊晉相筆風格，風雨交加的圖景配之以石田疾風驟雨般的草隸行筆，老健蒼厚的筆意使如水汽般滿溢開來，山石輪廓以粗筆中鋒寫就，灑落卻又含蓄，水面作留白處理，虛實相生，人物簡筆草草，然而活靈活現，各富姿態。整幅面面以風雨為題，卻無一筆風雨，卻又無處不風雨，可謂是元氣淋漓，令人閱之陽暢，見之心喜。
Yang Jin's fishing concealment in the Qing Dynasty. Yang Jin (1644 - 1728) is a crane, named Xiting, named Gulin Vertebrate, Hedao, and also a wild crane, Changshu, Jiangsu. Landscape for the king led disciples into the room, tasted and painted the South Saint Zu Tour quite well. In old age, every time you write more often, you will feel grey and moist, and you will have less air. However, the rural scenery is quite workmanlike, especially long cattle painting, freehand brushwork, sunset grass, the wind of suburban pasturing is in sight, as well as portraits of characters, flowers, birds, grass and insects. This picture is a typical style of Yang Jin's Xiangbi. The scenery of wind and rain is matched with the sketch of Shitian's windy and rainy grass brush. The old and vigorous style makes the sketch of mountains and rocks overflow like water vapor. The outline of mountains and rocks is written by the center of the rough brush, but the sprinkle is implicit. The water surface is treated as white, the reality and the reality are intermingled, and the characters are sketchy sketched, yet vivid and flexible. Every rich posture. The whole area is themed by wind and rain, but there is no wind and rain, but there is rain and wind everywhere. It can be said that it is full of vigor and vitality, which makes people see the sunshine smoothly and enjoy seeing it.
楊晉是清代宮廷畫家，以畫界畫見長，他能恰到好處地發揮傳統工筆界畫的特長，把人工建筑的樓閣臺榭及人物舉止和天然山水景色緊密結合起來，在結構上作了極好的剪裁，滿而不悶，畫風細致明秀、娟麗清新，層次過渡非常自然。《石谷騎牛圖》繪石谷悠然騎于牛背之上，神態安詳平和，狀寫簡逸傳神。石谷即清代大畫家王翚，也是楊晉老師的。
Yang Jin is a court painter in Qing Dynasty. He is good at painting. He can give full play to the specialty of traditional meticulous painting. He combines the manners of pavilions and pavilions of man-made buildings with the natural scenery of mountains and rivers. He has made excellent structural tailoring, full but not dull. His style of painting is delicate, beautiful and fresh, and the level of transition is not satisfactory. Naturally. "Stone Valley Riding Bull Picture" paints Stone Valley riding on the back of cattle leisurely, calm and peaceful manner, describing the simple and vivid. Shigu, the great painter of the Qing Dynasty, is also a teacher of Yang Jin.
這幅圖中為一長卷，在構圖上，表現為開朗，取景扼要，作者多通過自然留白、煙云分開、墨法調節、拉大濃淡差距等手法，來加大空間感和疏朗感。具有極高的歷史價值與收藏價值！This picture is a long volume. In the composition, it shows cheerfulness and concise view. The author uses natural blank, smoke and cloud separation, ink regulation, and widening the gap between shades to increase the sense of space and spaciousness. It has very high historical value and collection value!
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