墨盒從清代開始流行，由于當時液體墨汁的產生,用來盛裝墨水,直至解放時期發明了玻璃瓶子代替那種銅質墨盒，漸漸退出歷史舞臺，一個雕刻精美的銅質墨盒成了收藏把玩的寵兒。
Ink cartridges began to be popular in the Qing Dynasty. Because of the production of liquid ink at that time, they were used to hold ink. Until the liberation period, glass bottles were invented to replace the copper cartridges. They gradually withdrew from the stage of history. A well-carved copper cartridge became the favorite of collectors.
【藏品名稱】：清朝墨盒
[Collection Name]: Qing Dynasty ink cartridges
【規格】：重：186.2g 邊長：65.2mm
[Specification] Weight: 186.2g Side Length: 65.2mm
價格詳情咨詢我部
Price details consult our department
一般說，銅墨盒出現在清朝中期。同治初年，陳寅生開始在盒面上刻上書法或山水花鳥圖案，使器物變得精美。齊如山在他的《北京三百六十行》中說: “刻墨盒始于陳寅生”。文物學家鄧之誠在《骨董瑣記》中也記載:“京師廠 肆專業墨盒者，推萬禮齋為最先;刻字則始詳于陳寅生秀....時同治初元也。”到了民國年間，北京又出了一位繼陳寅生之后冠絕一時的刻銅大家，他就是當時琉璃廠同古堂圖章墨盒鋪的主人張樾丞。末代皇帝的“宣御覽之寶”、“宣統御筆”和建國后的“中央人民政府”等璽印都是出自張樾丞之手。當時銅墨盒的刻制，除專業刻銅家外，.還有文人畫家的參與。畫家、金石家姚茫父就時常奏刀，自畫自刻。他也常與陳師曾合作，陳畫姚刻之墨盒，為盒中精品。張樾丞也曾與當時許多名士文人如陳師曾、金城、溥儒、齊白石、陳半丁、王雪濤等合作，由這些藝術家繪圖，供其作刻稿。一些名不見經傳的刻家，所刻、繪圖亦有相當精美者，在收藏中當擇優藏取。
Generally speaking, copper ink cartridges appeared in the mid-Qing Dynasty. In the early years of Tongzhi, Chen Yinsheng began to engrave calligraphy or landscape flower-and-bird patterns on the boxes to make them exquisite. Qi Rushan said in his "Three Hundreds and Sixty Lines of Beijing" that "Ink-carving cartridges began with Chen Yinsheng". Deng Zhicheng, a cultural relic scientist, also recorded in the Book of Bone Dong Zou Ji: "Those who specialize in cartridges in Jingshi factories are the first to push Wanli Zhai, while the inscriptions are first detailed in Chen Yinshengxiu.... At the same time, they were in the early Yuan Dynasty of Tongzhi." In the years of the Republic of China, another famous copper Carver came out in Beijing after Chen Yinsheng. He was Zhang Yueyue, the owner of the stamp cartridge shop of Liulichang and Gutang at that time. The seals of the last emperors, such as "the treasure of Xuan Royal View", "Xuan Tong Royal Pen" and "the Central People's Government" after the founding of the People's Republic of China, all came from Zhang Yuexin's hands. At that time, in addition to the professional copper Carver, there were also literati painters involved in the carving of the copper ink cartridge. Yao Mangfu, a painter and epigrapher, often plays knives and paints himself. He often cooperated with Mr. Chen, who painted Yao's ink cartridges as exquisite products in the cartridges. Zhang Yue-cheng also worked with many famous scholars at that time, such as Chen Shizeng, Jincheng, Puru, Qi Baishi, Chen Banding and Wang Xuetao, to draw pictures by these artists for their sculptures. Some unknown engravers, engraving and drawing are also quite exquisite, which should be selected in the collection.
清朝墨盒乃京城之名物，當時上至達官貴人，下至鄉野學子，蓋涉文字者莫不用之。遺存的精美絕倫刻銅墨盒，不僅歷史文化厚重，而且藝術內涵豐富，在我國浩如煙海的文物中，堪稱不可忽視的瑰寶。
The ink cartridges of the Qing Dynasty were famous objects in the capital. At that time, they went up to high officials and nobles, and went down to the countryside to study. Those who covered the words did not need them. The exquisite carved copper ink cartridges left behind are not only rich in history and culture, but also rich in artistic connotation. They can not be ignored in the vast amount of cultural relics in China.
刻銅墨盒最遲始于清中期，而盛極于清末民初。自清同光陳寅生開創在素面銅墨盒上鐫刻詩文書畫后，就給枯燥、呆板的銅墨盒賦予了藝術與生命，從而使銅墨盒嬗變成既是物質的，又是精神的。于是盈寸之間，氣象萬千，常集詩書畫印刻多種藝術于一體而成為文房雅玩。當年一方書畫藝術與鐫刻技藝俱佳的刻銅墨盒，往往是達官政要、文人墨客競相追捧和尋覓的珍寵。有記載，從民國以來，像魯迅、周作人兄弟等書畫名家，經常到京城琉璃廠去選購刻銅墨盒，或自用或送人，蓋囚小巧刻銅墨盒的背后，積淀著精湛的手工技藝和深厚的文化底蘊！極具收藏價值。
Copper-carved ink cartridges began at the latest in the mid-Qing Dynasty and flourished in the late Qing Dynasty and the early Republic of China. Since Tongguang Chen Yinsheng of the Qing Dynasty created the carving of poems and documents on plain copper ink boxes, he has given art and life to dull and rigid copper ink boxes, thus making them both material and spiritual. So between Yingcun and Yingcun, the weather is thousands of, often set poetry, calligraphy, painting and engraving a variety of Arts in one and become a literary elegant play. At that time, copper inkboxes with excellent painting and calligraphy and engraving skills were often sought after and sought by dignitaries and literati. It has been recorded that, since the Republic of China, famous calligraphers and painters such as Lu Xun and Zhou Zuoren brothers often went to Liulichang in Beijing to buy carved copper ink cartridges for their own use or to send people. Behind the small carved copper ink cartridges covered by prisoners, they accumulated exquisite handicraft and profound cultural heritage. It has great collection value.
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