中國人物畫的發端早于漢代，盛于隋唐，“吳帶當風”、“曹衣出水”，在人物畫藝術上引領了一大批傳世名作。兩宋李公麟、梁楷傳承唐風，又將水墨人物畫推上了新的高峰。元代以后山水花鳥漸成畫壇主流，人物畫不再獨領風騷，卻依然名家輩出，唐寅、仇英、陳洪綬、黃慎，近代又有任伯年，塑造了無數光彩照人的人物形象。中國人物畫隨著時代的發展，生生不息，綿延千年，蘊含著恢宏的藝術生命力。
Chinese figure painting started earlier than the Han Dynasty and flourished in the Sui and Tang Dynasties. It led a large number of famous works in the art of figure painting. In Song Dynasty, Li Gonglin and Liang Kai inherited Tang style and pushed ink figure painting to a new peak. Since the Yuan Dynasty, landscape, flowers and birds have gradually become the mainstream of the painting world. Figure painting is no longer the dominant style, but there are still many famous artists. Tang Yin, Qiu Ying, Chen Hongshou, Huang Shen, and Ren Bonian in modern times have created numerous glorious characters. With the development of the times, Chinese figure painting has been living and lasting for thousands of years, which contains great artistic vitality.
【藏品名稱】：黃慎《一百零八將》
[Collection Name]: Huang Shen's One Hundred and Eight General
【規格】：長：429cm 寬：45cm
[Specification] Long: 429 cm wide: 45 cm
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此畫為黃慎風格字畫，黃慎生于1687年，卒年不詳。慎工草書，法懷素。畫人物，多取神仙故事為題材，初學上官周，后用狂草筆法作畫。筆姿放縱，氣象雄偉，深入古法，亦偶有筆過傷韻者。間作山水、花鳥，得荒率之致。所畫多歷史人物、佛道、樵夫漁父，早年工細，后參以懷素草書筆法，所作人物用筆粗獷，頓挫轉折，縱橫排奡，氣象雄偉。花鳥筆法洗練，形象概括，畫風潑辣；山水境界開闊，注重詩意的表達。黃慎款水滸一百零八將卷軸，是其經典代表作，長卷長：429cm 寬：45cm，畫面108將栩栩如生，傳神到位，是一副不可多得的傳世佳作。
This painting is Huang Shen's style of calligraphy and painting. Huang Shen was born in 1687, the year of his death is unknown. Careful craftsmanship, fahuaisu. Painting characters, mostly take fairy tales as the theme, first learn the official week, and then use wild sketch painting. The style of writing is indulgent, the weather is magnificent, deep into the ancient method, and occasionally there are people who have had a bad rhyme. Intercropping landscape, flowers and birds, resulting in the rate of shortage. Many historical figures, Buddhism and Taoism, woodcutter and fisherman were painted. In their early years, they were meticulous, and later they were joined by Huai Su's cursive brushwork. The characters used rough brush strokes, turning ups and downs, ranking vertically and horizontally, and had a magnificent atmosphere. Flower and bird brushwork, image generalization, spicy painting style; landscape realm open, pay attention to the expression of poetry. Huang Shenqiao's Water Margin 108 general scroll is his classic masterpiece. Its length is 429 cm wide and 45 cm wide. The picture 108 will be vivid and vivid. It is a rare masterpiece handed down from generation to generation.
此畫為人物肖像畫，共一百單八將，指四大名著之一《水滸傳》中梁山泊上的一百零八頭領，由天罡星三十六員和地煞星七十二員組成。這一百零八人性格各異，各有所長，結局不同，是我國文學史上的經典人物群像。其小說《水滸傳》同時也是刻畫人物最多的小說之一。
This painting is a portrait of characters, a total of one hundred and eight generals, referring to one hundred and eight leaders of Liang Shanbo in the Water Margin, one of the four masterpieces. It consists of thirty-six members of the Goddess of Heaven and seventy-two members of the Earth Devil Star. These 108 people have different personalities, strengths and endings. They are the classic figures in the history of Chinese literature. His novel "Water Margin" is also one of the most characterizing novels.
此畫還有一大特點，此畫是由絹所造，也就是我們俗稱的帛畫（頂級絲織品）。帛畫，中國古代畫種。因畫在帛上而得名。帛是一種質地為白色的絲織品，在其上用筆墨和色彩描繪人物、走獸、飛鳥及神靈、異獸等形象的圖畫，約興起于戰國時期，至西漢發展到高峰。帛畫是指中國傳統絹本畫以前的以白色絲帛為材料的繪畫，采用百分之百頭道桑蠶絲，不漿、不礬、不托，運用工筆重彩的技法繪制而成。帛畫的色彩用的是朱砂、石青、石綠等礦物顏料，豐富而鮮艷，如馬王堆一號漢墓帛畫;也有用用墨兼用白粉繪制的，如人物龍鳳帛畫。其描繪的是天象、神祗、圖騰和人物，以表現茫茫天國中神人共處的神話世界。綜上資料所訴，此畫無論是從他的精美畫工來看，還是從他高貴的材質來看，都是不可多得的名貴珍品。
Another feature of this painting is that it is made of silk, which is commonly known as silk painting (top silk fabrics). Silk painting, an ancient Chinese painting. It was named for its paintings on silk. Silk is a kind of silk fabric with white texture, on which people, animals, birds, gods and beasts are depicted with ink and color. It rose in the Warring States Period and reached its peak in the Western Han Dynasty. Silk painting refers to the traditional Chinese silk painting which used white silk as the material before, using 100% silk, no slurry, no alum, no support, using meticulous techniques to draw. Silk paintings use mineral pigments such as cinnabar, stone blue and stone green, which are rich and bright, such as silk paintings of the Han Tomb No. 1 in Mawangdui, and also painted with ink and white powder, such as figure Longfeng silk paintings. It depicts celestial phenomena, gods, totems and characters to show the mythical world of God-man coexistence in the vast heavenly kingdom. In summary, according to the information, this painting is a rare and precious treasure, either from his fine painter or from his noble material.
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