四川永合利拍賣有限公司，為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
Sichuan Yonghe Li Auction Co., Ltd. For the strong dissemination effect of collections, we recommend to buyers the art treasures selected by experts of national first-level appraisal, and make a bridge for Tibetans, so that the value of thousands of art treasures can be excavated and valued, and high-priced transactions can be concluded at auction.
【名稱】雍正黃地礬紅彩折枝牡丹大碗
【規格】口徑：16.4cm 底徑：6.6cm
【類別】瓷器
[Name]Yongzheng Divitriol Red Broken Peony Bowl
[Specification] Caliber: 16.4cm Bottom Diameter: 6.6cm
[Category] Porcelain
此藏品為雍正黃地礬紅彩折枝牡丹大碗，口徑為16.4cm,底徑為：6.6cm.清世宗雍正皇帝是清朝入關后第三代君主，姓愛新覺羅，名胤禛，生于康熙十七年(1678)，卒于雍正十三年(1735)，是康熙皇帝三十五子中排序的第四位皇子，二十一歲受封為貝勒，三十二歲晉封雍親王，四十五歲登基，在位十三年，死后追諡憲皇帝，廟號世宗，年號雍正，人們習稱他為雍正皇帝。雍正皇帝從登基到死亡傳聞不斷，留下許多話題，至今仍為人津津樂道，史學家未有定論，是一位復雜的歷史人物。他為鞏固皇權，打擊對手，六親不認，極為殘酷，留下罵名;然而作為統治者，他剛毅果決，勇于革新、勤于理政、肅貪養廉、澄清吏治、掃除頹風、政局穩定、國庫充盈，人民負擔減輕，上承康熙，下啟乾隆，是奠定“康乾盛世”的關鍵人物，一位出色的皇帝。
The collection is a large bowl of Yongzheng yellow alum red folded branches peony with a diameter of 16.4cm and a base diameter of 6.6cm. Emperor Yongzheng of the Qing Dynasty is the third generation of emperor after the entry of the Qing Dynasty. His name is Aixinjueluo and his name is Yuyu. He was born in 1678 of Kangxi and died in 1735 of Yongzheng. He is the fourth emperor in the order of the thirty-fifth sons of Emperor Kangxi. One year old was named Belle, 32 years old was King Yongzheng of Jinfeng, forty-five years old, was in office for thirteen years. After his death, he pursued the emperor of constitution, the temple was named Shizong, and the year was Yongzheng. People often call him Emperor Yongzheng. Emperor Yongzheng was a complex historical figure with many topics left behind from his ascent to the throne and the rumors of his death. In order to consolidate the imperial power and fight against the opponents, the six relatives refused to recognize it and were extremely cruel, leaving a name for scolding; however, as the ruler, he was resolute and resolute, courageous to innovate, diligent in managing government, fighting corruption, clarifying official rule, sweeping away decadence, political stability, the National Treasury was full, the burden of the people was reduced, the link between Kangxi and Qianlong was the foundation of "prosperity of Kangxi and Qianlong". The key figure of Shi, an outstanding emperor.
雍正朝僅13年，但瓷藝超絕。康熙瓷豪邁大氣但失于粗礪，乾隆瓷華麗錦簇但失于繁縟，雍正瓷精雅輕盈，是有清一代瓷業的頂峰。封建社會中，皇帝的個人喜好往往可以影響整個朝代工藝美術的發展傾向。一般的文人士大夫，僅僅沉湎于自我欣賞，而最高統治者的審美則可以貫穿到所有的宮廷藝術品的制作中。雍正皇帝學養深醇，眼光極高，追求器物的至善至美，因此這一時期瓷器、玉器和雜項藝術水準都很高，比如瓷器，他往往自己出樣子，監督工匠燒造，所以他這一朝代的工藝美術達到了整個清代工藝美術的最高峰。同時，雍正還是一個具有深厚藝術修養的皇帝，大氣中又極具文人情懷，從他的奏章和詩詞中發現，這位皇帝的內心情感是細膩豐富的，介于帝王的身份，往往只好寄情于物，將這種文人情懷寄托于工藝美術的創作中，所以雍正時期形成了一個非常獨特的審美趨勢，那就是恬淡、高雅、大氣。
Yongzheng Dynasty was only 13 years old, but its porcelain art was superb. Emperor Kangxi's ceramics are bold but not rough. Emperor Qianlong's ceramics are magnificent but complicated. Yongzheng's ceramics are elegant and light, which is the peak of the Qing Dynasty's ceramics industry. In feudal society, the personal preferences of emperors often influenced the development tendency of Arts and crafts in the whole dynasty. Ordinary literati and doctors only indulge in self-appreciation, while the aesthetics of the supreme ruler can run through the production of all court works of art. Emperor Yongzheng learned to be mellow, had a high vision and pursued the perfection and beauty of the objects. Therefore, the artistic standards of porcelain, jades and miscellaneous items were very high during this period. For example, porcelain, he often appeared himself and supervised the artisans'firing. Therefore, the arts and crafts of his dynasty reached the peak of the whole Qing Dynasty. At the same time, Yongzheng was also an emperor with profound artistic accomplishment, and had a great literati sentiment in the atmosphere. From his pamphlets and poems, it was found that the emperor's inner feelings were exquisite and rich, and between the status of the emperor, he often had to place his emotions on objects, and put this literary sentiment in the creation of Arts and crafts. During this period, a very unique aesthetic trend was formed, that is, tranquility, elegance and atmosphere.
話說中國瓷器品種中要屬黃釉是皇家控制最嚴格的一種釉色。這是因為受中國統治階級傳統思想的影響，他們認為金黃是至尊之色，又因“黃”與“皇”同音，在明清兩代黃釉只有皇家才能使用。據悉明代私造黃釉者要殺頭。清代規定更為細分化，里外黃釉為皇貴妃用，黃地綠龍為貴妃用，以下嬪妃、貴人則不許用黃釉瓷器，只準用綠釉紫龍器和綠釉紅龍器。且連損毀的黃釉瓷器都要運往皇室，不能流落于民間，見史料記載唐英于乾隆時曾奏明皇帝將破損的黃釉器也押運京城，目的以防技術外傳，種種跡象表明黃釉燒制的管制之嚴，身價之高。另一方面也彰顯著流傳于世的明清黃釉瓷器在瓷器中的精貴地位。
It is said that yellow glaze is the most strictly controlled glaze color in Chinese porcelain. This is because influenced by the traditional ideas of the ruling class in China, they think that golden yellow is the Supreme color, and because "yellow" and "emperor" are homonymous, in the Ming and Qing dynasties, only the Royal can use the Yellow glaze. It is known that those who made yellow glaze privately in the Ming Dynasty wanted to kill their heads. In the Qing Dynasty, the regulations were more subdivided. The yellow glaze inside and outside was used by Royal concubines, while the Yellow di-green dragon was used by Royal concubines. The following concubines and nobles were not allowed to use yellow glazed porcelain, only green glazed purple dragon and green glazed red dragon. And even damaged yellow glaze pottery must be shipped to the Royal family, can not be left in the folk. According to historical records, Tang Ying played in Qianlong that the emperor also escorted damaged yellow glaze pottery to the capital for the purpose of preventing technology from spreading. Various signs show that the control of yellow glaze firing is strict and the price is high. On the other hand, it also demonstrates the precious position of the yellow glaze porcelain in Ming and Qing Dynasties.
清代黃釉瓷器中，業界最推崇雍正一朝。因為這一時期所燒制黃釉瓷器不僅造型完美、做工精細、胎薄、質細等優勢，且這一時期的釉色上也出現前所未有的創新，燒制出了多種新釉色。總體來說，雍正時期黃釉瓷器釉色溫潤鮮亮，器型工整端莊，給人以高貴之感，彰顯皇家氣派。
Yongzheng Dynasty was the most respected one among the yellow-glazed porcelains in the Qing Dynasty. Because the yellow glaze pottery fired in this period not only has the advantages of perfect shape, fine workmanship, thin tire and fine quality, but also has unprecedented innovations in glaze color during this period, which has produced a variety of new glaze colors. Generally speaking, the yellow glazed pottery in Yongzheng period had a warm and bright glaze color and a neat and dignified shape, which gave people a noble feeling and highlighted the Royal style.
黃地礬紅彩折枝牡丹大碗，撇口，弧腹，圈足，底書“雍正諭旨”青花雙圈雙行四字楷書款。牡丹看上 去鮮而素雅，非常漂亮，產生了一批品種和風格與前朝極為相似的作品，并沿用清代各朝，此碗即為雍正時期同類產品。其造型規整，胎質縝密，釉面溫潤，色彩豐富，色調和諧，紋飾線條流暢，極為精美，保存完好，較為難得。
Yellow alum red folded branch Peony bowl, skim, arc abdomen, circle foot, base book "Yongzheng imperial decree" blue and white double-circle double-line four-character regular script paragraph. Peony looks fresh and elegant, very beautiful, produced a number of varieties and styles very similar to the previous dynasty works, and continue to use the Qing Dynasty dynasty, this bowl is the same product Yongzheng period. Its shape is regular, the tire quality is meticulous, the glaze is warm and moist, the color is rich, the tone is harmonious, the decorative lines are smooth, extremely exquisite, well-preserved, relatively rare.
