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龍鳳紋銅鏡組合

宋代時期的銅鏡無論是從材質、紋飾和藝術風格等方面。雖然有無法彌補的歷史缺憾,但若從歷史文物價值、社會經濟文化研究等方面考量非常具有歷史價值和文化價值。

Bronze mirrors in the Song Dynasty were made of materials, decorations and artistic styles. Although there are irreparable historical shortcomings, it is of great historical and cultural value to consider the value of historical relics, socio-economic and cultural studies.

每一塊銅鏡的背后都有屬于自己獨一無二、精美絕倫的紋飾,它們或許寓意著美好的祝福,或許隱藏著特別的故事,或許描繪了奇特的萬物四象,極其美觀。銅鏡從春秋戰國至秦,一般都是王和貴族才能享用。直到西漢末期,銅鏡才慢慢地走向民間,從禮器轉變為人們不可缺少的生活用具,并且占據著重要的地位,收藏意義比較突出。

Behind each bronze mirror, there are unique and exquisite decorations. They may imply good wishes, hide special stories, or depict strange four images of all things, which are extremely beautiful. From the Spring and Autumn Period and the Warring States Period to the Qin Dynasty, bronze mirrors were generally enjoyed by kings and nobles. Until the end of the Western Han Dynasty, bronze mirrors slowly moved to the folk, from ritual vessels to indispensable living utensils, and occupied an important position, the significance of collection is more prominent.

銅鏡屬于青銅器的一類,最早可以追溯到四千年前齊家文化時期,其流行于春秋戰國,鼎盛于漢代,繁榮隋唐。從其流行程度、鑄造技術、藝術風格和其成就等幾個方面來看,戰國、兩漢、唐代是三個最重要的發展時期。銅鏡最早是用來祭祀的禮器出現,后來才慢慢成為人們不可缺少的生活用具。葵花口鏡型最早出現在隋唐時期,是隋唐銅鏡的典型代表,而龍鳳紋作為中華民族的精神象征,是中國傳統藝術品上最為重要的紋飾之一,其作為主要裝飾紋飾出現銅鏡上,可以追溯到兩千多年前的戰漢時期,古銅鏡以其獨特的藝術魅力濃縮文化,鑒證歷史,默默記錄著悠悠歷史長河中的波瀾起伏。

Bronze mirrors belong to the category of bronze wares, which can be traced back to the Qi culture period 4,000 years ago. They were popular in the Spring and Autumn Period and the Warring States Period, flourished in the Han Dynasty and flourished in the Sui and Tang Dynasties. In terms of its popularity, casting technology, artistic style and achievements, the Warring States Period, the Han Dynasty and the Tang Dynasty are the three most important periods of development. Bronze mirrors first appeared as ritual utensils for sacrifice, but later they gradually became indispensable tools for people's daily life. Sunflower mouth mirror type first appeared in the Sui and Tang Dynasties, is the typical representative of the Sui and Tang bronze mirror, and the dragon and phoenix pattern as the spiritual symbol of the Chinese nation, is one of the most important decorations in traditional Chinese art, as the main decorative decoration appeared on the bronze mirror, can be traced back to the Warring and Han Dynasties more than 2,000 years ago, the ancient bronze mirror with its unique. The artistic charm concentrates culture, verifies history and silently records the ups and downs in the long history.

宋代銅鏡題材比較簡單,素鏡在五代十國和宋代墓中出土較多,使用廣泛。另外大致有人物故事鏡、花卉鏡、動物鏡和銘文鏡等題材也較容易發現。北宋和南宋初期,花卉鏡比較流行。南宋中后期,各式銘文鏡較多,這類商標銘文鏡的大量出現是宋代銅鏡最重要的特征,同時能間接地反映出宋代商品經濟的發展和商業競爭的加劇。

The subject matter of bronze mirrors in Song Dynasty is relatively simple. Su mirrors are widely used in tombs of the Five Dynasties and Ten Kingdoms and Song Dynasty. In addition, some subjects such as character story mirror, flower mirror, animal mirror and inscription mirror are also easy to find. Flower mirrors were popular in Northern and Southern Song Dynasties. In the middle and late Southern Song Dynasty, there were many kinds of inscription mirrors. The appearance of such trademark inscription mirrors was the most important feature of the bronze mirrors in the Song Dynasty, and indirectly reflected the development of commodity economy and the intensification of commercial competition in the Song Dynasty

龍紋葵口鏡,這種葵口鏡的造型,它的葵口一定會非常的分明,制作工藝非常精美,葵花形邊,飾以蛇頸獸身龍像。龍回首向鈕,狀如吞珠;三肢著力似蓄勢前行,卻將尾搭繞于揚起的右后肢上,形成收斂之態,姿態頑皮生動。常見這種身姿的龍像。盤龍鏡、對鳳鏡,葵花鏡鳳紋銅鏡。鳳神采奕奕,體態豐盈,羽翼飽滿,展翅高翔,頭頂冠羽,昂首曲頸,喙微張,似啼鳴,羽毛片片可數,尾羽繁復多變,自然卷曲,盡顯柔軟質感。此境鳳紋飾精工細琢,整體造型生動自然,鳳紋飾如此細膩者應為僅見,且鏡體碩大厚重,鑄造工藝精湛,紋飾繁復華美,當為此類鏡中之極品。寓意龍鳳呈祥,吉祥如意。保存完好,品相上佳

Dragon-pattern sunflower goggles, the shape of this sunflower goggles, its sunflower mouth will be very clear, the production process is very exquisite, sunflower-shaped edge, decorated with a snake neck dragon. The dragon looks back at the button, like swallowing beads; the three limbs exert themselves as if they were ready to move forward, but they put their tails around the raised right hind limbs, forming a convergent state and a playful and vivid posture. Dragon statues with this posture are common. Panlong mirror, pair of Phoenix mirror, meaning auspicious sunflower mirror Phoenix bronze mirror. The Phoenix is graceful, full-bodied, full-feathered, high-flying, crown feathers on the top of the head, bowed neck, beak slightly open, like crowing, feathers can be counted, tail feathers are complex and changeable, naturally curled, showing a soft texture. In this situation, Fengwen decoration is exquisite and delicate, and the overall shape is vivid and natural. The Fengwen decoration should be the only one that is so delicate. The mirror body is huge and thick, the casting technology is exquisite, and the decoration is complex and beautiful. It should be the best product in this kind of mirror. Panlong Mirror and Fengfeng Mirror imply auspiciousness. Good preservation and good appearance

以銅為鏡可以正衣冠,以人為鏡可以明得失,以史為鏡可以知興衰。古銅鏡在青銅文化的大家族中是獨立和自成體系的,或者說是青銅文化的延續。銅鏡,原為古人整束衣冠、修飾儀容的生活用具,注重紋飾、銘文展示及其寓意,所以也是古代室內一種很重要的陳列品。龍鳳紋鏡是銅鏡中的重要一種,在中國傳統觀念中,龍和鳳代表著吉祥如意,“龍鳳呈祥”即表示喜慶之事,寓意著會帶來一派祥和之氣。此龍鳳呈祥銅鏡寓意非常美好,在古代主要是在男女結婚之時用以贈人的,喻示美滿姻緣。藏品年代久遠,距今已有幾百年的歷史,但仍然保存得非常完整,殊為珍貴。

Copper mirror can correct clothes, man-made mirror can reveal gains and losses, and history mirror can tell the rise and fall. Ancient bronze mirrors are independent and self-contained in the bronze culture family, or the continuation of bronze culture. Bronze mirrors, formerly used as a whole bunch of clothes and decorative life utensils of the ancients, pay attention to decoration, inscription display and its implication, so they are also an important display in ancient interior. Dragon and Phoenix Mirror is an important kind of bronze mirror. In traditional Chinese concept, dragon and Phoenix represent good luck, and "dragon and Phoenix show good luck" means festivity, implying that it will bring a school of good luck. This bronze mirror of dragon and Phoenix Chengxiang has a very beautiful implication. In ancient times, it was mainly used to give gifts to men and women when they got married, which means a happy marriage. The collection has a long history of several hundred years, but it is still very complete and precious.

隨著古玩藝術品市場的持續升溫,銅鏡在收藏界也成為了熱門話題,被越來越多的收藏愛好者、藝術品投資者所關注。銅鏡以其獨特的藝術魅力濃縮文化,鑒證歷史,創造財富,陶冶情操,觀賞、實用、珍藏于一身,是人們青睞的投資收藏藝術品。其價格正在與字畫、瓷器的價格逐步拉近,并呈高漲態勢,收藏前景十分喜人。

With the continuous warming of the antique art market, bronze mirrors have become a hot topic in the collection industry, which has attracted more and more attention from collectors and art investors. With its unique artistic charm, bronze mirrors concentrate culture, verify history, create wealth, cultivate sentiment, appreciate, practically, and treasure in one, and are favored by people for investment and collection of art works. Its price is gradually approaching the price of calligraphy, painting and porcelain, and showing a rising trend, the prospects for collection are very gratifying.

 

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