網上古玩商城精品推薦19年第八期 張建明書畫
張建明，筆名鑒銘。1961年生，蘇州人，著名花鳥畫家張辛稼先生關門弟子。1988年南京藝術學院美術系進修，專攻寫意花鳥畫。中國民主促進會會員、江蘇省美術家協會會員、江蘇省花鳥畫研究會會員、蘇州吳門中國畫研究院副院長。
Zhang Jianming, pseudonym Jian Ming. Born in 1961 in Suzhou, Mr. Zhang Xinjia, a famous flower and bird painter, was a close disciple. In 1988, the Fine Arts Department of Nanjing Institute of Arts studied further, specializing in freehand flower and bird painting. Member of China Democratic Promotion Association, member of Jiangsu Artists Association, member of Jiangsu Flower and Bird Painting Research Association, vice president of Suzhou Wumen Chinese Painting Research Institute.
張建明擅長于草書和行書。從他紛紜多姿的書法藝術中，依稀可見他追摹“曠代草圣”于右任的品性與書風。在書法的精神內質與文化氣脈上，熔鑄了米帶、懷素、于右任等大師的風骨與筆意，傳承了先賢們重在寫氣、重在神韻、意在筆先、力在情趣的藝術造詣，悟道于心，傾注個性，訴諸筆墨，在師古創新的筆墨情趣中，修煉自己的性情，追求獨特的藝術境界。張建明浸淫書學三十余年，旱年力臨歐陽詢、柳公權等名帖，以楷書打下扎實基礎;進而力臨張旭、米帶、懷素、于右任等行草名帖，雜揉諸家，博取眾長，尤其對于右任的標準草書有自己獨到的理解與參悟。同時注重讀書，涉獵文學、音樂、舞蹈、武術、建筑、歷史等領域，著力于各種有關美學的領悟與涵養，融合各種知識和藝術于心臆，充實自己的靈魂與情感，他的書藝中充盈著濃郁的書卷氣。書家常講“瀟灑風流謂之韻，盡變其窮謂之趣”，草書更講開張天岸馬，蒼茫大癡筆，窮天地事物之變，發喜愕憂愉之情，氣勢博大而于楹尺之間，激情灑脫而不失矩度。張建明書法正是追尋著先賢們的智性與法度。無論從運筆、結體，還是謀篇、章法，都追求一種俊健的靈動，煥發的神采，縱橫千里的氣勢和剛柔并濟的興致。他用筆十分驕勇，起勢勁拔大方，鋒勢舒暢迅捷，點畫驟雨暴風，筆法縱收自如，疏朗而不松散，秀麗而不嬌媚，飛動而不虛滑，懸腕之筆在醉癡中躍然紙上，筆筆皆活，字字有神，篇篇落筆有聲的墨跡，顯得千姿百態，五彩斑斕。這種驕勇、靈動、多變的筆法，顯然有其深厚的淵源。張建明出生于陜西徑陽縣一個工人家庭，因與于右任同鄉而從小視其為終生偶像。不僅酷愛書法，癡心臨摹其書，而且追慕其愛國與革命的精神氣質，學習繼承其文化精神、民族大義與英雄氣概。革命與時代的磨礪，讓他執筆從戎，當了一名偵察兵，而且在嚴酷的軍事訓練中，獲得過大軍區偵察兵專業比武第三名的成績。龍騰虎躍、威武雄渾的練兵場上的浩蕩之氣，灌注于他的生命意識與書法中，久而久之，使他的字有了英武雄壯的氣勢和力量，客觀上避免了文人書法的圓滑、輕浮與側媚，多了豪放、通達、勁挺的軍旅之氣所熔鑄的筆情、樂韻和詩魂。
Zhang Jianming is good at cursive and running script. From his varied calligraphy art, it can be vaguely seen that he traces the character and style of Yu Youren, the "sage of grass in the open generation". On the spiritual and cultural pulse of calligraphy, the character and writing spirit of masters such as Mi Dai, Huai Su and Yu Youren are fused and cast. They inherit the artistic attainments of the predecessors, which emphasize writing spirit, verve, intention, writing first and interest. They realize the truth in their hearts, pour their individuality into their hearts, resort to pen and ink, cultivate their temperament and pursue a unique artistic realm in the innovative pen and ink taste of ancient times. Zhang Jianming has been studying Prostitute for more than 30 years. In a drought year, he has been able to face famous posts such as Ou Yangxun and Liu Gongquan, laying a solid foundation in regular script. In addition, he also tried to use famous cursive scripts from Zhang Xu, Mitai, Huai Su, Yu Youren and other famous cursive scripts. He mixed and kneaded various families and learned from many people. In particular, he had his own unique understanding and understanding of Yu Youren's standard cursive scripts. At the same time pay attention to reading, dabbling in literature, music, dance, martial arts, architecture, history and other fields, focusing on various aesthetic understanding and self-restraint, blending all kinds of knowledge and art in mind, enriching his soul and emotion, his calligraphy is full of strong bookishness. The book often says "the charm of natural and unrestrained elegance is to change the charm of poverty". The cursive script even talks about opening a horse on the bank of the sky, vast and stupid pen, the change of things in the poor world, the feeling of joy and sorrow and happiness. The momentum is broad and between the feet, the passion is free and easy, and the moment is not lost. Zhang Jianming's calligraphy is exactly pursuing the wisdom and laws of the sages. No matter from the calligraphy, body composition, planning and composition, they all pursue a kind of smart, vigorous and vigorous spirit, full of vigor and vitality, and the interest of combining hardness with softness. He is very arrogant and brave with his pen. He is vigorous and generous with his power. His front is relaxed and swift. He points out the torrential rain and storm. His brushwork is free to draw vertically. His brushwork is loose but not loose. He is beautiful but not charming. His flying but not charming. His hanging wrist pen leaps out of the paper in a drunken stupor. His pen and pen are all alive. His words are vivid, and his writing is full of color and variety. This arrogant, flexible and changeable brushwork obviously has its deep roots. Zhang Jianming was born in a worker's family in Kenyang County, Shaanxi Province. He was regarded as a lifelong idol by his fellow countrymen Yu Youren. Not only is he fond of calligraphy and fond of copying his books, but also he admires his patriotic and revolutionary spirit and learns to inherit his cultural spirit, national sense of honor and heroic spirit. The revolution and the sharpening of the times led him to write and join the army, becoming a scout. In the harsh military training, he won the third place in the professional contest of scouts in the military region. The majestic atmosphere in the military training ground, full of vigor and vitality, poured into his consciousness of life and calligraphy. Over time, his words had the imposing momentum and strength of valor and force, objectively avoiding the smoothness, levity and flattery of literati's calligraphy, and adding to the brushstroke, rhyme and poetic spirit forged by the bold, prudent and vigorous military atmosphere.
張建明的書藝，他的寓傳統于新意，寄浩氣于筆墨的作品，讀出了一種中國書法的價值與尊嚴感。張建明深知，漢字是民族智慧的結晶與載體，漢字書法是中華文化的精華與國粹。面對漢字書法，他有一種宗教信仰般的虔誠與癡情，因而它的作品與傳統的民族文化精神相呼應。金戈鐵馬、氣吞萬里的軍人氣質，自強不息、厚德載物的人文氣息，一齊彌漫于他的書體獨立、章法各異、規格不同的大量作品里，休現出現代正派書法家的藝術素養和終極精神。我期待著張建明在文武兼容的翰墨人生中，以自己的書法語言、書法風格和精神氣度，源源不斷地創作出無愧于人生、無愧于時代、無愧于漢字價值與尊嚴的翰墨華章，為當今浮躁、媚迷、怪異之風侵襲的書壇，鼓蕩浩然正氣。
Zhang Jianming's calligraphic art, his works which combine tradition with originality and show great vigor with pen and ink, read out the value and dignity of Chinese calligraphy. Zhang Jianming knows very well that Chinese characters are the crystallization and carrier of national wisdom, and Chinese calligraphy is the essence and quintessence of Chinese culture. In the face of Chinese calligraphy, he has a religious piety and infatuation, so his works echo the traditional national cultural spirit. The military temperament of the warriors, the constant striving for self-improvement and the humanistic spirit of the noble and virtuous are all pervaded in a large number of his works with independent style, different compositions and different specifications, showing the artistic accomplishment and ultimate spirit of modern decent calligraphers. I look forward to Zhang Jianming's continuous creation of calligraphy seals worthy of life, the times and the value and dignity of Chinese characters with his calligraphy language, calligraphy style and spiritual tolerance in his civil-military compatible calligraphy life, so as to inspire integrity for today's impetuous, obsequious and weird calligraphy world.
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