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2019年迪拜精品拍賣會精品粉彩八仙對罐

 

 

【藏.薦】欄為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。

[Tibet. Recommendation] column recommends art treasures selected by experts at the first level of national appraisal to buyers for their strong dissemination effect. It provides a bridge for collectors and enables thousands of art treasures to be excavated and valued, and to be sold at high prices at auction.


粉彩又被稱為“軟彩”,是釉上彩瓷器的一個品種。一般的彩繪方法為先在高溫燒成的白瓷上勾畫出圖案的輪廓,然后用含砷的玻璃白打底,再將顏料施于這層玻璃白之上,用干凈筆輕輕地將顏色依深淺濃淡的不同需要洗開,使花瓣和人物衣服有濃淡明暗之感。

 

Pastel, also known as "soft color", is a variety of glazed porcelain. The general method of painting is to outline the outline of the pattern on the white porcelain burned at high temperature first, and then use the white glass with arsenic as the base, and then apply the pigment on the white glass, and then use a clean pen to wash the color according to the different shades, so that the petals and the figure's clothes have a sense of shade and light.

 

在砷的乳濁法作用下,玻璃白呈不透明的感覺,與各種色彩相融合后,便產生了粉化作用,進而使紅彩變成粉紅,綠彩變成淡綠,黃彩變成淺黃,其余顏色亦變成不透明的淺色調,并可通過控制加入量,來獲得一系列不同深淺濃淡的色調,呈現粉潤柔和之感。

Under the effect of arsenic opacifying method, the glass is opaque white, and the integration of all kinds of color, the pulverization effect is produced, which make the red color pink, green color into light green, Huang Cai become yellow, the rest also become opaque light color, and can be added by controlling the quantity, to obtain a series of different shades of color depth, display powder and soft feeling.

早在清康熙年間,粉彩作為瓷器釉上彩繪藝術已開始了萌芽;到雍正時期,已趨成熟,并形成粉彩裝飾的獨特風格;乾隆時期粉彩已非常興盛。粉彩的藝術效果,以秀麗雅致,粉潤柔和見長,這與潔白精美的瓷質分不開,它們相互襯托,相映成趣,有機地結合起來。

As early as the kangxi years of the qing dynasty, pastel as a porcelain glaze painting art has begun to sprout; To yongzheng period, has been mature, and formed a unique style of pastel decoration; Powder enamel had flourished during the qianlong period. The artistic effect of pastel is characterized by its elegance and softness, which are inseparable from the white and delicate porcelain.

 

粉彩是乾隆朝瓷器中所占此重較大的品種之一,在雍正瓷的基礎上又有新的突破。乾隆粉彩中的一部分繼承了雍正時期在肥潤的白釉上繪疏朗艷麗紋飾的特點,如常見的折枝花卉盤、碗、小瓶、面盆、人物筆筒和大件器物鹿頭尊等。常見紋飾有山水、嬰戲、九桃、瓜蝶、百鹿、花鳥、仕女、百花(亦稱“百花不露地”)、八仙、云蝠、福壽、纏枝花、皮球花、花蝶等。除了常見的器型以外,新穎造型還有賁巴壺、交泰瓶、轉頸瓶。款識有青花、紅彩、金彩等種類。一直到民國時期粉彩瓷器主要是以郭世五仿制的雍、乾粉彩和帶有齋堂款識的粉彩最精美,其次是民間收藏的無款或書寫清朝各代偽款的粉彩瓷,以及所謂洪憲瓷等。

Pastel is one of the most important types of Qianlong Dynasty porcelains. On the basis of Yongzheng porcelains, there are new breakthroughs. Some of Qianlong's pastels inherited the characteristics of bright and sparse decorations on the plump white glaze in Yongzheng period, such as common broken branches flower dishes, bowls, small bottles, basins, pen holders and large objects such as Lutouzun. Common patterns are landscape, baby play, nine peaches, melon butterflies, hundred deer, flowers and birds, ladies, hundred flowers (also known as "hundred flowers do not expose"), eight immortals, cloud bats, longevity, twisted flowers, ball flowers, butterflies and so on. In addition to the common models, there are also new models of cardia kettle, Jiaotai bottle and neck-turning bottle. There are blue and white, red, golden and other types of knowledge. Until the Republic of China, the most exquisite pastels were Yong, Qian and Zhaitang pastels imitated by Guo Shiwu, followed by those collected by the people who had no money or wrote fake money of the Qing Dynasty, as well as the so-called Hong Xian Porcelain.

 

在我國神話傳說中,道教中有八仙之說,分別是鐵拐李、漢鐘離、張果老、藍采和、何仙姑、呂洞賓、韓湘子、曹國舅。關于八仙的故事流傳甚廣,尤其是“八仙過海,各顯神通”的傳說幾乎家喻戶曉,膾炙人口。歷史上,很多文學、戲劇中融入了八仙的傳說,以八仙為素材的藝術作品亦層出不窮,陶瓷、繪畫、竹刻、刺繡、木雕以及文房器具上屢屢出現,賞心悅目,使八仙的故事得以綿延傳承并深入人心。

In Chinese myths and legends, there are eight immortals in Taoism, namely, iron guai li, han zhongli, zhang guolao, LAN caihe, he xiangu, lu dongbin, han xiangzi, cao guojiu. The story about the eight immortals spreads very wide, especially "the eight immortals cross the sea, each show one's magic powers" the fable is almost household name, win universal praise. In history, the legends of the eight immortals have been incorporated into many literature and drama works, and artistic works based on the eight immortals have also emerged in an endless stream. Ceramics, paintings, bamboo carvings, embroidery, wood carvings and utensils of study have appeared repeatedly, which are pleasing to the eye, making the stories of the eight immortals continue to inherit and deeply rooted in people's hearts.

 

W:7.78cm D:8.58cm

此件“粉彩八仙人物對罐”色彩艷麗,罐壁圖畫以八仙人物為主,以紅、綠、藍等色彩描繪,畫面表現為“多子、多福、多壽”的寓意,罐底以“大清乾隆年制”三行六字,瓷質細密,釉色亮麗,渾然一體,無絲毫瑕疵,器型規整,讓人眼前一亮,值得珍藏。為本次迪拜賣場核心推薦藏品,歡迎各位藏友蒞臨迪拜賣場咨詢競拍,機會難得!

This character of jar "the eight immortals" pastel colour is gorgeous, tank wall picture is given priority to with the eight immortals characters, such as red, green, and blue color paint, picture shown as "children, fu and shou", the moral of tank bottom to "qing qianlong year" three lines of the six, fine porcelain, the glaze color bright beautiful, one integrated mass, without any defects, shape neat, let a person shine at the moment, worthy of collection. For this dubai store core recommended collection, you are welcome to visit dubai stores consultation auction, rare opportunity!


 

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