花畦車有鄰畫
Flower beds have adjacent paintings
長：68.5cm 寬：46cm
Length：68.5cm Width:46cm
此藏品為車有鄰作，號花畦，為清末四品官員，在甘肅任職，因不是以書畫為主，但愛好字畫，故現流傳下來較少，保存至今完整品相的更加少之又少，故收藏價值較高。
This collection is the car has the neighboring work, the number flower check, for the late qing dynasty four products of the official, in gansu, because not to calligraphy and painting primarily, but love calligraphy and painting, so now handed down less, preserved until now complete product appearance is even less, so the collection value is high.
此藏品主題是高士賞秋圖，采菊東籬下，悠然見南山，樹下的高士獨坐，翹首南望，完全一副寄情菊花的高士，神情超然灑脫而不羈。旁邊的大樹枯葉顯示秋天的蕭瑟，桌上擺放整齊的書籍、賞瓶里的菊花，又烘托出一幅文人恬靜淡然的畫面，讓人神往，石邊的菊花反射出作者的堅韌不拔、清寒傲雪的品格，整個畫面構圖奇巧，線條及其遒勁流暢，用筆用墨老練精到，不愧為作者的 得意之作。
The theme of this collection is gao shi enjoying the autumn, picking chrysanthemum under the east fence, leisurely see the south mountain, under the tree of the senior gentleman sitting alone, looking south, a completely a pair of senior gentleman who loves chrysanthemum, look detached and free and unrestrained. Beside the tree leaves autumn bleak, well-organized books, to watch the bottle on the table the chrysanthemum, and foil a literati quiet cool picture, fascination, stone edge chrysanthemum reflecting the author's proud tenacity, assist the character of the snow, the whole picture composition kit kat, and its elegant smooth lines, pen ink for sophisticated precise, deserves to be the masterpiece of the author.
此畫用筆隨意，不拘格法。如衣紋，常用直筆，硬轉，粗放有力，如畫枯枝頑石，強悍蒼辣而含蓄儒雅不足。注意筆線和結構的關系，講究筆線運行的節奏韻律，人物畫， 質樸、拙重、簡約、真率，有時粗獷奔放，帶有濃郁的人情色彩。
The painting was written in a casual manner. Such as clothing lines, often used straight pen, hard to turn, extensive and powerful, picturesque withered sticks and stones, tough and hard and subtle Confucian elegance. Pay attention to the relationship between pen line and structure, pay attention to the rhythm and rhythm of pen line operation, figure painting, plain, clumsy, simple, authentic, sometimes bold and unrestrained, with strong human feelings color.
反映了中華民族的民族意識和審美情趣，體現了古人對自然、社會及與之相關聯的政治、哲學、宗教、道德、文藝等方面的認識。
It reflects the national consciousness and aesthetic taste of the Chinese nation, and reflects the ancient people's understanding of nature, society and related political, philosophical, religious, moral, literary and other aspects.
工筆畫，亦稱"細筆畫"，屬中國畫技法類別的一種。工筆畫與"寫意畫"對稱。工筆畫屬于工整細致一類畫法，如宋代的院體畫，明代仇英的人物畫等。工筆畫要求"有巧密而精細者"。工筆畫，古代繪畫，崇尚寫實，求形似，是以工整者多;至唐王維創水墨畫法，尚意輕形，題材由人生轉變為描寫自然，大致分為人物山水花鳥等;因而畫法有工筆與寫意之分。
Fine brush painting, also known as "fine brush", belongs to the category of Chinese painting techniques. Gongbi is symmetrical with xieyihua. Gongbi painting is a kind of meticulous painting, such as courtyard painting in song dynasty and figure painting by qiu ying in Ming dynasty. Fine brushwork requires "those who are subtle and precise". Gongbi painting, ancient painting, advocating realism, to look like, is more neat; In tang dynasty, wang wei created the ink painting method, which was light in shape. The theme changed from life to nature description, which was roughly divided into characters, landscapes, flowers and birds. Therefore, there are fine brushwork and freehand brushwork.
工筆畫在長期的歷史發展中建立了一套嚴整的技法體系，從而形成這一畫體的獨特風格面貌，其特點歸納如下:
以線造型是中國畫技法的特點，也是工筆畫的基礎和骨干。工筆畫對線的要求是工整、細膩、嚴謹.一般用中鋒筆較多。
以固有色為主，一般設色艷麗、沉著、明快、高雅，有統一的色調，具有濃郁的中國民族色彩審美意趣。
Fine brushwork has established a set of strict technique system in the long-term historical development, thus forming the unique style and appearance of this painting body. Its characteristics are summarized as follows:
Line modeling is a feature of Chinese painting techniques, and also the basis and backbone of traditional Chinese painting. Fine brushwork line requirements are neat, delicate, rigorous. Generally used center pen more.
Give priority to by proper color, general tint is gorgeous, calm, lively, decorous, have unified tonal, have full-bodied Chinese nation color aesthetic interest.
寫意畫(freehand brush work)即是用簡練的筆法描繪景物。寫意畫多畫在生宣上，縱筆揮灑，墨彩飛揚，較工筆畫更能體現所描繪景物的神韻，也更能直接地抒發作者的感情。用中鋒側鋒逆鋒來表達。
Freehand brush work is to use concise brushwork to depict scenery. Freehand brushwork is mostly painted on the health and publicity, with the vertical brush and ink and color flying. Compared with traditional Chinese painting, freehand brushwork can reflect the verve of the scenery it depicts and express the author's feelings more directly. The center side is opposite the front to express.
寫意畫是在長期的藝術實踐中逐步形成的。其中文人參與繪畫，對寫意畫的形成和發展起了積極的作用。相傳唐代王維因其詩、畫俱佳，故后人稱他的畫為"畫中有詩，詩中有畫"，他"一變勾斫之法"，創造了"水墨淡，筆意清潤"的破墨山水。五代徐熙先用墨色寫花的枝葉蕊萼，然后略施淡彩，開創了徐體"落墨法"。
Xieyi painting is gradually formed in long-term artistic practice. Among them, the participation of literati in painting plays an active role in the formation and development of freehand painting. Legend has it that wang wei of the tang dynasty was so good at both poetry and painting that he was called "poetry in pictures and pictures in poems". Xu xi of the five dynasties first used ink to write the branches, leaves and calyxes of flowers, and then slightly applied light color, creating xu body "ink-dropping method".
寫意畫是傳統中國畫里令人賞心悅目的畫種，它以淋漓的水墨，縱橫的筆法、彌滿的氣勢，使觀者贊聲鼎沸嘆為奇觀，并擁有廣泛眾多的欣賞者。通過畫的立意叩動欣賞者的情意，產生回味不盡的畫意是成敗的關鍵。寫意畫有畫無意，或叫人不解其意，莫名其妙，都處不上名副其實的寫意畫。
Xieyi painting is a delightful kind of painting in traditional Chinese painting. It USES dripping ink, vertical and horizontal brushwork, and full momentum, which makes the audience applaud and sigh as a spectacle, and has a wide range of viewers. It is the key to success to kowtow to the feeling of the viewer through the conception of painting and produce endless aftertaste. Freehand brushwork has a picture not intended, or make a person indissoluble its meaning, indescribable, do not go up the freehand brushwork that deserves the name.
濃厚的田園氣息，蕭瑟的枯葉，堅韌不拔的菊花，飄逸的衣裳，灑脫不羈的神情，是作者的內在生命，而那熱烈明快的色彩，墨與色的強烈對比，渾樸稚拙的造型和筆法，工與寫的極端合成，平正見奇的構成，作為獨特獨特的藝術語言和視覺形狀，相對而言則是作者藝術的外在生命。此藏品無論從意境、畫工都是較為難得的作品，故收藏投資價值較高。
Strong rural breath, bleak leaves, tenacious chrysanthemum, elegant clothes, and easy expression, is the author of the inner life, and the warm and lively color, ink and color contrast, the modelling of austere plain and brushwork, and write the extreme synthesis, a right to see, the composition, as a unique unique art language and visual shape, relatively speaking is the art of external life. This is collected no matter from artistic conception, painting work is more rare work, reason collects investment value higher.
