八仙過海提梁壺
Eight Immortals Crossing Haiti Beam Pot
宣德時(shí)期的銅器物在宣德中期模仿宋代的燒斑，掩蓋了器物本質(zhì)，就用一種外國(guó)產(chǎn)的鹵液浸潤(rùn)、擦拭、薰洗，把色彩變?yōu)橄灢琛５搅诵履┢冢瑒t更加顯示它自然色澤，著色更淡。后人評(píng)論說，有五等色:栗殼、茄皮、棠梨、褐色，而以佛經(jīng)紙的色澤為第一。傳世的宣德銅器物很少很少，且價(jià)格為天文數(shù)字，非常昂貴。因此，各朝歷代都紛紛仿制，如今很多仿品充斥市場(chǎng)，無論到哪個(gè)舊貨市場(chǎng)或古玩店，均可見到"大明宣德年制"款的器物，然而如果想從這里找到真宣德銅器物簡(jiǎn)直是大海撈針，但事物不是絕對(duì)的，河里總會(huì)有魚，也許我們會(huì)在某個(gè)古董攤上遇到真品，那么你如何斷定它的真?zhèn)?這就需要你掌握一些鑒定知識(shí)。
Copper objects in Xuande period imitated the burnt spot of Song Dynasty in the middle of Xuande period, concealed the essence of the objects, soaked, wiped and fumigated with a foreign brine, and changed the color into wax tea. At the end of Xuande period, it showed more natural color and lighter color. Later generations commented that there are five colors: chestnut shell, eggplant skin, tangli, brown, and the color of Buddhist Scripture paper is the first. The handed down bronze articles in Xuande are very few, and the price is astronomical and very expensive. Therefore, all dynasties have imitated one after another. Nowadays, many imitations are flooded with the market. No matter which used goods market or antique shop we go to, we can see the articles of "Daming Xuande Year System". However, if we want to find Zhenxuande bronze articles from here, it's like looking for needles in a haystack, but things are not absolute. There will always be fish in the river. Maybe we will find fish in the river. How do you determine the authenticity of an antique stall when it encounters a genuine product? This requires you to have some expert knowledge.
在拍賣品市場(chǎng)比較火爆和受到藏友追捧的收藏品類主要有書畫、陶瓷、玉器、珠寶、名石、名表等類，這些亦被藏友們通稱為大件藏品。而其他一些藏品，通常被藏友們稱之為雜件。中華五千年的文明發(fā)展，為數(shù)眾多的藏品中，只有超越時(shí)空，內(nèi)涵后人所需求的，與人類文明、進(jìn)步、發(fā)展最密切相關(guān)的信息資源的物品，才能成為收藏品。
The popular collections in the auction market are mainly calligraphy and painting, ceramics, jade, jewelry, famous stones and watches, which are also known as large collections by Tibetan friends. Other collections are often called miscellaneous items by Tibetan friends. With the development of Chinese civilization over the past five thousand years, among the numerous collections, only those items which transcend time and space and contain the information resources most closely related to human civilization, progress and development can become collections.
投資一件藝術(shù)藏品之后，是否有獲利空間，這種獲利空間的大小是多少，就是要用現(xiàn)實(shí)性和前瞻性兩種眼光做出評(píng)估。在挑出精品之后，就要懂得規(guī)避風(fēng)險(xiǎn)。純粹的愛好者會(huì)在心儀一件藝術(shù)品之后，沒有更多地考慮脫手獲利的問題。但對(duì)于大多數(shù)理財(cái)者而言，這樣做只能滿足藝術(shù)欣賞的心，不能達(dá)到理財(cái)?shù)哪康摹Ｒ碡?cái)，就要懂得價(jià)值及其動(dòng)態(tài)變化，而價(jià)值是市場(chǎng)產(chǎn)生的，所以收藏理財(cái)?shù)牡谝粋€(gè)要旨便是深入地把握市場(chǎng)。
After investing in an art collection, whether or not there is a profit space, and what is the size of the profit space, is to make an assessment with two perspectives: realistic and forward-looking. After selecting the best products, we should know how to avoid risks. Pure enthusiasts will not consider the issue of profit-making after they have a passion for a work of art. But for most financial managers, this can only satisfy the heart of art appreciation, can not achieve the purpose of financial management. To manage money, we must understand the value and its dynamic changes, and the value is generated by the market, so the first purpose of collecting and managing money is to grasp the market in depth.
其實(shí)古玩中最容易鑒別的就是宣德時(shí)期的銅器物，因?yàn)檎鎮(zhèn)沃g相差太懸殊了，通常認(rèn)為不易鑒別的，是因?yàn)闆]有見過真的，一旦見過真的，真假優(yōu)良一目了然。 下圖為“大明宣德八仙過海提梁壺”鑒別時(shí)，首先要知道真宣德時(shí)期的銅器物選用的是一種風(fēng)磨銅。反復(fù)提煉，同時(shí)銅中加入金、銀等貴金屬，這樣，愈燒愈純，金銀等貴金屬便浮于表面，輕輕擦拭，便泛出光澤，所以說銅質(zhì)非常精細(xì)，而作假者不知其內(nèi)加入金銀等貴金屬，不了解其比例，因此從銅質(zhì)上能鑒別真?zhèn)危毧雌魑锏牡住⒆悖躲~精者為真，粗劣者為假。
In fact, the easiest thing to identify is the bronze objects in Xuande period, because the difference between authenticity and falsehood is too wide. It is generally considered that it is difficult to identify because it has not seen the real, once it has seen the real, the true and fake are excellent at a glance. The following picture is "Daming Xuande Eight Immortals Crossing Haiti Liang Hu" identification, first of all, we should know that the Zhenxuande period of copper objects selected is a kind of wind milled copper. Repeatedly refining and adding precious metals such as gold and silver into copper, so that the more pure the burning, the more precious metals such as gold and silver float on the surface, gently wipe, and then gloss, so that the copper is very fine, and the counterfeiter does not know the proportion of precious metals such as gold and silver in it, so the authenticity of copper can be distinguished by looking at the appliances. The bottom and foot of things are true for those who expose copper essence and false for those who are crude.
此件“大明宣德八仙過海提梁壺”選用的是一種風(fēng)磨銅。反復(fù)提煉，同時(shí)銅中加入金、銀等貴金屬，這樣愈燒愈純，金銀等貴金屬便浮于表面，輕輕擦拭，便可泛出銅色誘人光澤，所以說銅質(zhì)非常精細(xì)，“宣德”的器物價(jià)格一直水漲船高很穩(wěn)定，從風(fēng)險(xiǎn)角度看，比如股票市場(chǎng)，無論獲利還是虧損，及時(shí)賣出都至關(guān)重要，否則結(jié)局往往是利潤(rùn)減少或虧損加大。好的收藏品一定是持有時(shí)間越久，價(jià)值越高，長(zhǎng)線看幾乎沒有任何投資風(fēng)險(xiǎn)。這也是為什么第一套人民幣持有第一個(gè)10年上漲100倍，持有第二個(gè)10年繼續(xù)上漲100倍，持有第三個(gè)10年即便上漲勢(shì)頭減弱但價(jià)格卻繼續(xù)昂首上揚(yáng)。
This "Daming Xuande Eight Immortals Crossing Haiti Beam Pot" is a kind of wind-milled copper. Repeatedly refining, and adding precious metals such as gold and silver to copper, so that the more pure the burning, the more precious metals such as gold and silver float on the surface, gently wiping, the more attractive copper luster, so that the quality of copper is very fine, "Xuande" utensils prices have been rising steadily, from a risk point of view, such as the stock market, regardless of. Profit or loss, timely selling is crucial, otherwise the outcome is often profit reduction or loss increase. A good collection must be held for a long time, the higher its value, and there is almost no investment risk in the long run. That's why the first set of RMB holdings rose 100 times in the first 10 years, continued to rise 100 times in the second 10 years, and continued to rise in prices even though the trend of the third 10 years has weakened.
此器物在藏家收藏流傳至今為第三代，傳世的大明宣德器物很少很少，因此，各朝歷代都紛紛仿制，如今很多仿品充斥市場(chǎng)，無論到哪個(gè)舊貨市場(chǎng)或古玩店，均可見到"大明宣德年制"款的器物，真宣德爐的款識(shí)有一、二、四、六字款，如"宣"、"宣德"、"宣德年制"或"大明宣德年制"楷書款，結(jié)構(gòu)嚴(yán)謹(jǐn)，此器物是不可多得的好藏品。
The collection of this artifact has been handed down to the third generation, and few of Daming Xuande artifacts have been handed down. Therefore, many imitations have been copied in succession of dynasties. Nowadays, many imitations are flooded with the market. No matter which used goods market or antique shop you go to, you can see the "Daming Xuande Year System" artifacts. There are one, two, four and six styles of Zhenxuande Furnace. Characters such as "Xuan De", "Xuan De Annual System" or "Daming Xuan De Annual System" are well-structured. This article is a rare good collection.
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