清琺瑯彩龍紋梅瓶
Clear enamel plum vase with dragon design
口徑:8.4cm 高:38cm 底徑:14.6cm
CAL:8.4cm High:38cm Bottom diameter:14.6cm
此藏品為“清乾隆琺瑯彩龍紋梅瓶”,器形為梅瓶,瓶身繪制花卉、龍紋,瓶口和瓶底以描金黃底花卉紋搭配,并底款是“大清乾隆年制”篆書體。
This collection is "clear qianlong enamel color dragon grain plum bottle", implement shape is plum bottle, bottle body draws flower, dragon grain, bottle mouth and bottle bottom with tracing gold yellow bottom flower grain collocation, and bottom money is "year of year of great qing dynasty qianlong" seal book body.
此琺瑯彩龍紋梅瓶,唇口外撇,短束頸,溜肩,腹一下漸收,圈足,底青花書“大清乾隆年制”篆書款。胎質堅質細密,釉面光潤瑩亮,均凈細膩。瓶身以繪制龍紋,間以花卉點綴,使畫面添增了不同反響意趣。所繪龍紋氣勢磅礴,鬃發橫批,龍睛怒張,身軀矯健有力,威風凜凜,間飾以彩色花卉紋,上下金邊黃底花卉紋點綴,搭配協調,整體畫面極富動感,畫面張弛有度扣人心弦,氣度恢宏。整體繪功精湛,較為珍罕,觀賞收藏價值極高。此等制瓷藝術水平在清代盛世亦屬罕見。
This enamel plum vase with dragon pattern, lip outside skimming, short tie neck, slip shoulder, abdomen gradually close, circle foot, bottom blue and white book "qing dynasty qianlong year" seal book style. The foetus is firm and fine, the glaze is bright and smooth, all clean and delicate. The bottle body is decorated with dragon patterns and interspersed with flowers, making the picture more interesting. Draw the dragon grain imposing manner, bristle hair horizontal cut, the dragon eye anger zhang, the body is vigorous and powerful, majestic, between ACTS the role of with colored flowers grain, up and down gold edge yellow bottom flowers grain ornament, collocation is coordinated, the whole picture is extremely dynamic, the picture zhang chi has the degree of gripping, the bearing is magnificent. Overall painting skills, more rare, high value of ornamental collection. Such artistic level of porcelain making was rare in the prosperous qing dynasty.
琺瑯彩是中國陶瓷裝飾藝術中的一朵奇葩,被譽為“彩瓷中的皇后”。琺瑯是一種較軟的玻璃料,若在里面加上不同的金屬氫化物作為呈色劑,并用油調和,便成為琺瑯彩。用琺瑯彩在燒好的白瓷上繪畫,再入爐二次烘燒,即成為美妙的琺瑯彩瓷。這種技術源于15世紀的法國,清初傳入我國。琺瑯彩含大量的硼和砷,燒成后具有強烈的金屬質感,色彩種類繁多,表現力極強,深受人們的喜愛。琺瑯彩自清代康熙時創燒后即成為宮廷專享的御用器,其制作技藝奇絕,成本高昂,傳世極少,至為珍罕,為收藏家夢寐以求之珍。
Enamel color is a wonderful work in Chinese ceramic decorative art, known as the "queen of color porcelain." Enamel is a kind of soft glass material. When different metallic hydrides are added to it as colorants and mixed with oil, it becomes enamel color. Using enamel color to paint on the white porcelain, and then into the furnace for a second baking, that is, a wonderful enamel color porcelain. This technology originated in France in the 15th century and was introduced to China in the early qing dynasty. Enamel color contains a large number of boron and arsenic, burned with a strong metallic texture, a wide variety of colors, strong expression, by the people's favorite. Enamel color from the qing dynasty kangxi, after the creation of the fire, that is, become the court to enjoy the royal ware, its production skills, high cost, handed down very few, extremely rare, for collectors dream of the treasure.
乾隆一朝為清代盛世,集全國經濟、政治和藝術于最高峰。乾隆朝藝術發展到極致,無論是瓷器還是其他藝術水平均為清代之冠,故乾隆琺瑯彩又有“五彩琺瑯”之稱。乾隆帝對琺瑯彩瓷器珍愛有加,琺瑯彩瓷器的燒制數量超過康雍兩朝,造型更加豐富,瓶類就有蒜頭瓶、雙聯瓶、葫蘆瓶、雙耳瓶等,茶壺、方盒、盤、碗等器皿的數量與樣式都明顯增多。乾隆朝琺瑯彩瓷另有一種帶西洋味道的紋飾,這是前朝所不見有的,不但琺瑯彩多有此類紋飾,其他瓷器上如粉彩、青花也多有西洋繪畫風格。乾隆年間,有許多歐洲畫家供職于內廷,中國畫家因此吸收了歐洲繪畫的透視技法,把它用在琺瑯彩瓷畫上,色彩華麗,風格獨特。工藝制作更加精細,正如《陶雅》所稱:“至乾隆,則華縟極矣,精巧之致,幾于鬼斧神工。”
The qianlong dynasty was the heyday of the qing dynasty, which was the peak of national economy, politics and art. Qianlong dynasty art development to the extreme, whether porcelain or other art level are the crown of the qing dynasty, so qianlong enamel color is known as "colorful enamel". Emperor qianlong cherished enamel color porcelains. The number of enamel color porcelains was more abundant than that of kang and yong dynasties, and the shapes were more abundant. There were garlic bottles, double bottles, gourd bottles, double-ear bottles, etc. Porcelain of enamel color of qianlong dynasty has another kind of design that takes western flavour to act the role of, this is the place before the dynasty does not see some, not only enamel color has this kind of design to act the role of more, if on other porcelain powder color, blue and white also has western painting style more. During qianlong's reign, there were many European painters working in the inner court. Therefore, Chinese painters absorbed the perspective techniques of European painting and used them in enamel color porcelain paintings with gorgeous colors and unique styles. The craftsmanship is more elaborate, just as tao ya said: "in qianlong, there was great elaboration and exquisite workmanship."
琺瑯彩瓷在所有瓷器品種中,不僅制作工藝繁復,數量稀少,燒制精美,而且具有極高的藝術性,表現出很強的創造力,歷來都是很多瓷器收藏家夢寐以求想要收藏的珍品,因此天價琺瑯彩瓷也是時有出現。不少專家認為,對于琺瑯彩瓷今后的市場,不論其他瓷器品種行情如何,琺瑯彩瓷今后依然會受藏家追捧,市場仍會非常穩定,且具有巨大的收藏潛力。
Enamel color porcelain in all porcelain varieties, not only the production process is complicated, the number of rare, exquisite firing, but also has a high artistic quality, show a strong creativity, has always been a lot of porcelain collectors dream to collect treasures, so the price of enamel color porcelain is also from time to time. Many experts believe that for the future market of enamel color porcelain, no matter how other porcelain varieties, enamel color porcelain will still be pursued by collectors in the future, the market will still be very stable, and has great potential for collection.
梅瓶是傳統名瓷,梅瓶是一種小口、短頸、豐肩 、瘦底、圈足的瓶式,以口小只能插梅枝而得名。因瓶體修長,宋時稱為"經瓶",作盛酒用器,造型挺秀、俏麗,明朝以后被稱為梅瓶。
Plum vase is a traditional famous porcelain vase. It is a kind of vase with small mouth, short neck, rich shoulders, thin bottom and round feet. Due to its slender body, it was called "jing bottle" in song dynasty, and it was used as a vessel for holding wine.
梅瓶也稱"經瓶",最早出現于唐代,宋遼時期較為流行,并且出現了許多新品種。近代許之衡在《飲流齋說瓷》一書中詳細地描述了梅瓶的形制、特征及名稱由來:"梅瓶口細而頸短,肩極寬博,至脛稍狹,抵于足微豐,口徑之小僅與梅之瘦骨相稱,故名梅瓶。"關于梅瓶的用途,磁州窯白地黑花梅瓶器腹有"清沽美酒"與"醉鄉酒海"的詩句。梅瓶既是酒器,又是一件令人愛不釋手的觀賞品。因此,這類器多制作精美,不但考慮到貯酒容量,還要注意造型優美。
Mei vase, also known as "jing vase", first appeared in the tang dynasty, during the song and liao dynasties, and many new varieties appeared. In modern times, xu zhiheng described in detail the shape, structure, characteristics and name of the plum bottle in the book "on the porcelain of yinliuzhai" :" the plum bottle has a thin mouth, a short neck, a wide shoulder, and a narrow shin. As for the use of plum bottle, there are verses of "clear wine" and "sea of intoxicating wine" on the belly of black flower plum bottle in cizhou kiln. Plum bottle is not only a wine vessel, but also a fondly appreciating article. Therefore, many of these vessels are exquisitely made, not only considering the storage capacity, but also pay attention to the beautiful shape.
此藏品無論從造型上還是紋飾色彩搭配都是極為精致的,故觀賞收藏價值也是極高。
This is collected no matter be from modelling or grain act the role of colour collocation is extremely delicate, reason appreciation collects value to also be extremely tall.