宋代汝窯三足筆洗

Three-legged pen wash in Song Dynasty

此筆洗承盤圓口，淺腹，平底，下承以三足。里外施天青色釉，釉面開細碎紋片。外底滿釉，有5個細小支燒釘痕。此器造型規整，釉呈淡天青色，柔和溫潤。它應與三足樽配套使用，用以承放三足樽。

This pen wash plate round mouth, shallow belly, flat bottom, under the three feet. Inside and outside to apply a cyan glaze, glazed open fine pieces of grain. The outer bottom is full of glaze and has 5 thin burnnail marks. This instrument is well-moulded, the glaze is pale cyan, soft and warm. It should be used in conjunction with the three-legged crucible to carry the three-legged crucible.

        筆洗是一種傳統工藝品，屬于文房四寶筆、墨、紙、硯之外的一種文房用具，是用來盛水洗筆的器皿，以形制乖巧、種類繁多、雅致精美而廣受青睞，傳世的筆洗中，有很多是藝術珍品。

Pen washing is a traditional crafts, belonging to the four treasure pens, ink, paper, slugs outside a kind of literary room utensils, is used to fill the washing pen utensils, in order to form a good, a wide variety, elegant and beautiful and widely favored, the passage of pen washing, there are many are art treasures.

   三足筆洗，取形于青銅器鼎之三足，在器物的形制方面，它既有青銅鼎之烙印，又有本朝的特證，同時又帶有北宋文人士大夫的情趣。

Three-foot pen wash, taken in the shape of the bronze ding three-foot, in the shape of the instrument, it has both the bronze Ding's imprint, but also the special certificate of the Dynasty, but also with the Northern Song Dynasty doctor's taste.

        宋代汝窯瓷器，所具有的仿古意韻，在三足筆洗中，得到充分展示。而且仿中有創意，同時，在方寸之中，在細微之處，盡顯其濃郁的宮廷色彩。

Song Dynasty kiln porcelain, with antique rhyme, in the three-foot pen wash, fully displayed. And imitation has creativity, at the same time, in the square inch, in the nuances, to show its rich court color.

        汝窯瓷器，在當時就被宋人列為宋代諸窯之魁首。作品風格獨特，胎體細潔而呈香灰色，器足滿釉，多為裹足支燒，留有細小的支釘痕跡，有的稱"芝麻花細小掙針".釉色主要是純正的天青色，青中閃藍，有"雨過天青"的美譽。同時還包括天藍、淡青、粉青、月白等色。色調穩定，變化較少。

The porcelain kiln was listed by the Song people as the head of the Song Dynasty kilns at that time. The work style is unique, the tire body is fine and fragrant gray, the device is full of glaze, mostly wrapped in foot burning, leaving a small nail marks, some called "sesame flower small earned needle". Also includes sky blue, pale green, pink, moon white and other colors. The tone is stable and changes less.

北宋時為宮廷燒制御用器，凡進宮的器物，底部均刻有從一到十的數字編號。此洗刻三足筆，為宋典型鈞窯御用器具鈞瓷始于唐盛于宋，中國傳統陶瓷燒制工藝的稀世珍品，為中國著名的四大名瓷之一，是中國歷史上的名窯奇珍，距今已有一千三百多年的歷史，被譽為“國之愧寶”，在宋代就享有“黃金有價鈞無價”，“縱有家產萬貫，不如鈞瓷一件”之盛譽。宋代鈞瓷釉質瑩潤、含蓄，呈乳濁狀，有著絢麗多姿的審美風韻，“似玉、非玉、勝于玉”的審美體驗，使之成為皇室的尤物。表示了寧為玉碎，不為瓦全的的民族氣藝，和溫文爾謙做人的品質。

In the Northern Song Dynasty, the palace burned the royal spout, where the objects into the palace, the bottom is engraved with a number from one to ten. This wash edited three-foot pen, for the Song typical kiln royal apparatus porcelain began in Tang Sheng in Song, The Chinese traditional ceramic burning process of rare treasures, for China's famous four famous porcelain, is the history of China's famous kiln rare, from now on has a history of more than 1,300 years, known as "the treasure of the nation", in the Song Dynasty enjoy "gold is priceless", " Even if there is a family of millions of, not as good as enamel a piece of "reputation." Song Dynasty enamel enamel bright, implicit, milky, with a colorful aesthetic charm, "like jade, non-jade, better than jade" aesthetic experience, making it a royal thing. Expressed the ning for the jade broken, not for the national air of wa quan, and Wen Wener humble quality.

由于汝窯瓷器燒造時間不長，工藝要求高，產量有限，故傳世品稀少，有著極高的收藏價值與歷史文化研究價值。

Because the kiln porcelain burning time is not long, the craft requirements are high, the output is limited, so the rare, has a very high collection value and historical and cultural research value.

聯系方式：周玉山18986777913