唐代作為我國古代空前強盛的時代，其金銀器的大量使用也表明了當時國力的強盛，而唐代的金銀器也代表了我國古代金銀器制造的最高水平，我們面前的這個金碗也代表了唐代的金器制作工藝的巔峰水平，從這種層面上來說，我們面前的金碗就已經是我國古代金器的巔峰作品了。
Tang Dynasty, as an unprecedented prosperous era in ancient China, its extensive use of gold and silver also showed the strength of the country at that time, and the gold and silver ware in Tang Dynasty also represented the highest level of ancient gold and silver manufacture in our country. The golden bowl in front of us also represented the peak level of gold production technology in Tang Dynasty. The golden bowl in front of us is already the peak work of ancient Chinese gold wares.
唐代貞觀金碗
Zhenguan Golden Bowl in Tang Dynasty
重(W):244g
編號(NO.)： LD-101
此件唐代貞觀金碗，應該說是“唐鴛鴦蓮瓣紋金碗”。金碗猶如盛開的花朵，大體取自蓮花的造型，碗壁通體錘揲為蓮瓣，然后用鏨刻的手法在最顯眼的每個蓮瓣內都以一種動物作主題紋飾，有狐、兔、獐、鹿、鸚鵡、鴛鴦等，其周同則填以形態各異的花草。走獸或抬腿狂奔，或回頭相顧；禽鳥或展翅飛翔，或站立棲息，不管是靜態的還是動態的，個個栩栩如生，呼之欲出，富有強烈的韻律感，讓人能感受到生命躍動的激情。下層蓮瓣內則一律為相同的忍冬草，以相對的穩定，營造出平和、恬靜的氣氛，烘托上層動物的生機勃勃。所選擇的動物題材，或者是人們打獵中常見的，或者是具有和諧美滿、多子多福等吉祥寓意的。
This golden bowl of Zhenguan in Tang Dynasty should be called "golden bowl with lotus petal pattern of Tang Mandarin Duck". The golden bowl is like a blooming flower. It is generally taken from the shape of lotus. The bowl wall is hammered into lotus petals. Then, in each of the most conspicuous lotus petals, an animal is used as the theme decoration. There are foxes, rabbits, roes, deer, parrots, mandarin ducks and so on. Flowers and grass of different shapes are filled around the bowl. Animals or legs run, or look back; birds or wings fly, or stand and inhabit, whether static or dynamic, all vivid, vivid, full of strong sense of rhythm, people can feel the passion of life jumping. Lotus petals in the lower layer are the same honeysuckle, with relative stability, create a peaceful and quiet atmosphere, foil the vitality of the upper animals. The selected animal theme is either common in hunting, or has the auspicious implication of harmony and happiness, multi-son and multi-fortune.
金碗的圈足一周有一圈非常細密的小金珠排列在一起，這是當時唐代的工匠采用了一種叫做炸珠的工藝制作而成的。所謂炸珠，通俗的說就是金液和水之間存在一定的溫度差，二者相遇時會發生迸濺，當時的工匠們將黃金溶液滴入溫水中，炸出細小的金珠，然后從中選擇質地比較均勻的焊接在器物表面。這一古老的技法，看似簡單，其實涵蓋了物理變化、化學變化、電鍍工藝、拋光工藝等一些列復雜工藝。在唐代，沒有任何機械儀器的條件下，這樣的技術非常機智。
The golden bowl has a very fine circle of small golden beads arranged in one circle, which was made by craftsmen in the Tang Dynasty using a process called fried beads. The so-called fried beads, commonly known as a certain temperature difference between gold and water, when they meet, will burst. At that time, the craftsmen will drop the gold solution into warm water, explode tiny gold beads, and then choose a more uniform quality of welding on the surface of the utensils. This ancient technique, seemingly simple, actually covers a number of complex processes such as physical changes, chemical changes, electroplating process, polishing process and so on. In the Tang Dynasty, without any mechanical instruments, such technology was very clever.
此件金碗形態肥碩豐滿，莊重大方，紋飾繁紛瑰麗，優美典雅，工藝精湛考究，氣度非凡，可以說是大唐盛世的一個縮影，極具收藏價值。
This golden bowl is plump in shape, magnificent, magnificent in decoration, graceful and elegant, exquisite in craftsmanship and extraordinary in demeanor. It can be said to be a miniature of the flourishing Tang Dynasty and has great collection value.
唐代，隨著大量工藝精良的西方金銀器的傳入，中國金銀器皿上也出現了這種凹凸多瓣的風格，并且在吸收過程中加入了符合中國傳統美學的一些元素，改變了西方銀器中過于夸張的造型，使線條盡量柔和流暢，在裝飾風格上也采取了西方銀器中很少見的外表通體裝飾的手法，更具有中國本土特點。
In the Tang Dynasty, with the introduction of a large number of well-crafted Western gold and silver wares, this concave-convex and multi-petal style also appeared on Chinese gold and silver wares, and some elements conforming to Chinese traditional aesthetics were added in the absorption process, which changed the exaggerated shape of Western silver wares, and made the lines as soft and smooth as possible in the decorative style. They also adopt the method of general decoration rarely seen in Western silverware, which has more local characteristics in China.
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