精品推薦：大清銀幣宣統三年曲須龍
大清銀幣曲須龍，清宣統三年(1911)天津造幣總廠鑄。
Quxulong, a silver coin of the Qing Dynasty, was minted by Tianjin Mint General Factory in 1911, the third year of Xuantong, Qing Dynasty.
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大清銀幣宣統三年曲須龍
Silver coins of the Qing Dynasty Xuantong Triennial Quxulong
重量：22.07g、直徑：39.6mm
weight: 22.07g, diameter: 39.6mm
大清銀幣長須龍壹圓，清宣統三年(1911)天津造幣總廠鑄。當時清政府欲統一幣制，聘請海外高級技師精心設計制造了這套宣統三年大清銀幣，計有六、七種版式，長須龍是其中之一。新幣剛試鑄成功，正逢武昌起義，于是大部分新版銀幣胎死腹中，只留有少量樣幣。長須龍因背面龍首之須特長而得名，屬于試樣性質，因圖案精致、存世稀少而受人重視。
相較于這些年來，陸續在珍藏界掀起熱潮的翡翠、南紅、文玩等等，錢幣珍藏似乎一直不溫不火，但也牢牢占有著屬于自己的一席之地，有屬于自己的一票支持者。而借著“大清銀幣”的網絡熱潮，吸引了更多通俗公共將投資視野轉到了錢幣珍藏市場上。決議古錢幣價值的照舊存世量和歷史意義。由于古錢幣已經不再刊行，存量希罕，加之它們和古代人類的生涯密不行分，對于研究各國的經濟史、史等，都是極為主要的史料，以是具有很高的珍藏和考古價值。近年來隨著古錢幣的泛起，市場也悄然而生，吸引了越來越多的珍藏喜歡者，一枚小小的古錢幣，蘊藏著許多的元素，對現在社會，有著很大的歷史文化價值，現在遺留下來的卻寥若晨星。
The silver coin of the Qing Dynasty was long Xulong Yuan. It was minted by Tianjin Mint General Factory in 1911, the third year of Xuantong in the Qing Dynasty. At that time, the Qing government wanted to unify the currency system, and hired overseas senior technicians to carefully design and manufacture this set of Xuantong three-year Qing silver coins. There were six or seven formats, of which Changxulong was one. New coins have just been successfully minted, coinciding with the Wuchang Uprising, so most of the new silver coins died in the womb, leaving only a small amount of sample coins. Long Xulong is named for its special features of the dragon head on the back. It belongs to the nature of the sample and is valued for its exquisite design and rare existence.
Compared with these years, jadeite, Nanhong, Wenju and so on, which have set off a boom in the collection circle, coin collection seems to have been tepid all the time, but it also firmly holds its own place and has its own votes of supporters. With the upsurge of "Qing silver coin" network, more and more popular public have turned their investment horizons to the coin collection market. Resolution of the value of ancient coins as before deposit volume and historical significance. Because the ancient coins are no longer published, their stock is rare, and they are closely related to the life of ancient human beings, they are very important historical materials for studying the economic history and history of various countries, so they have high value of collection and archaeology. In recent years, with the emergence of ancient coins, the market has quietly emerged, attracting more and more collectors. A small old coin contains many elements. It has a great historical and cultural value in the present society, but now it remains as few as Morning Star.
此枚大清銀幣為宣統三年曲須龍版，重：22.07g，直徑：39.6mm，正面珠圈外左右各鑄一“大菊長枝葉”紋，珠圈上鑄滿文“宣統三年”，珠圈內鑄華文“大清銀幣”四字，下鑄“宣統三年”四漢字。反面外圍鑄“曲須蟠龍“紋飾，威武的曲須龍，首尾相接，騰云駕霧，體態神俊，威風凜凜，十分具有皇家氣派，中央鑄“壹圓”二字，下鑄英文“ONEDOLLAR”。銀幣鐫刻細膩絕倫，鑄工精湛，歷經歲月洗禮，錢幣仍然紋飾清晰，銀色璀璨，品相十分好，作為極具皇家工藝的銀幣。本品將在2019年8月13日于臺北故宮博物院晶華亭上拍，如有意收藏的藏友們請盡快聯系，聯系方式：18973689845萬為杰。
This Daqing silver coin is a three-year Quxulong edition of Xuantong. It weighs 22.07 g and has a diameter of 39.6 mm. On the front side of the bead circle, there is a pattern of "Daju Long Branches and Leaves". On the bead circle, there is a Manchu "Xuantong Three Years". In the bead circle, there are four characters of "Daqing Silver coin" in Chinese and "Xuantong Three Years" in Chinese. "Quxu Panlong" decoration is cast on the outer side of the reverse side, and the mighty Quxulong is formed from the beginning to the end, with clouds rising and fog driving. It is handsome and dignified, with royal style. The word "one circle" is cast in the center and the English word "ONEDOLLAR" is cast in the lower part. Silver coins are exquisitely engraved, exquisitely minted, and after years of baptism, the coins are still clearly decorated, bright silver, and have a very good taste. As a silver coin with very Royal crafts. This product will be taken at Jinghua Pavilion of Taipei Palace Museum on August 13, 2019. If you want to collect it, please contact us as soon as possible. Contact us: 18973689845,MR.Wang
mso-bA&fn?????Arial;color:#333333;background:white'>、石雕、木雕的工藝特色，借助攝影、油畫的表現技巧，研習金石、書法，他藝趣廣泛，技法精深，達到了"集眾家之長，成一家之法"的藝境。他的作品光彩奪目、品位高、時代感強，在國內外享有盛譽。代表作有《春江花月夜》、《花木蘭從軍》、《三顧茅廬》、《黃山飛瀑》、《井岡春色》、《百花爭艷》、《松鶴延年》、《和靖詠梅》、《春訊圖》等，被中外館藏機構和收藏家爭相購藏。顯示出張松茂技藝已達到登峰造極的境界。
Zhang Songmao is a versatile painter in China's ceramic art circle with deep foundation and great achievements. Zhang Songmao's ceramic paintings are also paper paintings. His main works are figure paintings, landscape paintings, flower-and-bird paintings, daily-use ceramic floral designs and large-scale ceramic murals. He has been to Shanghai Museum, Nanjing Museum and Palace Museum for two consecutive years to copy the collection of fine works and traditional patterns. He is good at absorbing the technological characteristics of folk arts such as blue and white, half-knife clay, shadow carving, enamel, paper-cut, New Year's pictures, stone carving and wood carving. With the help of the performance skills of photography and oil painting, he has studied gold, stone and calligraphy. He has a wide range of artistic interests and profound skills, and has achieved the artistic realm of "gathering the expertise of all families and becoming a family". His works are brilliant, high-grade, strong sense of the times, and enjoy a high reputation at home and abroad. The representative works include "Spring River Flowers and Moon Night", "Mulan Joining the Army", "Sangu Maolu", "Huangshan Fallfall", "Jinggang Spring", "Hundred Flowers Striving for Beauty", "Songhe Yannian", "Hejing Yongmei", "Chunxun Tu" and so on. They are bought and collected by Chinese and foreign collecting institutions and collectors. It shows that Zhang Songmao's skill has reached its peak.
如上圖本品高度：78CM、寬度：21CM。二十世紀九十年代來，瓷板畫的市場價格屢屢走高，是因為這種藝術品不僅需要繪制，還要兩次入火燒制，加之是瓷的質地，易發生變形、窯裂，成功率極低，所以精品很難得。其次，以本身就具平整光潔美感的瓷板作為畫作載體，能顯出畫幅色彩鮮明、靚麗、濃烈的審美意境及獨特高雅的細膩感來，上面的構圖、線條、色彩等都不會走樣。再者，瓷板遠比紙、絹等具有更穩定的物理和化學性能，不怕潮、霉，不易變質。一旦作品完成，色彩將經久不褪，常年如新。外加中國工藝美術大師張松茂老師的畫工，張松茂功底深厚，成就極大，是我國陶瓷美術界的全能畫師。張松茂作瓷畫亦作紙畫，主工人物畫，擅畫山水，兼長花鳥畫日用陶瓷花面設計和大型陶瓷壁畫創作均有上乘之作。曾連續兩年去上海博物館、南京博物館、故宮博物院，臨摹館藏精品和傳統紋樣。善于吸收民間藝術中諸如青花、半刀泥、影青刻花、琺瑯彩、剪紙、年畫、石雕、木雕的工藝特色，借助攝影、油畫的表現技巧，研習金石、書法，他藝趣廣泛，技法精深，達到了"集眾家之長，成一家之法"的藝境。他的作品光彩奪目、品位高、時代感強，在國內外享有盛譽。因此該畫《春夏秋冬》既繼承了中國傳統繪畫的精華，又兼容了中國陶瓷藝術的優點，是繪畫藝術和陶瓷藝術的完美結合，是中華民族無窮智慧的結晶，在中國繪畫史和國際繪畫藝術領域具有重要地位 ，文化、精神、道德作為“一只看不見的手”，彼此互存，相互依托，成為經濟社會發展的直接動力。本品將在2019年8月13日于臺北故宮博物院晶華亭上拍，如有意收藏的藏友們請盡快聯系，聯系方式：13623819680 張紅軍。
As shown above, the height and width of this product are 78CM and 21CM. Since the 1990s, the market price of porcelain plate painting has been rising repeatedly, because this kind of art not only needs to be painted, but also fired twice. In addition, the texture of porcelain is prone to deformation, kiln cracking, and the success rate is very low, so it is very rare to obtain high-quality products. Secondly, with its own flat, smooth and beautiful porcelain plate as the carrier of painting, it can show the vivid color, beautiful, strong aesthetic mood and unique elegant and delicate feeling of the painting, the above composition, lines, colors and so on will not be out of shape. Moreover, the ceramic board has more stable physical and chemical properties than paper and silk, and is not afraid of dampness and mildew, and is not easy to deteriorate. Once the work is finished, the color will last forever and remain fresh all the year round. In addition, Mr. Zhang Songmao, the master of Chinese arts and crafts, has a deep foundation and great achievements. He is an omnipotent painter in the ceramic art circle of our country. Zhang Songmao's ceramic paintings are also paper paintings. His main works are figure paintings, landscape paintings, flower-and-bird paintings, daily-use ceramic floral designs and large-scale ceramic murals. He has been to Shanghai Museum, Nanjing Museum and Palace Museum for two consecutive years to copy the collection of fine works and traditional patterns. He is good at absorbing the technological characteristics of folk arts such as blue and white, half-knife clay, shadow carving, enamel, paper-cut, New Year's pictures, stone carving and wood carving. With the help of the performance skills of photography and oil painting, he has studied gold, stone and calligraphy. He has a wide range of artistic interests and profound skills, and has achieved the artistic realm of "gathering the expertise of all families and becoming a family". His works are brilliant, high-grade, strong sense of the times, and enjoy a high reputation at home and abroad. Therefore, the painting "spring, summer, autumn and winter" not only inherits the essence of Chinese traditional painting, but also is compatible with the advantages of Chinese ceramic art. It is the perfect combination of painting art and ceramic art. It is the crystallization of the infinite wisdom of the Chinese nation. It has a very important position in the history of Chinese painting and international painting. "An invisible hand", interdependent and interdependent, has become a direct driving force for economic and social development. This product will be taken at Jinghua Pavilion of Taipei Palace Museum on August 13, 2019. If you want to collect it, please contact Mr. Zhang 13623819680 as soon as possible.
