四川永合利拍賣(mài)有限公司，為藏品強(qiáng)大的傳播效應(yīng)向各位買(mǎi)家推薦經(jīng)國(guó)家一級(jí)鑒定專家甄選的藝術(shù)珍品,為藏家牽線搭橋,讓千百件藝術(shù)珍品價(jià)值被發(fā)掘與重視,在拍賣(mài)會(huì)上得以高價(jià)成交。
Sichuan Yonghe Li Auction Co., Ltd. For the strong dissemination effect of collections, we recommend to buyers the art treasures selected by experts of national first-level appraisal, and make a bridge for Tibetans, so that the value of thousands of art treasures can be excavated and valued, and high-priced transactions can be concluded at auction.
【名稱】鄭板橋山水畫(huà)立軸
【規(guī)格】長(zhǎng)：130cm 寬：63cm
【類別】字畫(huà)
【Name】Zheng Banqiao Landscape Painting Vertical Axis
【Specification】 Length: 130 cm wide: 63 cm
【category】Calligraphy and Painting
鄭燮(1693——1765)，字克柔，號(hào)板橋，江蘇興化人，乾隆元年進(jìn)士。居揚(yáng)州，以書(shū)畫(huà)營(yíng)生。擅畫(huà)蘭、竹、石、松、菊等，而畫(huà)蘭竹五十余年，成就最為突出。
Zheng Xie (1693 - 1765), the character Kerou, No. Banqiao, Xinghua, Jiangsu Province, Jinshi in the first year of Qianlong. Living in Yangzhou, making a living by painting and calligraphy. He is good at drawing orchids, bamboos, stones, pines and chrysanthemums, and has made outstanding achievements in painting orchids and bamboos for more than 50 years.
鄭板橋生于1693年11月22日，逝于1765年1月22日，享年73歲;應(yīng)科舉為康熙秀才，雍正十年舉人，乾隆元年(1736)丙辰科二甲進(jìn)士。官山東范縣、濰縣縣令，有政聲“以歲饑為民請(qǐng)賑，忤大吏，遂乞病歸。”
Born on November 22, 1693, and died on January 22, 1765, Zheng Banqiao was 73 years old. He was a Kangxi scholar in Imperial examinations, a Yongzheng scholar in ten years, and a second-degree scholar in Binchen Kedi in the first year of Qianlong (1736). In Fanxian County and Weixian County of Guandong Province, there was a political voice that "begging for relief for the people who are hungry all the year round, begging for big officials, and then returning to disease."
做官前后，均居揚(yáng)州，以書(shū)畫(huà)營(yíng)生。工詩(shī)、詞，善書(shū)、畫(huà)。詩(shī)詞不屑作熟語(yǔ)。畫(huà)擅花卉木石，尤長(zhǎng)蘭竹。蘭葉之妙以焦墨揮毫，藉草書(shū)中之中豎，長(zhǎng)撇運(yùn)之，多不亂，少不疏，脫盡時(shí)習(xí)，秀勁絕倫。書(shū)亦有別致，隸、楷參半，自稱“六分半書(shū)”。間亦以畫(huà)法行之。印章筆力樸古逼文、何。為人疏放不羈，以進(jìn)士選縣令，日事詩(shī)酒，及調(diào)濰縣，因歲饑為民請(qǐng)賑，忤大吏，罷歸，居揚(yáng)州，聲譽(yù)大著。恣情山水，與騷人、野衲作醉鄉(xiāng)游。時(shí)寫(xiě)叢蘭瘦石于酒廊、僧壁，隨手題句，觀者嘆絕。
Before and after he became an official, he lived in Yangzhou and earned his living by painting and calligraphy. Gongshi, Ci, Good Book and Painting. Poetry disdains idioms. He is good at painting flowers, trees and stones, especially orchids. The wonder of the orchid leaves is to use the charred ink to wield the slightest, to use the vertical in the cursive books, to transport them long, not to mess up more, not to neglect less, to get rid of the time, and to show great strength. The book is also unique, Li and Kai are mixed, claiming to be "six-and-a-half books". It is also done by drawing. Seal brushwork is simple and ancient. He was unrestrained and unrestrained. He chose prefectural decrees, daily poems and wine, and tuned Weixian County. He invited relief for the people because he was hungry and hungry. He went home and lived in Yangzhou with great reputation. Loving mountains and rivers, traveling with Sao Ren and Ye Gao in drunken country. When writing Conglan thin stone in the lounge, monk wall, casual topic sentence, the viewer sighed.
鄭板橋自然山水畫(huà)入世很少不多，他的山水畫(huà)與陶淵明的山水田園詩(shī)在表現(xiàn)的內(nèi)容、抒發(fā)的情感上, 有一定的共同點(diǎn)，畢竟自由舒暢、景色優(yōu)美的大自然是兩位詩(shī)人反叛現(xiàn)實(shí)社會(huì)后的最終歸宿，是詩(shī)人美好的社會(huì)理想的象征。此畫(huà)表現(xiàn)變現(xiàn)山巒疊狀，遠(yuǎn)近相得益彰，瀑布流水，江上泛舟，岸邊綠樹(shù)成蔭，一戶人家，幾人勞作的景象。遠(yuǎn)處云煙的點(diǎn)綴，整體畫(huà)作的讓人很是憧憬的一種山野田園生活。
Zheng Banqiao's natural landscape paintings rarely enter the WTO. His landscape paintings and Tao Yuanming's landscape pastoral poems share certain similarities in expressing content and expressing emotion. After all, the free and comfortable nature with beautiful scenery is the ultimate destination of the two poets after rebelling against the real society and the symbol of the poet's beautiful social ideal. The painting shows the scenes of hills, waterfalls, boating on the river, shady trees on the bank, a family and several people working. The distant cloud and smoke embellishment, the overall painting is a very longing for a kind of mountain pastoral life.
