四川永合利拍賣有限公司，為藏品強大的傳播效應(yīng)向各位買家推薦經(jīng)國家一級鑒定專家甄選的藝術(shù)珍品,為藏家牽線
搭橋,讓千百件藝術(shù)珍品價值被發(fā)掘與重視,在拍賣會上得以高價成交。
Sichuan Yonghe Li Auction Co., Ltd. For the strong dissemination effect of collections, we recommend to buyers the art treasures selected by experts of national first-level appraisal, and make a bridge for Tibetans, so that the value of thousands of art treasures can be excavated and valued, and high-priced transactions can be concluded at auction.
【名稱】大清乾隆年制款青花釉里紅海水龍紋直頸平口瓶
【規(guī)格】瓶高：24cm瓶口：10.4cm
【類別】瓷器
【Name】 Daqing Qianlong year-old blue-and-white glaze red sea dragon straight neck flat mouth bottle
【Specification】Bottle height: 24cm bottle mouth: 10.4cm
【category】 porcelain
青花釉里紅，俗稱"青花加紫"，是在青花間用釉里紅加繪紋飾的一種瓷器裝飾手法。
The blue-and-white glaze is commonly called "blue-and-white" and is a kind of porcelain decoration technique in which the glaze is painted with red glaze.
青花，是指用青花料描繪圖案花紋，然后施透明釉，在以1300C左右的高溫一次燒成的釉下彩。釉里紅，是指用銅的氧化物(銅花)為著色劑配制的彩料，在坯體上(或先施以青白釉的坯胎土)描繪紋樣，再蓋一層青白釉，然后裝匣入窯，經(jīng)1250C~1280C的強還原焰氣氛，使高價銅還原成低價銅，呈現(xiàn)嬌妍而沉著的紅色花紋。
Blue-and-white is a glaze that is painted with a blue-and-white material and then applied with a transparent glaze at a high temperature of about 1300C. Red in glaze refers to a coloring material prepared by using copper oxide (copper flower) as a coloring agent. The pattern is painted on the green body (or the green tire glaze), and then covered with a layer of blue glaze. Into the kiln, through the strong reducing flame atmosphere of 1250C ~ 1280C, the high-priced copper is reduced to low-cost copper, showing a delicate and calm red pattern.
青花釉里紅瓷器的工藝復(fù)雜，并且要求嚴格，在明朝中晚期官窯和民窯作坊都生產(chǎn)很少。到清朝康熙時代，釉里紅工藝得到極大提高，尤其對銅元素成色機理有比較科學(xué)的了解，運用在瓷器的制作工藝上，把握比較準確，繪畫線條靈活，燒成后在釉下顯色很清楚。釉里紅和青花相結(jié)合共同組成畫面，甚至可以畫出大幅的山川景色和人物活動場面。釉里紅顯色老到，紅中泛褐，層次分明，不混濁，不浸漫。使人感到清代釉里紅工藝經(jīng)過三四百年的發(fā)展真正成熟了。但釉里紅產(chǎn)品不多，往往畫面不占主要地位。正因如此收藏價值巨大，有意收藏這件可留言。
The process of red and white porcelain in blue and white glaze is complex and demanding. It is rarely produced in the official kiln and folk kiln workshops in the middle and late Ming Dynasty. In the Kangxi era of the Qing Dynasty, the glaze red process was greatly improved, especially for the copper element color forming mechanism. It is used in the manufacturing process of porcelain, and it is more accurate, the drawing lines are flexible, and the color is developed under the glaze after firing. very clear. The glaze red and blue and white combine to form a picture, and even draw a large mountain scenery and character scenes. The red color in the glaze is old, the red is brown, the layers are distinct, not turbid, not immersed. It makes people feel that the red glaze process in the Qing Dynasty has matured after three or four hundred years of development. However, there are not many red products in the glaze, and often the picture does not occupy a dominant position. Because of this collection value is huge, interested in collecting this piece can leave a message.
