2019年四川明德堂精品推薦--
雍正御制百花不落地粉彩碗
藏品名稱：雍正御制百花不落地粉彩碗
藏品規格：口徑：16.4cm 底徑：6.5cm
推薦區域：新加坡 日本 英國
用粉彩繪制花卉早在雍正一朝早已出現，且技法運用日漸成熟，乾隆一朝的“百花圖”，相比雍正一朝，無根本性的突破，只是在雍正成熟的粉彩花卉技藝的基礎上，將圖案復雜化。
The painting of flowers with pink color has already appeared in Yongzheng, and the use of techniques has become more and more mature. Compared with Yongzheng, there is no fundamental breakthrough, but only on the basis of Yongzheng's mature pink flower skills. Complicate the pattern.
這件雍正御制百花不落地粉彩碗中的紋飾，“百花不落地”，指的是將粉彩與金彩結合，各色花朵將整個畫面填滿，不露出瓷底，也不露出花朵的枝干。百花如同天女散花，浮于空中，故稱“百花不落地”。百花不落地是瓷器釉上彩的一種表現手法，屬于粉彩的一種。是清代在社會文化達到頂峰時的產物，在清代的景德鎮御窯廠，匯集了當代最著名的一批名工巧匠，令這個時期的瓷器，不論是數量還是質量上都達到了一個不可企及的高度，百花不露地就是這個時期產生的。
This piece of Yongzheng imperial hundred flowers do not fall to the ground, "100 flowers do not fall to the ground", refers to the combination of pink and gold color, all colors of flowers will fill the whole picture, do not reveal the porcelain bottom, nor show the branches of the flowers. A hundred flowers like heaven scattered flowers, floating in the air, so called "hundred flowers do not fall to the ground." A hundred flowers do not fall on the floor is a way of expression of porcelain glaze color, belongs to a kind of powder color. It was the product of the Qing Dynasty when the social culture reached its peak. In the Imperial Kiln Factory of Jingdezhen in the Qing Dynasty, a group of the most famous craftsmen of the contemporary era were gathered, so that the porcelain of this period, both in quantity and in quality, reached an unattainable height. A hundred flowers are not exposed This is the time at which the earth came into being.
“百花圖”又稱“萬花錦”、“萬花堆”、“萬花獻瑞圖”等。清代景德鎮粉彩瓷器的花卉題材之一。這種紋飾多在器物主體中心部位繪畫牡丹等大朵紋樣，在周圍加繪并繪菊花、茶花、月季、荷花、百合、牽?；ǖ鹊雀鞣N小花朵圖案，并且畫有很精細的輔紋，讓畫面覆蓋全器，器不露地，寓意百花呈瑞，盛世升平。“百花不露地”的畫面繁縟，極盡工巧，襯托出了器物本身的雍容華貴，強烈的視覺沖擊表現出了極大的美感。所以，“百花圖”在專業人士看來，只能說是“繼承加創新”的結果。
Thousand Flowers also known as "kaleidoscope", "Wanhua pile", "Wanhua Shantu", and so on. One of the flower themes of Jingdezhen pink porcelain in the Qing Dynasty. Most of these ornaments paint large patterns such as peonies in the center of the objects, and around them draw and paint chrysanthemums, camellia, rose, lotus, lily, morning cow, and so on, and have very fine auxiliary patterns, and so on, and there are many small flower patterns, such as chrysanthemum, camellia, rose, lotus, lily, morning cow, and so on. Let the screen cover all utensils, it does not show the ground, meaning a hundred flowers are Rui, prosperous times rise flat. "A hundred flowers" of the screen elaborate, very skillful, against the object itself elegant, strong visual impact shows a great beauty. So, "Thousand Flowers" is dedicated to Industry figures can only be said to be the result of "inheritance and innovation".
粉彩瓷，作為清宮廷創燒的彩瓷。它萌芽于清代康熙年間，成熟于雍正時期，鼎盛于在乾隆時期。乾隆時期的粉彩瓷綜合了康熙與雍正兩朝的制瓷工藝，進一步發展本朝瓷器，從而創造出許多新穎的粉彩瓷器。在裝飾工藝上漸趨繁縟，形制上豐富多樣，特別是用于陳設的各大器型。此藏品敞口，深腹，圈足。整個器物造型莊重大方，器身外通體繪粉彩百花花卉紋飾，綜合多種花卉，畫面繁密細致，五彩繽紛。因百花繁密不易見紋飾地色，俗稱“百花不落地”，繪畫極為工致秀麗，花之仰覆姿勢、陰陽反側，都各盡其妍。其釉色均勻透亮，實屬精品。
Pink porcelain, as the Qing Dynasty court to create and burn the colored porcelain. It sprouted in the Qing Dynasty Kangxi years, mature in the Yongzheng period, peak in the Qianlong period. The powder porcelain of Qianlong period integrated the porcelain-making technology of Kangxi and Yongzheng dynasties, and further developed the native porcelain, thus creating many novel pink porcelain. More and more elaborate decorative techniques, rich in shape and variety, especially for furnishings of the major utensils. This collection is open, deep belly, and encircling foot. The shape of the whole instrument is solemn and generous, outside the body of the instrument painted powder color flower decoration, comprehensive variety of flowers, the screen is dense and detailed, colorful. Because the hundred flowers are dense and not easy to see the decorative colors, commonly known as "hundred flowers." Do not fall to the ground, painting is extremely beautiful, flower overturned posture, Yin and Yang opposite side, each of them. Its glaze color is uniform and transparent, it is a fine product.
“有此傾城好顏色，天教晚發賽諸花。”唐代詩人劉禹錫的這兩句詩，亦可形容粉彩的美艷之色。粉彩瓷器是中國歷史文化的產物，是中華民族的藝術瑰寶和智慧結晶，也是中國陶瓷文化的杰出代表和重要組成部分，其凝集著深厚的文化內涵和時代特點。
"with such a good color in the city, the flowers of the late days of the heavenly religion." These two poems by Liu Yuxi, a poet of the Tang Dynasty, can also describe the beauty of pink. Pink porcelain is the product of Chinese history and culture, is the art treasure and wisdom crystallization of the Chinese nation, is also the outstanding representative and important part of Chinese ceramic culture, and it embodies the profound cultural connotation and the characteristics of the times.
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持寶人：袁先生
聯系方式：028-84399007
This collection is now stored in Sichuan Mingdetang auction Co., Ltd.
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Treasure holder: Mr. Yuan
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