四川永合利拍賣有限公司，為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
Sichuan Yonghe Li Auction Co., Ltd. For the strong dissemination effect of collections, we recommend to buyers the art treasures selected by experts of national first-level appraisal, and make a bridge for Tibetans, so that the value of thousands of art treasures can be excavated and valued, and high-priced transactions can be concluded at auction.
【名稱】明代青花梅瓶
【規格】口徑：5cm高：33.5cm底：12cm
【類別】瓷器
【Name】Ming Dynasty blue and white plum bottle
【Specification】Caliber: 5cm Height: 33.5cm Bottom: 12cm
【category】porcelain
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梅瓶種類繁多，器型多變，紋飾精美，題材多樣，文化內涵豐富，可謂是明代制瓷業的一個縮影。我們對梅瓶形制、色彩、器型、文化內涵等方面的研究，不但可以見證明代制瓷業的發展，見證歷史的興衰，梅瓶本身蘊含的豐富的時代文化更是我們研究的重點。
There are many kinds of plum bottles, the variety of styles, exquisite ornamentation, diverse themes and rich cultural connotations, which can be described as a microcosm of the Ming Dynasty porcelain industry. Our research on the shape, color, shape and cultural connotation of plum bottles can not only prove the development of the porcelain industry, but also witness the rise and fall of history. The rich culture of the times contained in Mei bottle itself is the focus of our research.
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梅瓶興于唐，盛于宋，經元至明達到鼎盛，明代“官搭民燒”“官民競市”更是將明代制瓷業推向了新的高峰。其精湛的工藝，流暢的線條，精美的紋飾，豐富的文化內涵使得梅瓶的制作達到了登峰造極的境界，造就了美輪美奐的藝術瑰寶，為后世留下了不可多得的寶貴財富。
Mei Pingxing was in the Tang Dynasty and flourished in the Song Dynasty. The Yuan Dynasty to the Ming Dynasty reached its peak. In the Ming Dynasty, the “official people to burn the people” and the “official and civilian competition” pushed the Ming Dynasty porcelain industry to a new peak. Its exquisite craftsmanship, smooth lines, exquisite ornamentation and rich cultural connotation make the production of plum bottles reach the peak of the peak, creating a beautiful artistic treasure, leaving a rare treasure for future generations.
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談及梅瓶，桂林明代梅瓶是一個繞不開的話題，自朱守謙洪武三年（1370年）受封起，至順治七年（1650年），靖江王共存世二百八十八年，傳十一世，十四王，其中有十一任王死后葬于桂林東郊堯山靖江王陵1，靖江王與明朝共始終。靖江王陵、王室宗親、大臣等墓多集中于桂林東郊堯山，梅瓶是一種尤為重要的隨葬明器，現藏于桂林市博物館的梅瓶達300件之多，舉世罕見。桂林梅瓶種類繁多，器型多變，紋飾精美，題材多樣，文化內涵豐富，可謂是明代制瓷業的一個縮影。一個朝代無法避免盛極必衰的命運，梅瓶作為手工業產品的代表，同時也見證了明代制瓷業的興衰。青花梅瓶在研究明代制瓷業發展以及明代文化有著不可替代的作用。
Talking about plum bottle, Guilin Ming Dynasty Mei bottle is a topic that cannot be avoided. It was sealed from Zhu Shouqian Hongwu three years (1370), to the seventh year of Shunzhi (1650), Jingjiang Wang coexisted in 288 years, The eleventh king, fourteen kings, including eleven kings died after being killed in the eastern suburbs of Guilin, Jingshan Wangling 1, the Jingjiang King and the Ming Dynasty. The tombs of Jingjiang Wangling, royal family, and ministers are concentrated in Lushan, the eastern suburb of Guilin. Plum bottle is a particularly important funeral device. There are 300 plum bottles in the Guilin Museum, which are rare in the world. There are many kinds of Guilin plum bottles, the types of them are changeable, the ornamentation is exquisite, the subject matter is diverse, and the cultural connotation is rich. It can be said that it is a microcosm of the Ming Dynasty porcelain industry. A dynasty can not avoid the destiny of the end of the world, Mei bottle as a representative of handicraft products, but also witnessed the rise and fall of the Ming Dynasty porcelain industry. Blue-and-white plum bottles have an irreplaceable role in studying the development of the Ming Dynasty porcelain industry and the Ming Dynasty culture.
