成都博古軒拍賣有限公司【藏.薦】欄 為藏品強(qiáng)大的傳播效應(yīng)向各位買家推薦經(jīng)國家一級鑒定專家甄選的藝術(shù)珍品,為藏家牽線搭橋,讓千百件藝術(shù)珍品價值被發(fā)掘與重視,在拍賣會上得以高價成交。
Chengdu Boguxuan Auction Co., Ltd. [Tibet. Recommendation] column recommends art treasures selected by experts at the first level of national appraisal to buyers for the powerful dissemination effect of the collection. It helps collectors to bridge the gap, so that the value of thousands of art treasures can be excavated and valued, and high prices can be concluded at the auction.
【名稱】大明盛世圖（袁江著，翁同龢提拔）
【規(guī)格】長：4.1m： 寬：30cm
(Name) A picture of the flourishing age of the Daming Dynasty (written by Yuan Jiang and promoted by Weng Tonghe)
[Specification] Length: 4.1m: Width: 30cm
《大明盛世》圖有關(guān)的人事：
1．戴綸，高密人。永樂中，自昌邑訓(xùn)導(dǎo)擢禮科給事中，與編修林長懋俱侍皇太孫說書。歷中允、諭德。仁宗即位，太孫為太子，遷洗馬，仍侍講讀。始成祖命太孫習(xí)武事，太孫亦雅好之，時出騎射。綸與長懋以太孫春秋方富，不宜荒學(xué)問而事游畋，時時進(jìn)諫。宣宗即位，加恩宮僚，擢綸兵部侍郎。頃之，復(fù)以諫獵忤旨，命參贊交阯軍務(wù)。帝臨鞫之，綸抗辯，觸帝怒，立箠死，籍其家。《明史》。宣宗即位，兵部侍郎戴綸。宣宗殺綸。《明史》
2．宣宗諱瞻基，仁宗長子也。仁宗即位，立為皇太子。二年，十一月己亥，以皇長子生大赦天下。三年，二月戊午，立皇長子祁鎮(zhèn)為皇太子。三月癸未，廢皇后胡氏，立貴妃孫氏為皇后。十年春崩于乾清宮，年三十有八。廟號宣宗，葬景陵。 《明史》
3．明英宗，朱祁鎮(zhèn)，宣宗長子也。母貴妃孫氏。生四月，立為皇太子，遂冊貴妃為皇后。宣德十年春正月，宣宗崩，壬午，即皇帝位。 《明史》
4．明代宗，恭仁康定景皇帝，諱祁鈺，宣宗次子也。正統(tǒng)十四年秋八月，英宗北狩（被元朝遺脈瓦刺扣押）。九月癸未，王即皇帝位。以明年為景泰元年。 《明史》
5．景泰八年春，帝輿疾。迎上皇復(fù)位。（此為英宗復(fù)辟改號天順） 英宗天順八年春正月崩，年三十有八。廟號英宗，葬裕陵。 《明史》
6．戴縉，見明史憲宗19年 ，距《大明盛世》成畫已經(jīng)40年。 “謫汪直為奉御，其黨王越、戴縉等貶黜有差。”
7．袁江，字文濤，（約1671－1743）江都人，活動于清初康乾之間。畫史對其不詳。本作者認(rèn)為，上述時間，是署名袁江的畫作，出現(xiàn)在清朝的時間。從署名袁江傳世作品《梁園飛雪圖》《雙潮圖》《賞月圖》來看，畫風(fēng)與戴進(jìn)一致，均師承李唐馬遠(yuǎn)夏珪郭熙。
8．翁同龢，（1830－1904）江蘇常熟人。清三朝元老。光緒八年時，任工部尚書充軍機(jī)大臣。
9．江蘇撫臺柳宏識，《清史》中無此人。《明史》系乾隆四年編。明朝有巡撫都御史，但沒記江蘇巡撫。有待機(jī)會查江蘇地方志。
《大明盛世》圖，系戴進(jìn)真品的理由：
1．從畫面表現(xiàn)的歷史真實情況的分析。明宣宗宣德八年，皇帝一家四口，其鑾儀服飾年齡相貌，剛逃離京師的皇宮畫師戴進(jìn)最熟悉。明朝宣宗時，南京秦淮河風(fēng)物人情，朝野百態(tài)。長期在此學(xué)畫作畫賣畫的戴進(jìn)最熟悉。這兩項條件，就不是同時代其他畫師和近三百年后，清朝康乾時期的“袁江”，所能具備的。
2．戴進(jìn)成《大明盛世》圖前，處境非常狼狽。署名袁江，“袁”字中心口寫的非常小，以成點。作為朝廷逃犯，戴進(jìn)時刻提醒自己“小心”。江蘇柳撫臺，書寫戴進(jìn)父親景祥，“祥”字只寫上半邊，二品柳巡撫，避朝廷欽犯字諱。明宣宗殺戴綸，戴景祥不祥。戴進(jìn)出逃，巧遇宣宗一家巡幸南京，構(gòu)思成畫。戴進(jìn)一直等到英宗十六歲能親政時，才公布《大明盛世》圖，宣揚英宗英明。十四年后，明代宗景泰八年，英宗以瓦刺人質(zhì)身份回來，再次當(dāng)皇帝，從中看《大明盛世》圖的社會輿論影響，不可小覷。朱祁鎮(zhèn)二十萬大軍兵敗元裔瓦刺，與《大明盛世》所頌揚英宗盛世、英明偉大，而以致于英宗飄飄然，也是《大明盛世》圖的反面教訓(xùn)。
3．作《大明盛世》圖時，戴進(jìn)還是逃犯。戴進(jìn)假用袁江名字。在該圖中，戴進(jìn)以拆字法，把自己的字“文進(jìn)”鑲?cè)氘嬛行涯恐帯?br />
畫卷中央，《天下文樞》牌坊附近是該畫中心視點。夫子廟大成殿前，明宣宗一家，華蓋下宣宗和孫皇后，七歲的皇太子朱祁鎮(zhèn)，躊躇滿志站在前面，成眾人矚目焦點，十分醒目。離皇帝一家，最近的秦淮河中一條小船，船艙帳幔中作躲藏狀的，就是本畫作者戴進(jìn)。這是戴進(jìn)四十五歲時的自畫像，不知大師還有其他本人肖像傳世否。離小船很近的岸邊，幾個如狼似虎的東廠錦衣衛(wèi)在注視著小船。在小船船頭斜倚作走之狀，是畫作者側(cè)面，眼睛盯著岸上一位算命先生手中的招幌，上面寫“觀文測字”。仔細(xì)一看，“字見文進(jìn)”，藏在其中。只是“進(jìn)”字沒有走之旁，字上有兩點，表示與小船頭上走之形人，合成“進(jìn)”字。戴進(jìn)，字文進(jìn)。戴進(jìn)，不愧為高智商的中國畫一代宗師。這樣做，應(yīng)合南宋至明朝前期，畫家作畫不正式署名的慣例。
關(guān)于江蘇撫臺柳宏識，很可能是清朝后期人物，其題詞提及的故宮博物館，明清紫禁城同在一處，清朝說故宮是指明故宮，應(yīng)該是南京明故宮。現(xiàn)在的南京博物院的前身，很可能就是民國前的故宮博物館。
該藏品由陳金奎老師親自上手鑒定評價很高，難道一見，可遇不可求，值得收藏。
Personnel related to Daming Flourishing Age:
1. Dairon, a high-density man. Yongle Zhong, from Changyi's instructions to the Ritual Section, talked with the compiler Lin Changmao, who served the emperor and his grandson. In the calendar, Yongde and Jiaode. Renzong ascended the throne, Taisun was the prince, and he moved to wash the horses, still attending the lecture. When the ancestors ordered the Taisun to practise martial arts, the Taisun was also elegant, riding and shooting from time to time. It is not advisable to travel for lack of knowledge and to make comments from time to time. Xuanzong ascended the throne, a palace bureaucrat in Garn, and a waiter in the Yanlun Army Department. On the other hand, he instructed the counselors to hand in military affairs. Emperor Linzhi, Lun defended, provoked the emperor's anger, and died from his family. History of the Ming Dynasty. Xuanzong took the throne, and Dai Lun, a waiter of the Ministry of Army, was appointed. Xuanzong kills Lun. History of the Ming Dynasty
2. Xuanzong taboos Zhanji and Renzong's eldest son. Renzong ascended the throne and became the Crown Prince. Two years later, in November, he granted amnesty to the emperor's eldest son. Three years later, on the afternoon of February 5th, Qizhen, the eldest son of the emperor, was established as the prince of the emperor. At the end of March, Hu's family was abandoned and Sun's family was made queen. It collapsed in the Qianqing Palace in the spring of ten years. It was eight years old on the thirtieth. Xuanzong, the name of the temple, is buried in Jingling Tomb. History of the Ming Dynasty
3. Ming Yingzong, Zhu Qizhen and Xuanzong's eldest son. The grandmother Sun's family. In April of his birth, he was crown prince and royal concubine was queen. In the first month of the Spring of Xuande Decade, Xuanzong collapsed and Renwu became the emperor. History of the Ming Dynasty
4. Emperor Zong of Ming Dynasty, Emperor Gong Renkang Dingjing, tabooed Qi Yu and Xuanzong's second son. In the autumn and August of the fourteenth year of the orthodoxy, the British Emperor Beishu was detained by the vessel of the Yuan Dynasty. In September, the king is the emperor. Next year is the first year of Jingtai. History of the Ming Dynasty
5. In the spring of the eighth year of Jingtai, Emperor Yu Ji. Welcome the emperor to reset. (This is the name of the restoration of the British Emperor Tianshun) The first month of the spring of the eighth year of the restoration of the British Emperor Tianshun collapsed in eighty-eight. Ying Zong, the name of the temple, was buried in Yuling. History of the Ming Dynasty
6. Dai Jin, who saw Shi Xianzong in the Ming Dynasty for 19 years, is 40 years away from the painting of Da Ming Sheng Shi. "Jianwang has always been an imperial minister, and his party kings, Yue Yue and Dai Jin, have been demoted as poor officials."
7. Yuan Jiang, Ziwentao (about 1671-1743), a native of Jiangdu, lived between Kangxi and Qianlong in the early Qing Dynasty. The history of painting is not clear about it. The author believes that the above time was the time when Yuan Jiang's paintings appeared in the Qing Dynasty. From Yuan Jiang's handed down works "Liang Yuan Fei Xue Tu", "Shuangchao Tu" and "Moon Appreciation Tu", we can see that the style of painting is the same as Dai Jin's, all of which are inherited from Li Tang, Ma Yuan, Xia and Guoxi.
8. Weng Tonghe, (1830-1904) Changshu, Jiangsu Province. The elders of the Qing Dynasty. In the eighth year of Guangxu, he served as Minister of Military Aircraft in Shangshu, Ministry of Work.
9. Liu Hongxue, Futai, Jiangsu Province. There is no such person in History of the Qing Dynasty. The History of Ming Dynasty was compiled in the fourth year of Qianlong. Ming Dynasty had a history of governors, but did not record Jiangsu governors. Looking forward to the opportunity to consult Jiangsu local chronicles.
The picture of Daming Flourishing Age is the reason for wearing genuine products.
1. Analysis of the historical facts of the pictures. In the eighth year of Xuande in Xuanzong of Ming Dynasty, the emperor's family consisted of four people. The age and appearance of his funeral dresses were the most familiar to Dai Jin, a palace painter who had just escaped from Beijing Normal University. During Xuanzong period of Ming Dynasty, the scenery and human feelings of Qinhuai River in Nanjing were various. Dai Jin, who has been studying painting and selling painting for a long time, is most familiar with it. These two conditions are not available to other painters of the same era and "Yuan Jiang" in the Kang and Qian dynasties of the Qing Dynasty nearly 300 years later.
2. Before Dai Jincheng's "The Great Ming Dynasty", he was in a very awkward situation. Signed Yuan Jiang, the center of the word "Yuan" is very small, so as to make a point. As a fugitive of the court, Dai Jin always reminds himself to be "careful". Liufutai, Jiangsu Province, writes Dai Jinxiang, his father. The word "xiang" is only written in the upper half. Governor Erpinliu avoids the word taboo of the imperial court. Ming Xuanzong killed Dai Lun, and Dai Jingxiang was ominous. Dai Jin fled in and out, and happened to encounter Xuanzong's family visiting Nanjing and conceived the painting. Dai Jin waited until Yingzong was sixteen years old to be in charge of the government before publishing the map of Daming Flourishing Age to publicize Yingzong's wisdom. Fourteen years later, in eight years of Zong Jingtai in the Ming Dynasty, Ying Zong returned as the hostage of tile stabbing and became emperor again. We can not underestimate the influence of public opinion on the map of Daming Flourishing Age. Zhu Qizhen's 200,000 soldiers defeated the Yuan-descendant tile thorns, and the "Great Ming Flourishing Age" praised the Yingzong flourishing age, wisdom and greatness, so that the Yingzong floated, which is also the negative lesson of the "Great Ming Flourishing Age" map.
3. Dai Jin was still a fugitive when making the picture of Daming Flourishing Age. Dai Jin used the name of Yuan Jiang. In this picture, wear in to split the word, his word "Wenjin" into the striking part of the painting.
The central point of view of the painting is near the archway of Tianwenshu. In front of the Dacheng Hall of the Confucius Temple, the Ming Xuanzong family, Huagai Xuanzong and Sun Queen, seven-year-old Prince Zhu Qizhen, stood hesitantly in front and became the focus of attention. From the Emperor's family, the nearest boat in the Qinhuai River, hidden in the cabin curtain, is the painter Dai Jin. This is a self-portrait of Dai Jin when he was 45 years old. I wonder if the Master has other portraits of himself. Near the shore of the boat, several wolf-like Jinyiwei of Dongchang are watching the boat. The bow of the boat reclining as a walk is the painter's side, staring at a fortune-teller's sign on the shore, which reads "Reading and measuring characters". Look carefully and hide in it. But the word "Jin" did not go aside. There are two points on the word, which means that the shape person walking on the bow of the boat synthesizes the word "Jin". Dai Jin, Wen Jin. Dai Jin deserves to be a master of Chinese painting with high IQ. In doing so, it should be in line with the practice of informal signature of painters from the Southern Song Dynasty to the early Ming Dynasty.
Liu Hongxue of Futai, Jiangsu Province, is probably a late Qing Dynasty figure. His inscription refers to the Palace Museum, Ming Dynasty.
The collection was appraised and appraised by Mr. Chen Jinkui personally. Is it worth collecting because it is not available at first sight?
