精品推薦：張大千 七言書法 立軸
Recommendation of Excellent Works: Zhang Daqian's Calligraphy Axis
張大千(Chang Dai-Chien)，男，四川內江人，祖籍廣東省番禺，1899年5月10日出生于四川省內江市中區城郊安良里的一個書香門第的家庭，中國潑墨畫家，書法家。他曾與齊白石、徐悲鴻、黃君璧、黃賓虹、溥儒、郎靜山等及西班牙抽象派畫家畢加索交游切磋。
Chang Dai-Chien, male, from Neijiang, Sichuan Province, was born in Panyu, Guangdong Province, on May 10, 1899. He was born in a family of calligraphers, Chinese ink-splashing painters and calligraphers in Anliangli, a suburb of Neijiang City, Sichuan Province. He had made friends with Qi Baishi, Xu Beihong, Huang Junbi, Huang Binhong, Puru, Lang Jingshan and Picasso, the Spanish Abstract painter.
張大千是全能型畫家，其創作達“包眾體之長，兼南北二宗之富麗”，集文人畫、作家畫、宮廷畫和民間藝術為一體。于中國畫人物、山水、花鳥、魚蟲、走獸，工筆、無所不能，無一不精。詩文真率豪放，書法勁拔飄逸、外柔內剛、獨具風采。
Zhang Daqian is an omnipotent painter, whose creation reaches "the strength of all-embracing body, and the richness of both the north and the south", which integrates literati painting, writer painting, court painting and folk art. In Chinese painting characters, landscapes, flowers and birds, fish and insects, animals, meticulous brushwork, omnipotent, all are excellent. Poetry is frank and bold, calligraphy is vigorous and elegant, soft and rigid, unique style.
以山谷筆法，蘭亭集字
款識：雅齋仁兄，正之弟元
鈐印：（二方）張元之印、大千
釋文：與可作竹有生趣，少文游山在老年
Lanting Collection of Chinese Characters with Valley Pen Style
Qian Zhi: Brother Yazhai, the younger brother of Zhengzhi
Sheet stamp: (two sides) Zhang Yuanzhi's stamp and Daqian's stamp
Interpretation: It's interesting to be able to make bamboo. Shaowen tours mountains in old age
張大千除了擅長山水、人物、花卉、翎毛以外，在書法方面比較欠缺，這應是他的遺憾。他早期師從清代晚期的著名書法家李瑞清、曾農髯，形成自己細秀，方平，略帶隸書味的書風，二十世紀三十年代以后，張大千先生的書法開始醞釀變化。他轉學多師，學習魏碑，《瘞鶴銘》，參以宋代大家黃山谷的筆勢，學習石濤筆法剛勁，不拘一格的書風。他的書法藝術在繼承傳統的基礎上，融合了山水畫的意境，不是一味地追求表面上的張揚外露和劍拔弩張，而是使力與感情相融合，平中求奇，使他的書法勁拔飄逸，外柔內剛，張大千筆力遒勁而秀逸的自家風格，被后人稱為“大千體”。
Zhang Daqian is good at landscapes, figures, flowers and feathers, but he lacks in calligraphy, which should be his regret. His early teacher from the late Qing Dynasty famous calligrapher Li Ruiqing, Zeng Nongbian, formed his own fine, square, slightly Li style of calligraphy, after the 1930s, Mr. Zhang Daqian's calligraphy began to brew changes. He transferred to many schools and studied Wei Bei and Ho He Ming. He learned Shi Tao's vigorous and unconstrained style of writing by referring to the style of Huang Shan Valley, a great master of the Song Dynasty. On the basis of inheriting the tradition, his calligraphy art combines the artistic conception of landscape painting. Instead of blindly pursuing the ostensible publicity and the swordsmanship, he integrates strength and emotion, seeks novelty in mediocrity, and makes his calligraphy elegant and elegant, flexible and rigid, and Zhang Daqian's strong and elegant style of his own, which is called by later generations. "Big Thousand Body".
