時大彬紫砂壺
Shi dabin purple sand kettle
重：245g
Weight: 245 g
編號：YSWHPMFW-1080
Number: YSWHPMFW - 1080
紫砂壺始于宋，興于明清，長久以來，紫砂壺在文人雅士的追捧把玩中，逐步形成“冶造型、文學(xué)、繪畫、書法、篆刻于一體”的金石文化藝術(shù)風(fēng)范。紫砂壺是反映時代風(fēng)尚的產(chǎn)物，某個時代的品味，規(guī)范了它的造型及紋飾。縱觀紫砂壺的歷史演變，一般都表現(xiàn)為由粗趨精、由大趨小、由簡趨繁，復(fù)又返璞歸真從簡行事，經(jīng)歷了古樸、華麗、淡雅的三個階段。對于現(xiàn)代收藏家來說，精品紫砂壺可謂是收藏界的頂梁柱之一。
Zisha pot began in the song dynasty and flourished in the Ming and qing dynasties. For a long time, zisha pot has been popular among literati and refined people, and gradually formed the artistic style of "shaping, literature, painting, calligraphy and seal cutting in one". The purple sand pot is the product of reflecting the fashion of The Times. The taste of a certain era standardizes its modeling and decoration. Throughout the historical evolution of zisha pot, it is generally expressed by coarse tending to essence, by big tending to small, by simple tending to numerous, and by returning to simplicity again. It has experienced three stages of primitive simplicity, gorgeous, quietly elegant. For modern collectors, the fine purple clay pot is one of the pillars of the collecting world.
時大彬的紫砂壺，一脫塵俗，樸雅堅致，風(fēng)格優(yōu)雅悅目，流暢靈活。“壺家妙手稱三大”之一的徐友泉晚年仍自嘆“吾之精，終不及時（指時大彬）之粗也”。時大彬是紫砂藝術(shù)的一代宗匠，生平活動期在明代萬歷朝至清代順治朝之間。他對紫砂陶的泥料配制、成型技法、造型設(shè)計與銘刻，都極有研究,確立了至今仍為紫砂業(yè)沿襲的用泥片和鑲接那種憑空成型的高難度技術(shù)體系。
When the purple sand pot of big bin, one takes off the dust and vulgarity, piaoya jian zhi, style is elegant pleasing to the eye, fluent and agile. In his old age, xu youquan, one of the "three great masters of the pot family", still sighed, "my spirit is not timely (referring to the time of dabin) thick." Shi dabin is a generation of zisha art, life activities in the Ming dynasty wanli dynasty to the qing dynasty between shunzhi dynasty. He has done a lot of research on clay preparation, molding techniques, modeling design and inscriptions of purple sand pottery, and established a highly difficult technical system that is still followed by purple sand industry, that is, to use clay and insert to form out of thin air.
時大彬?qū)τ谧仙疤盏哪嗔吓渲啤⒊尚图挤ā⒃煨驮O(shè)計與銘刻，都極有研究,確立了至今仍為紫砂業(yè)沿襲的用泥片和鑲接那種憑空成型的高難度技術(shù)體系。近年來，紫砂精品正成為藝術(shù)品拍賣市場的嬌寵，行情連連看漲，素有最具收藏價值古董之稱。更遑論名家大師作品，往往一壺難求，一壺千金時大彬作品雖多，但流傳存世者極少。至清乾隆年間，時大彬的作品已視為稀世珍寶了。
Shi dabin has studied the clay preparation, molding techniques, modeling design and inscriptions of purple sand pottery, and established the highly difficult technical system of using clay and inlaying that is still followed by purple sand industry. In recent years, purple arenaceous high-quality goods is becoming the pamper of artwork auction market, market is bullish again and again, element has most collect value antique to say. Let alone master works, often difficult to find a pot, a pot of gold when the dabin works, but few spread. During the qianlong reign of the qing dynasty, shi dabin's works were regarded as rare treasures.
龔氏所藏文物，必有精致考究之包裝，如此壺就有度身定做的癭木囊匣，內(nèi)襯精致的織錦包面，臥囊以柔軟的絲綢填墊，制作精良，亦可作為單獨的藝術(shù)品欣賞，收藏家對文物的愛惜之情表露無遺。囊匣內(nèi)貼有先生手書的考證文字及鑒藏印章，不單說明此壺的珍貴，先生嚴謹審慎的個人收藏風(fēng)格，也體現(xiàn)出他雅致的文人情懷和品味，同時也是他個人氣質(zhì)和修養(yǎng)的表露，所謂“雅玩”，當(dāng)是如此，值得我等后輩學(xué)習(xí)。此“瞻麗齋”珍藏舊物早年流散制日本，如今重返故土，值得藏家珍視。
There must be exquisite packaging for the cultural relics hidden by gong family, so the pot has a custom-made gall casket with delicate brocade lining, and the lying bag is padded with soft silk, which is well made and can also be appreciated as a single artwork, showing the collectors' love for cultural relics. The textual research in calligraphy and the seal of appreciation and collection are pasted on the capsule, which not only indicates the preciousness of the pot, but also reflects the refined feelings and taste of the literati, as well as the expression of his personal temperament and accomplishment. The so-called "elegant play" is worth learning from the later generations. This "zhanli zhai" collect old thing early years is dispersive make Japan, return home now, be worth to collect a home to cherish.
