藏品推薦：盛世江山毛體

摘要：藏品推薦：盛世江山毛體，精品推薦《盛世江山毛體》Fine recommendation-"Shengshi Jiangshan hairy body"“智者愛山，仁者樂水”，這是中國文人雅士的傳統(tǒng)情節(jié)，于是乎山水畫也成了歷代文人雅士的摯愛。毛體書法是毛澤東書體的簡稱，一種是對學習、臨寫的與毛澤東書法的基本風格相一致的書法作品的稱謂。

藏品推薦：盛世江山毛體

精品推薦——《盛世江山毛體》

Fine recommendation-"Shengshi Jiangshan hairy body"

藏品名稱：《盛世江山毛體》

Collection name: Jiangshan Maoti in the golden age

規(guī)格：盛世江山236cm*60 國寶雙絕231*51

Specification: Shengshi Jiangshan 236cm * 60 national treasure double Jue 231 * 51

類別：書畫

Category: painting and calligraphy

盛世江山

Flourishing Jiangshan

崔安喜 國家一級美術師

Cui Anxi, national first-class artist

崔安喜，江蘇徐州人，1964年生，字墨峰，號尚宭，漢藝齋主人，職業(yè)畫家，現(xiàn)為國家一級美術師 ，1986年畢業(yè)于中央工藝美術學院、2002年被授予中國當代優(yōu)秀書畫家榮譽稱號，現(xiàn)為清華大學美術學院李鐵生先生山水工作室畫家，北京師范大學首屆高研班周逢俊先生、工作室畫家，石齊先生新中國畫藝術研究會畫家，全國名人書畫藝術界聯(lián)合會常務委員，中國名人詩書畫網常務理事，徐悲鴻再傳弟子，中國國畫家協(xié)會理事。

Cui Anxi, born in 1964 in Xuzhou, Jiangsu Province, is a professional painter and master of hanyizhai. He is now a national first-class artist. He graduated from the Central Academy of Arts and crafts in 1986 and was awarded the honorary title of outstanding contemporary Chinese calligrapher and painter in 2002. He is now a painter of Mr. Li Tiesheng, School of fine arts, Tsinghua University, and Mr. Zhou Fengjun, the first senior research class of Beijing Normal University. , studio painter, Mr. Shi Qi painter of the new Chinese Painting Art Research Association, standing member of the National Federation of celebrity painting and calligraphy art circles, standing director of the Chinese celebrity poetry painting network, retransmission disciple of Xu Beihong, and director of the Chinese Artists Association.

“智者愛山，仁者樂水”，這是中國文人雅士的傳統(tǒng)情節(jié)，于是乎山水畫也成了歷代文人雅士的摯愛。中國山水畫是中國人情思中最為厚重的沉淀。游山玩水的大陸文化意識，以山為德、水為性的內在修為意識，咫尺天涯的視錯覺意識，一直成為山水畫演繹的中軸主線。從山水畫中，我們可以集中體味中國畫的意境、格調、氣韻和色調。

Chinese landscape painting is the most heavy precipitation in China's human feelings. The mainland cultural consciousness of touring mountains and rivers, the inner cultivation consciousness of taking mountains as morality and water as nature, and the visual illusion consciousness of being close to the horizon have always been the central line in the interpretation of landscape painting. From la

藝術活動

Art activities

崔安喜作品用筆凝練精到,奔放自如,無論是傳統(tǒng)還是現(xiàn)代思維意識的整合,都顯示了其嫻熟的藝術功力,意境深隧高遠,內涵豐富寬廣,自然而然的實現(xiàn)了景致與情懷`傳統(tǒng)與個性的和諧統(tǒng)一,凸顯了他對書畫藝術的意想的把握的深入理解.多年來,臨池不綴,致力于追求繼承和發(fā)展的完美結合,逐步形成了自己的獨特藝術風格.甚得社會各界的認可和巨大好評,在多年的實踐中豐富和發(fā)展了新的理論,緊跟時代勇于創(chuàng)新,取得了豐富的經驗,迸射出一個藝術家深厚的藝術品位和高大的志向,在藝術界引起了廣泛的關注,為中國書畫藝術的繁榮和發(fā)展作出了突出貢獻。 

Cui Anxi's works are concise and unrestrained. No matter the integration of traditional or modern thinking consciousness, they all show his skillful artistic skills. The artistic conception is deep and profound, and the connotation is rich and broad. It naturally realizes the harmonious unity of landscape and feelings, tradition and personality, and highlights his in-depth understanding of the grasp of painting and calligraphy art. For many years, linchi has been committed to the pursuit of inheritance. With the perfect combination of development, it has gradually formed its own unique artistic style. It has won the recognition and great praise from all walks of life. In many years of practice, it has enriched and developed new theories, followed the times with courage and innovation, gained rich experience, and burst out an artist's profound artistic taste and lofty ambition. It has attracted extensive attention in the art field, and has contributed to the prosperity of Chinese painting and calligraphy art. Development has made outstanding contributions.  

收藏價值

Collection value

社會對崔安喜的評價是一個國內山水畫、書法以及當代藝術研究的“三棲”人物。崔安喜不單單對中國國畫藝術癡迷，更在書法界有相當高的造詣，崔老師更是在當代藝術研究與發(fā)掘方面有獨特見解。所以能在崔老師的筆下見到不離傳統(tǒng)和常變常新，感受到一種傳統(tǒng)與時代緊密結合的藝術思想，更能在畫中看到書法的剛勁、柔美，真正的體現(xiàn)了畫中有字、畫中含韻。

The society's evaluation of Cui Anxi is a "three habitat" figure in domestic landscape painting, calligraphy and contemporary art research. Cui Anxi is not only obsessed with the art of Chinese traditional painting, but also has quite high attainments in the field of calligraphy. Therefore, we can see the tradition and the ever-changing and new under the pen of Mr. Cui. We can feel a kind of artistic thought which is closely combined with the tradition and the times. We can also see the strength and softness of calligraphy in the painting, which truly embodies the character and rhyme in the painting.

書畫雙絕

Double calligraphy and painting

毛體書法是毛澤東書體的簡稱，一種是對學習、臨寫的與毛澤東書法的基本風格相一致的書法作品的稱謂。所謂基本風格即形的方面和神的方面。形即點、劃、結構、行筆順序、體勢、用墨、章法、題款等；神即氣勢、韻味、人品、精神、風采等。想寫好毛體書法可以說是非常的難，能夠在毛體書法中開拓創(chuàng)新更是難上加難，而提到毛體書法就不能不提到一個人那就是中國著名書畫家，當代毛體藝術大師崔玉和。

Maoti calligraphy is the abbreviation of Mao Zedong's calligraphy. One is the appellation of the calligraphy works that are learning and temporary writing and consistent with the basic style of Mao Zedong's calligraphy. The so-called basic style is the aspect of form and the aspect of God. Shape is point, stroke, structure, stroke sequence, posture, ink use, composition, title, etc.; spirit is momentum, charm, character, spirit, style, etc. It's very difficult to write well in Maoti calligraphy. It's even more difficult to develop and innovate in Maoti calligraphy. When it comes to Maoti calligraphy, we can't help mentioning one person: Cui Yuhe, a famous Chinese calligrapher and painter, a master of modern Maoti art.

崔玉和老師，自幼受家庭熏陶，酷愛書畫藝術，長期致力于中國書畫藝術的學習與實踐，主攻人物 兼修山水、花鳥，始學王羲之，更多的是研習懷素、張旭之法帖，國畫受張大千孫女張子嘉老師和李苦禪大師弟子黃江南老師傳授，書法受當代著名書法家啟功先生點撥。經幾十年臨池不輟而形成了自己的狂草書風，尤其擅長毛體書法藝術。

Mr. Cui Yuhe, influenced by his family since his childhood, is fond of painting and calligraphy. He has been devoted to the study and practice of Chinese painting and calligraphy for a long time. He focuses on the cultivation of landscapes, flowers and birds, and begins to learn from Wang Xizhi. More importantly, he studies the calligraphy of huaisu and Zhang Xu. Traditional Chinese painting is taught by Mr. Zhang Zijia, granddaughter of Zhang Daqian, and Mr. Huang Jiangnan, disciple of Master Li kuchan. Calligraphy is taught by Mr. Qigong, a famous contemporary calligrapher. Dial. After decades of continuous development, linchi has formed its own style of cursive calligraphy, especially the art of Maoti calligraphy.

崔玉和老師的毛體書法作品可以說是神形兼?zhèn)?，繼承毛澤東書法藝術精髓的基礎上，致力于毛體書法藝術內容、形式和技法創(chuàng)新。多次獲得國家級、省級藝術獎項的認可。崔玉和老師還是國務國賓禮特供藝術家，作品曾經被各國政要收藏，海內外各界人士對崔玉和老師的書畫作品贊譽有加，我國著名書法家歐陽中石老師稱其作品是我國現(xiàn)代書畫藝術不可多得的藝術瑰寶。

On the basis of inheriting Mao Zedong's calligraphy art essence, Cui Yuhe devoted himself to the innovation of Mao Zedong's calligraphy art content, form and technique. It has been recognized by national and provincial art awards for many times. Mr. Cui Yuhe is also a special artist for state guest ceremony. His works have been collected by the politicians of various countries. People from all walks of life at home and abroad praise his works of calligraphy and painting. Mr. Ouyang Zhongshi, a famous calligrapher in China, calls his works a rare art treasure of modern Chinese painting and calligraphy.

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