1. 破解ps4可以玩高達(dá)vs嗎
不能
Ps4不能玩ps1、2、3的游戲，Ps4選擇了與個(gè)人電腦相同的X86構(gòu)架，使得游戲開(kāi)發(fā)更加容易，但是缺點(diǎn)是與PS3、PS2或是PS1游戲不兼容。
Ps4主要控制器是DualShock 4，通過(guò)藍(lán)牙2.1+EDR與主機(jī)鏈接，舊款控制器DualShock?3則無(wú)法在PlayStation4上使用。
官方宣稱(chēng)PS4主機(jī)的運(yùn)算能力大約是PS3主機(jī)的十倍，游戲畫(huà)面進(jìn)一步 提升分辨率到1080P、FPS(每秒顯示張數(shù))高達(dá)60。
2. ps4高達(dá)對(duì)戰(zhàn)游戲
是的，可以，是對(duì)戰(zhàn)模式的
3. 高達(dá)VS PS4
可以選擇創(chuàng)世最強(qiáng)人物。UC獨(dú)角獸奧黛麗伯恩，也就是扎比公主。
4. 破解ps4可以玩高達(dá)vs嗎手游
專(zhuān)門(mén)為one做的傳統(tǒng)高達(dá)大作好像沒(méi)有（其實(shí)ps4也沒(méi)幾個(gè)），但是one可以兼容xbox360游戲，所以可以玩x360的高達(dá)游戲
5. ps4高達(dá)vs單機(jī)模式
強(qiáng)烈推薦《高達(dá)破壞者3》，是一款機(jī)戰(zhàn)游戲，是萬(wàn)代南夢(mèng)宮發(fā)售的一款游戲，發(fā)售時(shí)間是2016年3月3日，是PS4和PSV雙平臺(tái)，高達(dá)破壞者3可謂是集合了許多1代和2代有點(diǎn)的集大成作。
成熟的自定義裝設(shè)系統(tǒng)、豐富的技能選擇、戰(zhàn)斗不讓人失望，機(jī)體總數(shù)龐大，武器設(shè)計(jì)攻擊方式也比較還原，如果你沒(méi)有玩過(guò)這款游戲，如果你是高達(dá)迷，如果你的PSV還在吃灰中，試試這款游戲吧。
6. ps4高達(dá)對(duì)決好玩嗎
很方便
現(xiàn)在很多手柄都是支持的，重點(diǎn)是會(huì)設(shè)置 敢達(dá)爭(zhēng)鋒對(duì)決即便是電腦上用手柄玩也是可以，
只要有手機(jī)手柄應(yīng)該都能設(shè)置按鍵。先來(lái)簡(jiǎn)單說(shuō)下 手柄的優(yōu)勢(shì)
1：搖桿更加容易控氣 比起手點(diǎn)最大的提升就是氣量控制的更加精準(zhǔn) 閃避飛行都是比起手點(diǎn)更加不容易亂套。
2：玩久了 不會(huì)太累 手點(diǎn)屏幕時(shí)間長(zhǎng)了 手機(jī)又燙手又累 手柄就還好。
3：反應(yīng)速度 各人感覺(jué) 手柄帶來(lái)的操作速度 比手點(diǎn)來(lái)點(diǎn)快
7. ps4高達(dá)vs高達(dá)解鎖機(jī)體
個(gè)人認(rèn)為還是好玩的，但是月之民實(shí)質(zhì)上是圈錢(qián)之作，與第2次OG相比系統(tǒng)變化幾乎沒(méi)有，九成以上機(jī)體都是照搬，不過(guò)J的男女主角加入還是讓鐵粉玩家難以拒絕，男主后宮一堆老婆令人羨慕不已。
8. ps4破解不能玩的大作
戰(zhàn)神4.蜘蛛俠，女神異聞錄5.戰(zhàn)場(chǎng)女武神4
9. ps4破解是不是可以玩所有游戲
PS4破解刷機(jī)以后依然可以玩正版光盤(pán)游戲，但是不能連接網(wǎng)絡(luò)，有一些功能受限而已，不會(huì)影響游戲體驗(yàn)，玩光盤(pán)游戲一般不需要利用到網(wǎng)絡(luò)，直接放入光盤(pán)就能開(kāi)始游戲，刷機(jī)的PS4游戲主機(jī)利用硬盤(pán)玩破解游戲，只能享受單機(jī)不能聯(lián)網(wǎng)享受不了網(wǎng)戰(zhàn)樂(lè)趣
10. ps4高達(dá)exvs破解
編曲指的是一首歌的伴奏部分，就是去掉歌手唱的部分，編曲的核心在于用不同樂(lè)器進(jìn)行編配。它既不是古典音樂(lè)體系中配器法在流行音樂(lè)領(lǐng)域中簡(jiǎn)單的復(fù)制與模仿，也不是狹隘的電聲樂(lè)隊(duì)配器，而是通過(guò)對(duì)現(xiàn)代流行音樂(lè)配器的分析與總結(jié)。
基礎(chǔ)樂(lè)理
“樂(lè)理”是所有音樂(lè)課程學(xué)習(xí)的基礎(chǔ)內(nèi)容其中包括“音階、樂(lè)音體系、調(diào)式、音程”等一系列具有催眠效果的知識(shí)點(diǎn)。作為零基礎(chǔ)初學(xué)者想要學(xué)好編曲所需要的樂(lè)理知識(shí)就要從熟記音名和唱名開(kāi)始到基礎(chǔ)的音程(兩個(gè)音)構(gòu)建再到和弦(三個(gè)音及以上)構(gòu)建。流行歌中常用到的就會(huì)是七和弦、九和弦、十一和弦等高疊和弦學(xué)習(xí)了樂(lè)理入門(mén)寫(xiě)作實(shí)戰(zhàn)時(shí)會(huì)更加輕松一些。
下文講解搭配視頻可以更好的學(xué)習(xí)樂(lè)理知識(shí)《【基礎(chǔ)樂(lè)理入門(mén)（共38集）-嗶哩嗶哩】 HTTPs://b23.tv/mJz2Hsm》
音符
音符由三個(gè)部分組成，即符頭、符干和符尾。
音符的種類(lèi)有：
1、全音符：沒(méi)有符干和符尾的空心的白色音符叫“全音符”；
2、二分音符：帶有符干、沒(méi)有符尾的白色音符叫“二分音符”，等于全音符1/2的時(shí)值；
3、四分音符：帶有符干、沒(méi)有符尾的黑色音符叫“四分音符”，等于全音符1/4的時(shí)值；
4、八分音符：帶有符干和1條符尾的黑色音符叫“八分音符”，等于全音符1/8的時(shí)值；
5、十六分音符：帶有符干和2條符尾的黑色音符叫“十六分音符”，等于全音符1/16的時(shí)值；
6、三十二分音符：帶有符干和3條符尾的黑色音符叫“三十二分音符”，等于全音符1/32的時(shí)值；
7、六十四分音符：帶有符干4條符尾的黑色音符叫“六十四分音符”，等于全音符1/64的時(shí)值。
調(diào)號(hào)
調(diào)號(hào)就是在五線(xiàn)譜上，譜行開(kāi)頭的譜號(hào)后面標(biāo)注的變音記號(hào)。這個(gè)變音記號(hào)對(duì)樂(lè)譜中所有同名音都有效，也就是說(shuō)，調(diào)號(hào)中的升降號(hào)標(biāo)在哪個(gè)音的位置，則樂(lè)譜中遇見(jiàn)所有這個(gè)音以及它們的同名音（八度的倍音）都要按譜號(hào)中的升降號(hào)升高或降低半音。
升號(hào)調(diào)：C G D A E B #F #C（bD）
降號(hào)調(diào)：F bB bE bA bD bG bC（B）
原理：先看這個(gè)五度圈圖
調(diào)號(hào)上面使用升號(hào)（#）的稱(chēng)作「升號(hào)調(diào)」；
調(diào)號(hào)上面使用降號(hào)（b）的稱(chēng)作「降號(hào)調(diào)」；
一個(gè)自然音階里有七個(gè)音，所以升降號(hào)最多能加七個(gè)。
「升號(hào)調(diào)」：
1、比C調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是G調(diào)（G，A，B，C，D，E，F(xiàn)#），所以G調(diào)調(diào)號(hào)有1個(gè)升號(hào)；
2、比G調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是D調(diào)（D，E，F(xiàn)#，G，A，B，C#），所以D調(diào)調(diào)號(hào)有2個(gè)升號(hào)；
3、比D調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是A調(diào)（A，B，C#，D，E，F(xiàn)#，G#），所以A調(diào)調(diào)號(hào)有3個(gè)升號(hào)；
4、比A調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是E調(diào)（E，F(xiàn)#，G#，A，B，C#，D#），所以E調(diào)調(diào)號(hào)有4個(gè)升號(hào)；
5、比E調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是B調(diào)（B，C#，D#，E，F(xiàn)#，G#，A#），所以B調(diào)調(diào)號(hào)有5個(gè)升號(hào)；
6、比B調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是F#調(diào)（F#，G#，A#，B，C#，D#，E#），所以F#調(diào)調(diào)號(hào)有6個(gè)升號(hào)；
7、比F#調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是C#調(diào)（C#，D#，E#，F(xiàn)#，G#，A#，B#），所以C#調(diào)調(diào)號(hào)有7個(gè)升號(hào)；（極不常用）
對(duì)此總結(jié)上述規(guī)律，隨著升號(hào)增加：
C→G→D→A→E→B→F#→C#
恰好相鄰的兩個(gè)音之間構(gòu)成的是純五度關(guān)系。而且隨著升號(hào)的增加，先后被升高的音分別是：
F，C，G，D，A，E，B
相鄰的兩個(gè)音之間也是純五度關(guān)系，升號(hào)調(diào)調(diào)號(hào)上寫(xiě)升號(hào)的順序也是這個(gè)順序。
「降號(hào)調(diào)」：
1、比C調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是F調(diào)（F，G，A，Bb，C，D，E），所以F調(diào)調(diào)號(hào)有1個(gè)降號(hào)；
2、比F調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Bb調(diào)（Bb，C，D，Eb，F(xiàn)，G，A），所以Bb調(diào)調(diào)號(hào)有2個(gè)降號(hào)；
3、比Bb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Eb調(diào)（Eb，F(xiàn)，G，Ab，Bb，C，D），所以Eb調(diào)調(diào)號(hào)有3個(gè)降號(hào)；
4、比Eb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Ab調(diào)（Ab，Bb，C，Db，Eb，F(xiàn)，G），所以Ab調(diào)調(diào)號(hào)有4個(gè)降號(hào)；
5、比Ab調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Db調(diào)（Db，Eb，F(xiàn)，Gb，Ab，Bb，C），所以Db調(diào)調(diào)號(hào)有5個(gè)降號(hào)；
6、比Db調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Gb調(diào)（Gb，Ab，Bb，Cb，Db，Eb，F(xiàn)），所以Gb調(diào)調(diào)號(hào)有6個(gè)降號(hào)；
7、比Gb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Cb調(diào)（Cb，Db，Eb，F(xiàn)b，Gb，Ab，Bb），所以Cb調(diào)調(diào)號(hào)有7個(gè)降號(hào)；（極不常用）。
對(duì)此總結(jié)上述規(guī)律，隨著降號(hào)增加：
C→F→Bb→Eb→Ab→Db→Gb→Cb
恰好相鄰的兩個(gè)音之間構(gòu)成的是純四度（純五度的轉(zhuǎn)位）關(guān)系。而且隨著降號(hào)的增加，先后被降低的音分別是：
B，E，A，D，G，C，F(xiàn)
相鄰的兩個(gè)音之間也是純五度關(guān)系，降號(hào)調(diào)調(diào)號(hào)上寫(xiě)降號(hào)的順序也是這個(gè)順序。
在實(shí)際使用時(shí)，由于十二平均率里的等音關(guān)系，為了避免升降號(hào)過(guò)多影響讀譜，通常：
B調(diào)代替Cb調(diào)，Db調(diào)代替C#調(diào)。
全音和半音
音名和唱名
節(jié)拍
小節(jié)：小節(jié)與小節(jié)之間，以縱線(xiàn)為界。
節(jié)拍：每隔一定時(shí)間重復(fù)出現(xiàn)的有一定強(qiáng)弱分別的一系列拍。
拍號(hào)：分?jǐn)?shù)表示，分母表示以什么音符為一拍，分子表示一小節(jié)有幾拍。
例：4/4拍，以四分音符為拍，每小節(jié)有四拍。
歌曲速度
以每分鐘節(jié)拍數(shù)計(jì)數(shù)，單位BPm。
例：6OBPm＝每分鐘60拍。
簡(jiǎn)譜常用標(biāo)記
升降標(biāo)記
升降調(diào)是用來(lái)調(diào)節(jié)旋律的曲調(diào)高低，播放器里的移調(diào)，是以小二度為單位，也就是半音，依次進(jìn)行升降調(diào)。如果要以大調(diào)式為例，E調(diào)的調(diào)號(hào)是4個(gè)升號(hào)，F(xiàn)調(diào)的調(diào)號(hào)是1個(gè)降號(hào)，E調(diào)與F調(diào)的根音的確差半音，那它們的調(diào)號(hào)就相差5個(gè)記號(hào)。G調(diào)調(diào)號(hào)是1個(gè)升號(hào)，根音與F調(diào)差2個(gè)半音，調(diào)號(hào)就差2個(gè)記號(hào)。 一般在樂(lè)譜上，移調(diào)是以記號(hào)而不是半音數(shù)為單位的，根音上/下行5度，就增加一個(gè)升/降記號(hào)。
唱名法
唱名法，有固定唱名法和首調(diào)唱名法。
1、固定調(diào)唱名法／C調(diào)唱名法
以絕對(duì)音高為基礎(chǔ)，任何調(diào)下永遠(yuǎn)不變。
即1234567=CDEFGAB，音名唱名任何調(diào)下不變。固定調(diào)對(duì)于需要根據(jù)五線(xiàn)譜視奏的樂(lè)器更方便，如提琴。
2、首調(diào)唱名法
以相對(duì)音高為基礎(chǔ)，不同調(diào)下的唱名對(duì)應(yīng)音名變化。先確定主音，再按照調(diào)式／音階排列規(guī)律得到具體音名。
如：G大調(diào)，以G為主音，按照大調(diào)調(diào)式1234567排列，得到GABCDEF#
唱名，以什么調(diào)為主音的，就以主音為do。
如：C調(diào)，1=C；A調(diào)，1=A
首調(diào)更注重主音，以及其他音級(jí)和主音的關(guān)系。
首調(diào)在即興伴奏，流行／爵士即興等情況下更方便。自然大調(diào)的唱名1、2、3、4、5、6、7。
自然小調(diào)的唱名1、2、b3、45、b6、b7，為方便使用，自然小調(diào)以6為主音的唱名6、7、1、2、3、4、5。
3、調(diào)式
以一個(gè)音為主，按照一定規(guī)律排列構(gòu)成的音階，就是調(diào)式。為為主的音，叫做主音。
調(diào)式中各音之間的關(guān)系，就是穩(wěn)定與不穩(wěn)定。
在三個(gè)穩(wěn)定音中，其穩(wěn)定程度也是不同的，其中最穩(wěn)定的音，就叫做主音。
根音
音程中的較低音叫做“根音”(root)，位于原位和弦最下面，根音上的三度音稱(chēng)為三音，根音上的五度音稱(chēng)為五音。任何音階中的任意音級(jí)均可作為根音，于其上方加入三音與五音而構(gòu)成三和弦，每個(gè)和弦視其根音在音階上的名稱(chēng)或音級(jí)數(shù)而命名。在和弦的基本形態(tài)中是最下端的一音。
根音的具體規(guī)則：
規(guī)則一
根音必須是和弦基本形態(tài)中最下方的音；
規(guī)則二
英文字就是根音，例如：C的根音是C，Cm的根音也是C，C7的根音一樣是C。同理：Em根音就是E，G根音就是G，D7根音就是D；
規(guī)則三
俗稱(chēng)的“分?jǐn)?shù)和弦”，“分子”是根音，“分母”是最低音，C/G則是C為根音G為最低音，C/E是C為根音最低音是E。同理，G/B就是G為根音B為最低音。
音程
音程指兩個(gè)音級(jí)在音高上的相互關(guān)系，就是指兩個(gè)音在音高上的距離而言，其單位名稱(chēng)叫做度。
音程由屬性、數(shù)字、單位組成，例如純五度、大三度。
如下，C到G有5個(gè)白鍵，所以是五度；#C到G也是五度。所以用屬性區(qū)分為純五度和減五度。
音程指兩個(gè)音級(jí)在音高上的相互關(guān)系，就是指兩個(gè)音在音高上的距離而言，其單位名稱(chēng)叫做度。
音程由屬性、數(shù)字、單位組成，例如純五度、大三度。
如下，C到G有5個(gè)白鍵，所以是五度；#C到G也是五度。所以用屬性區(qū)分為純五度和減五度。
屬性總共包含7種：純、大、小、增、減、倍增、倍減。純，只能在一四五八度出現(xiàn)；大/小只能在二三六七度出現(xiàn)，其他的屬性共用。
屬性：純、大、小、增、減、倍增、倍減一、四、五、八度：純（增、減、倍增、倍減）二、三、六、七度：大小（增、減、倍增、倍減）
八個(gè)標(biāo)準(zhǔn)音程
標(biāo)準(zhǔn)音程包含的白鍵和黑鍵總和是固定的，1到1是純一度，有一個(gè)鍵；1到2是大二度，有3個(gè)鍵；1到3是大三度，有5個(gè)鍵。
節(jié)奏
音樂(lè)節(jié)奏有：切分、三連音。
三連音
三連音，即是三等分1拍、2拍或4拍，每個(gè)音唱（奏）1/3拍、2/3拍或4/3拍。也可以理解成三個(gè)音唱（奏）兩個(gè)音的長(zhǎng)度，如4/4拍中三個(gè)四分音符組成的三連音唱（奏）兩個(gè)四分音符的長(zhǎng)度即兩拍。
這是一種典型的節(jié)奏變化，樂(lè)曲進(jìn)行時(shí)，突然的三連音將給人節(jié)奏“錯(cuò)位”、不穩(wěn)定的感覺(jué)。樂(lè)譜表示為連音線(xiàn)中間有個(gè)“3”的標(biāo)記。
大切分
切分節(jié)奏是旋律在進(jìn)行當(dāng)中，由于音樂(lè)的需要，改變常規(guī)的節(jié)奏規(guī)律，音符的強(qiáng)拍和弱拍發(fā)生了變化和強(qiáng)調(diào)，而出現(xiàn)的節(jié)奏變化。
三個(gè)音符A、B、C，他們的排序是ABC，這時(shí)，A+C=B，AC被B所切分。這只是眾多切分形式中的一種特殊形式。還可以1個(gè)音符被多個(gè)音符所切分，如：1/8、1/4、1/4、1/8；1/2、1、1、1、1/2等。
擴(kuò)展資料：
節(jié)奏與節(jié)拍在音樂(lè)中，永遠(yuǎn)是同時(shí)并存的，并以音的長(zhǎng)短、強(qiáng)弱及其相互關(guān)系的固定性和準(zhǔn)確性來(lái)組織音樂(lè)。節(jié)拍就好像列隊(duì)行進(jìn)中整齊的步伐；節(jié)奏就好像千變?nèi)f化的鼓點(diǎn)。
用強(qiáng)弱組織起來(lái)的音的長(zhǎng)短關(guān)系，就叫做“節(jié)奏”。
有強(qiáng)有弱的相同的時(shí)間片段，按照一定的次序循環(huán)重復(fù)，就叫做“節(jié)拍”。
和聲
靜態(tài)和動(dòng)態(tài)
和聲樂(lè)器的織體表現(xiàn)形態(tài)分為兩種：靜態(tài)和動(dòng)態(tài)。
靜態(tài)，也稱(chēng)和聲形態(tài)，樂(lè)器主要是以持續(xù)性的和弦長(zhǎng)音演奏，很多歌曲中用到的pad鋪底、弦樂(lè)等就是這種形態(tài)，可以根據(jù)實(shí)際情況選擇演奏單音、音程或是和弦，這主要取決于對(duì)織體厚度的要求（當(dāng)然總的原則是上秘下疏中不空）。和聲樂(lè)器主要用于融合各種音色，增加氛圍感和立體空間感。
動(dòng)態(tài)，也稱(chēng)節(jié)奏形態(tài)，樂(lè)器主要是以柱式、分解等變化較快的演奏方式填充織體的內(nèi)聲部層，使音樂(lè)獲得前進(jìn)的推動(dòng)力，節(jié)奏型的適當(dāng)變化可以使音樂(lè)增加活力和感染力，更好地表達(dá)情緒的變化。
Bass
Bass的寫(xiě)作力求得到的是一個(gè)清晰流暢、旋律感強(qiáng)的BASS聲部。
從和聲上講，注意好音程關(guān)系，而作為低音樂(lè)器，跳進(jìn)往往比級(jí)進(jìn)更能得到清晰明朗的效果，若使用級(jí)進(jìn)，則連續(xù)下行效果會(huì)比較好。
從織體上講，應(yīng)處理好Bass和底鼓的關(guān)系，盡量避免低頻碰撞。
從音色上講，注意搭配底鼓和Bass的音色就行。
從音區(qū)上講，低音下潛越深越好，但也要注意Bass的音域，保持音色的清晰度。
在和弦音的重復(fù)中，低音重復(fù)也是要注意的，如果和聲樂(lè)器的低音音區(qū)與Bass演奏音區(qū)相接近，這時(shí)，兩者的低音最好相同（其他低音樂(lè)器也是一樣），這樣可以加強(qiáng)低音聲部，反之容易混淆，織體表達(dá)不清晰。
和聲樂(lè)器處理
和聲樂(lè)器的一些處理，當(dāng)內(nèi)聲部中填充有多個(gè)樂(lè)器且比較接近時(shí)，那么可以使用以下一些技巧達(dá)到更好的效果。
首先，可以采用不同的排列法（密集和開(kāi)放排列）相互補(bǔ)充，一來(lái)得到了更飽滿(mǎn)的音響效果，二來(lái)避免和弦音完全重復(fù)抹殺了特定樂(lè)器的音色。其次，可以通過(guò)調(diào)節(jié)聲像方位來(lái)分散平衡內(nèi)聲部的堆砌感。再次，可以適當(dāng)處理音色，從而避免同音區(qū)音響上的堆砌。
聲音的色彩
再來(lái)說(shuō)說(shuō)關(guān)于聲音的“色彩”。其實(shí)聲音也可以分成冷和暖的。高頻尖銳的聲音（如鋼琴）就是偏向冷色調(diào)的，而低頻樂(lè)器的聲音就比較溫暖。音色冷暖的合理搭配也是織體編寫(xiě)中需要適當(dāng)斟酌的。
當(dāng)幾個(gè)音共同發(fā)出音響并且形成了連續(xù)的進(jìn)行這時(shí)它們就構(gòu)成了和聲的關(guān)系。相比橫向的旋律走向和聲講究的是音的縱向分布與排列。它對(duì)于音樂(lè)作品的發(fā)展對(duì)于加深和豐富音樂(lè)作品的表現(xiàn)力具有非常重要意義。流行歌寫(xiě)作中最常用到的幾種經(jīng)典和聲走向舉例如下：
第一種：C–Am–F–G(“爛大街走向”：1645)；
第二種：F–G–Em–Am–Dm–G–C(經(jīng)典副歌走向：4536251)；
第三種：C–G/B–Am–G–F–C/E–Dm–G(經(jīng)典卡農(nóng)走向：17654325)。
綜上所述建議零基礎(chǔ)初學(xué)者建議掌握和弦的基本用法和聲掌握經(jīng)典走向后嘗試用高級(jí)和弦來(lái)替代基礎(chǔ)和弦。
和聲方面推薦的學(xué)習(xí)資料有《流行音樂(lè)與爵士樂(lè)和聲學(xué)（第2版）》（任達(dá)敏），《爵士和聲》（陳云強(qiáng)）。
和弦
和弦是指有一定音程關(guān)系的一組聲音，即將三個(gè)或以上的音，按照三度或非三度的疊置關(guān)系，在縱向上加以結(jié)合，就稱(chēng)為和弦。
和弦屬性
根據(jù)和弦屬性，三和弦有：大三和弦、小三和弦、增三和弦、減三和弦。
大三和弦：
根音到三音是大三度，三音到五音是小三度。
有：一級(jí)和弦、四級(jí)和弦、五級(jí)和弦(1、4、5)
小三和弦：
根音到三音是小三度，三音到五音是大三度。
有：二級(jí)和弦、三級(jí)和弦、六級(jí)和弦(2、3、6)
減三和弦：
根音到三音是小三度，三音到五音是小三度。
只有：七級(jí)和弦。
和弦標(biāo)記方式
大三和弦：Major，標(biāo)記方法可省略，如：C和弦
小三和弦：Minor，標(biāo)記方法可簡(jiǎn)寫(xiě)m，如：Am和弦
減三和弦：Diminish，標(biāo)記方法可簡(jiǎn)寫(xiě)dim，如：Bdim和弦
普通和弦
三和弦
由三個(gè)音按照三度關(guān)系疊置起來(lái)的和弦，叫做三和弦。三和弦各音由下而上稱(chēng)為根音、三音、五音，分別以1、3、5標(biāo)記。
七和弦
由四個(gè)音按照三度關(guān)系疊置起來(lái)的和弦，叫做七和弦。七和弦各音由下而上稱(chēng)為根音、三音、五音、七音，分別以1、3、5、7標(biāo)記。
常用和弦
（1）卡農(nóng)進(jìn)行
鋼琴曲《卡農(nóng)》中使用的和弦進(jìn)行
1—V—Vlm—Illm—IV—I—IV—V；15634145
l—V—Vlm—Illm—IV—I—Ilm—V;15634125
情感/色彩：抒情、敘事感
曲式
常見(jiàn)的曲式結(jié)構(gòu)如下：
1、單一部曲式：這種曲式結(jié)構(gòu)最簡(jiǎn)單，它一般由幾個(gè)樂(lè)句構(gòu)成，沒(méi)有明顯的重復(fù)段落，沒(méi)有第二主題，也沒(méi)有副歌。
2、單二部曲式：由兩個(gè)樂(lè)段構(gòu)成的曲式，叫做單二部曲式，結(jié)構(gòu)為A+B。
3、單三部曲式：由三個(gè)樂(lè)段構(gòu)成，其中第一段和第三段是一樣的材料，結(jié)構(gòu)為A+B+A。
4、復(fù)三部曲式：這種曲式的大結(jié)構(gòu)與單三部曲式完全一樣，只是在這里的三個(gè)段落中，每個(gè)段落還包含一個(gè)獨(dú)立的曲式結(jié)構(gòu)，可能為單二部曲式，可能為單三部曲式。
5、回旋曲式：這種曲式由兩種部分構(gòu)成，為主部與副部。回旋曲式的產(chǎn)生源于聲樂(lè)性的輪舞曲，在輪舞曲中有分節(jié)歌與副歌，分節(jié)歌通常是獨(dú)唱，副歌是合唱，每次獨(dú)唱完成后都會(huì)回到合唱，每次的合唱部分都是相同的。
6、變奏曲式：變奏曲一開(kāi)始會(huì)有一個(gè)完整的主題段落，在后面的段落中，都是這個(gè)主題的發(fā)展變化。
編曲設(shè)備
宿主選擇
我們?cè)谔暨x電腦之前，首先得挑選一下我們想要在哪個(gè)平臺(tái)進(jìn)行編曲工作，常見(jiàn)的就是win平臺(tái)與Mac平臺(tái)。隨后就要選擇自己主要會(huì)用到的宿主。
編曲軟件很多，但實(shí)際上，不同的軟件有著不同的特點(diǎn)，而不同音樂(lè)編曲軟件的選用，和大家的作品風(fēng)格、使用習(xí)慣等息息相關(guān)。了解不同軟件的特點(diǎn)，了解它們最適合的音樂(lè)風(fēng)格，了解它們的長(zhǎng)處與缺點(diǎn)，可以幫助大家更快更順暢地踏上音樂(lè)編曲的道路。
目前網(wǎng)絡(luò)上有很多宿主軟件教學(xué)同樣我們需要學(xué)習(xí)的是共性而不是逐個(gè)軟件學(xué)習(xí)過(guò)去。先嘗試精通其中一款經(jīng)典軟件后從個(gè)性中總結(jié)出共性再?lài)L試其他軟件因此這一款軟件的選擇就顯得十分重要。為大家推薦幾款常用的宿主軟件。
Cubase
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Cubase（酷貝斯）具有MidI音序、音頻編輯處理、多軌錄音縮混、視頻配樂(lè)、環(huán)繞聲處理等功能。Cubase的強(qiáng)大，在于它的一切參數(shù)都需要自己控制，它常常是工業(yè)化制作的必備軟件，但也正因?yàn)槿绱耍珻ubase這款軟件擁有編曲、錄音、混音三體合一的強(qiáng)大功能。Cubase在輸出時(shí)不對(duì)聲音著色，這也是Cubase受到各方面音樂(lè)人歡迎的原因之一。
Cubase官網(wǎng)：點(diǎn)擊進(jìn)入
HTTPs://www.steinberg-cn.com/
快捷鍵
功能鍵
1、F2功能鍵：顯示／隱藏走帶控制條
2、F3功能鍵：打開(kāi)／關(guān)閉Mixer（調(diào)音臺(tái)）窗
3、F4功能鍵：打開(kāi)／關(guān)閉音頻輸出窗口
4、F9/F10功能鍵：鼠標(biāo)工具選擇
單指鍵
1、Q鍵：量化MidI音符
2、I鍵：打開(kāi)／關(guān)閉插入錄音模式
3、0鍵：打開(kāi)／關(guān)閉穿出錄音模式
4、S鍵：使當(dāng)前選中音軌獨(dú)奏
5、F鍵：打開(kāi)／關(guān)閉自動(dòng)光標(biāo)跟隨模式
6、G鍵：橫向縮小窗口顯示比例
7、H鍵：橫向放大窗口顯示比例
8、J鍵：打開(kāi)／關(guān)閉對(duì)齊模式
9、Z鍵：縱向放大窗口顯示比例
10、C鍵：打開(kāi)／關(guān)閉節(jié)拍器
11、B鍵：使播放指針移動(dòng)到前一個(gè)小節(jié)
12、N鍵：使播放指針移動(dòng)到下一個(gè)小節(jié)
13、M鍵：使當(dāng)前選中音軌靜音
Ctrl鍵
1、Ctrl+N鍵：新建文件
2、Ctrl+0鍵：打開(kāi)文件
3、Ctrl+W鍵：關(guān)閉文件
4、Ctrl+S鍵：保存文件
5、Ctrl+Z鍵：撤銷(xiāo)
6、Ctrl+X鍵：剪切
7、Ctrl+C鍵：復(fù)制
8、Ctrl+V鍵：粘貼
9、Ctrl+D鍵：加倍
10、Ctrl+G鍵：編組
11、Ctrl+U鍵：取消編組
12、Ctrl+P鍵：打開(kāi)素材池
13、Ctrl+M鍵：打開(kāi)標(biāo)記設(shè)置
14、Ctrl+T鍵：打開(kāi)速度軌
Shift鍵
1、Shift+T鍵：改變速度
2、Shift+S鍵：打開(kāi)工程設(shè)置
3、Shift+F鍵：橫向縮小窗口顯示比例至最小
4、Shift+B鍵：播放指針移動(dòng)到前一個(gè)標(biāo)記點(diǎn)
5、Shift+N鍵：播放指針移動(dòng)到下一個(gè)標(biāo)記點(diǎn)
小鍵盤(pán)鍵
1、數(shù)字0鍵：停止
2、小數(shù)點(diǎn)鍵：播放指針回零點(diǎn)
3、數(shù)字1鍵：左定位指針
4、數(shù)字2鍵：右定位指針
5、數(shù)字3鍵﹣9鍵：分別控制3--9定位標(biāo)記
6、加號(hào)鍵：快進(jìn)
7、減號(hào)鍵：快退
8、乘號(hào)鍵：錄音開(kāi)始／停止
9、除號(hào)鍵：循環(huán)開(kāi)關(guān)
縮放鍵
1、Ctrl＋鼠標(biāo)滾輪：橫向縮放
2、Shift＋鼠標(biāo)滾輪：縱向縮放
3、Shift+F：縮放到合理范圍
4、G：橫向縮小
5、H：橫向放大
6、Shift+G：縱向縮小
7、Shift+H：縱向放大
多步驟鍵
1、選擇一個(gè)軌道，按住Shift再選擇另一個(gè)軌道，便能一并選擇兩者之間的所有軌道。
2、AIt按住不放，鼠標(biāo)拖動(dòng)選擇的事件，將復(fù)制出新的內(nèi)容
快捷鍵自定義設(shè)置：菜單欄——編輯——快捷鍵
音符時(shí)值
1、在Cubase如何表示時(shí)值
FL Studio
FL Studio，國(guó)人習(xí)慣叫它“水果”。
FL Studio提供了音符編輯器，編輯器可以針對(duì)作曲者的要求編輯出不同音律的節(jié)奏，例如鼓，镲，鑼?zhuān)撉伲眩筇崆伲~，揚(yáng)琴等等任何樂(lè)器的節(jié)奏律動(dòng)。其次提供了音效編輯器，方便快捷的音源輸入。
對(duì)于在音樂(lè)中所涉及的特殊樂(lè)器聲音，只要通過(guò)簡(jiǎn)單外部錄音后便可在FL Studio中方便調(diào)用，音源的方便采集和簡(jiǎn)單的調(diào)用造就了FL Studio強(qiáng)悍的編輯功能。
FL Studio對(duì)新手十分友好，調(diào)用音色以及素材十分方便，且對(duì)電音類(lèi)制作效果很好，尤其適合音樂(lè)編曲初學(xué)者以及對(duì)電音需求高、依賴(lài)素材偏多的人。
點(diǎn)擊視頻學(xué)習(xí)詳細(xì)編曲教程。《【【官方正版】FL studio 20 水果中文快速操作入門(mén)教程-嗶哩嗶哩】 HTTPs://b23.tv/tH4bHXV》
fl官網(wǎng)：點(diǎn)擊進(jìn)入
https://www.flstudiochina.com/?utm_medium=wm&utm_source=wm.makeding.com&utm_content=FL+Studio&utm_campaign=lm_lillian&utm_term=LM_mingyu&wm_cs_key=f8114741-77cc-452b-8952-3496268478be
編曲步驟
1、導(dǎo)入主旋律
使用水果軟件進(jìn)行編曲之前，需要將主旋律導(dǎo)入到水果軟件。點(diǎn)擊頂部菜單欄“視圖”-“播放列表”，將本地主旋律拖入到播放列表軌道。
2、給主旋律配上和聲
點(diǎn)擊水果編曲軟件頂部菜單欄“文件”-“鋼琴卷簾”。打開(kāi)鋼琴卷簾窗口，可以看到鋼琴的黑白琴鍵展示在窗口，通過(guò)鼠標(biāo)左鍵點(diǎn)擊格子給主旋律配上和聲。詳細(xì)教程可以參考水果編曲軟件教程《如何用鋼琴卷簾功能去進(jìn)行編曲》。
3、添加節(jié)奏樂(lè)器
水果編曲軟件主要是通過(guò)通道機(jī)架添加節(jié)奏樂(lè)器。點(diǎn)擊頂部菜單欄“視圖”-“通道機(jī)架”，即可打開(kāi)通道機(jī)架。然后點(diǎn)擊其底部“+”添加節(jié)奏樂(lè)器，比如添加鼓樂(lè)器“bassdrum”。詳細(xì)教程可以參考水果編曲軟件教程《如何用通道機(jī)架功能編輯一段節(jié)奏》。
4、添加混音效果
點(diǎn)擊水果軟件頂部菜單欄“視圖”-“混音器”，即可打開(kāi)混音器。再點(diǎn)擊右側(cè)插槽，選擇效果器。
混音效果器總共包括壓縮效果器、均衡效果器、混響效果器三類(lèi)，比如這里添加“Fruity Reeverb2”制造一種回聲的效果。詳細(xì)教程添加混音效果可參考《善用FL Studio的混音效果器，編曲音效更加動(dòng)聽(tīng)!》。
Logic Pro X
logic Pro X是蘋(píng)果公司的一款專(zhuān)業(yè)音頻制作軟件。
點(diǎn)擊視頻詳細(xì)學(xué)習(xí)編曲教程。《【Logic Pro X 中文詳細(xì)使用教程-嗶哩嗶哩】 https://b23.tv/g2b9MmI》
大家喜歡它的所見(jiàn)即所得，喜歡它的自帶音色，喜歡它的曲線(xiàn)和畫(huà)面支持。它對(duì)新手也較友好，但對(duì)老手以及鼠標(biāo)黨而言，顯得不給力，組合鍵過(guò)多，不便記憶，主要適用于大量畫(huà)面音樂(lè)制作人以及流行音樂(lè)作者。
Logic Pro X官網(wǎng)：點(diǎn)擊進(jìn)入
https://www.apple.com.cn/logic-pro/
以上就是為大家推薦的三款Daw，總的來(lái)說(shuō)，對(duì)于新手而言，F(xiàn)L Studio是最友好，且最具有性?xún)r(jià)比的選擇，而對(duì)于在音樂(lè)編輯上已經(jīng)逐漸走上正軌的老手而言，F(xiàn)L Stdio中豐富的素材和插件也將成為其不可取代的優(yōu)勢(shì)。
快捷鍵
全局
1、全選：?+A
2、撤銷(xiāo)：?+Z
3、取消撤銷(xiāo)（前撤）：?+?+Z
4、開(kāi)啟關(guān)閉當(dāng)前循環(huán)Looper：C
5、循環(huán)當(dāng)前選中音頻/MidI：選中音頻/MidI+U
6、跳過(guò)當(dāng)前選中循環(huán)：?+單機(jī)Loop黃條
7、節(jié)拍器開(kāi)啟關(guān)閉：K
8、打開(kāi)Track Header：?+T
9、隱藏軌道：H
10、建立新軌道：?+?+N
11、添加新的軟件樂(lè)器軌道：?+?+S
12、添加新的音頻軌道：?+?+A
13、復(fù)制當(dāng)前軌道：?+D（D=Double）
14、按照同樣位置/長(zhǎng)度復(fù)制當(dāng)前內(nèi)容（MIDI、音頻、MIDI音符）：?+R（R=Repeat）
15、修改當(dāng)前片段名稱(chēng)：（選中某一段落后）?+N（N=Name）
16、修改軌道名稱(chēng)后繼續(xù)快速換行修改：Tab
17、打開(kāi)/隱藏library：Y
18、打開(kāi)音頻設(shè)置：?+X
19、打開(kāi)/隱藏Inspector：I（I=Inspector）
20、打開(kāi)隱藏混音界面：X（X=Mix）
21、放大當(dāng)前區(qū)域：Z（Z=ZOOM）
22、打開(kāi)Global：G（G=Global）
23、快速打標(biāo)記Marker：?+‘
24、移動(dòng)到：/
25、打開(kāi)樂(lè)段AppleLoop：O（O=Loop）
26、打開(kāi)文件：F（F=File）
27、導(dǎo)入文件：?+I（I=Import）
28、把多個(gè)軌道放入一個(gè)組內(nèi)：（選中所需軌道）?+?+D
29、?+?+G（G=Group）可以直接把選中軌道給Summing
30、在進(jìn)度條處播放：鼠標(biāo)雙擊進(jìn)度條（可以忽視Looper）
31、放大/縮小橫軸縱軸：?+方向鍵
32、拖動(dòng)放大橫軸縱軸：?+鼠標(biāo)左右/上下拖動(dòng)
33、音頻區(qū)域選擇：?+拖動(dòng)選中區(qū)域+點(diǎn)擊選中區(qū)域（音頻段落自動(dòng)剝離出來(lái)）
34、在當(dāng)前位置合并為音頻BounceinPlace：選中所需區(qū)域?+B（B=Bounce）
35、打開(kāi)筆記：?+?+P（超好用的創(chuàng)作記錄工具）
36、打開(kāi)自動(dòng)化：A（A=Automation）
37、選中自動(dòng)化區(qū)域：?+鼠標(biāo)拖動(dòng)（此時(shí)可以直接拖動(dòng)當(dāng)前區(qū)域的自動(dòng)化參數(shù)）
38、調(diào)整自動(dòng)化曲線(xiàn)：?+?+鼠標(biāo)拖動(dòng)
39、刪除當(dāng)前軌道所有自動(dòng)化：?+?+Delete（無(wú)論多亂，一鍵刪除）
40、切換自動(dòng)化參數(shù)：?+Y（配合這個(gè)快捷鍵，切換參數(shù)后，可以一鍵刪除所有不需要的自動(dòng)化參數(shù)）
41、打開(kāi)F lex按鈕：?+F（F=Flex）
42、調(diào)出工具菜單：T
43、鼠標(biāo)：T+T
44、剪刀：T+I
45、Mute：T+M
46、Fade工具：T+A
47、打開(kāi)軌道顏色選項(xiàng)：?+C（C=color）
48、現(xiàn)實(shí)隱藏當(dāng)前所有插件窗口：V（像下圖無(wú)論多少個(gè)插件，直接V全部隱藏/顯示）
49、打開(kāi)當(dāng)前軌道插件：選中當(dāng)前軌道后，?+1、2、3、4（數(shù)字代表第幾個(gè)插件）
50、改變MIDI段落總體的時(shí)長(zhǎng)：?+邊緣拖動(dòng)（例如2Bar4個(gè)和弦，可以拉長(zhǎng)為4Bar4個(gè)和弦）
51、從選中片段的開(kāi)頭播放Play from region：選中一個(gè)片段+Shift+Space空格
52、合并所選區(qū)域：?+J（J=Join）
53、在指針的位置切割片段：?+T
54、打開(kāi)去「除音頻之間的靜音部分」功能：?+X
55、給混音「輔助軌」道建立「編輯軌道」（用于自動(dòng)化）：?+T
鋼琴卷簾
1、打開(kāi)/隱藏鋼琴卷簾：P（P=Piano）
2、打開(kāi)/隱藏編輯界面：（選中音頻則是音頻編輯界面，選中MIDI則是MIDI編輯界面）E（E=Edit）
3、打開(kāi)樂(lè)譜界面：N
4、MIDI工具欄：（在MIDI編輯區(qū)域內(nèi)）T
5、書(shū)寫(xiě)MIDI：T+P
6、MIDI移動(dòng)半音：?+上下方向鍵
7、MIDI左右移動(dòng)一格：?+左右方向鍵
8、MIDI移動(dòng)八度：?+?+上下方向鍵（賊好用）
9、平均分割MIDI：（在剪刀工具下T+I）?+鼠標(biāo)點(diǎn)擊
10、MIDI自動(dòng)化：（在鋼琴卷簾界面里）A
11、快速拖動(dòng)調(diào)節(jié)MIDI力度：?+?+鼠標(biāo)拖動(dòng)
12、MIDI力度相同：（在力度工具下T+V）?+?+鼠標(biāo)拖動(dòng)
13、統(tǒng)一MIDI長(zhǎng)度：（選中所需MIDI）?+?+鼠標(biāo)拖動(dòng)
14、MIDI力度畫(huà)線(xiàn)：選中音符后，在力度區(qū)域畫(huà)一條線(xiàn)
15、（在不錄音的情況下）將演奏的MIDI記錄下來(lái)：?+R
電腦
編曲的電腦主要對(duì)cpu、內(nèi)存、硬盤(pán)有要求，音頻電腦其實(shí)和視頻電腦配置差不多，都需要數(shù)據(jù)吞吐量夠大，視頻電腦多集中在高端顯卡上，音頻可以降低顯卡配置。
在進(jìn)行編曲的過(guò)程中，主要是通過(guò)內(nèi)存的加載與CPU的運(yùn)算，同時(shí)配合硬盤(pán)來(lái)完成對(duì)音色的使用。因此，主要考慮的是CPU、內(nèi)存與硬盤(pán)，顯而易見(jiàn)的就是我們根本不需要顯卡。由于市面上的品牌組裝機(jī)存在著較為明顯的溢價(jià)狀態(tài)，所以比較推薦自己組裝。
大致需要的參數(shù)如下：
推薦電腦
1、臺(tái)式機(jī)設(shè)備建議（經(jīng)濟(jì)緊張型建議）
Cpu：i5 7400 7500 7600K，I7 6700
硬盤(pán)：500G或500G以上（建議固態(tài)硬盤(pán)）
內(nèi)存：8G
預(yù)算范圍：3000—6000
2、臺(tái)式機(jī)設(shè)備建議（經(jīng)濟(jì)寬裕型建議，適合到后期）
Cpu：i5 8400 8600K 9500 9600K，I7 7700 8700 8700K
硬盤(pán)：1T或1T以上（建議固態(tài)硬盤(pán)）
內(nèi)存：16G-32G
預(yù)算范圍：6000—10000
3、筆記本配置建議（經(jīng)濟(jì)緊張型建議）
Cpu：i5 7260u，I7 7560u
硬盤(pán)：500G或500G以上
內(nèi)存：8G
預(yù)算范圍：4000—6000
4、筆記本配置建議（經(jīng)濟(jì)寬裕型建議，適合到后期）
Cpu：i5 7300HQ，I7 7700HQ
硬盤(pán)：1T或1T以上
內(nèi)存：16G-32G
預(yù)算范圍：6000—15000
推薦筆記本電腦：
1、Macbook Pro和iMac
Macbook Pro跟iMac得益于M1芯片的誕生，在使用Logic進(jìn)行編曲時(shí)，整體的性能直線(xiàn)上升，所以如果是以L(fǎng)ogic作為主要制作宿主的話(huà)，首當(dāng)其沖的還是M1以上+16G以上的Macbook Pro 或者iMac。
在實(shí)際應(yīng)用中，Macbook Pro適合移動(dòng)處理，方便快捷便攜，不受環(huán)境因素限制。而iMac更加適合在一個(gè)固定的地方進(jìn)行操作。或者直接一樣一個(gè)，Mac生態(tài)下，可以進(jìn)行完美銜接。
蘋(píng)果筆記本電腦MacBookPro16英寸2021年新款M1max芯片
Apple iMac 24英寸 4.5K屏 八核M1芯片(8核圖形處理器) 16G 512G SSD 一體式電腦主機(jī)
2、華碩靈耀X
根據(jù)這個(gè)機(jī)器的配置，在進(jìn)行編曲的過(guò)程中，兩個(gè)屏幕的效果很顯然要好于單屏幕，這款本的雙屏幕，完全可以把參數(shù)設(shè)置放在下面的屏幕中，同時(shí)兩款屏幕都是觸屏的。
華碩靈耀X13 AMD銳龍八核 2.8K OLED P3色域全面屏 筆記本電腦
音頻接口
音頻接口就是我們常說(shuō)的聲卡，它的主要功能是對(duì)音頻信號(hào)進(jìn)行轉(zhuǎn)換，直接推薦外置聲卡了，因?yàn)楦鶕?jù)電腦推薦來(lái)看，除了組裝機(jī)外，其余的并不適用內(nèi)置聲卡。
推薦接口
1、SSL2+
自帶4000系列模擬效果器，具備著兩種聲音特性，其一，具備音樂(lè)性的高頻EQ提升，營(yíng)造前進(jìn)的感覺(jué)。其二，可控微調(diào)的諧波失真，更進(jìn)一步融入信號(hào)鏈中。配合MonitorMix監(jiān)聽(tīng)控制軟件，帶來(lái)了高品質(zhì)的輸出耳放效果，相對(duì)于SSL2來(lái)說(shuō)，SSL2+增加至雙耳機(jī)輸出，同時(shí)配備了MIDI輸入與輸出接口，額外的非平衡RCA蓮花輸出接口方便DJ使用。
2、UA X4
為了方便操作，X4使用了與TwinX相同的傾斜面板，讓操作變的更加的直觀(guān)。DSP、Unison、AD/DA模塊高度集成，高性能需要高電壓，而為了應(yīng)對(duì)高電壓帶來(lái)的發(fā)熱，X4在兩側(cè)、底部都有設(shè)置開(kāi)孔以此來(lái)增加散熱效果。軟件調(diào)音臺(tái)一直是Apollo聲卡的核心組成部分，X4同樣也具備兩個(gè)新特征，其一，所有通道推子的行程從0dB增加至12dB，通過(guò)提升通道輸出電平，擴(kuò)展整體混音動(dòng)態(tài)。其二，全新DSP配對(duì)功能，可以在單一通道條內(nèi)構(gòu)建更大的插件鏈，虛擬通道數(shù)量將會(huì)隨著DSP配對(duì)數(shù)量的增加而減少。
3、Apogee Duet3
作為Apogee Duet系列的最新產(chǎn)品，Duet3的誕生依舊秉承著Apogee最核心的音質(zhì)體驗(yàn)，結(jié)合Apogee的傳奇AD/DA電路設(shè)計(jì)，擁有同類(lèi)產(chǎn)品中不可比擬的音質(zhì)硬實(shí)力。Duet3擁有2個(gè)輸入接口和4個(gè)輸出接口，并配置世界一流的前級(jí)放大器，能夠自然真實(shí)地再現(xiàn)每一個(gè)聲音細(xì)節(jié)。連接音箱的輸出接口使用真正的全平衡差分電路設(shè)計(jì)，準(zhǔn)確掌握實(shí)時(shí)返聽(tīng)和混音監(jiān)聽(tīng)的完整信息，體現(xiàn)聲音的完整深度和細(xì)節(jié)。
Deut3使用了和Symphony Desktop相同的板載DSP處理技術(shù)，能夠完全實(shí)現(xiàn)在聲卡硬件上使用ECS通道條插件進(jìn)行聲音處理的功能，讓零延遲并且?guī)в行Ч幚淼匿浺艉蛯?shí)時(shí)監(jiān)聽(tīng)成為可能。
4、RME FireFace UCX II
Fireface UCX II是第二代的FirefaceUCX超便攜式音頻接口，可以同時(shí)做20通道錄音和20通道回放，帶有SteadyClock FS高精度時(shí)鐘，有著高性能的話(huà)放，內(nèi)置參量均衡、動(dòng)態(tài)處理、回聲、混響DSP效果器，DURec（直接USB錄音），MIDI輸入和輸出接口，強(qiáng)大的耳機(jī)放大器，且完全可以獨(dú)立使用。
MIDI設(shè)備
按鍵的數(shù)量
一般來(lái)說(shuō)，MIDI鍵盤(pán)的按鍵數(shù)量在25、32、49、61、88，如果整個(gè)音樂(lè)制作的過(guò)程中，需要用到較多的八度內(nèi)容，那么使用61、88鍵較為適合。不過(guò)25、32鍵也不會(huì)影響太多，因?yàn)镸IDI鍵盤(pán)上都有Octave+/-來(lái)調(diào)音域范圍。49鍵則更適用于在家工作，因?yàn)橥ǔ?lái)看正常編曲一般2-3個(gè)八度就夠用了，49鍵就很符合。
按鍵的觸感
觸感上一般可以分為合成鍵盤(pán)、半配重、全配重。一般如果沒(méi)有學(xué)習(xí)過(guò)鋼琴的話(huà)，使用合成鍵盤(pán)或者半配重即可，學(xué)過(guò)鋼琴的可以使用全配重。不過(guò)也需要考慮的事節(jié)奏速度的內(nèi)容，由于全配重的按鍵回彈比較慢，所以在進(jìn)行鼓組鍵盤(pán)錄入的話(huà)會(huì)有一定的延遲。（可以配合帶打擊墊的MIDI鍵盤(pán)解決問(wèn)題）
外出的需求
結(jié)合上面提到的按鍵數(shù)量，其中25、32、49比較方便攜帶外出，61、88就比較大了，并不是非常適合拿出去，很重。而且真要是演出的話(huà)，多數(shù)情況帶的是舞臺(tái)電鋼或者合成器，比較方便。
功能的順手
有的MIDI鍵盤(pán)只有按鍵內(nèi)容，有的則有功能器、推桿、旋鈕、打擊墊等，通過(guò)這些附加的功能區(qū)，能夠讓整個(gè)音樂(lè)制作的過(guò)程變得更加的順暢，不過(guò)如果只是想練琴，或者并沒(méi)有想做綜合的編曲工作，那么簡(jiǎn)單點(diǎn)的就挺好。
推薦MIDI設(shè)備
1、NI Komplete Kontrol S88
擁有全配重的Fatar鍵座，重新定義了電子鋼琴手感，這款88鍵全配重鍵盤(pán)，具有先進(jìn)的錘動(dòng)原理、智能的彈簧技術(shù)以及記憶阻尼，能夠帶來(lái)真實(shí)的鋼琴手感。S88能夠?qū)⑿枰男畔⑻崆俺尸F(xiàn)：兩塊高分彩屏能夠完整展示當(dāng)前聲音以及工程的基本信息；背光按鍵能夠以其背光亮度及色彩提示多種信息；還可以在鍵盤(pán)上通過(guò)光導(dǎo)指示燈時(shí)刻清晰地找到所需聲音、鍵區(qū)、切換開(kāi)關(guān)以及音階等等——不用回到電腦屏幕，即可完成音色的選擇、參數(shù)調(diào)節(jié)、工程控制以及混音。
2、Arturia Keylab Mk2
KeyLab mkII采用Fartar鍵床，跟Arturia MatrixBrute模擬合成器用的鍵床是完全一樣的，全配重，帶觸后，5個(gè)踏板輸入。KeyLab mkII不僅可以輸出鍵盤(pán)演奏所產(chǎn)生的音高CV和琴鍵開(kāi)閉的Gate信息，還可以自定義輸出兩個(gè)Mod CV。當(dāng)處于創(chuàng)作區(qū)時(shí)，需要受到的音樂(lè)工具激發(fā)。Keylab88mk2就是這樣的一臺(tái)產(chǎn)片，每一個(gè)方面都經(jīng)過(guò)精心設(shè)計(jì)，以盡量減少干擾，并提供省時(shí)快捷方式，讓您在演奏中保持頭腦清醒。Keylab88 mk2有三種不同的模式可以在這三種模式之間進(jìn)行即時(shí)切換，從而實(shí)現(xiàn)極其高效的工作流程。
3、Nektar Impact GXP88
流線(xiàn)型設(shè)計(jì)，琴體細(xì)長(zhǎng)、邊角圓潤(rùn)、結(jié)構(gòu)緊湊，外殼采用工程塑料材質(zhì)，堅(jiān)固而輕便，雖然體積較大，但總體質(zhì)量控制得比較合理。極簡(jiǎn)風(fēng)格的控制面板以可分配RGB照明按鈕為主，并輔以彎音和調(diào)制輪、一個(gè)旋鈕無(wú)極編碼器以及一個(gè)傳統(tǒng)電位器用于各種控制功能選擇。其鍵盤(pán)部分采用了全新設(shè)計(jì)且精心平衡的鍵盤(pán)系統(tǒng)，是整個(gè)硬件的核心。實(shí)際彈奏時(shí)，下鍵流暢，指尖阻礙感適中，鍵噪極低。用于輸入打擊樂(lè)時(shí)有效降低了來(lái)自鍵盤(pán)本身的咔噠聲。
4、Novation Launchkey49
具備8個(gè)旋鈕編碼器，全部都是無(wú)極旋轉(zhuǎn)式。面板有16個(gè)打擊墊，全部代有敏感的力度顯示，還有不同顏色加持顯示不同功能。49和61鍵版本多出9個(gè)推子可分配設(shè)置。除了面板功能外，NovationLaunchkey Mk3還提供了音階、和弦和琶音器功能。讓MIDI鍵盤(pán)搖身一變成為自動(dòng)伴奏編曲鍵盤(pán)，因?yàn)樵诤拖夷Ｊ较率强梢砸绘I彈奏出自己想要的和弦組合。琶音器功能也是相當(dāng)豐富的，帶有節(jié)奏設(shè)置和琶音變化可以為音樂(lè)錦上添花，做出有特色的有十足表現(xiàn)力的旋律。因?yàn)橛蠱IDI輸出功能，讓琶音器可以輕松創(chuàng)建并生成琶音MIDI。
監(jiān)聽(tīng)耳機(jī)
監(jiān)聽(tīng)過(guò)程中，人聲、樂(lè)器聲高度清晰，能聽(tīng)辨出音樂(lè)中的每個(gè)細(xì)小聲音，讓整個(gè)監(jiān)聽(tīng)過(guò)程細(xì)膩且真實(shí)。三頻均衡中高音清晰、低音量足同時(shí)音質(zhì)純美，可以接觸到音樂(lè)中的靈魂。
推薦耳機(jī)
1、鐵三角 M50x
M50X的使用感受，其一，可換線(xiàn)設(shè)計(jì)，增加線(xiàn)材可玩性。其二，180度旋轉(zhuǎn)的耳罩，可以用作單耳監(jiān)聽(tīng)，滿(mǎn)足錄音師的監(jiān)聽(tīng)需求。
頻率響應(yīng)：15～28kHz，額定抗阻：38歐姆。
2、AKG K702
耳罩式設(shè)計(jì)舒適、準(zhǔn)確塑形的3D泡棉耳墊，以及一個(gè)皮質(zhì)頭箍，確保貼合頭部。高解析少音染，耳機(jī)的聲音風(fēng)格適合小提琴等古典樂(lè)器的獨(dú)奏，非常適合監(jiān)聽(tīng)愛(ài)好者。拆卸方便，單邊可拆卸耳機(jī)線(xiàn)，提供專(zhuān)業(yè)的迷你XLR接頭，方便單邊監(jiān)聽(tīng)使用。
頻率響應(yīng)：10～39.8kHz，額定抗阻：62歐姆。
3、拜亞 DT770 PRO
DT770Pro保證對(duì)信號(hào)的解釋達(dá)到高精確水準(zhǔn)。封閉式結(jié)構(gòu)使其對(duì)外界噪聲可衰減16dB，即使在主監(jiān)聽(tīng)揚(yáng)聲器面前，依舊可以不受影響地監(jiān)聽(tīng)音樂(lè)。DT770Pro采用輕量化設(shè)計(jì)，貼合頭部曲線(xiàn)，減輕頭部壓力。舒適佩戴感受，可以長(zhǎng)時(shí)間聆聽(tīng)音樂(lè)不傷耳朵。
頻率響應(yīng)：5～35kHz，額定抗阻：32歐姆/80歐姆/250歐姆。
監(jiān)聽(tīng)音響
推薦音響
1、真力8050
高性能反射導(dǎo)管深入人心的低頻下潛，真力獨(dú)創(chuàng)的流線(xiàn)型反射導(dǎo)管，去除了串竄流噪聲。降低倒向口的空氣流速。實(shí)現(xiàn)無(wú)壓縮低頻聲音，使低頻下潛更深，清晰度更高。有源主動(dòng)式分頻技術(shù)，無(wú)需額外添置昂貴的功率放大器。電子分頻器將聲音信號(hào)分為不同的頻段，分別路由給對(duì)應(yīng)的功率放大器。
寬闊的聆聽(tīng)范圍，久聽(tīng)不累的舒適聽(tīng)感。高頻單元周?chē)膬?yōu)雅弧度經(jīng)過(guò)精密設(shè)計(jì)，實(shí)現(xiàn)對(duì)聲波的精準(zhǔn)控制，讓最佳監(jiān)聽(tīng)范圍更加寬闊。不再固定在某個(gè)角度聆聽(tīng)，久聽(tīng)不累。
2、KRK V8
KRK Systems V系列近場(chǎng)錄音棚監(jiān)聽(tīng)，特別為注重精確還原的音頻制作場(chǎng)合而設(shè)計(jì)。KRK與數(shù)百名專(zhuān)業(yè)工程師/制作人/調(diào)音師一起開(kāi)發(fā)了這些突破性的監(jiān)聽(tīng)揚(yáng)聲器。錄音棚、演播室以及聲音設(shè)計(jì)和音頻制作室如果選擇了V系列作為監(jiān)聽(tīng)揚(yáng)聲器，一定會(huì)從中受惠。
V系列包含14種可由用戶(hù)選擇的均衡器設(shè)置，確保房間聲學(xué)，位置不規(guī)則以及品味和個(gè)人喜好等因素都得到照顧。KRK設(shè)計(jì)團(tuán)隊(duì)精益求精地以數(shù)百個(gè)監(jiān)聽(tīng)位置及房間聲學(xué)條件進(jìn)行了建模及分板，保證KRK生產(chǎn)出最實(shí)用的工具，而且只需要小的調(diào)整。
3、雅馬哈 HS8
HS系列采用了新的設(shè)計(jì)方案，高效的1半球形高音單元大大擴(kuò)展了可辨頻段能提供高精度的高音。厚波導(dǎo)設(shè)計(jì)方案可以將振動(dòng)降低至最小程度，因此這款全新設(shè)計(jì)的高音單元能平滑、無(wú)失真地再現(xiàn)高達(dá)30kHz的高頻。
具備超高響應(yīng)能力的低音單元同樣經(jīng)過(guò)全新設(shè)計(jì)，通過(guò)采用精選的大型磁鋼，使HS系列音箱在任何輸出電平下都能釋放低失真，高解析度的低頻聲音，這款強(qiáng)勁單元的音圈和喇叭框架等所有部件嚴(yán)格篩選，保證了HS系列同時(shí)具備震撼的低頻和準(zhǔn)確的中頻。
音頻信號(hào)流程
音頻線(xiàn)種類(lèi)
設(shè)備連接
1、電腦和MIDI鍵盤(pán)、聲卡的連接
2、話(huà)筒與聲卡的連接
3、監(jiān)聽(tīng)音響和聲卡的連接
編曲配器
編曲配器一般是分為鋼琴、吉他、架子鼓、貝斯。
鋼琴
編曲過(guò)程
1、樂(lè)理層面
當(dāng)然，簡(jiǎn)單的和聲學(xué)很簡(jiǎn)單，復(fù)雜的和聲學(xué)還是很復(fù)雜的。例如A叔的和聲大部分是歸于“簡(jiǎn)單”這一類(lèi)的，當(dāng)然不是說(shuō)他的編曲簡(jiǎn)單，而是他的和弦配的不難，大部分都是一些七和弦，比較抓耳朵而且也比較容易轉(zhuǎn)調(diào)。A叔用三聲部，但基本不用對(duì)位法。他的三聲部就是正常三聲部，沒(méi)有到達(dá)復(fù)雜復(fù)調(diào)的地步。
2、織體層面
有了樂(lè)理層面，其實(shí)編曲就入門(mén)了。一般寫(xiě)曲子，首先先把主旋律和和弦擺出來(lái)，然后去加花。加花的話(huà)，最佳的辦法是模仿。包括也可以模仿人家和聲的寫(xiě)法。一般是先模仿，慢慢的才能形成自己的風(fēng)格。怎么模仿就看自己需要了。
比如，在A叔的化物語(yǔ)里面，有一段雙手交替主旋律和伴奏的段落，那一段挺適合那種比較明快，但是覺(jué)得高音區(qū)有點(diǎn)單薄的曲子。那就可以有意識(shí)的去套用。包括A叔unravel中有不少那種把主旋律隱藏在高速分解和弦中的，這種也是很常見(jiàn)的編曲技巧，也是可以套用的。
在模仿到一定階段后，再形成自己的織體結(jié)構(gòu)。實(shí)際上，這些動(dòng)漫鋼琴家自己寫(xiě)的織體，也大部分是從古典中模仿而來(lái)的。所以說(shuō)我覺(jué)得過(guò)程是嘗試模仿—自己有了點(diǎn)想法—對(duì)模仿的段落進(jìn)行修改——修改的越來(lái)越多形成自己風(fēng)格。
3、節(jié)奏層面
提到節(jié)奏，主要是目前動(dòng)漫編曲的節(jié)奏大多數(shù)都遵循切分。這個(gè)點(diǎn)可以注意一點(diǎn)把，可以營(yíng)造一些緊張感和史詩(shī)感，這個(gè)來(lái)源于爵士編曲。一開(kāi)始編曲，了解一些爵士的是最高效的。
Keyscape-Collector Keyboard鋼琴這是Spectrasonics繼著名的三巨頭音色(Stylus RMX、Trilian和Omnisphere2)后再出的一款鋼琴音色是目前較熱門(mén)的鋼琴音色。
點(diǎn)擊下面這個(gè)鏈接可以一步步學(xué)習(xí)用鋼琴編曲。
《【編曲教程】編不好鋼琴？手把手一步步豐富鋼琴伴奏~-嗶哩嗶哩】 https://b23.tv/pBgDhK2》
吉他
編寫(xiě)過(guò)程
1、指彈譜=伴奏（六線(xiàn)譜）+旋律（簡(jiǎn)譜）；
2、以伴奏（六線(xiàn)譜）作為底本，把簡(jiǎn)譜的旋律音（音階）填充到六線(xiàn)譜上；
3、旋律音填充規(guī)律是：把原始音升一個(gè)8度填充上去（要知道吉他指板音階位置）；
4、強(qiáng)拍上的前半拍（比如4/4拍的強(qiáng)弱規(guī)律是：強(qiáng)、弱、次強(qiáng)、弱）必須是和聲音程（同時(shí)彈響兩個(gè)音，這兩個(gè)音要綜合兩個(gè)因素考慮：①、按協(xié)和程度排序；②、方便于指法編配）；
5、弱拍上的旋律音不需要配和聲音程；
6、編配完后彈幾遍，小問(wèn)題進(jìn)行修改。
推薦吉他
Ample guitar M(國(guó)產(chǎn)AG系列吉他，音響十分真實(shí))
Real Guitar(技法應(yīng)有盡有掃弦聲音比較真實(shí))
結(jié)合以下這個(gè)視頻更有助于學(xué)習(xí)用吉他編曲。
《【從零實(shí)戰(zhàn)編曲教程！【吉他編寫(xiě)】全干貨無(wú)廢話(huà)！-嗶哩嗶哩】 https://b23.tv/2mk8pi5》
架子鼓
編曲技巧
1、底鼓
（1）主要注意與貝斯、和弦的搭配
（2）音色
一般需要找比較扎實(shí)、頭音干凈、很悶很重的音色。
注意其高頻、中頻、低頻，厚度，有沒(méi)有落地感。
對(duì)于低頻漫射非常多的音色，一般用在沒(méi)有貝斯的主歌部分。
抒情歌的主歌部分，基本都會(huì)用鼓邊來(lái)替代軍鼓，或者去掉一部分軍鼓，這樣在副歌使用軍鼓時(shí)，就會(huì)形成一個(gè)由弱轉(zhuǎn)強(qiáng)的對(duì)比
2、節(jié)拍位置
進(jìn)鼓的小節(jié)第一拍一定要有底鼓，但是中間小節(jié)可以靈活處理
和軍鼓不能重拍，也最好不要靠的過(guò)于近
靠近下一拍開(kāi)頭的底鼓，聲音力度可以減小
編寫(xiě)事項(xiàng)
1、選音色
（1）先選底鼓，再選軍鼓，最后選hihat
（2）軍鼓和底鼓最好是一遠(yuǎn)一近的關(guān)系，底鼓聽(tīng)起來(lái)離耳朵近，則需要軍鼓聽(tīng)起來(lái)較遠(yuǎn)，這樣可以形成縱向聲場(chǎng)
2、編寫(xiě)的時(shí)候
（1）先用hihat定位速度、節(jié)奏
（2）再在節(jié)拍的中間重拍上加軍鼓，軍鼓是最基礎(chǔ)的節(jié)奏
（3）最后根據(jù)已有的hihat和軍鼓來(lái)聯(lián)想底鼓的律動(dòng)感，增加底鼓
3、RMX
（1）注意，如果能找到合適的RMX loop，就不需要自己手寫(xiě)，除非在換節(jié)奏或者推動(dòng)情緒的關(guān)鍵節(jié)點(diǎn)
（2）連續(xù)的小打，在節(jié)奏中不會(huì)有斷點(diǎn)
推薦
XLN Audio Addictive Drums(ADD鼓)
Studio Drummer需要Kontakt加載喲~(錄音棚實(shí)用鼓)
想要進(jìn)一步學(xué)習(xí)用架子鼓編曲，可參考以下視頻教程。
《【【編曲教程】架子鼓編寫(xiě)系統(tǒng)教程-嗶哩嗶哩】 https://b23.tv/c0Dg7i0》
貝斯
認(rèn)識(shí)貝斯
入門(mén)指法
Trilogy Bass(各種各樣的音色都有很飽滿(mǎn))
Spectrasonics Trilian(作為三巨頭之一的它音質(zhì)質(zhì)感不錯(cuò)、貝斯種類(lèi)齊全)
結(jié)合我的講解，點(diǎn)擊下面這個(gè)鏈接可更深度地學(xué)習(xí)用貝斯編曲。
《【【編曲教程】貝斯怎么編寫(xiě)？貝斯的編寫(xiě)方法及加花小技巧-嗶哩嗶哩】 https://b23.tv/z7TjUhM》
人聲貼唱處理
混音與錄音
混音是音樂(lè)后期制作中的一個(gè)重要步驟，是把多種來(lái)源的聲音，整合至一個(gè)立體音軌或單音音軌中。而混音師的工作，就是需要將前面所進(jìn)行制作的一些素材混合成成品。在混音的過(guò)程中，混音師會(huì)將每一個(gè)原始信號(hào)的頻率、動(dòng)態(tài)、音質(zhì)、定位、殘響和聲場(chǎng)單獨(dú)進(jìn)行調(diào)整讓各音軌最佳化，之后再疊加于最終成品上。
錄音是當(dāng)確定作詞作曲、編曲之后，把每一軌扎扎實(shí)實(shí)地錄下來(lái)，錄音時(shí)需要考究的條件有很多，例如錄音棚的隔音、聲學(xué)空間和反射、演唱者的站位和與話(huà)筒的距離和不同的演唱演奏方式。有時(shí)候追求細(xì)節(jié)的錄音過(guò)程可能一個(gè)樂(lè)甸或者一句歌詞，甚至細(xì)化到每一個(gè)音都要重新錄制和做調(diào)整。
基本流程
混音
推薦一個(gè)比較好的教程，大家可以配合我的講解進(jìn)一步學(xué)習(xí)。
《【20個(gè)混音意想不到的創(chuàng)意技巧，提升你的混音編曲效率-嗶哩嗶哩】 https://b23.tv/65pz5qP》
1、過(guò)帶（把多軌MIDI輸出成音頻，輸出時(shí)分立體，單聲輸出）
2、剪切掉不需要的空白部分。
3、試聽(tīng)全曲，記錄每件樂(lè)器的特點(diǎn)和頻率的分布。
4、開(kāi)始對(duì)底鼓和BASS進(jìn)行處理。
5、再去看樂(lè)器而定，一般我都喜歡也去看哪件樂(lè)器需要壓縮進(jìn)行處理后才開(kāi)對(duì)其他樂(lè)器進(jìn)行EQ處理。
6、EQ處理完以后開(kāi)始空間擺設(shè)。
7、對(duì)每個(gè)軌道再進(jìn)行掃頻一次。
錄音
1、在錄音之前將會(huì)有錄音師和您進(jìn)行交流，首先要準(zhǔn)備好伴奏和歌詞。
2、進(jìn)入錄音室準(zhǔn)備之后，調(diào)整話(huà)筒與耳麥的距離。
3、第一遍錄音的時(shí)候，歌手要適應(yīng)錄音棚的環(huán)境，調(diào)整伴奏和人聲大小，以使自己適合整個(gè)錄音棚的環(huán)境。
4、在接下來(lái)錄歌的時(shí)候歌手們便會(huì)進(jìn)入狀態(tài)，此時(shí)就可以正式錄音了。
5、正式錄音的整個(gè)過(guò)程，錄音師將會(huì)指導(dǎo)，要是遇到某個(gè)難的句子會(huì)單獨(dú)錄制。
6、最后完成錄制之后，進(jìn)行后期的制作。
7、后期制作顧名思義就是整個(gè)錄音結(jié)束后，把后期用效果處理一下，調(diào)節(jié)音量之后，在最后導(dǎo)出一個(gè)完整的音樂(lè)文件。
后期制作的流程包括：
（1）清除雜音。
（2）調(diào)整音準(zhǔn)，將跑調(diào)的音修正。
（3）節(jié)奏調(diào)整，將沒(méi)唱準(zhǔn)的部分對(duì)準(zhǔn)拍子即可。
（4）修剪呼吸口，在唱歌時(shí)歌手是要進(jìn)行呼吸的，沒(méi)有呼吸的歌曲會(huì)讓聽(tīng)眾聽(tīng)的很累，錄音后氣口會(huì)隨著音樂(lè)情緒的變化有所不同。
（5）添加效果器，如壓縮器、均衡器、混響、延遲等等。
（6）母帶處理，簡(jiǎn)單的說(shuō)母帶處理后的音樂(lè)會(huì)變得更加飽滿(mǎn)有力度，也適合也在任何放音設(shè)備里進(jìn)行放音。
混音插件
1、Ableton Live compressora一款A(yù)bleton Live自帶的壓縮器，它的重點(diǎn)在于擁有完整的輸入、輸出與增益衰減的數(shù)字電平表，且在各部分還會(huì)同時(shí)顯示峰值（Peak）與均方根（RMS）的信號(hào)，對(duì)于新手而言非常適合參考閾值的設(shè)定范圍。除此之外還帶有側(cè)鏈功能，更能對(duì)側(cè)鏈信號(hào)進(jìn)行頻率處理，另外還可以調(diào)節(jié)前視值（Lookahead)、拓展模式、另外兩種顯示模式、自動(dòng)補(bǔ)益等功能，可謂好用而又全面。
主要特點(diǎn)：
（1）視窗界面由Arrangement View和Session View兩個(gè)組成，Arrangement View提供類(lèi)似于常規(guī)音樂(lè)制作軟件的水平剪輯時(shí)間線(xiàn)，而Session View則提供在一個(gè)實(shí)時(shí)表演中所有剪輯的基于網(wǎng)格的描述。
（2）包含Impulse、Simpler、Instrument Rack和Drum Rack四種基礎(chǔ)樂(lè)器，以及各種類(lèi)型的外部拓展樂(lè)器
（3）擁有多種專(zhuān)為L(zhǎng)ive設(shè)計(jì)或兼容的MIDI控制設(shè)備，例如Akai的APC40 mk II、Novation的Launchpad、Ableton自己的Push。
（4）包含大部分?jǐn)?shù)字音頻領(lǐng)域的常見(jiàn)的MIDI和音頻效果器類(lèi)型，專(zhuān)為電子音樂(lè)制作人和DJ量身定制，也同樣適用于傳統(tǒng)樂(lè)器的錄制
（5）更全面的音頻采樣處理功能，包括采樣分析、時(shí)間拉伸、在線(xiàn)素材、MIDI轉(zhuǎn)換等，以更適應(yīng)樂(lè)曲全局的需要
（6）幾乎所有參數(shù)都可以通過(guò)包絡(luò)來(lái)自動(dòng)化，不管是音頻剪輯、音頻設(shè)備的參數(shù)控制還是映射到MIDI控件
（7）大部分界面都適應(yīng)現(xiàn)場(chǎng)表演和制作，用戶(hù)界面很少有消息或?qū)υ?huà)框的彈出，可以基于箭頭隨時(shí)隱藏和顯示某些部分
2、Xfer Record OTT aOTT是一款免費(fèi)多段壓縮器插件，使用起來(lái)非常方便。縱觀(guān)整個(gè)插件，只需調(diào)節(jié)一顆“Depth”旋鈕即可達(dá)到想要的效果，越往右音色就會(huì)越亮，且會(huì)產(chǎn)生更多的壓縮效果。可以算得上是為數(shù)不多的“黑魔法插件”之一，只要加載進(jìn)去用5秒鐘調(diào)一下就會(huì)很好聽(tīng)。
3、I Heart NY al Heart NY 是一款在業(yè)內(nèi)非常出名的平行壓縮插件，界面十分簡(jiǎn)潔，操作也相當(dāng)簡(jiǎn)單。用來(lái)處理鼓組、樂(lè)器音色或人聲都相當(dāng)不錯(cuò)，會(huì)帶來(lái)更多亮度與沖擊力，這是傳統(tǒng)的串聯(lián)式壓縮處理所不能做到的效果。
編曲方法
我的講解配合這個(gè)視頻課程，可更有效地從零開(kāi)始學(xué)習(xí)編曲。《【你還不會(huì)編曲嗎？】B站首個(gè)從零開(kāi)始的完整的編曲教程『275P更新完畢』-嗶哩嗶哩】 https://b23.tv/WGmwiIg》
編曲中加弦樂(lè)
在歌曲中加入弦樂(lè)能明顯增加抒情性，我個(gè)人也是個(gè)弦樂(lè)控，特愛(ài)聽(tīng)弦樂(lè)豐滿(mǎn)的曲子，嘻嘻。弦樂(lè)的編寫(xiě)最簡(jiǎn)單的就是以和聲填充內(nèi)聲部，不過(guò)都這樣寫(xiě)聽(tīng)起來(lái)會(huì)比較機(jī)械，而富于變化的弦樂(lè)編寫(xiě)會(huì)在不知不覺(jué)中給曲子增色不少。弦樂(lè)可以演奏歌曲的副旋律，但要注意不能干擾到主旋律。
編寫(xiě)弦樂(lè)通常需要做到與主旋律前呼后應(yīng)、相輔相成，然后點(diǎn)上CB根音進(jìn)行，再填寫(xiě)內(nèi)聲部，這是個(gè)關(guān)鍵，因?yàn)閮?nèi)聲部不僅要起到和聲的作用，還要有獨(dú)立個(gè)性的旋律性，內(nèi)聲部的編寫(xiě)是需要功力的，這一點(diǎn)可以慢慢摸索練習(xí)。初寫(xiě)弦樂(lè)可以從長(zhǎng)音著手，保持聲部平穩(wěn)流暢，同時(shí)起到豐滿(mǎn)和聲的效果，漸漸熟練后，就可以適當(dāng)加入一些復(fù)調(diào)對(duì)位，增加曲子的推動(dòng)力。
編曲流行配器四大件就是鋼琴、吉他、鼓、貝斯。這四個(gè)樂(lè)器也是最常用的。
軌道命名法
很多編曲學(xué)習(xí)者的工程看起來(lái)比較雜亂，究其原因，無(wú)非是軌道命名沒(méi)有統(tǒng)一的規(guī)則，給大家分享一套軌道命名方法。
1、大致的規(guī)則：樂(lè)器分組＋樂(lè)器名稱(chēng)（＋特殊技法＋特殊效果＋數(shù)字），
如：DRUM KICK HARD，表示的是：鼓組＋底鼓＋硬的；
STRINGS VIOLIN PIZZ VERB，表示的是：弦樂(lè)組＋小提琴＋撥奏＋帶混響效果。
2、樂(lè)器分組，常見(jiàn)的有：
DRUM—鼓，PERC—打擊樂(lè)，SFX一特殊效果，BASS—低音，KEYS—鍵盤(pán)，GUITAR—吉他，SYNTH—合成器，STRINGS—弦樂(lè)，WINDS—管樂(lè)，VOX—人聲組，SAMPLE一采樣，TONAL﹣音高樂(lè)器。
3、合并原則，即某類(lèi)樂(lè)器軌數(shù)較少，可以合并到接近的分類(lèi)去，
如：打擊樂(lè)只有一兩軌，合并到【DRUM﹣鼓組】;合成器只有兩軌，合并到【KEYS﹣鍵盤(pán)組】。
4、分組不宜太多，一般控制在10組以?xún)?nèi)，不過(guò)太少也不好。
如果吉他、鍵盤(pán)、合成器、弦樂(lè)、管樂(lè)等都只有一兩軌，那么沒(méi)有必要強(qiáng)行分組，默認(rèn)它們都是TONAL組即可。
5、盡量使用英文，且所有英文大寫(xiě)，這樣看起來(lái)會(huì)更統(tǒng)一些。多使用英文縮寫(xiě)，在不影響閱讀的前提下，使用縮寫(xiě)效率會(huì)更高。
注意事項(xiàng)
1、自學(xué)會(huì)走很多彎路，建議找身邊的有經(jīng)驗(yàn)的編曲老師學(xué)習(xí)，或者網(wǎng)絡(luò)課程。
2、聽(tīng)具有代表性的音樂(lè)，聽(tīng)它的配器組成，找出與歌曲類(lèi)似的樂(lè)器與織體，研究不同于其他風(fēng)格的編配技巧。
3、如果想成為一名把最終聽(tīng)覺(jué)掌握在自己手中的編曲師，那就要盡量在前期完成大部分的混音。這方面的學(xué)習(xí)，可以直接買(mǎi)書(shū)學(xué)習(xí)，也可以上網(wǎng)站與論壇學(xué)習(xí)。
4、不排斥任何有音樂(lè)和聲音展現(xiàn)的媒體在觀(guān)看視頻時(shí)，多留意音樂(lè)和聲音出現(xiàn)時(shí)給自己帶來(lái)的情緒上的變化，總結(jié)這些音樂(lè)和聲音的模式。
拓展知識(shí)
編曲方向
音樂(lè)人專(zhuān)輯、廣告配樂(lè)、自媒體、影視配樂(lè)、游戲配樂(lè)、動(dòng)漫配樂(lè)。
編曲風(fēng)格
1、鋼琴為主的Pop流行風(fēng)格。
這個(gè)體系一般是比較柔和抒情的曲子，以鋼琴作為主要的和聲樂(lè)器。可以用到柱式、分解或者綜合運(yùn)用各種節(jié)奏型，主歌部分的鼓節(jié)奏可以用閉合擊镲的音色支撐，到了副歌部分，為了突出織體，可以使用完整的鼓節(jié)奏。總體要求平穩(wěn)，盡量不要切分。Bass的編寫(xiě)上不用太花哨，跟隨強(qiáng)拍，使用長(zhǎng)時(shí)值演奏。此外，為了更好地表現(xiàn)曲子的抒情性，可以加入一個(gè)pad音色進(jìn)行融合，副歌部分可以加入弦樂(lè)來(lái)加厚織體。
2、吉他為主的Pop流行風(fēng)格。
這個(gè)體系也主要是緩慢抒情的曲子，以吉他為主要和聲樂(lè)器。可以選用尼龍弦吉他和鋼絲弦吉他兩種音色，鋼絲弦吉他為主，尼龍弦吉他為輔，聲像一左一右。鼓節(jié)奏可有選擇稍硬朗一些的，有主干節(jié)奏作為骨架，為了增加主歌和副歌的對(duì)比，還可以加入軍鼓的音色，當(dāng)然，節(jié)奏需要加花推進(jìn)的地方一定不要放棄使用。同樣的，在副歌加入弦樂(lè)增加織體厚度。
3、16Beat的流動(dòng)織體風(fēng)格。
這種風(fēng)格音符運(yùn)動(dòng)速度加快，音樂(lè)流動(dòng)性增強(qiáng)，以十六分音符為基本時(shí)值單位，節(jié)奏平穩(wěn)流暢，也是抒情類(lèi)的Pop音樂(lè)體系。可以分別用尼龍弦吉他和電鋼琴搭配作為和聲樂(lè)器，使織體音樂(lè)色彩偏暖，突出音樂(lè)的抒情性。其中，尼龍弦吉他主要演奏主體的節(jié)奏音型，電鋼琴則輔以和聲形態(tài)的烘托，相輔相成。Bass同樣是提供長(zhǎng)時(shí)值的低音，有時(shí)也可稍加附點(diǎn)變化。鼓節(jié)奏安排上，可以用閉合擊镲進(jìn)行十六分音符的滾動(dòng)式演奏，底鼓和軍鼓進(jìn)行節(jié)拍上的強(qiáng)弱搭配，軍鼓則作為段落對(duì)比的重要手段，如前面可以用擊鼓邊的音色，后面可以用擊鼓的音色。為了增加音樂(lè)流動(dòng)感，還可以加入色彩性的打擊樂(lè)器如沙球進(jìn)行點(diǎn)綴。
4、傳統(tǒng)的搖滾風(fēng)格。
這種體系主要以原聲音色為主，節(jié)奏輕快，情緒對(duì)比以及爆發(fā)性都不是很強(qiáng)烈。主干織體可用雙吉他模式，木吉他進(jìn)行掃弦式音型演奏，電吉他在二、四拍等弱拍上演奏和弦，以此來(lái)改變節(jié)奏的重音，造成搖滾的感覺(jué)。Bass可以選用力度強(qiáng)的PeakBass，基本保持與底鼓節(jié)奏一致，以強(qiáng)化強(qiáng)拍。鼓節(jié)奏處理上，軍鼓的節(jié)奏基本固定，底鼓可進(jìn)行不間斷的切分，增加搖滾的感覺(jué)，可以使用擊镲邊的音色增加氛圍感。另外，還可以加入一個(gè)合唱人聲音色對(duì)織體進(jìn)行豐富和烘托。
5、重金屬風(fēng)格。
重金屬風(fēng)格的特點(diǎn)是低音部分表現(xiàn)比較突出，因此Bass十分厚重，經(jīng)常用失真電吉他展現(xiàn)激勵(lì)的音響效果，間奏也常用電吉他來(lái)演奏大段Solo。為了突出低音，Bass的選擇還是PeakBass，失真吉他音區(qū)選擇也是偏重低音區(qū)，為了突出重金屬感，主干織體可選擇兩把失真吉他作為和聲樂(lè)器，掃弦式音型和長(zhǎng)音相結(jié)合，凸顯厚重的金屬織體。Bass演奏以平穩(wěn)的強(qiáng)弱節(jié)奏為主，注重音色的顆粒感，鋪滿(mǎn)整個(gè)低聲部層。鼓節(jié)奏與普通搖滾節(jié)奏相似，連接處可進(jìn)行填充加花，突出軍鼓力度以增加搖滾的動(dòng)感。副歌部分還可以加入兩個(gè)色彩性打擊樂(lè)器（如沙錘和手鈴）進(jìn)行點(diǎn)綴。
6、迷幻搖滾風(fēng)格。
這類(lèi)的搖滾風(fēng)格，主要是電子加和聲PAD，像陳奕迅和王菲的后期音樂(lè)有很多這樣方面的風(fēng)格編曲.比如香奈兒，再見(jiàn)螢火蟲(chóng)，浮夸，主旋律.這樣的歌用了很多合成器.但是音色的風(fēng)格來(lái)自于英國(guó).像70年代就已經(jīng)存在了.這類(lèi)的特點(diǎn)就是，效果比較詭異和迷幻.喜歡的朋友可以不妨研究一下.
學(xué)習(xí)小技巧
1、學(xué)會(huì)構(gòu)建體系。編曲學(xué)習(xí)是要建立在體系上的有了一套體系才能有針對(duì)性的選擇性學(xué)習(xí)知識(shí)點(diǎn)完全吸收后再將其填補(bǔ)到它需要到達(dá)的知識(shí)點(diǎn)。
2、適當(dāng)記筆記。在學(xué)習(xí)的過(guò)程中一定要養(yǎng)成記筆記的習(xí)慣否則學(xué)習(xí)內(nèi)容就會(huì)變成過(guò)眼云煙，可以經(jīng)常翻閱，久而久之，一切流程都會(huì)變得水到渠成。
3、在一階段學(xué)習(xí)后嘗試制作一些東西給自己營(yíng)造反饋。編曲是需要實(shí)戰(zhàn)的，光靠看視頻學(xué)來(lái)的東西都會(huì)被遺忘。必須一步一步、腳踏實(shí)地的做好學(xué)到的每一樣?xùn)|西。百分之百的將知識(shí)點(diǎn)還原才能百分之百的提升自我進(jìn)步的速度取決于平時(shí)練習(xí)的勤快與否。有了每一階段的編曲作品反饋，才能總結(jié)出上一階段哪里沒(méi)做好，下一階段需要加強(qiáng)哪一塊知識(shí)點(diǎn)。有方向性的學(xué)習(xí)編曲，實(shí)踐制造反饋后又再次服務(wù)于下一階段的學(xué)習(xí)方向，這樣才能不斷進(jìn)步。
編曲常見(jiàn)誤區(qū)
1、總是想要收集并搞懂所有音源。初學(xué)最好先掌握幾款最重要的主流音源，等了解常用樂(lè)器的音色分布特點(diǎn)和彈奏技巧，把基礎(chǔ)的編曲做好后，再慢慢地接觸新音色，一步步完善自己的能力。
2、編得越滿(mǎn)越好聽(tīng)。不考慮頻段打架，拼命在作品中加各種音色，最后作品結(jié)構(gòu)混亂，主次全無(wú)。點(diǎn)綴的樂(lè)器蓋過(guò)了主旋律的表達(dá)。
3、為了“高級(jí)”亂用各種音。把音階上的音用遍不是本事，用盡可能少的音符表意清晰才是高手。刪掉聲部里不必要的音，修改會(huì)出現(xiàn)不良音響效果的音，把要強(qiáng)調(diào)的音調(diào)節(jié)力度和位置突顯出來(lái)。
%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"編曲指的是一首歌的伴奏部分，就是去掉歌手唱的部分，編曲的核心在于用不同樂(lè)器進(jìn)行編配。它既不是古典音樂(lè)體系中配器法在流行音樂(lè)領(lǐng)域中簡(jiǎn)單的復(fù)制與模仿，也不是狹隘的電聲樂(lè)隊(duì)配器，而是通過(guò)對(duì)現(xiàn)代流行音樂(lè)配器的分析與總結(jié)。","id":""}],"text":"","id":"T4ugdOkmSocCy4xILfqcjhm5n17"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"基礎(chǔ)樂(lè)理","id":""}],"text":"","id":"FOAEdqGimoasEgxABpucwgEsnnf"},{"type":"paragraph","children":[{"type":"text","text":"“樂(lè)理”是所有音樂(lè)課程學(xué)習(xí)的基礎(chǔ)內(nèi)容其中包括“音階、樂(lè)音體系、調(diào)式、音程”等一系列具有催眠效果的知識(shí)點(diǎn)。作為零基礎(chǔ)初學(xué)者想要學(xué)好編曲所需要的樂(lè)理知識(shí)就要從熟記音名和唱名開(kāi)始到基礎(chǔ)的音程(兩個(gè)音)構(gòu)建再到和弦(三個(gè)音及以上)構(gòu)建。流行歌中常用到的就會(huì)是七和弦、九和弦、十一和弦等高疊和弦學(xué)習(xí)了樂(lè)理入門(mén)寫(xiě)作實(shí)戰(zhàn)時(shí)會(huì)更加輕松一些。","id":""}],"text":"","id":"MKQMdMkAIo8yMGxYveTcEsWLnhc"},{"type":"paragraph","children":[{"type":"text","text":"下文講解搭配","id":""},{"type":"text","text":"視頻可以更好的學(xué)習(xí)樂(lè)理知識(shí)《【基礎(chǔ)樂(lè)理入門(mén)（共38集）-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/MJz2HsM"},"children":[{"type":"text","text":"https://b23.tv/MJz2HsM","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"I8Qsdke42o4Aw4xK8FbcOCEGnIh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音符","id":""}],"text":"","id":"P0aodO00Qo2E6sxAZ1gc75swnhf"},{"type":"paragraph","children":[{"type":"text","text":"音符由三個(gè)部分組成，即符頭、符干和符尾。","id":""}],"text":"","id":"Og0YdkmoKoS4yExKYUNcVw8knSc"},{"type":"paragraph","children":[{"type":"text","text":"音符的種類(lèi)有：","id":""}],"text":"","id":"XYG2d8ug2oUGKaxmg2HcHvNnn2e"},{"type":"paragraph","children":[{"type":"text","text":"1、全音符：沒(méi)有符干和符尾的空心的白色音符叫“全音符”；","id":""}],"text":"","id":"G4m2deYWooEGKYxwiB3cM4MHnFt"},{"type":"paragraph","children":[{"type":"text","text":"2、二分音符：帶有符干、沒(méi)有符尾的白色音符叫“二分音符”，等于全音符1/2的時(shí)值；","id":""}],"text":"","id":"HUCEdYYGcoCysixOgf9cAzTVnQc"},{"type":"paragraph","children":[{"type":"text","text":"3、四分音符：帶有符干、沒(méi)有符尾的黑色音符叫“四分音符”，等于全音符1/4的時(shí)值；","id":""}],"text":"","id":"NyaidOiOooS2YYx8VeHcZLhTnCe"},{"type":"paragraph","children":[{"type":"text","text":"4、八分音符：帶有符干和1條符尾的黑色音符叫“八分音符”，等于全音符1/8的時(shí)值；","id":""}],"text":"","id":"UA8kdgmiso8CAmxILsvcz8asndc"},{"type":"paragraph","children":[{"type":"text","text":"5、十六分音符：帶有符干和2條符尾的黑色音符叫“十六分音符”，等于全音符1/16的時(shí)值；","id":""}],"text":"","id":"RmCwdw88SokIcmxgmsOc84gKncq"},{"type":"paragraph","children":[{"type":"text","text":"6、三十二分音符：帶有符干和3條符尾的黑色音符叫“三十二分音符”，等于全音符1/32的時(shí)值；","id":""}],"text":"","id":"OWeEdKeaWosYWCxsAcTcr6Qknjb"},{"type":"paragraph","children":[{"type":"text","text":"7、六十四分音符：帶有符干4條符尾的黑色音符叫“六十四分音符”，等于全音符1/64的時(shí)值。","id":""}],"text":"","id":"UyWAdGOSmoQuKAxStupcdPVGnWM"},{"type":"imageList","children":[{"type":"image","attrs":{"height":902,"note":[{"type":"text","text":"音符","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/61e74c894fb641c99be277ace23d41ed","width":640},"text":"","id":"EA0wdeWUEokO8OxKAChcjXw4nne"},{"type":"image","attrs":{"height":902,"note":[{"type":"text","text":"音符","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/838a1d43860a4e718725a4a924e0f739","width":640},"text":"","id":"LAs8dUCAYoqSeMxopYzcK84GnXg"}],"text":"","id":"Kce4dKo0wooYiCxohwLc6yZknJc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"調(diào)號(hào)","id":""}],"text":"","id":"Kce4dKo0wooYiCxohwLc6yZknJc"},{"type":"paragraph","children":[{"type":"text","text":"調(diào)號(hào)就是在五線(xiàn)譜上，譜行開(kāi)頭的譜號(hào)后面標(biāo)注的變音記號(hào)。這個(gè)變音記號(hào)對(duì)樂(lè)譜中所有同名音都有效，也就是說(shuō)，調(diào)號(hào)中的升降號(hào)標(biāo)在哪個(gè)音的位置，則樂(lè)譜中遇見(jiàn)所有這個(gè)音以及它們的同名音（八度的倍音）都要按譜號(hào)中的升降號(hào)升高或降低半音。","id":""}],"text":"","id":"AaoyduA64oQomAxQXyXc1cN0nTg"},{"type":"paragraph","children":[{"type":"text","text":"升號(hào)調(diào)：C G D A E B #F #C（bD）","id":""}],"text":"","id":"OSC8de2YuoWeMIxqYLacRSlFnSh"},{"type":"paragraph","children":[{"type":"text","text":"降號(hào)調(diào)：F bB bE bA bD bG bC（B）","id":""}],"text":"","id":"YykUdyYaQoAOoex0Orfc2ZLmnqf"},{"type":"paragraph","children":[{"type":"text","text":"原理：先看這個(gè)五度圈圖","id":""}],"text":"","id":"C6oIdQaesoKcu6xu8fOcFNfgnzd"},{"type":"image","attrs":{"height":493,"note":[{"type":"text","text":"調(diào)號(hào)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/ac688947cf9a4a8ca1796dda7a9760b4","width":463},"text":"","id":"AS0ud20Cgo4OeMx0WTzcfRHhnhf"},{"type":"paragraph","children":[{"type":"text","text":"調(diào)號(hào)上面使用升號(hào)（#）的稱(chēng)作「升號(hào)調(diào)」；","id":""}],"text":"","id":"IqoKdComgo6mKkxWucZczjbpn0c"},{"type":"paragraph","children":[{"type":"text","text":"調(diào)號(hào)上面使用降號(hào)（b）的稱(chēng)作「降號(hào)調(diào)」；","id":""}],"text":"","id":"VmCud44Qgowu4ex2VmZchrr3n8e"},{"type":"paragraph","children":[{"type":"text","text":"一個(gè)自然音階里有七個(gè)音，所以升降號(hào)最多能加七個(gè)。","id":""}],"text":"","id":"A4A8diCsao8yqex4YH1cvUuPnAe"},{"type":"paragraph","children":[{"type":"text","text":"「升號(hào)調(diào)」：","id":""}],"text":"","id":"GysQdCk0Wo8G0FxUI2icAKGInII"},{"type":"paragraph","children":[{"type":"text","text":"1、比C調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是G調(diào)（G，A，B，C，D，E，F(xiàn)#），所以G調(diào)調(diào)號(hào)有1個(gè)升號(hào)；","id":""}],"text":"","id":"BmOkdAYAKoGSCMxMfIicvuyYnAc"},{"type":"paragraph","children":[{"type":"text","text":"2、比G調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是D調(diào)（D，E，F(xiàn)#，G，A，B，C#），所以D調(diào)調(diào)號(hào)有2個(gè)升號(hào)；","id":""}],"text":"","id":"ZU6ydqiAkouUKCxcHofc8ywTnEb"},{"type":"paragraph","children":[{"type":"text","text":"3、比D調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是A調(diào)（A，B，C#，D，E，F(xiàn)#，G#），所以A調(diào)調(diào)號(hào)有3個(gè)升號(hào)；","id":""}],"text":"","id":"ZG8SdCsgaoMeO2xoTZTceZf8n3e"},{"type":"paragraph","children":[{"type":"text","text":"4、比A調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是E調(diào)（E，F(xiàn)#，G#，A，B，C#，D#），所以E調(diào)調(diào)號(hào)有4個(gè)升號(hào)；","id":""}],"text":"","id":"FGkIdsqeComOmMxUh2FchgElnYf"},{"type":"paragraph","children":[{"type":"text","text":"5、比E調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是B調(diào)（B，C#，D#，E，F(xiàn)#，G#，A#），所以B調(diào)調(diào)號(hào)有5個(gè)升號(hào)；","id":""}],"text":"","id":"MUQodqSOqoYK8ux87trcuSfIntb"},{"type":"paragraph","children":[{"type":"text","text":"6、比B調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是F#調(diào)（F#，G#，A#，B，C#，D#，E#），所以F#調(diào)調(diào)號(hào)有6個(gè)升號(hào)；","id":""}],"text":"","id":"Sga0dEO42ogAWsxGOIQcSpNpnhe"},{"type":"paragraph","children":[{"type":"text","text":"7、比F#調(diào)的構(gòu)成音多一個(gè)升號(hào)的調(diào)是C#調(diào)（C#，D#，E#，F(xiàn)#，G#，A#，B#），所以C#調(diào)調(diào)號(hào)有7個(gè)升號(hào)；（極不常用）","id":""}],"text":"","id":"QYWidq26qoGUqOxMjDlcYewEnHh"},{"type":"image","attrs":{"height":117,"note":[{"type":"text","text":"調(diào)號(hào)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/c677577255cd48a79e556d5c68bf537b","width":640},"text":"","id":"VKYEdCw0YoOScsxau49ccwKEnph"},{"type":"paragraph","children":[{"type":"text","text":"對(duì)此總結(jié)上述規(guī)律，隨著升號(hào)增加：","id":""}],"text":"","id":"JS00dmQKAoUm4ExGuCJcS9w4nSb"},{"type":"paragraph","children":[{"type":"text","text":"C→G→D→A→E→B→F#→C#","id":""}],"text":"","id":"QY4CdUsOGo6M6ixwthfcWV3Mn2b"},{"type":"paragraph","children":[{"type":"text","text":"恰好相鄰的兩個(gè)音之間構(gòu)成的是純五度關(guān)系。而且隨著升號(hào)的增加，先后被升高的音分別是：","id":""}],"text":"","id":"S6Cad0SgGo0C8kx4Ad9cKYqcnVe"},{"type":"paragraph","children":[{"type":"text","text":"F，C，G，D，A，E，B","id":""}],"text":"","id":"W2AUdoOq4ooY8Axus5Zczrypnoc"},{"type":"paragraph","children":[{"type":"text","text":"相鄰的兩個(gè)音之間也是純五度關(guān)系，升號(hào)調(diào)調(diào)號(hào)上寫(xiě)升號(hào)的順序也是這個(gè)順序。","id":""}],"text":"","id":"UYgOduWmco6aOGxgVIUcRNtQnGg"},{"type":"paragraph","children":[{"type":"text","text":"「降號(hào)調(diào)」：","id":""}],"text":"","id":"NccedquAGoMyKGxAKDic6AvDnbT"},{"type":"paragraph","children":[{"type":"text","text":"1、比C調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是F調(diào)（F，G，A，Bb，C，D，E），所以F調(diào)調(diào)號(hào)有1個(gè)降號(hào)；","id":""}],"text":"","id":"UKOcdKIcQoE0KmxQp7ecNYAnn6e"},{"type":"paragraph","children":[{"type":"text","text":"2、比F調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Bb調(diào)（Bb，C，D，Eb，F(xiàn)，G，A），所以Bb調(diào)調(diào)號(hào)有2個(gè)降號(hào)；","id":""}],"text":"","id":"DWqEdaG6eok2yqxi3vDcrZynn4g"},{"type":"paragraph","children":[{"type":"text","text":"3、比Bb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Eb調(diào)（Eb，F(xiàn)，G，Ab，Bb，C，D），所以Eb調(diào)調(diào)號(hào)有3個(gè)降號(hào)；","id":""}],"text":"","id":"QEO0dacGgoo2six4oFicNMmUnTd"},{"type":"paragraph","children":[{"type":"text","text":"4、比Eb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Ab調(diào)（Ab，Bb，C，Db，Eb，F(xiàn)，G），所以Ab調(diào)調(diào)號(hào)有4個(gè)降號(hào)；","id":""}],"text":"","id":"GGyedsIkgokGGYx2YOvcxKMZnab"},{"type":"paragraph","children":[{"type":"text","text":"5、比Ab調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Db調(diào)（Db，Eb，F(xiàn)，Gb，Ab，Bb，C），所以Db調(diào)調(diào)號(hào)有5個(gè)降號(hào)；","id":""}],"text":"","id":"JuA4dwwQQog2o6xSF8WcSjg6n8Q"},{"type":"paragraph","children":[{"type":"text","text":"6、比Db調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Gb調(diào)（Gb，Ab，Bb，Cb，Db，Eb，F(xiàn)），所以Gb調(diào)調(diào)號(hào)有6個(gè)降號(hào)；","id":""}],"text":"","id":"UCMadoImuowKQCxc6q4cklvlnRJ"},{"type":"paragraph","children":[{"type":"text","text":"7、比Gb調(diào)的構(gòu)成音多一個(gè)降號(hào)的調(diào)是Cb調(diào)（Cb，Db，Eb，F(xiàn)b，Gb，Ab，Bb），所以Cb調(diào)調(diào)號(hào)有7個(gè)降號(hào)；（極不常用）。","id":""}],"text":"","id":"MkWGdSWAKoy6U6xAduXcAod8nJc"},{"type":"paragraph","children":[{"type":"text","text":"對(duì)此總結(jié)上述規(guī)律，隨著降號(hào)增加：","id":""}],"text":"","id":"LO4cdKKaAoyCCqxWcXTcq2j7n5b"},{"type":"paragraph","children":[{"type":"text","text":"C→F→Bb→Eb→Ab→Db→Gb→Cb","id":""}],"text":"","id":"QYkodGqcGoIiqGxiwZBcuyWHnJh"},{"type":"paragraph","children":[{"type":"text","text":"恰好相鄰的兩個(gè)音之間構(gòu)成的是純四度（純五度的轉(zhuǎn)位）關(guān)系。而且隨著降號(hào)的增加，先后被降低的音分別是：","id":""}],"text":"","id":"IYWediWYCoKgOaxm0d2cQvYfnzf"},{"type":"paragraph","children":[{"type":"text","text":"B，E，A，D，G，C，F(xiàn)","id":""}],"text":"","id":"NG6GdACqKoIuImxYi1IcCR2mn7T"},{"type":"paragraph","children":[{"type":"text","text":"相鄰的兩個(gè)音之間也是純五度關(guān)系，降號(hào)調(diào)調(diào)號(hào)上寫(xiě)降號(hào)的順序也是這個(gè)順序。","id":""}],"text":"","id":"Zcm6d2SC0oIqOcxglCscxTXhnBh"},{"type":"paragraph","children":[{"type":"text","text":"在實(shí)際使用時(shí)，由于十二平均率里的等音關(guān)系，為了避免升降號(hào)過(guò)多影響讀譜，通常：","id":""}],"text":"","id":"F80gd8ACkouikYx45IRcQhGjnkf"},{"type":"paragraph","children":[{"type":"text","text":"B調(diào)代替Cb調(diào)，Db調(diào)代替C#調(diào)。","id":""}],"text":"","id":"PkowdQQOeou0SGxoJeTcmP1Yn7c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"全音和半音","id":""}],"text":"","id":"VcesdaqUqo4yKIxOWurcIorCnUd"},{"type":"image","attrs":{"height":467,"note":[{"type":"text","text":"全音和半音","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/403b82b5d4144c2b878a6ba11d6947b3","width":636},"text":"","id":"WOQgdwY0SoUIsexC0frc0uBln9c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音名和唱名","id":""}],"text":"","id":"VC0wdy4YgowUUWxemBqciM0onwc"},{"type":"image","attrs":{"height":207,"note":[{"type":"text","text":"音名和唱名","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/1bf60512855c4194bd71a72766af1839","width":635},"text":"","id":"UOGedocIWoU8iwxkP4KcxqN5n3c"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"節(jié)拍","id":""}],"text":"","id":"JsMOdiowkoIQw4xiI7Ic2fZsnzf"},{"type":"paragraph","children":[{"type":"text","text":"小節(jié)：小節(jié)與小節(jié)之間，以縱線(xiàn)為界。","id":""}],"text":"","id":"EYSydogQComyiqxOUByc3l3entY"},{"type":"paragraph","children":[{"type":"text","text":"節(jié)拍：每隔一定時(shí)間重復(fù)出現(xiàn)的有一定強(qiáng)弱分別的一系列拍。","id":""}],"text":"","id":"W0UEdO0eioQ4OgxeOygcyMppnIc"},{"type":"paragraph","children":[{"type":"text","text":"拍號(hào)：分?jǐn)?shù)表示，分母表示以什么音符為一拍，分子表示一小節(jié)有幾拍。","id":""}],"text":"","id":"T6wCdkuKYoucQkxIJ1NcB4flnBe"},{"type":"paragraph","children":[{"type":"text","text":"例：4/4拍，以四分音符為拍，每小節(jié)有四拍。","id":""}],"text":"","id":"EUi6d0mQioC0kAx2ANocWit4njb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"歌曲速度","id":""}],"text":"","id":"K4IudGcSYoAQcKxwZKqc942pnth"},{"type":"paragraph","children":[{"type":"text","text":"以每分鐘節(jié)拍數(shù)計(jì)數(shù)，單位BPM。","id":""}],"text":"","id":"VEE2dYAUsomaScx66fvcDhyynsb"},{"type":"paragraph","children":[{"type":"text","text":"例：6OBPM＝每分鐘60拍。","id":""}],"text":"","id":"Hm4OdSGYoo8ESoxPT72cLvednfl"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"簡(jiǎn)譜常用標(biāo)記","id":""}],"text":"","id":"Oy00dEgYMo8KIoxgrTocGSYfnub"},{"type":"image","attrs":{"height":352,"note":[{"type":"text","text":"簡(jiǎn)譜常用標(biāo)記","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/94cbbafba43143bbbff4006d8371de61","width":734},"text":"","id":"C6CMdu6uCoc6kgxYhNScO0Dgnag"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"升降標(biāo)記","id":""}],"text":"","id":"JYAqdiCMsokQ4YxecejcjlvZnDd"},{"type":"paragraph","children":[{"type":"text","text":"升降調(diào)是用來(lái)調(diào)節(jié)旋律的曲調(diào)高低，播放器里的移調(diào)，是以小二度為單位，也就是半音，依次進(jìn)行升降調(diào)。如果要以大調(diào)式為例，E調(diào)的調(diào)號(hào)是4個(gè)升號(hào)，F(xiàn)調(diào)的調(diào)號(hào)是1個(gè)降號(hào)，E調(diào)與F調(diào)的根音的確差半音，那它們的調(diào)號(hào)就相差5個(gè)記號(hào)。G調(diào)調(diào)號(hào)是1個(gè)升號(hào)，根音與F調(diào)差2個(gè)半音，調(diào)號(hào)就差2個(gè)記號(hào)。\\n","id":""},{"type":"text","text":"一般在樂(lè)譜上，移調(diào)是以記號(hào)而不是半音數(shù)為單位的，根音上/下行5度，就增加一個(gè)升/降記號(hào)。","id":""}],"text":"","id":"ZgUEdSIMgo6cA2xQDKlcNTXQnkf"},{"type":"image","attrs":{"height":418,"note":[{"type":"text","text":"升降標(biāo)記","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/66be6b44462545c1b468adcd2d1d7b3b","width":651},"text":"","id":"PqUOdEkygo46GwxekyXcu1KRnwe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"唱名法","id":""}],"text":"","id":"SaUadyEcqokWYEx0I8ocQbalnqh"},{"type":"paragraph","children":[{"type":"text","text":"唱名法，有固定唱名法和首調(diào)唱名法。","id":""}],"text":"","id":"HUcMdQQ8eo0mwyxo7NVcv0a5ntb"},{"type":"paragraph","children":[{"type":"text","text":"1、固定調(diào)唱名法／C調(diào)唱名法","id":""}],"text":"","id":"QEIqdEUE6omuCuxYf0ecjNCHn0e"},{"type":"paragraph","children":[{"type":"text","text":"以絕對(duì)音高為基礎(chǔ)，任何調(diào)下永遠(yuǎn)不變。","id":""}],"text":"","id":"DWcodye4MoCG8gxuOvvcX7vwnBf"},{"type":"paragraph","children":[{"type":"text","text":"即1234567=CDEFGAB，音名唱名任何調(diào)下不變。固定調(diào)對(duì)于需要根據(jù)五線(xiàn)譜視奏的樂(lè)器更方便，如提琴。","id":""}],"text":"","id":"OWEkd8IYcokW0ExfnFBcNMjBntX"},{"type":"paragraph","children":[{"type":"text","text":"2、首調(diào)唱名法","id":""}],"text":"","id":"LcWMd4iQCoQSYExK0XwciH9gn4v"},{"type":"paragraph","children":[{"type":"text","text":"以相對(duì)音高為基礎(chǔ)，不同調(diào)下的唱名對(duì)應(yīng)音名變化。先確定主音，再按照調(diào)式／音階排列規(guī)律得到具體音名。","id":""}],"text":"","id":"UQQAdwy08okyA6x83YRcU7AEnke"},{"type":"paragraph","children":[{"type":"text","text":"如：G大調(diào)，以G為主音，按照大調(diào)調(diào)式1234567排列，得到GABCDEF#","id":""}],"text":"","id":"MqWWdw6iUogQOwxqohScA9bOn0f"},{"type":"paragraph","children":[{"type":"text","text":"唱名，以什么調(diào)為主音的，就以主音為do。","id":""}],"text":"","id":"YsGgdq0mQo88GQxqIC9cSfHpnrc"},{"type":"paragraph","children":[{"type":"text","text":"如：C調(diào)，1=C；A調(diào)，1=A","id":""}],"text":"","id":"RyUEdAM4KoWam2xMPd5cIy0on2e"},{"type":"paragraph","children":[{"type":"text","text":"首調(diào)更注重主音，以及其他音級(jí)和主音的關(guān)系。","id":""}],"text":"","id":"Kqo4dsc0woWcuIxE17ecZenjnVd"},{"type":"paragraph","children":[{"type":"text","text":"首調(diào)在即興伴奏，流行／爵士即興等情況下更方便。自然大調(diào)的唱名1、2、3、4、5、6、7。","id":""}],"text":"","id":"GiIsdsWK6o4mUGxIlxzclCiVnig"},{"type":"paragraph","children":[{"type":"text","text":"自然小調(diào)的唱名1、2、b3、45、b6、b7，為方便使用，自然小調(diào)以6為主音的唱名6、7、1、2、3、4、5。","id":""}],"text":"","id":"KQMcduEo8oC06IxeyZCc74VinBc"},{"type":"paragraph","children":[{"type":"text","text":"3、調(diào)式","id":""}],"text":"","id":"EsGUd8gMso4AYMx4oC9cDQTCn2b"},{"type":"paragraph","children":[{"type":"text","text":"以一個(gè)音為主，按照一定規(guī)律排列構(gòu)成的音階，就是調(diào)式。為為主的音，叫做主音。","id":""}],"text":"","id":"Cc0adQ2Keo0QecxKQuYcR7DhnGh"},{"type":"paragraph","children":[{"type":"text","text":"調(diào)式中各音之間的關(guān)系，就是穩(wěn)定與不穩(wěn)定。","id":""}],"text":"","id":"SuIEdW4IkoEY4Exc1MYcxl0snKc"},{"type":"paragraph","children":[{"type":"text","text":"在三個(gè)穩(wěn)定音中，其穩(wěn)定程度也是不同的，其中最穩(wěn)定的音，就叫做主音。","id":""}],"text":"","id":"ISmEdoQeQoEqGKxkiCBcqGfjndb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"根音","id":""}],"text":"","id":"VY4kdcGgMoOcMoxQnk2cKxrpn6d"},{"type":"paragraph","children":[{"type":"text","text":"音程中的較低音叫做“根音”(root)，位于原位和弦最下面，根音上的三度音稱(chēng)為三音，根音上的五度音稱(chēng)為五音。任何音階中的任意音級(jí)均可作為根音，于其上方加入三音與五音而構(gòu)成三和弦，每個(gè)和弦視其根音在音階上的名稱(chēng)或音級(jí)數(shù)而命名。在和弦的基本形態(tài)中是最下端的一音。","id":""}],"text":"","id":"ZUWgdCEoSomoCEx6en9czl0Tnxf"},{"type":"paragraph","children":[{"type":"text","text":"根音的具體規(guī)則：","id":""}],"text":"","id":"X24wduGwQoMscsxQJ9Xce52RnSg"},{"type":"paragraph","children":[{"type":"text","text":"規(guī)則一","id":""}],"text":"","id":"CecydOGEOoUAcCxcjiuccM11nue"},{"type":"paragraph","children":[{"type":"text","text":"根音必須是和弦基本形態(tài)中最下方的音；","id":""}],"text":"","id":"ScScdwwaWoagwMxuoAmcNq6cn4c"},{"type":"paragraph","children":[{"type":"text","text":"規(guī)則二","id":""}],"text":"","id":"F0w2dY4WqoeEsUxEpaHcW6S3nnf"},{"type":"paragraph","children":[{"type":"text","text":"英文字就是根音，例如：C的根音是C，Cm的根音也是C，C7的根音一樣是C。同理：Em根音就是E，G根音就是G，D7根音就是D；","id":""}],"text":"","id":"LAmEduYsMoaKuMxbVWYcSo9cnq1"},{"type":"paragraph","children":[{"type":"text","text":"規(guī)則三","id":""}],"text":"","id":"Aeq2dGyksoysu6xagtGcSCtSn9d"},{"type":"paragraph","children":[{"type":"text","text":"俗稱(chēng)的“分?jǐn)?shù)和弦”，“分子”是根音，“分母”是最低音，C/G則是C為根音G為最低音，C/E是C為根音最低音是E。同理，G/B就是G為根音B為最低音。","id":""}],"text":"","id":"M2wsd0A6So0MgaxKMcycyJb0nKe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音程","id":""}],"text":"","id":"S8I4dOwy8oay8axKowIcJsv8nqe"},{"type":"paragraph","children":[{"type":"text","text":"音程指兩個(gè)音級(jí)在音高上的相互關(guān)系，就是指兩個(gè)音在音高上的距離而言，其單位名稱(chēng)叫做度。","id":""}],"text":"","id":"DIYYdWuU8oWyeMx7KeGcxxZMnsG"},{"type":"paragraph","children":[{"type":"text","text":"音程由屬性、數(shù)字、單位組成，例如純五度、大三度。","id":""}],"text":"","id":"CskwdU8ImoEo8KxknUXcTdEAn4c"},{"type":"paragraph","children":[{"type":"text","text":"如下，C到G有5個(gè)白鍵，所以是五度；#C到G也是五度。所以用屬性區(qū)分為純五度和減五度。","id":""}],"text":"","id":"VCUid00uSoQwEYxkQbsctLM1n6Q"},{"type":"paragraph","children":[{"type":"text","text":"音程指兩個(gè)音級(jí)在音高上的相互關(guān)系，就是指兩個(gè)音在音高上的距離而言，其單位名稱(chēng)叫做度。","id":""}],"text":"","id":"C2s0dkKgqoWEQAx4AjrcpxmjnWd"},{"type":"paragraph","children":[{"type":"text","text":"音程由屬性、數(shù)字、單位組成，例如純五度、大三度。","id":""}],"text":"","id":"RAG8dQSEGoQUyAxyegpcisRknHe"},{"type":"paragraph","children":[{"type":"text","text":"如下，C到G有5個(gè)白鍵，所以是五度；#C到G也是五度。所以用屬性區(qū)分為純五度和減五度。","id":""}],"text":"","id":"VQ2ud4OOWoi0isxwLJEcamWXnTb"},{"type":"imageList","children":[{"type":"image","attrs":{"height":325,"note":[{"type":"text","text":"音程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/65e0c63006e34900ae48d144a6cb0532","width":597},"text":"","id":"MoSqde20IoCWKcxaIzUcF6BDnbh"},{"type":"image","attrs":{"height":134,"note":[{"type":"text","text":"音程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/4a9dda07ff784823a9a2167029e02430","width":636},"text":"","id":"R8AWd8C82ouwuYxEFW7cx4nFnzc"}],"text":"","id":"M4SYdoSAuo4wuMxg137cTaVwnfg"},{"type":"paragraph","children":[{"type":"text","text":"屬性總共包含7種：純、大、小、增、減、倍增、倍減。純，只能在一四五八度出現(xiàn)；大/小只能在二三六七度出現(xiàn)，其他的屬性共用。","id":""}],"text":"","id":"M4SYdoSAuo4wuMxg137cTaVwnfg"},{"type":"paragraph","children":[{"type":"text","text":"屬性：純、大、小、增、減、倍增、倍減一、四、五、八度：純（增、減、倍增、倍減）二、三、六、七度：大小（增、減、倍增、倍減）","id":""}],"text":"","id":"WKUGdkwu0oCCYAxoBKJcIK2Jn1e"},{"type":"paragraph","children":[{"type":"text","text":"八個(gè)標(biāo)準(zhǔn)音程","id":""}],"text":"","id":"VCK0dW2SUo2CGGx8NGEcTy9UnMe"},{"type":"paragraph","children":[{"type":"text","text":"標(biāo)準(zhǔn)音程包含的白鍵和黑鍵總和是固定的，1到1是純一度，有一個(gè)鍵；1到2是大二度，有3個(gè)鍵；1到3是大三度，有5個(gè)鍵。","id":""}],"text":"","id":"JUswd0YAaomSsAxEDbhcWOTznff"},{"type":"image","attrs":{"height":343,"note":[{"type":"text","text":"音程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/c33c9d07220c4ebfaeb340c3ea9b29ff","width":648},"text":"","id":"Ok2YdGe8eoUck0xzjbochcGmnmK"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"節(jié)奏","id":""}],"text":"","id":"PysQd682koS6qsxSqdpcvcOVnGg"},{"type":"paragraph","children":[{"type":"text","text":"音樂(lè)節(jié)奏有：切分、三連音。","id":""}],"text":"","id":"GOk4dIiuSoQQoCxm4jqcxReFnmd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"三連音","id":""}],"text":"","id":"RwkOdaCkuoqy28xILWFc0gKznXf"},{"type":"paragraph","children":[{"type":"text","text":"三連音，即是三等分1拍、2拍或4拍，每個(gè)音唱（奏）1/3拍、2/3拍或4/3拍。也可以理解成三個(gè)音唱（奏）兩個(gè)音的長(zhǎng)度，如4/4拍中三個(gè)四分音符組成的三連音唱（奏）兩個(gè)四分音符的長(zhǎng)度即兩拍。","id":""}],"text":"","id":"UaGcdYMgOo86mYxmI2RcXLMrnJd"},{"type":"paragraph","children":[{"type":"text","text":"這是一種典型的節(jié)奏變化，樂(lè)曲進(jìn)行時(shí)，突然的三連音將給人節(jié)奏“錯(cuò)位”、不穩(wěn)定的感覺(jué)。樂(lè)譜表示為連音線(xiàn)中間有個(gè)“3”的標(biāo)記。","id":""}],"text":"","id":"YoyCdassooogcIx0iXRckuManff"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"大切分","id":""}],"text":"","id":"FcCqdcEUKoSgUKxoZ0Tcg7gYnxe"},{"type":"paragraph","children":[{"type":"text","text":"切分節(jié)奏是旋律在進(jìn)行當(dāng)中，由于音樂(lè)的需要，改變常規(guī)的節(jié)奏規(guī)律，音符的強(qiáng)拍和弱拍發(fā)生了變化和強(qiáng)調(diào)，而出現(xiàn)的節(jié)奏變化。","id":""}],"text":"","id":"JokQdKYc0ooAuAxmeR0caVcWnBf"},{"type":"paragraph","children":[{"type":"text","text":"三個(gè)音符A、B、C，他們的排序是ABC，這時(shí)，A+C=B，AC被B所切分。這只是眾多切分形式中的一種特殊形式。還可以1個(gè)音符被多個(gè)音符所切分，如：1/8、1/4、1/4、1/8；1/2、1、1、1、1/2等。","id":""}],"text":"","id":"VgmedcMoSoEAOMxgjH1currMnRf"},{"type":"image","attrs":{"height":376,"note":[{"type":"text","text":"大切分","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/c64dce3815224117a2794cf6962a2dca","width":600},"text":"","id":"YaOSdg40Ao0iuCxCDHTcjpt5noS"},{"type":"paragraph","children":[{"type":"text","text":"擴(kuò)展資料：","id":""}],"text":"","id":"RqU6dq6qaoEuc0xsbSdc7UWbn4d"},{"type":"paragraph","children":[{"type":"text","text":"節(jié)奏與節(jié)拍在音樂(lè)中，永遠(yuǎn)是同時(shí)并存的，并以音的長(zhǎng)短、強(qiáng)弱及其相互關(guān)系的固定性和準(zhǔn)確性來(lái)組織音樂(lè)。節(jié)拍就好像列隊(duì)行進(jìn)中整齊的步伐；節(jié)奏就好像千變?nèi)f化的鼓點(diǎn)。","id":""}],"text":"","id":"BAiQdco44o4IuIxwNe1cQhQun0c"},{"type":"paragraph","children":[{"type":"text","text":"用強(qiáng)弱組織起來(lái)的音的長(zhǎng)短關(guān)系，就叫做“節(jié)奏”。","id":""}],"text":"","id":"Ry2SdG0K6oMGiaxGueJcJziInrh"},{"type":"paragraph","children":[{"type":"text","text":"有強(qiáng)有弱的相同的時(shí)間片段，按照一定的次序循環(huán)重復(fù)，就叫做“節(jié)拍”。","id":""}],"text":"","id":"XKaYdsqKqoGIoExP3DAcs2Ibnlf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"和聲","id":""}],"text":"","id":"O2Qede6EgociyCx48EHcU0dRnSd"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"靜態(tài)和動(dòng)態(tài)","id":""}],"text":"","id":"ICuodAc8OoAU0GxOu2Vcz1vznNd"},{"type":"paragraph","children":[{"type":"text","text":"和聲樂(lè)器的織體表現(xiàn)形態(tài)分為兩種：靜態(tài)和動(dòng)態(tài)。","id":""}],"text":"","id":"Kgwmd0Gsco8yKQxMdhhczvu6nIb"},{"type":"paragraph","children":[{"type":"text","text":"靜態(tài)，也稱(chēng)和聲形態(tài)，樂(lè)器主要是以持續(xù)性的和弦長(zhǎng)音演奏，很多歌曲中用到的pad鋪底、弦樂(lè)等就是這種形態(tài)，可以根據(jù)實(shí)際情況選擇演奏單音、音程或是和弦，這主要取決于對(duì)織體厚度的要求（當(dāng)然總的原則是上秘下疏中不空）。和聲樂(lè)器主要用于融合各種音色，增加氛圍感和立體空間感。","id":""}],"text":"","id":"OGSgdCqouo06ukxeAYdcSBpLnGf"},{"type":"paragraph","children":[{"type":"text","text":"動(dòng)態(tài)，也稱(chēng)節(jié)奏形態(tài)，樂(lè)器主要是以柱式、分解等變化較快的演奏方式填充織體的內(nèi)聲部層，使音樂(lè)獲得前進(jìn)的推動(dòng)力，節(jié)奏型的適當(dāng)變化可以使音樂(lè)增加活力和感染力，更好地表達(dá)情緒的變化。","id":""}],"text":"","id":"AKOudc2W0ookioxUTz2ckSMLn4e"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"Bass","id":""}],"text":"","id":"FyaEdyec4oygUAxo15lcQJoHnbh"},{"type":"paragraph","children":[{"type":"text","text":"Bass的寫(xiě)作力求得到的是一個(gè)清晰流暢、旋律感強(qiáng)的BASS聲部。","id":""}],"text":"","id":"OKOcd24waoO6mGxmYIQcxU65nFh"},{"type":"paragraph","children":[{"type":"text","text":"從和聲上講，注意好音程關(guān)系，而作為低音樂(lè)器，跳進(jìn)往往比級(jí)進(jìn)更能得到清晰明朗的效果，若使用級(jí)進(jìn)，則連續(xù)下行效果會(huì)比較好。","id":""}],"text":"","id":"UG8Qdu4gMoi82exEbX2c3zEen6g"},{"type":"paragraph","children":[{"type":"text","text":"從織體上講，應(yīng)處理好Bass和底鼓的關(guān)系，盡量避免低頻碰撞。","id":""}],"text":"","id":"MCQ0dcU0yoImSWx08nCcfcAznsg"},{"type":"paragraph","children":[{"type":"text","text":"從音色上講，注意搭配底鼓和Bass的音色就行。","id":""}],"text":"","id":"EqEUdQeiQo04sYxKQkKc6iBtndf"},{"type":"paragraph","children":[{"type":"text","text":"從音區(qū)上講，低音下潛越深越好，但也要注意Bass的音域，保持音色的清晰度。","id":""}],"text":"","id":"W48Uds2E4o0usUxotgtcLd9unI5"},{"type":"paragraph","children":[{"type":"text","text":"在和弦音的重復(fù)中，低音重復(fù)也是要注意的，如果和聲樂(lè)器的低音音區(qū)與Bass演奏音區(qū)相接近，這時(shí)，兩者的低音最好相同（其他低音樂(lè)器也是一樣），這樣可以加強(qiáng)低音聲部，反之容易混淆，織體表達(dá)不清晰。","id":""}],"text":"","id":"CmsQd0oKCoqiuaxYJrQcePTMnzf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"和聲樂(lè)器處理","id":""}],"text":"","id":"HKAAdwWCaosyu6x4yCTchcOznDe"},{"type":"paragraph","children":[{"type":"text","text":"和聲樂(lè)器的一些處理，當(dāng)內(nèi)聲部中填充有多個(gè)樂(lè)器且比較接近時(shí)，那么可以使用以下一些技巧達(dá)到更好的效果。","id":""}],"text":"","id":"Sg6sdsyyeoQI8MxsBr2ckDbanZf"},{"type":"paragraph","children":[{"type":"text","text":"首先，可以采用不同的排列法（密集和開(kāi)放排列）相互補(bǔ)充，一來(lái)得到了更飽滿(mǎn)的音響效果，二來(lái)避免和弦音完全重復(fù)抹殺了特定樂(lè)器的音色。其次，可以通過(guò)調(diào)節(jié)聲像方位來(lái)分散平衡內(nèi)聲部的堆砌感。再次，可以適當(dāng)處理音色，從而避免同音區(qū)音響上的堆砌。","id":""}],"text":"","id":"CMckdKaUsoCCskxmbd4cRJZdndb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"聲音的色彩","id":""}],"text":"","id":"MuIkdoEsOoYW2SxioLdcFARnncf"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"Eo8CdiWWmoScKaxyw7McPtOvnhq"},{"type":"paragraph","children":[{"type":"text","text":"再來(lái)說(shuō)說(shuō)關(guān)于聲音的“色彩”。其實(shí)聲音也可以分成冷和暖的。高頻尖銳的聲音（如鋼琴）就是偏向冷色調(diào)的，而低頻樂(lè)器的聲音就比較溫暖。音色冷暖的合理搭配也是織體編寫(xiě)中需要適當(dāng)斟酌的。","id":""}],"text":"","id":"TuEYdSy88oweg4xkbQqc5xMsnmf"},{"type":"paragraph","children":[{"type":"text","text":"當(dāng)幾個(gè)音共同發(fā)出音響并且形成了連續(xù)的進(jìn)行這時(shí)它們就構(gòu)成了和聲的關(guān)系。相比橫向的旋律走向和聲講究的是音的縱向分布與排列。它對(duì)于音樂(lè)作品的發(fā)展對(duì)于加深和豐富音樂(lè)作品的表現(xiàn)力具有非常重要意義。流行歌寫(xiě)作中最常用到的幾種經(jīng)典和聲走向舉例如下：","id":""}],"text":"","id":"BAIuduMIio44C2xO6ZWco342nEh"},{"type":"paragraph","children":[{"type":"text","text":"第一種：C–Am–F–G(“爛大街走向”：1645)；","id":""}],"text":"","id":"NGUqdciacoK6CqxqGQ6cs8rlnfc"},{"type":"paragraph","children":[{"type":"text","text":"第二種：F–G–Em–Am–Dm–G–C(經(jīng)典副歌走向：4536251)；","id":""}],"text":"","id":"WqMgdycGuoWUQqxCIe7cm6OUn5g"},{"type":"paragraph","children":[{"type":"text","text":"第三種：C–G/B–Am–G–F–C/E–Dm–G(經(jīng)典卡農(nóng)走向：17654325)。","id":""}],"text":"","id":"SwawdoSoIoYmeEx2dQLcu8TBnve"},{"type":"paragraph","children":[{"type":"text","text":"綜上所述建議零基礎(chǔ)初學(xué)者建議掌握和弦的基本用法和聲掌握經(jīng)典走向后嘗試用高級(jí)和弦來(lái)替代基礎(chǔ)和弦。","id":""}],"text":"","id":"UIYmdQek6oC6IGxMlAFchVlZnOd"},{"type":"paragraph","children":[{"type":"text","text":"和聲方面推薦的學(xué)習(xí)資料有《流行音樂(lè)與爵士樂(lè)和聲學(xué)（第2版）》（任達(dá)敏），《爵士和聲》（陳云強(qiáng)）。","id":""}],"text":"","id":"F2oMdsQyaoWwoMxeSlHcwIWZnLh"},{"type":"image","attrs":{"height":487,"note":[{"type":"text","text":"聲音的色彩","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/d7e3f06a16e2470890d57b7f1f5cbbd1","width":720},"text":"","id":"DMwYdaCAGoKya8xygzKcBZbznpf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"和弦","id":""}],"text":"","id":"ZsyodMC6moIq22xmQdXcIBCdntc"},{"type":"paragraph","children":[{"type":"text","text":"和弦是指有一定音程關(guān)系的一組聲音，即將三個(gè)或以上的音，按照三度或非三度的疊置關(guān)系，在縱向上加以結(jié)合，就稱(chēng)為和弦。","id":""}],"text":"","id":"SGaUdqmMSoOqEmxINTncSXncnWg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"和弦屬性","id":""}],"text":"","id":"Haw2dksQooaKOOxkVLZcNIyon2e"},{"type":"paragraph","children":[{"type":"text","text":"根據(jù)和弦屬性，三和弦有：大三和弦、小三和弦、增三和弦、減三和弦。","id":""}],"text":"","id":"PU0qdwKgWo8EQOxaGrWcziwfnOb"},{"type":"paragraph","children":[{"type":"text","text":"大三和弦：","id":""}],"text":"","id":"AKgQdsYCQok40QxiG34cd9n5nIc"},{"type":"paragraph","children":[{"type":"text","text":"根音到三音是大三度，三音到五音是小三度。","id":""}],"text":"","id":"W4KSdi6sQoQWG4xkZxCcqQaCnSe"},{"type":"paragraph","children":[{"type":"text","text":"有：一級(jí)和弦、四級(jí)和弦、五級(jí)和弦(1、4、5)","id":""}],"text":"","id":"HIWCdk0McoQOkIxo4trcXUtpngb"},{"type":"paragraph","children":[{"type":"text","text":"小三和弦：","id":""}],"text":"","id":"DkAMDACU6oo2kox978qcSPMZnqH"},{"type":"paragraph","children":[{"type":"text","text":"根音到三音是小三度，三音到五音是大三度。","id":""}],"text":"","id":"TG00doIgKoceAqxgFyocLc60n8d"},{"type":"paragraph","children":[{"type":"text","text":"有：二級(jí)和弦、三級(jí)和弦、六級(jí)和弦(2、3、6)","id":""}],"text":"","id":"Du8Sdkmiio8acyxkhlhcSVyynBf"},{"type":"paragraph","children":[{"type":"text","text":"減三和弦：","id":""}],"text":"","id":"GawQd0QGWo6Aq4x6ngNcGljnnFd"},{"type":"paragraph","children":[{"type":"text","text":"根音到三音是小三度，三音到五音是小三度。","id":""}],"text":"","id":"NEs8dKEGuoOcC2xicxFc73J6nye"},{"type":"paragraph","children":[{"type":"text","text":"只有：七級(jí)和弦。","id":""}],"text":"","id":"ReYadqIwoooqAkxaETaclQrqn9d"},{"type":"paragraph","children":[{"type":"text","text":"和弦標(biāo)記方式","id":""}],"text":"","id":"Vag8dUKEwoCwsix2HnScsZ3KnLe"},{"type":"paragraph","children":[{"type":"text","text":"大三和弦：Major，標(biāo)記方法可省略，如：C和弦","id":""}],"text":"","id":"KCg0dk4QioW4AixMRfEcNm0cnIg"},{"type":"paragraph","children":[{"type":"text","text":"小三和弦：Minor，標(biāo)記方法可簡(jiǎn)寫(xiě)m，如：Am和弦","id":""}],"text":"","id":"DqQgdu6EcoIQGox6nKFcv1Pcnye"},{"type":"paragraph","children":[{"type":"text","text":"減三和弦：Diminish，標(biāo)記方法可簡(jiǎn)寫(xiě)dim，如：Bdim和弦","id":""}],"text":"","id":"DQQKdcaCYoAG4kxmKk3cXNZnnIb"},{"type":"image","attrs":{"height":323,"note":[{"type":"text","text":"和弦屬性","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/deab23f3136d4863b17c46311db4ed15","width":564},"text":"","id":"Q82qd02OWo8iWAxm0Y8cuhr6nNc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"普通和弦","id":""}],"text":"","id":"WUKmdEkSwo0I6Uxmcqjc9zzLndg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"三和弦","id":""}],"text":"","id":"AkCId2uCcoqyM6xaFjmciAQfngg"},{"type":"paragraph","children":[{"type":"text","text":"由三個(gè)音按照三度關(guān)系疊置起來(lái)的和弦，叫做三和弦。三和弦各音由下而上稱(chēng)為根音、三音、五音，分別以1、3、5標(biāo)記。","id":""}],"text":"","id":"OuMcd0I0SoEIoOxqOemcanR6nPh"},{"type":"image","attrs":{"height":730,"note":[{"type":"text","text":"三和弦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/725b61f12c89425bb672c362966d459d","width":1073},"text":"","id":"FuWKdcocQoiYCYxiaKac2QgAnle"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"七和弦","id":""}],"text":"","id":"XwMqdiao2ouGyoxWi0icl4IInVf"},{"type":"paragraph","children":[{"type":"text","text":"由四個(gè)音按照三度關(guān)系疊置起來(lái)的和弦，叫做七和弦。七和弦各音由下而上稱(chēng)為根音、三音、五音、七音，分別以1、3、5、7標(biāo)記。","id":""}],"text":"","id":"Vmo8dQGWWoc4ksxItPfcVWmhn9b"},{"type":"image","attrs":{"height":1418,"note":[{"type":"text","text":"七和弦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/22aa9aeec99b4fa4a17ea3b273a789d9","width":1044},"text":"","id":"JQ4Cd4MCuo8mK0xMXTHcJ6zDnCf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"常用和弦","id":""}],"text":"","id":"GWOwdaK44o8qOOxmuxScVCZ1nmh"},{"type":"paragraph","children":[{"type":"text","text":"（1）卡農(nóng)進(jìn)行","id":""}],"text":"","id":"CQ28dumCsoSEwSxQZlJc8qyFnQe"},{"type":"paragraph","children":[{"type":"text","text":"鋼琴曲《卡農(nóng)》中使用的和弦進(jìn)行","id":""}],"text":"","id":"PKYmdwMS6oECS4xMxO7cceAcnFg"},{"type":"paragraph","children":[{"type":"text","text":"1—V—Vlm—Illm—IV—I—IV—V；15634145","id":""}],"text":"","id":"W2sydQYS8oC242xyqsZcPwITnef"},{"type":"paragraph","children":[{"type":"text","text":"l—V—Vlm—Illm—IV—I—Ilm—V;15634125","id":""}],"text":"","id":"Fk4udOoEEo0AsOx0CtPcnAs3nyg"},{"type":"paragraph","children":[{"type":"text","text":"情感/色彩：抒情、敘事感","id":""}],"text":"","id":"OcOMd2Iomo2qaExHVz3cm8yDnp8"},{"type":"image","attrs":{"height":473,"note":[{"type":"text","text":"常用和弦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/e1c281ba121f4755bbb0d8692063da4d","width":745},"text":"","id":"J8wsd6YiqoSo0qxqUNFcXPF5npf"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"曲式","id":""}],"text":"","id":"WQEsdCc2cocaMsxA5KUcmFbWnUc"},{"type":"paragraph","children":[{"type":"text","text":"常見(jiàn)的曲式結(jié)構(gòu)如下：","id":""}],"text":"","id":"YCiCdagamoCKI2xcF2kcnbbbnec"},{"type":"paragraph","children":[{"type":"text","text":"1、單一部曲式：這種曲式結(jié)構(gòu)最簡(jiǎn)單，它一般由幾個(gè)樂(lè)句構(gòu)成，沒(méi)有明顯的重復(fù)段落，沒(méi)有第二主題，也沒(méi)有副歌。","id":""}],"text":"","id":"VAq2demkKoswmQxYBI2cQkfInTb"},{"type":"paragraph","children":[{"type":"text","text":"2、單二部曲式：由兩個(gè)樂(lè)段構(gòu)成的曲式，叫做單二部曲式，結(jié)構(gòu)為A+B。","id":""}],"text":"","id":"K8Acdey8ooAQoOxK2EUc1CaPnvg"},{"type":"paragraph","children":[{"type":"text","text":"3、單三部曲式：由三個(gè)樂(lè)段構(gòu)成，其中第一段和第三段是一樣的材料，結(jié)構(gòu)為A+B+A。","id":""}],"text":"","id":"JU0IdGSWQosoUYxgPf2cG7HqnId"},{"type":"paragraph","children":[{"type":"text","text":"4、復(fù)三部曲式：這種曲式的大結(jié)構(gòu)與單三部曲式完全一樣，只是在這里的三個(gè)段落中，每個(gè)段落還包含一個(gè)獨(dú)立的曲式結(jié)構(gòu)，可能為單二部曲式，可能為單三部曲式。","id":""}],"text":"","id":"RCUcdiMoUowG6yxagSBco1mynEc"},{"type":"paragraph","children":[{"type":"text","text":"5、回旋曲式：這種曲式由兩種部分構(gòu)成，為主部與副部。回旋曲式的產(chǎn)生源于聲樂(lè)性的輪舞曲，在輪舞曲中有分節(jié)歌與副歌，分節(jié)歌通常是獨(dú)唱，副歌是合唱，每次獨(dú)唱完成后都會(huì)回到合唱，每次的合唱部分都是相同的。","id":""}],"text":"","id":"MIkUdUeeOoImqox6LSlcIC1vn0e"},{"type":"paragraph","children":[{"type":"text","text":"6、變奏曲式：變奏曲一開(kāi)始會(huì)有一個(gè)完整的主題段落，在后面的段落中，都是這個(gè)主題的發(fā)展變化。","id":""}],"text":"","id":"S8IqdC444omqyYxruyTc9exFnjw"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"編曲設(shè)備","id":""}],"text":"","id":"Ic6iduwqgo6co6xazwhcbIx9ntb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"宿主選擇","id":""}],"text":"","id":"GW2udOOIQowwcYxUj5ncwO8onwd"},{"type":"paragraph","children":[{"type":"text","text":"我們?cè)谔暨x電腦之前，首先得挑選一下我們想要在哪個(gè)平臺(tái)進(jìn)行編曲工作，常見(jiàn)的就是win平臺(tái)與Mac平臺(tái)。隨后就要選擇自己主要會(huì)用到的宿主。","id":""}],"text":"","id":"T2gAdUyAGoyqi6xcZaoc5GqOnub"},{"type":"paragraph","children":[{"type":"text","text":"編曲軟件很多，但實(shí)際上，不同的軟件有著不同的特點(diǎn)，而不同音樂(lè)編曲軟件的選用，和大家的作品風(fēng)格、使用習(xí)慣等息息相關(guān)。了解不同軟件的特點(diǎn)，了解它們最適合的音樂(lè)風(fēng)格，了解它們的長(zhǎng)處與缺點(diǎn)，可以幫助大家更快更順暢地踏上音樂(lè)編曲的道路。","id":""}],"text":"","id":"CagsdmGA4oq4wExkv40cp9M4n08"},{"type":"paragraph","children":[{"type":"text","text":"目前網(wǎng)絡(luò)上有很多宿主軟件教學(xué)同樣我們需要學(xué)習(xí)的是共性而不是逐個(gè)軟件學(xué)習(xí)過(guò)去。先嘗試精通其中一款經(jīng)典軟件后從個(gè)性中總結(jié)出共性再?lài)L試其他軟件因此這一款軟件的選擇就顯得十分重要。為大家推薦幾款常用的宿主軟件。","id":""}],"text":"","id":"WycgdwQA8oiq0axMBiKc7f5mnfg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"Cubase","id":""}],"text":"","id":"RyGudGQUiokOUmxYxd5cUp1Gnhc"},{"type":"paragraph","children":[{"type":"text","text":"作為新手這款軟件最容易上手。","id":""},{"type":"text","text":"配合這個(gè)","id":""},{"type":"text","text":"視頻","id":""},{"type":"text","text":"和我在下文整理的筆記可更有效地","id":""},{"type":"text","text":"學(xué)習(xí)。《【B站最全最詳細(xì)的Cubase教程（117集），從零到精通！編曲混音、錄音修音、音頻后期、音樂(lè)制作必備！-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/tN1lPPc"},"children":[{"type":"text","text":"https://b23.tv/tN1lPPc","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"ZCIKdc8q2oM0EGxqMTHcupjdnqe"},{"type":"paragraph","children":[{"type":"text","text":"Cubase（酷貝斯）具有MIDI音序、音頻編輯處理、多軌錄音縮混、視頻配樂(lè)、環(huán)繞聲處理等功能。Cubase的強(qiáng)大，在于它的一切參數(shù)都需要自己控制，它常常是工業(yè)化制作的必備軟件，但也正因?yàn)槿绱耍珻ubase這款軟件擁有編曲、錄音、混音三體合一的強(qiáng)大功能。Cubase在輸出時(shí)不對(duì)聲音著色，這也是Cubase受到各方面音樂(lè)人歡迎的原因之一。","id":""}],"text":"","id":"Vm2IdIYC2oIyCWxcZ96cKxP2n8g"},{"type":"paragraph","children":[{"type":"text","text":"Cubase官網(wǎng)：點(diǎn)擊進(jìn)入","id":""}],"text":"","id":"KQkod2MUYoi0akxyOTbcfdhjn1b"},{"type":"paragraph","children":[{"type":"external_link","attrs":{"url":"https://www.steinberg-cn.com/"},"children":[{"type":"text","text":"https://www.steinberg-cn.com/","id":""}],"text":"","id":""}],"text":"","id":"BkGqdeYwIoO8gKxee1ecaXLdnYg"},{"type":"image","attrs":{"height":372,"note":[{"type":"text","text":"Cubase","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f6e3ae9c5faa4b1dbadbf5860b1149be","width":729},"text":"","id":"Qa26d6ygYoGsAAx6Lcdcb2BFnWd"},{"type":"paragraph","children":[{"type":"text","text":"快捷鍵","id":""}],"text":"","id":"Y46MdG6iuoksMCxQroacrSzVnEc"},{"type":"paragraph","children":[{"type":"text","text":"功能鍵","id":""}],"text":"","id":"N2sMdcMUKoso4CxCWbec17rEnOc"},{"type":"paragraph","children":[{"type":"text","text":"1、F2功能鍵：顯示／隱藏走帶控制條","id":""}],"text":"","id":"OgEYdMckwoCQImxsxv4c7bCwnBe"},{"type":"paragraph","children":[{"type":"text","text":"2、F3功能鍵：打開(kāi)／關(guān)閉Mixer（調(diào)音臺(tái)）窗","id":""}],"text":"","id":"PyoodEkwiogmsYxqk5pc5kGYncd"},{"type":"paragraph","children":[{"type":"text","text":"3、F4功能鍵：打開(kāi)／關(guān)閉音頻輸出窗口","id":""}],"text":"","id":"ToWKdIiwsoYS8Mx2hiZcIN7Mnad"},{"type":"paragraph","children":[{"type":"text","text":"4、F9/F10功能鍵：鼠標(biāo)工具選擇","id":""}],"text":"","id":"Ts8GdWWk4oUw48xusgTc0AD5nFc"},{"type":"paragraph","children":[{"type":"text","text":"單指鍵","id":""}],"text":"","id":"L6mIdUYaIo86Ekx0IwbcCXNdnxh"},{"type":"paragraph","children":[{"type":"text","text":"1、Q鍵：量化MIDI音符","id":""}],"text":"","id":"OY4AdK0M6oQKuKxYlIWcvjLnnBc"},{"type":"paragraph","children":[{"type":"text","text":"2、I鍵：打開(kāi)／關(guān)閉插入錄音模式","id":""}],"text":"","id":"GigWd6SWeoCQSexyMlRc2MUEnvg"},{"type":"paragraph","children":[{"type":"text","text":"3、0鍵：打開(kāi)／關(guān)閉穿出錄音模式","id":""}],"text":"","id":"Qkkod6SgWooY6AxslgCcVyQknGf"},{"type":"paragraph","children":[{"type":"text","text":"4、S鍵：使當(dāng)前選中音軌獨(dú)奏","id":""}],"text":"","id":"P4med6EIKo622mxg1ROcMrrwnse"},{"type":"paragraph","children":[{"type":"text","text":"5、F鍵：打開(kāi)／關(guān)閉自動(dòng)光標(biāo)跟隨模式","id":""}],"text":"","id":"EocAdkeuqow6sqx23KYcqyWNnpd"},{"type":"paragraph","children":[{"type":"text","text":"6、G鍵：橫向縮小窗口顯示比例","id":""}],"text":"","id":"TmuidsEwoo2Ai2xKQ3IcSHdHnFc"},{"type":"paragraph","children":[{"type":"text","text":"7、H鍵：橫向放大窗口顯示比例","id":""}],"text":"","id":"II4cdy8UqoeGK8x0SjEcnukenTe"},{"type":"paragraph","children":[{"type":"text","text":"8、J鍵：打開(kāi)／關(guān)閉對(duì)齊模式","id":""}],"text":"","id":"RsgqdwUKwoS2q6xKccXcatOunhf"},{"type":"paragraph","children":[{"type":"text","text":"9、Z鍵：縱向放大窗口顯示比例","id":""}],"text":"","id":"Tsm0dsSaKomOKqxcDIFcNGxWnib"},{"type":"paragraph","children":[{"type":"text","text":"10、C鍵：打開(kāi)／關(guān)閉節(jié)拍器","id":""}],"text":"","id":"N2GIdmeyEo8UEExLV6TcDDHrnge"},{"type":"paragraph","children":[{"type":"text","text":"11、B鍵：使播放指針移動(dòng)到前一個(gè)小節(jié)","id":""}],"text":"","id":"EwiYdkKSQoQACexMKJpcTPFCnL0"},{"type":"paragraph","children":[{"type":"text","text":"12、N鍵：使播放指針移動(dòng)到下一個(gè)小節(jié)","id":""}],"text":"","id":"NyegdGKUWoEuuexgLM2cSPD0nfc"},{"type":"paragraph","children":[{"type":"text","text":"13、M鍵：使當(dāng)前選中音軌靜音","id":""}],"text":"","id":"F8YqdiWO6ok28cxPmOCcYyFBnlW"},{"type":"paragraph","children":[{"type":"text","text":"Ctrl鍵","id":""}],"text":"","id":"Vu2Gd8o0yoEIumxkpPlc1i2RnAc"},{"type":"paragraph","children":[{"type":"text","text":"1、Ctrl+N鍵：新建文件","id":""}],"text":"","id":"OesEdq2m2oyUMsxEDRAcByYYn1g"},{"type":"paragraph","children":[{"type":"text","text":"2、Ctrl+0鍵：打開(kāi)文件","id":""}],"text":"","id":"RMOGdkue4oaEmYxIfcschykTnVf"},{"type":"paragraph","children":[{"type":"text","text":"3、Ctrl+W鍵：關(guān)閉文件","id":""}],"text":"","id":"QcgCdK8iQoue8mxas5bc5q6TnIe"},{"type":"paragraph","children":[{"type":"text","text":"4、Ctrl+S鍵：保存文件","id":""}],"text":"","id":"A4u6dWo0ao4gAqxOKWXcZGHLnGb"},{"type":"paragraph","children":[{"type":"text","text":"5、Ctrl+Z鍵：撤銷(xiāo)","id":""}],"text":"","id":"FiWcd24oEoSaqSxAt3Gc86tGnWg"},{"type":"paragraph","children":[{"type":"text","text":"6、Ctrl+X鍵：剪切","id":""}],"text":"","id":"KaYEdKMEooswSmxiGMfcPWuYnad"},{"type":"paragraph","children":[{"type":"text","text":"7、Ctrl+C鍵：復(fù)制","id":""}],"text":"","id":"SeAwdaQu6o88aYxY5Wnc81Vknqd"},{"type":"paragraph","children":[{"type":"text","text":"8、Ct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Studio對(duì)新手十分友好，調(diào)用音色以及素材十分方便，且對(duì)電音類(lèi)制作效果很好，尤其適合音樂(lè)編曲初學(xué)者以及對(duì)電音需求高、依賴(lài)素材偏多的人。","id":""}],"text":"","id":"Py6EdWg4Yo8SisxyrvMcDeLen8q"},{"type":"paragraph","children":[{"type":"text","text":"點(diǎn)擊視頻學(xué)習(xí)詳細(xì)編曲教程。《【【官方正版】FL studio 20 水果中文快速操作入門(mén)教程-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/tH4bHXV"},"children":[{"type":"text","text":"https://b23.tv/tH4bHXV","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"YyswdWgs4o8IyIx3NKpcVosenr6"},{"type":"paragraph","children":[{"type":"text","text":"fl官網(wǎng)：點(diǎn)擊進(jìn)入","id":""}],"text":"","id":"KE0Gd8kMKoY4GsxEJCUcTMSpnXc"},{"type":"paragraph","children":[{"type":"external_link","attrs":{"url":"https://www.flstudiochina.com/?utm_medium=wm\u0026utm_source=wm.makeding.com\u0026utm_content=FL+Studio\u0026utm_campaign=lm_lillian\u0026utm_term=LM_mingyu\u0026wm_cs_key=f8114741-77cc-452b-8952-3496268478be"},"children":[{"type":"text","text":"https://www.flstudiochina.com/?utm_medium=wm\u0026utm_source=wm.makeding.com\u0026utm_content=FL+Studio\u0026utm_campaign=lm_lillian\u0026utm_term=LM_mingyu\u0026wm_cs_key=f8114741-77cc-452b-8952-3496268478be","id":""}],"text":"","id":""}],"text":"","id":"Y6kUdUCWUoScGSxmKrec3qaNnKc"},{"type":"image","attrs":{"height":232,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/a40d41acf37b4e558ace2e02abb2e117","width":800},"text":"","id":"V4YmdAMC2oYCEcxWi9ycKkm3nlf"},{"type":"paragraph","children":[{"type":"text","text":"編曲步驟","id":""}],"text":"","id":"SUqKdMMoyoEIMMx6bfncTueQnZb"},{"type":"paragraph","children":[{"type":"text","text":"1、導(dǎo)入主旋律","id":""}],"text":"","id":"ESged6YeQo2OwYxicBjcVPNIndd"},{"type":"paragraph","children":[{"type":"text","text":"使用水果軟件進(jìn)行編曲之前，需要將主旋律導(dǎo)入到水果軟件。點(diǎn)擊頂部菜單欄“視圖”-“播放列表”，將本地主旋律拖入到播放列表軌道。","id":""}],"text":"","id":"Fusidq66MoO6QWxwbjmceoIhnZb"},{"type":"image","attrs":{"height":129,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/87ebde097b9149b0837f65e8ad6cf090","width":720},"text":"","id":"GEcEdyeaeoKKEgxYFjNcGO57nQg"},{"type":"paragraph","children":[{"type":"text","text":"2、給主旋律配上和聲","id":""}],"text":"","id":"EwyediKmSoWKsYxAnq4cmE2mnTh"},{"type":"paragraph","children":[{"type":"text","text":"點(diǎn)擊水果編曲軟件頂部菜單欄“文件”-“鋼琴卷簾”。打開(kāi)鋼琴卷簾窗口，可以看到鋼琴的黑白琴鍵展示在窗口，通過(guò)鼠標(biāo)左鍵點(diǎn)擊格子給主旋律配上和聲。詳細(xì)教程可以參考水果編曲軟件教程《如何用鋼琴卷簾功能去進(jìn)行編曲》。","id":""}],"text":"","id":"S8YUdqUQOoMQ4SxEsd6cqDkXnkb"},{"type":"image","attrs":{"height":446,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/358c026adf58420b8bcd0898b0d5e62f","width":720},"text":"","id":"WMG4dGMsuo4Mo2xM5BMclnbynQg"},{"type":"paragraph","children":[{"type":"text","text":"3、添加節(jié)奏樂(lè)器","id":""}],"text":"","id":"BiqCdUYIEo6msAxGxpUcNkCTn6I"},{"type":"paragraph","children":[{"type":"text","text":"水果編曲軟件主要是通過(guò)通道機(jī)架添加節(jié)奏樂(lè)器。點(diǎn)擊頂部菜單欄“視圖”-“通道機(jī)架”，即可打開(kāi)通道機(jī)架。然后點(diǎn)擊其底部“+”添加節(jié)奏樂(lè)器，比如添加鼓樂(lè)器“bassdrum”。詳細(xì)教程可以參考水果編曲軟件教程《如何用通道機(jī)架功能編輯一段節(jié)奏》。","id":""}],"text":"","id":"HGE8dKY2Sogcg8xwbpmc3Wninee"},{"type":"image","attrs":{"height":368,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/5decca10a4934c728528c14fa3c1dfe3","width":706},"text":"","id":"WQYYdCmIcoUiw8xA7Z0cDyKdnye"},{"type":"paragraph","children":[{"type":"text","text":"4、添加混音效果","id":""}],"text":"","id":"BkmWdMKAooMqKSxekmMcGXgcnjg"},{"type":"paragraph","children":[{"type":"text","text":"點(diǎn)擊水果軟件頂部菜單欄“視圖”-“混音器”，即可打開(kāi)混音器。再點(diǎn)擊右側(cè)插槽，選擇效果器。","id":""}],"text":"","id":"IwwqdOEc0ogySsxmMUmcrAtVnrc"},{"type":"image","attrs":{"height":760,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/bc5355b450e64d5e89e90856231d903a","width":720},"text":"","id":"MoqmdQOAsok4MOx2hNMc2xuNnlb"},{"type":"paragraph","children":[{"type":"text","text":"混音效果器總共包括壓縮效果器、均衡效果器、混響效果器三類(lèi)，比如這里添加“Fruity Reeverb2”制造一種回聲的效果。詳細(xì)教程添加混音效果可參考《善用FL Studio的混音效果器，編曲音效更加動(dòng)聽(tīng)!》。","id":""}],"text":"","id":"A0CCdcccSoyUyKxwPb5crWcVnPd"},{"type":"image","attrs":{"height":244,"note":[{"type":"text","text":"FL Studio","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b0ee713bd15146b783e4bc66020e6862","width":679},"text":"","id":"OwKid0osOoa6gaxgX1ZcAQUAnYf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"Logic Pro X","id":""}],"text":"","id":"LoukdUcgmogQYyxSkm5clRRBnph"},{"type":"paragraph","children":[{"type":"text","text":"logic Pro X是蘋(píng)果公司的一款專(zhuān)業(yè)音頻制作軟件。","id":""}],"text":"","id":"BK4GdiUyyoCEqKxFcI8c33Wunwr"},{"type":"paragraph","children":[{"type":"text","text":"點(diǎn)擊視頻詳細(xì)學(xué)習(xí)編曲教程。《【Logic Pro X 中文詳細(xì)使用教程-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/g2b9MmI"},"children":[{"type":"text","text":"https://b23.tv/g2b9MmI","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"CUyadiMUao2KcoxWUpWcRXL6nxg"},{"type":"paragraph","children":[{"type":"text","text":"大家喜歡它的所見(jiàn)即所得，喜歡它的自帶音色，喜歡它的曲線(xiàn)和畫(huà)面支持。它對(duì)新手也較友好，但對(duì)老手以及鼠標(biāo)黨而言，顯得不給力，組合鍵過(guò)多，不便記憶，主要適用于大量畫(huà)面音樂(lè)制作人以及流行音樂(lè)作者。","id":""}],"text":"","id":"FuOOdK4uGoSQwwxkbQrcADo7nRd"},{"type":"paragraph","children":[{"type":"text","text":"Logic Pro X官網(wǎng)：點(diǎn)擊進(jìn)入","id":""}],"text":"","id":"KAGqd8sUqoi8GsxoJincFEFenYf"},{"type":"paragraph","children":[{"type":"external_link","attrs":{"url":"https://www.apple.com.cn/logic-pro/"},"children":[{"type":"text","text":"https://www.apple.com.cn/logic-pro/","id":""}],"text":"","id":""}],"text":"","id":"NUIEdO4kCoiIw4xmg3Qct12unDb"},{"type":"image","attrs":{"height":442,"note":[{"type":"text","text":"Logic Pro X","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f0f57da259fe4150ab3e9d87e5dac2c6","width":671},"text":"","id":"JSModw6W8o8GoCxaYdRcYny3nnf"},{"type":"paragraph","children":[{"type":"text","text":"以上就是為大家推薦的三款Daw，總的來(lái)說(shuō)，對(duì)于新手而言，F(xiàn)L Studio是最友好，且最具有性?xún)r(jià)比的選擇，而對(duì)于在音樂(lè)編輯上已經(jīng)逐漸走上正軌的老手而言，F(xiàn)L Stdio中豐富的素材和插件也將成為其不可取代的優(yōu)勢(shì)。","id":""}],"text":"","id":"TIiCduE0goK8iAx62cNcVZv2nIh"},{"type":"paragraph","children":[{"type":"text","text":"快捷鍵","id":""}],"text":"","id":"QiiodAc0Wos0mkxiyOccK0u1nge"},{"type":"paragraph","children":[{"type":"text","text":"全局","id":""}],"text":"","id":"IsqUdg0mwoY4A0x6idPcDFDTnKh"},{"type":"paragraph","children":[{"type":"text","text":"1、全選：?+A","id":""}],"text":"","id":"Cukkd2uCKo8GGgxSQqrcFb8dnUg"},{"type":"paragraph","children":[{"type":"text","text":"2、撤銷(xiāo)：?+Z","id":""}],"text":"","id":"ZMAId2wKsoAUICxAj8JcdkpWnxb"},{"type":"paragraph","children":[{"type":"text","text":"3、取消撤銷(xiāo)（前撤）：?+?+Z","id":""}],"text":"","id":"CEIqdcKQqocAO8xUrppczkY0nzg"},{"type":"paragraph","children":[{"type":"text","text":"4、開(kāi)啟關(guān)閉當(dāng)前循環(huán)Looper：C","id":""}],"text":"","id":"F2yOdyMWIoKKQOxi9EgcU6Dnn7g"},{"type":"paragraph","children":[{"type":"text","text":"5、循環(huán)當(dāng)前選中音頻/MIDI：選中音頻/MIDI+U","id":""}],"text":"","id":"IOWydAsU4o2SY4xYPozcPAhsn9g"},{"type":"paragraph","children":[{"type":"text","text":"6、跳過(guò)當(dāng)前選中循環(huán)：?+單機(jī)Loop黃條","id":""}],"text":"","id":"EoQmdYo4OoYm4CxMmcJc1e7XnMB"},{"type":"paragraph","children":[{"type":"text","text":"7、節(jié)拍器開(kāi)啟關(guān)閉：K","id":""}],"text":"","id":"UG6YdI06GoYYAKxIzyUcT7TPn4d"},{"type":"paragraph","children":[{"type":"text","text":"8、打開(kāi)Track Header：?+T","id":""}],"text":"","id":"DKCYdkuyIoyCeKxiSuKcZetYn4f"},{"type":"paragraph","children":[{"type":"text","text":"9、隱藏軌道：H","id":""}],"text":"","id":"ZYIwdeG4co8g0Oxas2yccYYSnQ9"},{"type":"paragraph","children":[{"type":"text","text":"10、建立新軌道：?+?+N","id":""}],"text":"","id":"IQ6KdkGosoaGoqxwTjrcARbdnkI"},{"type":"paragraph","children":[{"type":"text","text":"11、添加新的軟件樂(lè)器軌道：?+?+S","id":""}],"text":"","id":"RygkdeiKIo6S8Qxy4GrcLEmVn4f"},{"type":"paragraph","children":[{"type":"text","text":"12、添加新的音頻軌道：?+?+A","id":""}],"text":"","id":"ZE0wdm2qyooAs2xCyl0c6ZjFnJe"},{"type":"paragraph","children":[{"type":"text","text":"13、復(fù)制當(dāng)前軌道：?+D（D=Double）","id":""}],"text":"","id":"Kow2dS6wqooOEexqQ7Rc5HW2n1e"},{"type":"paragraph","children":[{"type":"text","text":"14、按照同樣位置/長(zhǎng)度復(fù)制當(dāng)前內(nèi)容（MIDI、音頻、MIDI音符）：?+R（R=Repeat）","id":""}],"text":"","id":"Luq4dIggGoaOaMxCmf5cGnDXnQd"},{"type":"paragraph","children":[{"type":"text","text":"15、修改當(dāng)前片段名稱(chēng)：（選中某一段落后）?+N（N=Name）","id":""}],"text":"","id":"WMmmdKMGsogKqkxoMZhcLUpGn4C"},{"type":"paragraph","children":[{"type":"text","text":"16、修改軌道名稱(chēng)后繼續(xù)快速換行修改：Tab","id":""}],"text":"","id":"VIWcdKuAOoOUQUxgtUEcDkwhn3d"},{"type":"paragraph","children":[{"type":"text","text":"17、打開(kāi)/隱藏library：Y","id":""}],"text":"","id":"EaEydSCO0ou48gxgZdncU4UinDb"},{"type":"paragraph","children":[{"type":"text","text":"18、打開(kāi)音頻設(shè)置：?+X","id":""}],"text":"","id":"NSeKdEggOo8e68xW1kEcA49Kn0d"},{"type":"paragraph","children":[{"type":"text","text":"19、打開(kāi)/隱藏Inspector：I（I=Inspector）","id":""}],"text":"","id":"K0Y6dAGuqoE22gxC8DTczZ6unHe"},{"type":"paragraph","children":[{"type":"text","text":"20、打開(kāi)隱藏混音界面：X（X=Mix）","id":""}],"text":"","id":"QA0udYm22ogMsSxFoP2cPSNOnuR"},{"type":"paragraph","children":[{"type":"text","text":"21、放大當(dāng)前區(qū)域：Z（Z=ZOOM）","id":""}],"text":"","id":"LOq8dUeOuoY2ekxGUrWccOMynxe"},{"type":"paragraph","children":[{"type":"text","text":"22、打開(kāi)Global：G（G=Global）","id":""}],"text":"","id":"T2iudoGUEoUM2axu6I1cWmW1nZe"},{"type":"paragraph","children":[{"type":"text","text":"23、快速打標(biāo)記Marker：?+‘","id":""}],"text":"","id":"AG4EdqMQQoQ0oyxAjutcrkT9nwd"},{"type":"paragraph","children":[{"type":"text","text":"24、移動(dòng)到：/","id":""}],"text":"","id":"G0WkdqWC0o6sskxM91VcwaAbnme"},{"type":"paragraph","children":[{"type":"text","text":"25、打開(kāi)樂(lè)段AppleLoop：O（O=Loop）","id":""}],"text":"","id":"BSUedYEWcoiIIqxcVtbcc4xNnDd"},{"type":"paragraph","children":[{"type":"text","text":"26、打開(kāi)文件：F（F=File）","id":""}],"text":"","id":"Ecged8O8KosOOaxWUbXcjbZknTd"},{"type":"paragraph","children":[{"type":"text","text":"27、導(dǎo)入文件：?+I（I=Import）","id":""}],"text":"","id":"VKeAdOKiEoQ8gYxEvz5cD36cn5f"},{"type":"paragraph","children":[{"type":"text","text":"28、把多個(gè)軌道放入一個(gè)組內(nèi)：（選中所需軌道）?+?+D","id":""}],"text":"","id":"ZMAMDUM6koew06xG0wqcDFjGnFe"},{"type":"paragraph","children":[{"type":"text","text":"29、?+?+G（G=Group）可以直接把選中軌道給Summing","id":""}],"text":"","id":"MO84d82yYoqEkmxs9IWcq9sinHg"},{"type":"paragraph","children":[{"type":"text","text":"30、在進(jìn)度條處播放：鼠標(biāo)雙擊進(jìn)度條（可以忽視Looper）","id":""}],"text":"","id":"EYW2dSsyqoA0wWxvKbJcsSqKnJz"},{"type":"paragraph","children":[{"type":"text","text":"31、放大/縮小橫軸縱軸：?+方向鍵","id":""}],"text":"","id":"XGI4dQWsKoQsAgxIzYdcaSMVnug"},{"type":"paragraph","children":[{"type":"text","text":"32、拖動(dòng)放大橫軸縱軸：?+鼠標(biāo)左右/上下拖動(dòng)","id":""}],"text":"","id":"Wqk2d2acMoS8Wkx6cKQcBojsnsb"},{"type":"paragraph","children":[{"type":"text","text":"33、音頻區(qū)域選擇：?+拖動(dòng)選中區(qū)域+點(diǎn)擊選中區(qū)域（音頻段落自動(dòng)剝離出來(lái)）","id":""}],"text":"","id":"PEmmd4aAaosi88xiekTcWViEnjc"},{"type":"paragraph","children":[{"type":"text","text":"34、在當(dāng)前位置合并為音頻BounceinPlace：選中所需區(qū)域?+B（B=Bounce）","id":""}],"text":"","id":"M822diEceoi08wxewpzcm5UBnhc"},{"type":"paragraph","children":[{"type":"text","text":"35、打開(kāi)筆記：?+?+P（超好用的創(chuàng)作記錄工具）","id":""}],"text":"","id":"PyYydqE8yoUC4UxMPTCcToW6nSe"},{"type":"paragraph","children":[{"type":"text","text":"36、打開(kāi)自動(dòng)化：A（A=Automation）","id":""}],"text":"","id":"Cc82dwKoUo8sgwxV0vIczNUcnty"},{"type":"paragraph","children":[{"type":"text","text":"37、選中自動(dòng)化區(qū)域：?+鼠標(biāo)拖動(dòng)（此時(shí)可以直接拖動(dòng)當(dāng)前區(qū)域的自動(dòng)化參數(shù)）","id":""}],"text":"","id":"Xmiqd28ywoo6e4xCerxceaZgnDg"},{"type":"paragraph","children":[{"type":"text","text":"38、調(diào)整自動(dòng)化曲線(xiàn)：?+?+鼠標(biāo)拖動(dòng)","id":""}],"text":"","id":"PEGMd2uOaosEgcxAthwcai6rnef"},{"type":"paragraph","children":[{"type":"text","text":"39、刪除當(dāng)前軌道所有自動(dòng)化：?+?+Delete（無(wú)論多亂，一鍵刪除）","id":""}],"text":"","id":"D2qKdg6o8oo6CKxWEwPc7TzVnRb"},{"type":"paragraph","children":[{"type":"text","text":"40、切換自動(dòng)化參數(shù)：?+Y（配合這個(gè)快捷鍵，切換參數(shù)后，可以一鍵刪除所有不需要的自動(dòng)化參數(shù)）","id":""}],"text":"","id":"EYWSdgASio4IkSxzJpVcOTFhnAt"},{"type":"paragraph","children":[{"type":"text","text":"41、打開(kāi)F lex按鈕：?+F（F=Flex）","id":""}],"text":"","id":"C46Adm8WSowiEyx6mXTczupVnKg"},{"type":"paragraph","children":[{"type":"text","text":"42、調(diào)出工具菜單：T","id":""}],"text":"","id":"ZKI4dcCOSo4MyYxK6k7cQJaJnCf"},{"type":"paragraph","children":[{"type":"text","text":"43、鼠標(biāo)：T+T","id":""}],"text":"","id":"Pe0qdGQO4oYmCAxGxNecQighnQZ"},{"type":"paragraph","children":[{"type":"text","text":"44、剪刀：T+I","id":""}],"text":"","id":"KEiydYUk8oWwUix0EnZcpw7Qnrb"},{"type":"paragraph","children":[{"type":"text","text":"45、Mute：T+M","id":""}],"text":"","id":"EqY0deKuko84o2xUrQXcHIvjnIc"},{"type":"paragraph","children":[{"type":"text","text":"46、Fade工具：T+A","id":""}],"text":"","id":"PUm2d4Sg8ocASixohxDc4TqinqO"},{"type":"paragraph","children":[{"type":"text","text":"47、打開(kāi)軌道顏色選項(xiàng)：?+C（C=color）","id":""}],"text":"","id":"WiSedgeUUoaUe6xKW7IcW5d7nih"},{"type":"paragraph","children":[{"type":"text","text":"48、現(xiàn)實(shí)隱藏當(dāng)前所有插件窗口：V（像下圖無(wú)論多少個(gè)插件，直接V全部隱藏/顯示）","id":""}],"text":"","id":"N2mcdSqUWouYkYx6R7Dc5QLLnJb"},{"type":"paragraph","children":[{"type":"text","text":"49、打開(kāi)當(dāng)前軌道插件：選中當(dāng)前軌道后，?+1、2、3、4（數(shù)字代表第幾個(gè)插件）","id":""}],"text":"","id":"L44OdoYQwoeMYixgPxScHQxCnEg"},{"type":"paragraph","children":[{"type":"text","text":"50、改變MIDI段落總體的時(shí)長(zhǎng)：?+邊緣拖動(dòng)（例如2Bar4個(gè)和弦，可以拉長(zhǎng)為4Bar4個(gè)和弦）","id":""}],"text":"","id":"DagUd0KCOoY6kExOY7sc5CdLnsg"},{"type":"paragraph","children":[{"type":"text","text":"51、從選中片段的開(kāi)頭播放Play from region：選中一個(gè)片段+Shift+Space空格","id":""}],"text":"","id":"ZokudcaGqokI0Axi47RcYjg1nec"},{"type":"paragraph","children":[{"type":"text","text":"52、合并所選區(qū)域：?+J（J=Join）","id":""}],"text":"","id":"WM0CdEcwGoqIQSx8xKncijtynte"},{"type":"paragraph","children":[{"type":"text","text":"53、在指針的位置切割片段：?+T","id":""}],"text":"","id":"JoGyd0aaYoSw48xao7gcsJ44nee"},{"type":"paragraph","children":[{"type":"text","text":"54、打開(kāi)去「除音頻之間的靜音部分」功能：?+X","id":""}],"text":"","id":"Ieu8dcw4qoMOuYxSa3ocwSvfn4e"},{"type":"paragraph","children":[{"type":"text","text":"55、給混音「輔助軌」道建立「編輯軌道」（用于自動(dòng)化）：?+T","id":""}],"text":"","id":"T4YydEWMuoYE8GxU1d6cJv7Dnyd"},{"type":"paragraph","children":[{"type":"text","text":"鋼琴卷簾","id":""}],"text":"","id":"QOSQdMUk4o8GoexwxarcQgHcnNd"},{"type":"paragraph","children":[{"type":"text","text":"1、打開(kāi)/隱藏鋼琴卷簾：P（P=Piano）","id":""}],"text":"","id":"YK6gdEkyAoImu4xoRi3cgp3PnRd"},{"type":"paragraph","children":[{"type":"text","text":"2、打開(kāi)/隱藏編輯界面：（選中音頻則是音頻編輯界面，選中MIDI則是MIDI編輯界面）E（E=Edit）","id":""}],"text":"","id":"OkOIdeI2Co0WuSxIrCSck1ejnTg"},{"type":"paragraph","children":[{"type":"text","text":"3、打開(kāi)樂(lè)譜界面：N","id":""}],"text":"","id":"PkAkdOkCmowO6kxSp2ocXxifnTZ"},{"type":"paragraph","children":[{"type":"text","text":"4、MIDI工具欄：（在MIDI編輯區(qū)域內(nèi)）T","id":""}],"text":"","id":"XSkSdOmaooEA4CxSe5fcrrW8nlg"},{"type":"paragraph","children":[{"type":"text","text":"5、書(shū)寫(xiě)MIDI：T+P","id":""}],"text":"","id":"R2y4dMwesoUgkUxondZcnScDnsf"},{"type":"paragraph","children":[{"type":"text","text":"6、MIDI移動(dòng)半音：?+上下方向鍵","id":""}],"text":"","id":"OswMdWOaco8AE4xkTkTc9Fianxh"},{"type":"paragraph","children":[{"type":"text","text":"7、MIDI左右移動(dòng)一格：?+左右方向鍵","id":""}],"text":"","id":"QKYMd4AceoOQ0oxkHGOcKdPXn8c"},{"type":"paragraph","children":[{"type":"text","text":"8、MIDI移動(dòng)八度：?+?+上下方向鍵（賊好用）","id":""}],"text":"","id":"H8A0dKsKaoOsOaxGMzjcBLI0nkd"},{"type":"paragraph","children":[{"type":"text","text":"9、平均分割MIDI：（在剪刀工具下T+I）?+鼠標(biāo)點(diǎn)擊","id":""}],"text":"","id":"WioYdiC48ooGSexg5ERc3zadnec"},{"type":"paragraph","children":[{"type":"text","text":"10、MIDI自動(dòng)化：（在鋼琴卷簾界面里）A","id":""}],"text":"","id":"P6GAdoaSyoSKEUxofhCcJGfsnbg"},{"type":"paragraph","children":[{"type":"text","text":"11、快速拖動(dòng)調(diào)節(jié)MIDI力度：?+?+鼠標(biāo)拖動(dòng)","id":""}],"text":"","id":"JOOedUYoCocewIxyWcEcAmT6nwe"},{"type":"paragraph","children":[{"type":"text","text":"12、MIDI力度相同：（在力度工具下T+V）?+?+鼠標(biāo)拖動(dòng)","id":""}],"text":"","id":"L4eOdgyc8oqCq2xkhlNcX0f2nwg"},{"type":"paragraph","children":[{"type":"text","text":"13、統(tǒng)一MIDI長(zhǎng)度：（選中所需MIDI）?+?+鼠標(biāo)拖動(dòng)","id":""}],"text":"","id":"YwI2dyAAoo2WKAxwhEwcidEFnTd"},{"type":"paragraph","children":[{"type":"text","text":"14、MIDI力度畫(huà)線(xiàn)：選中音符后，在力度區(qū)域畫(huà)一條線(xiàn)","id":""}],"text":"","id":"SsqAdQY0aocAuwx8Y9IcVMginCc"},{"type":"paragraph","children":[{"type":"text","text":"15、（在不錄音的情況下）將演奏的MIDI記錄下來(lái)：?+R","id":""}],"text":"","id":"IuoSdCImMocEsKx8nzJc4rgqnqf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"電腦","id":""}],"text":"","id":"ByqsdKwSSocyqExGy8icp7xwnVg"},{"type":"paragraph","children":[{"type":"text","text":"編曲的電腦主要對(duì)cpu、內(nèi)存、硬盤(pán)有要求，音頻電腦其實(shí)和視頻電腦配置差不多，都需要數(shù)據(jù)吞吐量夠大，視頻電腦多集中在高端顯卡上，音頻可以降低顯卡配置。","id":""}],"text":"","id":"MMksdOi26oGsQYxMrHRchd9xnoh"},{"type":"paragraph","children":[{"type":"text","text":"在進(jìn)行編曲的過(guò)程中，主要是通過(guò)內(nèi)存的加載與CPU的運(yùn)算，同時(shí)配合硬盤(pán)來(lái)完成對(duì)音色的使用。因此，主要考慮的是CPU、內(nèi)存與硬盤(pán)，顯而易見(jiàn)的就是我們根本不需要顯卡。由于市面上的品牌組裝機(jī)存在著較為明顯的溢價(jià)狀態(tài)，所以比較推薦自己組裝。","id":""}],"text":"","id":"OoasdKSUyog60kxdda1c76STnyN"},{"type":"paragraph","children":[{"type":"text","text":"大致需要的參數(shù)如下：","id":""}],"text":"","id":"TqkqdiACuoOCuqxWghPchtWUnZb"},{"type":"image","attrs":{"height":157,"note":[{"type":"text","text":"電腦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/739336ed6da34111b74add8c49c47735","width":322},"text":"","id":"IYe8dMOe6okSOkxPks1cZ6TKnyL"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦電腦","id":""}],"text":"","id":"BmywdoSIQoK4yux8nDAcsdByn9e"},{"type":"paragraph","children":[{"type":"text","text":"1、臺(tái)式機(jī)設(shè)備建議（經(jīng)濟(jì)緊張型建議）","id":""}],"text":"","id":"Qy8IduWCQoUg0sxAprqcjj92nxf"},{"type":"paragraph","children":[{"type":"text","text":"Cpu：I5 7400 7500 7600K，I7 6700","id":""}],"text":"","id":"U60sdm2aIoMUOexsX2XcGAjWnEe"},{"type":"paragraph","children":[{"type":"text","text":"硬盤(pán)：500G或500G以上（建議固態(tài)硬盤(pán)）","id":""}],"text":"","id":"BMY4d68MGowc6GxgXrhc0rQpnQg"},{"type":"paragraph","children":[{"type":"text","text":"內(nèi)存：8G","id":""}],"text":"","id":"W8eqd4KKUoi4QWxwpINctXConrd"},{"type":"paragraph","children":[{"type":"text","text":"預(yù)算范圍：3000—6000","id":""}],"text":"","id":"WKo6d8cYwoeYsMxOetZcmHmrn9b"},{"type":"paragraph","children":[{"type":"text","text":"2、臺(tái)式機(jī)設(shè)備建議（經(jīng)濟(jì)寬裕型建議，適合到后期）","id":""}],"text":"","id":"UwUkd4sEkowgK8xETp8cyemFnVg"},{"type":"paragraph","children":[{"type":"text","text":"Cpu：I5 8400 8600K 9500 9600K，I7 7700 8700 8700K","id":""}],"text":"","id":"CGGediGeUoiSQqxU1r0cm3Yynre"},{"type":"paragraph","children":[{"type":"text","text":"硬盤(pán)：1T或1T以上（建議固態(tài)硬盤(pán)）","id":""}],"text":"","id":"VYiedq8aioQgIixgb5Ecju1Mnsd"},{"type":"paragraph","children":[{"type":"text","text":"內(nèi)存：16G-32G","id":""}],"text":"","id":"Q8eAdaCqeoa44YxGHvJc0HC0nMG"},{"type":"paragraph","children":[{"type":"text","text":"預(yù)算范圍：6000—10000","id":""}],"text":"","id":"C4uidU46eoUAo2xc1oTc5Iipngd"},{"type":"paragraph","children":[{"type":"text","text":"3、筆記本配置建議（經(jīng)濟(jì)緊張型建議）","id":""}],"text":"","id":"EeSGdg0Ikoo8IUxItRjcdVkOnNh"},{"type":"paragraph","children":[{"type":"text","text":"Cpu：I5 7260u，I7 7560u","id":""}],"text":"","id":"JC84d2I0koUKaYxqMfKcUZu5nzb"},{"type":"paragraph","children":[{"type":"text","text":"硬盤(pán)：500G或500G以上","id":""}],"text":"","id":"YSqCdCq6goWUwIxE95PcJ61DnRd"},{"type":"paragraph","children":[{"type":"text","text":"內(nèi)存：8G","id":""}],"text":"","id":"Y6U0doGu2o2gkoxkTcmcT0nDnhb"},{"type":"paragraph","children":[{"type":"text","text":"預(yù)算范圍：4000—6000","id":""}],"text":"","id":"Vmoodm6ego6m2OxWYBWcMCinngd"},{"type":"paragraph","children":[{"type":"text","text":"4、筆記本配置建議（經(jīng)濟(jì)寬裕型建議，適合到后期）","id":""}],"text":"","id":"EOMWd2Ia0ogis6xAvMlcDacMnSh"},{"type":"paragraph","children":[{"type":"text","text":"Cpu：I5 7300HQ，I7 7700HQ","id":""}],"text":"","id":"A4EudYyEOoKMe0xc1l7c9JBensc"},{"type":"paragraph","children":[{"type":"text","text":"硬盤(pán)：1T或1T以上","id":""}],"text":"","id":"W6oyd2AEUokeGWxE7OOcFpDindd"},{"type":"paragraph","children":[{"type":"text","text":"內(nèi)存：16G-32G","id":""}],"text":"","id":"RM4UdkW2woSGCGxYbcPcEABtnMg"},{"type":"paragraph","children":[{"type":"text","text":"預(yù)算范圍：6000—15000","id":""}],"text":"","id":"Mmcudyywioo4wIxmGTQcyOyjngg"},{"type":"paragraph","children":[{"type":"text","text":"推薦筆記本電腦：","id":""}],"text":"","id":"TIkedWA2EoMEUkxKiM5cMXCknFb"},{"type":"paragraph","children":[{"type":"text","text":"1、Macbook Pro和iMac","id":""}],"text":"","id":"HooAdgmy2o6gqkxM3WBcO07XnIh"},{"type":"paragraph","children":[{"type":"text","text":"Macbook Pro跟iMac得益于M1芯片的誕生，在使用Logic進(jìn)行編曲時(shí)，整體的性能直線(xiàn)上升，所以如果是以L(fǎng)ogic作為主要制作宿主的話(huà)，首當(dāng)其沖的還是M1以上+16G以上的Macbook Pro 或者iMac。","id":""}],"text":"","id":"GQSYdoAaioQweoxKS1LcPf6AnTe"},{"type":"paragraph","children":[{"type":"text","text":"在實(shí)際應(yīng)用中，Macbook Pro適合移動(dòng)處理，方便快捷便攜，不受環(huán)境因素限制。而iMac更加適合在一個(gè)固定的地方進(jìn)行操作。或者直接一樣一個(gè)，Mac生態(tài)下，可以進(jìn)行完美銜接。","id":""}],"text":"","id":"Gk4Id6guMow0kqxMLjzcQHp4ns7"},{"type":"image","attrs":{"height":545,"note":[{"type":"text","text":"推薦電腦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/3c4a5511ce95430796ecd4a612c741e4","width":720},"text":"","id":"SIGUdYcgKoMogOxSi6eczz7bnJc"},{"type":"paragraph","children":[{"type":"text","text":"蘋(píng)果筆記本電腦MacBookPro16英寸2021年新款M1max芯片","id":""}],"text":"","id":"TEeedc06Cok24MxCqfcczXK0npd"},{"type":"image","attrs":{"height":548,"note":[{"type":"text","text":"推薦電腦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/4e301da8966e4cdc8505cc715278ffef","width":553},"text":"","id":"Cmkmd2IwgoGymExekwTcvAgxn9b"},{"type":"paragraph","children":[{"type":"text","text":"Apple iMac 24英寸 4.5K屏 八核M1芯片(8核圖形處理器) 16G 512G SSD 一體式電腦主機(jī) ","id":""}],"text":"","id":"S0mMdSwW8oqq2GxA7VKcxzJenYc"},{"type":"paragraph","children":[{"type":"text","text":"2、華碩靈耀X","id":""}],"text":"","id":"A68kdIQgComSCQxAyh4crR5rnjb"},{"type":"paragraph","children":[{"type":"text","text":"根據(jù)這個(gè)機(jī)器的配置，在進(jìn)行編曲的過(guò)程中，兩個(gè)屏幕的效果很顯然要好于單屏幕，這款本的雙屏幕，完全可以把參數(shù)設(shè)置放在下面的屏幕中，同時(shí)兩款屏幕都是觸屏的。","id":""}],"text":"","id":"EYaedGu0Aoac6SxOWqgcoLXlnEc"},{"type":"image","attrs":{"height":500,"note":[{"type":"text","text":"推薦電腦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/52277351f1614af69294621e7d09c670","width":626},"text":"","id":"XAMYdkqGqoQuIsxKybQcotO4nQb"},{"type":"paragraph","children":[{"type":"text","text":"華碩靈耀X13 AMD銳龍八核 2.8K OLED P3色域全面屏 筆記本電腦","id":""}],"text":"","id":"Vsy2dIg8KouKaUxe0rrcmRNbnWc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音頻接口","id":""}],"text":"","id":"G8uIda0S0ogmsuxqmcrc1Mvknme"},{"type":"paragraph","children":[{"type":"text","text":"音頻接口就是我們常說(shuō)的聲卡，它的主要功能是對(duì)音頻信號(hào)進(jìn)行轉(zhuǎn)換，直接推薦外置聲卡了，因?yàn)楦鶕?jù)電腦推薦來(lái)看，除了組裝機(jī)外，其余的并不適用內(nèi)置聲卡。","id":""}],"text":"","id":"Lm64daaKuoOcgcxsdrWcVpqxnCf"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦接口","id":""}],"text":"","id":"AYUWdy0WKoaoEIxoilNc4AuInyf"},{"type":"paragraph","children":[{"type":"text","text":"1、SSL2+","id":""}],"text":"","id":"KmYcdG20goOeEAxY1CRcXuEFn5c"},{"type":"paragraph","children":[{"type":"text","text":"自帶4000系列模擬效果器，具備著兩種聲音特性，其一，具備音樂(lè)性的高頻EQ提升，營(yíng)造前進(jìn)的感覺(jué)。其二，可控微調(diào)的諧波失真，更進(jìn)一步融入信號(hào)鏈中。配合MonitorMix監(jiān)聽(tīng)控制軟件，帶來(lái)了高品質(zhì)的輸出耳放效果，相對(duì)于SSL2來(lái)說(shuō)，SSL2+增加至雙耳機(jī)輸出，同時(shí)配備了MIDI輸入與輸出接口，額外的非平衡RCA蓮花輸出接口方便DJ使用。","id":""}],"text":"","id":"Zmu2dUoSOoCkAAx81TfcX83Enwg"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"VQSodYI2SoAqysxsdhScGRUrnAd"},{"type":"image","attrs":{"height":586,"note":[{"type":"text","text":"推薦接口","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/e3c642c85c60464b99d72506d25aedf2","width":720},"text":"","id":"ZQa2dYMuGoIieGxkLMpcHvDUnYS"},{"type":"paragraph","children":[{"type":"text","text":"2、UA X4","id":""}],"text":"","id":"Foeod8kUgoQ6QGxE53jc5aeinNg"},{"type":"paragraph","children":[{"type":"text","text":"為了方便操作，X4使用了與TwinX相同的傾斜面板，讓操作變的更加的直觀(guān)。DSP、Unison、AD/DA模塊高度集成，高性能需要高電壓，而為了應(yīng)對(duì)高電壓帶來(lái)的發(fā)熱，X4在兩側(cè)、底部都有設(shè)置開(kāi)孔以此來(lái)增加散熱效果。軟件調(diào)音臺(tái)一直是Apollo聲卡的核心組成部分，X4同樣也具備兩個(gè)新特征，其一，所有通道推子的行程從0dB增加至12dB，通過(guò)提升通道輸出電平，擴(kuò)展整體混音動(dòng)態(tài)。其二，全新DSP配對(duì)功能，可以在單一通道條內(nèi)構(gòu)建更大的插件鏈，虛擬通道數(shù)量將會(huì)隨著DSP配對(duì)數(shù)量的增加而減少。","id":""}],"text":"","id":"Zwmcd0Akio2waOxIfERcYWQrnwd"},{"type":"image","attrs":{"height":462,"note":[{"type":"text","text":"推薦接口","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/d9dfe5e61dac4751bab19b9dbbef6bbb","width":720},"text":"","id":"FiUid4Qe6omwG0xm9SWcjEc9ne5"},{"type":"paragraph","children":[{"type":"text","text":"3、Apogee Duet3","id":""}],"text":"","id":"BuWgd2qeeoyWI0xq48zcRPWCn4c"},{"type":"paragraph","children":[{"type":"text","text":"作為Apogee Duet系列的最新產(chǎn)品，Duet3的誕生依舊秉承著Apogee最核心的音質(zhì)體驗(yàn)，結(jié)合Apogee的傳奇AD/DA電路設(shè)計(jì)，擁有同類(lèi)產(chǎn)品中不可比擬的音質(zhì)硬實(shí)力。Duet3擁有2個(gè)輸入接口和4個(gè)輸出接口，并配置世界一流的前級(jí)放大器，能夠自然真實(shí)地再現(xiàn)每一個(gè)聲音細(xì)節(jié)。連接音箱的輸出接口使用真正的全平衡差分電路設(shè)計(jì)，準(zhǔn)確掌握實(shí)時(shí)返聽(tīng)和混音監(jiān)聽(tīng)的完整信息，體現(xiàn)聲音的完整深度和細(xì)節(jié)。","id":""}],"text":"","id":"MIcGdQQMqoAOo2xUHOGcVi96nzc"},{"type":"paragraph","children":[{"type":"text","text":"Deut3使用了和Symphony Desktop相同的板載DSP處理技術(shù)，能夠完全實(shí)現(xiàn)在聲卡硬件上使用ECS通道條插件進(jìn)行聲音處理的功能，讓零延遲并且?guī)в行Ч幚淼匿浺艉蛯?shí)時(shí)監(jiān)聽(tīng)成為可能。","id":""}],"text":"","id":"A6scdy6ocoUiEcx2NAyct3ECnvh"},{"type":"image","attrs":{"height":554,"note":[{"type":"text","text":"推薦接口","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/d2fc5bb5b46d46b7acf9abe40f2e1f9b","width":720},"text":"","id":"WSC0dsw8yo8IQSxq0QacKmlgneg"},{"type":"paragraph","children":[{"type":"text","text":"4、RME FireFace UCX II","id":""}],"text":"","id":"Mw42dimoGoW2eExOcTVcDwUZnhh"},{"type":"paragraph","children":[{"type":"text","text":"Fireface UCX II是第二代的FirefaceUCX超便攜式音頻接口，可以同時(shí)做20通道錄音和20通道回放，帶有SteadyClock FS高精度時(shí)鐘，有著高性能的話(huà)放，內(nèi)置參量均衡、動(dòng)態(tài)處理、回聲、混響DSP效果器，DURec（直接USB錄音），MIDI輸入和輸出接口，強(qiáng)大的耳機(jī)放大器，且完全可以獨(dú)立使用。","id":""}],"text":"","id":"U06Ydcs8UoKusuxuCXtcU5uJn8e"},{"type":"image","attrs":{"height":310,"note":[{"type":"text","text":"推薦接口","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/61fcc476cee6416eaf3bff94b7a88d3e","width":664},"text":"","id":"Xs8CdAOocoAKgGxeImycAwSznTf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"MIDI設(shè)備","id":""}],"text":"","id":"GgoAdgSK8oSoAkxqgdlcLjfmn6e"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"按鍵的數(shù)量","id":""}],"text":"","id":"GmsAdqqMGoIEssxeQUmcQWalnDb"},{"type":"paragraph","children":[{"type":"text","text":"一般來(lái)說(shuō)，MIDI鍵盤(pán)的按鍵數(shù)量在25、32、49、61、88，如果整個(gè)音樂(lè)制作的過(guò)程中，需要用到較多的八度內(nèi)容，那么使用61、88鍵較為適合。不過(guò)25、32鍵也不會(huì)影響太多，因?yàn)镸IDI鍵盤(pán)上都有Octave+/-來(lái)調(diào)音域范圍。49鍵則更適用于在家工作，因?yàn)橥ǔ?lái)看正常編曲一般2-3個(gè)八度就夠用了，49鍵就很符合。","id":""}],"text":"","id":"GKOAdKGCEoQgyuxSg0JcF2Xpngd"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"按鍵的觸感","id":""}],"text":"","id":"Makedg8uWoKCYkxMTfgc9D8fnQf"},{"type":"paragraph","children":[{"type":"text","text":"觸感上一般可以分為合成鍵盤(pán)、半配重、全配重。一般如果沒(méi)有學(xué)習(xí)過(guò)鋼琴的話(huà)，使用合成鍵盤(pán)或者半配重即可，學(xué)過(guò)鋼琴的可以使用全配重。不過(guò)也需要考慮的事節(jié)奏速度的內(nèi)容，由于全配重的按鍵回彈比較慢，所以在進(jìn)行鼓組鍵盤(pán)錄入的話(huà)會(huì)有一定的延遲。（可以配合帶打擊墊的MIDI鍵盤(pán)解決問(wèn)題）","id":""}],"text":"","id":"WcaMdkgyIoQO0SxqETEc0MPon9d"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"外出的需求","id":""}],"text":"","id":"N02udoAAuocSIGxQJvrc0nGWnah"},{"type":"paragraph","children":[{"type":"text","text":"結(jié)合上面提到的按鍵數(shù)量，其中25、32、49比較方便攜帶外出，61、88就比較大了，并不是非常適合拿出去，很重。而且真要是演出的話(huà)，多數(shù)情況帶的是舞臺(tái)電鋼或者合成器，比較方便。","id":""}],"text":"","id":"ReSYdI8eUoUAquxo5jjcxh2Jnod"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"功能的順手","id":""}],"text":"","id":"VM4edCgWkoeoOAxTAFTcNdvDnqY"},{"type":"paragraph","children":[{"type":"text","text":"有的MIDI鍵盤(pán)只有按鍵內(nèi)容，有的則有功能器、推桿、旋鈕、打擊墊等，通過(guò)這些附加的功能區(qū)，能夠讓整個(gè)音樂(lè)制作的過(guò)程變得更加的順暢，不過(guò)如果只是想練琴，或者并沒(méi)有想做綜合的編曲工作，那么簡(jiǎn)單點(diǎn)的就挺好。","id":""}],"text":"","id":"EAAadMkg2oSOSOxcrKkcFQ6EnOh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"text":"","id":"BEK8dIEkGous0sxBZjYcaGwYnvM"},{"type":"paragraph","children":[{"type":"text","text":"1、NI Komplete Kontrol S88","id":""}],"text":"","id":"H0c2d4W2yoYGCkxk0hZc6zMZn2n"},{"type":"paragraph","children":[{"type":"text","text":"擁有全配重的Fatar鍵座，重新定義了電子鋼琴手感，這款88鍵全配重鍵盤(pán)，具有先進(jìn)的錘動(dòng)原理、智能的彈簧技術(shù)以及記憶阻尼，能夠帶來(lái)真實(shí)的鋼琴手感。S88能夠?qū)⑿枰男畔⑻崆俺尸F(xiàn)：兩塊高分彩屏能夠完整展示當(dāng)前聲音以及工程的基本信息；背光按鍵能夠以其背光亮度及色彩提示多種信息；還可以在鍵盤(pán)上通過(guò)光導(dǎo)指示燈時(shí)刻清晰地找到所需聲音、鍵區(qū)、切換開(kāi)關(guān)以及音階等等——不用回到電腦屏幕，即可完成音色的選擇、參數(shù)調(diào)節(jié)、工程控制以及混音。","id":""}],"text":"","id":"SKGKdGU8EoqG2yx81Zychg0onOd"},{"type":"image","attrs":{"height":321,"note":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/0681526fa8c94c169aee30238556b35f","width":720},"text":"","id":"JGYGdCCC0oo0WWxWSOLcX2ednqg"},{"type":"paragraph","children":[{"type":"text","text":"2、Arturia Keylab Mk2","id":""}],"text":"","id":"BiumdAycCoCoSIx2tSicxIf0n1b"},{"type":"paragraph","children":[{"type":"text","text":"KeyLab mkII采用Fartar鍵床，跟Arturia MatrixBrute模擬合成器用的鍵床是完全一樣的，全配重，帶觸后，5個(gè)踏板輸入。KeyLab mkII不僅可以輸出鍵盤(pán)演奏所產(chǎn)生的音高CV和琴鍵開(kāi)閉的Gate信息，還可以自定義輸出兩個(gè)Mod CV。當(dāng)處于創(chuàng)作區(qū)時(shí)，需要受到的音樂(lè)工具激發(fā)。Keylab88mk2就是這樣的一臺(tái)產(chǎn)片，每一個(gè)方面都經(jīng)過(guò)精心設(shè)計(jì)，以盡量減少干擾，并提供省時(shí)快捷方式，讓您在演奏中保持頭腦清醒。Keylab88 mk2有三種不同的模式可以在這三種模式之間進(jìn)行即時(shí)切換，從而實(shí)現(xiàn)極其高效的工作流程。","id":""}],"text":"","id":"RIakdOYC8oiWmyx2XvRco7s3noh"},{"type":"image","attrs":{"height":271,"note":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/0b73ed0e45644f50a1ccd0adf7ae98e8","width":720},"text":"","id":"SCW4dAYEgoOKiexGIVdcUh7Nnag"},{"type":"paragraph","children":[{"type":"text","text":"3、Nektar Impact GXP88","id":""}],"text":"","id":"UQE8d0QuuowiSWxWcPicNz1fn5f"},{"type":"paragraph","children":[{"type":"text","text":"流線(xiàn)型設(shè)計(jì)，琴體細(xì)長(zhǎng)、邊角圓潤(rùn)、結(jié)構(gòu)緊湊，外殼采用工程塑料材質(zhì)，堅(jiān)固而輕便，雖然體積較大，但總體質(zhì)量控制得比較合理。極簡(jiǎn)風(fēng)格的控制面板以可分配RGB照明按鈕為主，并輔以彎音和調(diào)制輪、一個(gè)旋鈕無(wú)極編碼器以及一個(gè)傳統(tǒng)電位器用于各種控制功能選擇。其鍵盤(pán)部分采用了全新設(shè)計(jì)且精心平衡的鍵盤(pán)系統(tǒng)，是整個(gè)硬件的核心。實(shí)際彈奏時(shí)，下鍵流暢，指尖阻礙感適中，鍵噪極低。用于輸入打擊樂(lè)時(shí)有效降低了來(lái)自鍵盤(pán)本身的咔噠聲。","id":""}],"text":"","id":"GcCyd8AyaogQscx2KBLcdqXenTm"},{"type":"image","attrs":{"height":131,"note":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/44a150c1d9844fedb165713fb5618eaa","width":720},"text":"","id":"C8u4d8gcIoM8yCxmw8qc0oWfn2b"},{"type":"paragraph","children":[{"type":"text","text":"4、Novation Launchkey49","id":""}],"text":"","id":"LsuUdkkQ6oeSG2xiaggcTafdnZg"},{"type":"paragraph","children":[{"type":"text","text":"具備8個(gè)旋鈕編碼器，全部都是無(wú)極旋轉(zhuǎn)式。面板有16個(gè)打擊墊，全部代有敏感的力度顯示，還有不同顏色加持顯示不同功能。49和61鍵版本多出9個(gè)推子可分配設(shè)置。除了面板功能外，NovationLaunchkey Mk3還提供了音階、和弦和琶音器功能。讓MIDI鍵盤(pán)搖身一變成為自動(dòng)伴奏編曲鍵盤(pán)，因?yàn)樵诤拖夷Ｊ较率强梢砸绘I彈奏出自己想要的和弦組合。琶音器功能也是相當(dāng)豐富的，帶有節(jié)奏設(shè)置和琶音變化可以為音樂(lè)錦上添花，做出有特色的有十足表現(xiàn)力的旋律。因?yàn)橛蠱IDI輸出功能，讓琶音器可以輕松創(chuàng)建并生成琶音MIDI。","id":""}],"text":"","id":"Te6EdESgcookQQxCMW6cpMpxn8g"},{"type":"image","attrs":{"height":212,"note":[{"type":"text","text":"推薦MIDI設(shè)備","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/a5779c2e20424b9ab3b08e93096be5a5","width":636},"text":"","id":"UI6wdOm2woeOaSxSyTMcV7Dtnpg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"監(jiān)聽(tīng)耳機(jī)","id":""}],"text":"","id":"DCiWdOQCGoyEc6xa8ebcHRmvnDh"},{"type":"paragraph","children":[{"type":"text","text":"監(jiān)聽(tīng)過(guò)程中，人聲、樂(lè)器聲高度清晰，能聽(tīng)辨出音樂(lè)中的每個(gè)細(xì)小聲音，讓整個(gè)監(jiān)聽(tīng)過(guò)程細(xì)膩且真實(shí)。三頻均衡中高音清晰、低音量足同時(shí)音質(zhì)純美，可以接觸到音樂(lè)中的靈魂。","id":""}],"text":"","id":"SyKAdYYEGoEksExQnOEcjFfSnNg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦耳機(jī)","id":""}],"text":"","id":"H8umds2e6ooekYxykVjcsRGHn1d"},{"type":"paragraph","children":[{"type":"text","text":"1、鐵三角 M50x","id":""}],"text":"","id":"JyeIdA6COockOQxMTvrcGlZznEd"},{"type":"paragraph","children":[{"type":"text","text":"M50X的使用感受，其一，可換線(xiàn)設(shè)計(jì)，增加線(xiàn)材可玩性。其二，180度旋轉(zhuǎn)的耳罩，可以用作單耳監(jiān)聽(tīng)，滿(mǎn)足錄音師的監(jiān)聽(tīng)需求。","id":""}],"text":"","id":"AaICdSEu2oi0IexKC9qcWF51nLf"},{"type":"paragraph","children":[{"type":"text","text":"頻率響應(yīng)：15～28kHz，額定抗阻：38歐姆。","id":""}],"text":"","id":"Dg6Kd8oseouwUgx2Ny9cwfKrn6f"},{"type":"image","attrs":{"height":664,"note":[{"type":"text","text":"推薦耳機(jī)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/057a6baea83f4660a2f78103561c9260","width":652},"text":"","id":"CWuidKEuKoMsimxQN3CcP9VLnqd"},{"type":"paragraph","children":[{"type":"text","text":"2、AKG K702","id":""}],"text":"","id":"SQA4dMEoQoQqgAx7HFxceEyInkB"},{"type":"paragraph","children":[{"type":"text","text":"耳罩式設(shè)計(jì)舒適、準(zhǔn)確塑形的3D泡棉耳墊，以及一個(gè)皮質(zhì)頭箍，確保貼合頭部。高解析少音染，耳機(jī)的聲音風(fēng)格適合小提琴等古典樂(lè)器的獨(dú)奏，非常適合監(jiān)聽(tīng)愛(ài)好者。拆卸方便，單邊可拆卸耳機(jī)線(xiàn)，提供專(zhuān)業(yè)的迷你XLR接頭，方便單邊監(jiān)聽(tīng)使用。","id":""}],"text":"","id":"OOCcdGyQYosq2Sxs5YLchFztnxg"},{"type":"paragraph","children":[{"type":"text","text":"頻率響應(yīng)：10～39.8kHz，額定抗阻：62歐姆。","id":""}],"text":"","id":"O6GedswCioiwqoxodUhcgG9FnAb"},{"type":"image","attrs":{"height":690,"note":[{"type":"text","text":"推薦耳機(jī)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/e2db398cbc3348a0b8f4e78100ae708b","width":624},"text":"","id":"PsM4dSIAkoaAoaxoR0xcJk2enMg"},{"type":"paragraph","children":[{"type":"text","text":"3、拜亞 DT770 PRO","id":""}],"text":"","id":"G2GUdqEIOosqyYxeCr4czBj9nwf"},{"type":"paragraph","children":[{"type":"text","text":"DT770Pro保證對(duì)信號(hào)的解釋達(dá)到高精確水準(zhǔn)。封閉式結(jié)構(gòu)使其對(duì)外界噪聲可衰減16dB，即使在主監(jiān)聽(tīng)揚(yáng)聲器面前，依舊可以不受影響地監(jiān)聽(tīng)音樂(lè)。DT770Pro采用輕量化設(shè)計(jì)，貼合頭部曲線(xiàn)，減輕頭部壓力。舒適佩戴感受，可以長(zhǎng)時(shí)間聆聽(tīng)音樂(lè)不傷耳朵。","id":""}],"text":"","id":"PquMdwouAoKmyOxYx5acpIhbnYc"},{"type":"paragraph","children":[{"type":"text","text":"頻率響應(yīng)：5～35kHz，額定抗阻：32歐姆/80歐姆/250歐姆。","id":""}],"text":"","id":"P48adyYSyoAwwExqQ7HcXMTtnPz"},{"type":"image","attrs":{"height":678,"note":[{"type":"text","text":"推薦耳機(jī)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/360c726355d64db7bb06571431f23988","width":606},"text":"","id":"Zo4Idy4EKokSSyxeacOc2VzVnrb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"監(jiān)聽(tīng)音響","id":""}],"text":"","id":"QqOqdA8GWoSAsOxCkw2cYos5nGh"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦音響","id":""}],"text":"","id":"VSO2dY8KioMYmcx27wxcGoRenWd"},{"type":"paragraph","children":[{"type":"text","text":"1、真力8050","id":""}],"text":"","id":"RMSQdwQEEoEwMsx29N6cIUqwnId"},{"type":"paragraph","children":[{"type":"text","text":"高性能反射導(dǎo)管深入人心的低頻下潛，真力獨(dú)創(chuàng)的流線(xiàn)型反射導(dǎo)管，去除了串竄流噪聲。降低倒向口的空氣流速。實(shí)現(xiàn)無(wú)壓縮低頻聲音，使低頻下潛更深，清晰度更高。有源主動(dòng)式分頻技術(shù)，無(wú)需額外添置昂貴的功率放大器。電子分頻器將聲音信號(hào)分為不同的頻段，分別路由給對(duì)應(yīng)的功率放大器。","id":""}],"text":"","id":"FM2mdgyUooU8sAxQyZrcFsbSnZL"},{"type":"paragraph","children":[{"type":"text","text":"寬闊的聆聽(tīng)范圍，久聽(tīng)不累的舒適聽(tīng)感。高頻單元周?chē)膬?yōu)雅弧度經(jīng)過(guò)精密設(shè)計(jì)，實(shí)現(xiàn)對(duì)聲波的精準(zhǔn)控制，讓最佳監(jiān)聽(tīng)范圍更加寬闊。不再固定在某個(gè)角度聆聽(tīng)，久聽(tīng)不累。","id":""}],"text":"","id":"NIUcd0O0SoesMYx04docxbV0nPg"},{"type":"image","attrs":{"height":406,"note":[{"type":"text","text":"推薦音響","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b61fcb719b53474c8bf69c9660765a62","width":720},"text":"","id":"HIq8d2EWKoWoSaxcjkHcnT85nmh"},{"type":"paragraph","children":[{"type":"text","text":"2、KRK V8","id":""}],"text":"","id":"WwYUdMi6GouE6Gxc5OOcAyJbnKb"},{"type":"paragraph","children":[{"type":"text","text":"KRK Systems V系列近場(chǎng)錄音棚監(jiān)聽(tīng)，特別為注重精確還原的音頻制作場(chǎng)合而設(shè)計(jì)。KRK與數(shù)百名專(zhuān)業(yè)工程師/制作人/調(diào)音師一起開(kāi)發(fā)了這些突破性的監(jiān)聽(tīng)揚(yáng)聲器。錄音棚、演播室以及聲音設(shè)計(jì)和音頻制作室如果選擇了V系列作為監(jiān)聽(tīng)揚(yáng)聲器，一定會(huì)從中受惠。","id":""}],"text":"","id":"PUc8dcYeqoeiSoxuu9tcq1Vtnge"},{"type":"paragraph","children":[{"type":"text","text":"V系列包含14種可由用戶(hù)選擇的均衡器設(shè)置，確保房間聲學(xué)，位置不規(guī)則以及品味和個(gè)人喜好等因素都得到照顧。KRK設(shè)計(jì)團(tuán)隊(duì)精益求精地以數(shù)百個(gè)監(jiān)聽(tīng)位置及房間聲學(xué)條件進(jìn)行了建模及分板，保證KRK生產(chǎn)出最實(shí)用的工具，而且只需要小的調(diào)整。","id":""}],"text":"","id":"K4Mmd0MWWowsqQxCC5XchewQn6g"},{"type":"image","attrs":{"height":412,"note":[{"type":"text","text":"推薦音響","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/9b741557c4f24809bab0b96c9eb31485","width":650},"text":"","id":"BciUd0yako0SiUxeCx4cHyD2nTE"},{"type":"paragraph","children":[{"type":"text","text":"3、雅馬哈 HS8","id":""}],"text":"","id":"ZgU4dSYwwosaguxQzEzc095Jn8e"},{"type":"paragraph","children":[{"type":"text","text":"HS系列采用了新的設(shè)計(jì)方案，高效的1半球形高音單元大大擴(kuò)展了可辨頻段能提供高精度的高音。厚波導(dǎo)設(shè)計(jì)方案可以將振動(dòng)降低至最小程度，因此這款全新設(shè)計(jì)的高音單元能平滑、無(wú)失真地再現(xiàn)高達(dá)30kHz的高頻。","id":""}],"text":"","id":"WyKSdaScKog6qSxUNwTcOsqCnbh"},{"type":"paragraph","children":[{"type":"text","text":"具備超高響應(yīng)能力的低音單元同樣經(jīng)過(guò)全新設(shè)計(jì)，通過(guò)采用精選的大型磁鋼，使HS系列音箱在任何輸出電平下都能釋放低失真，高解析度的低頻聲音，這款強(qiáng)勁單元的音圈和喇叭框架等所有部件嚴(yán)格篩選，保證了HS系列同時(shí)具備震撼的低頻和準(zhǔn)確的中頻。","id":""}],"text":"","id":"BysId6YqQo60OUxgb9ZcXOXcnMh"},{"type":"image","attrs":{"height":662,"note":[{"type":"text","text":"推薦音響","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f6193c68fa8747b3a685ac553cea2272","width":548},"text":"","id":"AK6CdksgsoCUmoxiCihcD9QwnPb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音頻信號(hào)流程","id":""}],"text":"","id":"XwqOd44CmoOyIqxCuLuc6iyNnXc"},{"type":"image","attrs":{"height":579,"note":[{"type":"text","text":"音頻信號(hào)流程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f3711483e5a84e5d962f7b0ad490aa47","width":1080},"text":"","id":"GmwUdCOWeoy4qyxkLcxcWUmYnHf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"音頻線(xiàn)種類(lèi)","id":""}],"text":"","id":"NEYWd4y0coME0OxaQzpcKskOnEd"},{"type":"image","attrs":{"height":483,"note":[{"type":"text","text":"音頻線(xiàn)種類(lèi)","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/52a1488408144ea9bb8a7181ee4cb476","width":1080},"text":"","id":"NqegdwyIkog4qcxUBoyctUIWnwh"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"設(shè)備連接","id":""}],"text":"","id":"RMC8dYauQo8oO0xGuphckaFfnfc"},{"type":"paragraph","children":[{"type":"text","text":"1、電腦和MIDI鍵盤(pán)、聲卡的連接","id":""}],"text":"","id":"Q46wd6cSqoEaI2x4EbPcu2VSnme"},{"type":"image","attrs":{"height":584,"note":[{"type":"text","text":"設(shè)備連接","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/845ef5e9ece84965843e1e0c9a0f0626","width":1080},"text":"","id":"I0aqdYyeWoW6YQxGkK1cMr8pnDb"},{"type":"paragraph","children":[{"type":"text","text":"2、話(huà)筒與聲卡的連接","id":""}],"text":"","id":"ZUgsdsCAGoIY0CxIB7TcmF9bnqd"},{"type":"image","attrs":{"height":651,"note":[{"type":"text","text":"設(shè)備連接","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/8b7bac68216c41fd8086494aaacf8127","width":1080},"text":"","id":"JmWUdG6W0oWIKExysPbcgInznQg"},{"type":"paragraph","children":[{"type":"text","text":"3、監(jiān)聽(tīng)音響和聲卡的連接","id":""}],"text":"","id":"LeSmdK26YoqGw4xbyPDcF3hlnMP"},{"type":"image","attrs":{"height":593,"note":[{"type":"text","text":"設(shè)備連接","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/fa0f00fb9fe041b382a03407057252d2","width":1080},"text":"","id":"Yqasdco8SocGMcxgZSUc2LBSnuc"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"編曲配器","id":""}],"text":"","id":"XcuOdcaY4oMuCYxIVFHcyOfdnHb"},{"type":"paragraph","children":[{"type":"text","text":"編曲配器一般是分為鋼琴、吉他、架子鼓、貝斯。","id":""}],"text":"","id":"GyCKdWM28oU2oOxWAbzcCdEknTe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"鋼琴","id":""}],"text":"","id":"SWUWdc2AQoiwGMxuk4ucVAK8n1f"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"編曲過(guò)程","id":""}],"text":"","id":"FiCSdOwwWoUMUAxk9B8cfUdRnCb"},{"type":"paragraph","children":[{"type":"text","text":"1、樂(lè)理層面","id":""}],"text":"","id":"FoaMdO0Gaoc2i2xymYFc5tWfnvf"},{"type":"paragraph","children":[{"type":"text","text":"當(dāng)然，簡(jiǎn)單的和聲學(xué)很簡(jiǎn)單，復(fù)雜的和聲學(xué)還是很復(fù)雜的。例如A叔的和聲大部分是歸于“簡(jiǎn)單”這一類(lèi)的，當(dāng)然不是說(shuō)他的編曲簡(jiǎn)單，而是他的和弦配的不難，大部分都是一些七和弦，比較抓耳朵而且也比較容易轉(zhuǎn)調(diào)。A叔用三聲部，但基本不用對(duì)位法。他的三聲部就是正常三聲部，沒(méi)有到達(dá)復(fù)雜復(fù)調(diào)的地步。","id":""}],"text":"","id":"OKEMds8uaogemmxq0IfcKGOfnfe"},{"type":"paragraph","children":[{"type":"text","text":"2、織體層面","id":""}],"text":"","id":"RWaIdAEQYoGMsaxwDPIclBMRnAd"},{"type":"paragraph","children":[{"type":"text","text":"有了樂(lè)理層面，其實(shí)編曲就入門(mén)了。一般寫(xiě)曲子，首先先把主旋律和和弦擺出來(lái)，然后去加花。加花的話(huà)，最佳的辦法是模仿。包括也可以模仿人家和聲的寫(xiě)法。一般是先模仿，慢慢的才能形成自己的風(fēng)格。怎么模仿就看自己需要了。","id":""}],"text":"","id":"X8EadQcQOogkM2xMtqTc22ljnrd"},{"type":"paragraph","children":[{"type":"text","text":"比如，在A叔的化物語(yǔ)里面，有一段雙手交替主旋律和伴奏的段落，那一段挺適合那種比較明快，但是覺(jué)得高音區(qū)有點(diǎn)單薄的曲子。那就可以有意識(shí)的去套用。包括A叔unravel中有不少那種把主旋律隱藏在高速分解和弦中的，這種也是很常見(jiàn)的編曲技巧，也是可以套用的。","id":""}],"text":"","id":"R0emdSW2Sow2EOxhPqGcaralnAx"},{"type":"paragraph","children":[{"type":"text","text":"在模仿到一定階段后，再形成自己的織體結(jié)構(gòu)。實(shí)際上，這些動(dòng)漫鋼琴家自己寫(xiě)的織體，也大部分是從古典中模仿而來(lái)的。所以說(shuō)我覺(jué)得過(guò)程是嘗試模仿—自己有了點(diǎn)想法—對(duì)模仿的段落進(jìn)行修改——修改的越來(lái)越多形成自己風(fēng)格。","id":""}],"text":"","id":"EQewdqgCYom20mxueZucLeT1nwe"},{"type":"paragraph","children":[{"type":"text","text":"3、節(jié)奏層面","id":""}],"text":"","id":"VMYodUWGIoMk4ixWwR1cCWVnn1e"},{"type":"paragraph","children":[{"type":"text","text":"提到節(jié)奏，主要是目前動(dòng)漫編曲的節(jié)奏大多數(shù)都遵循切分。這個(gè)點(diǎn)可以注意一點(diǎn)把，可以營(yíng)造一些緊張感和史詩(shī)感，這個(gè)來(lái)源于爵士編曲。一開(kāi)始編曲，了解一些爵士的是最高效的。","id":""}],"text":"","id":"EcGidcIYCoW0waxee3FcE4f4nHh"},{"type":"image","attrs":{"height":1117,"note":[{"type":"text","text":"編曲過(guò)程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/735a40d38e154c45bb75bb8528779d84","width":1080},"text":"","id":"MS8udecMcoWysWx4OEHceukDn4e"},{"type":"paragraph","children":[{"type":"text","text":"Keyscape-Collector Keyboard鋼琴這是Spectrasonics繼著名的三巨頭音色(Stylus RMX、Trilian和Omnisphere2)后再出的一款鋼琴音色是目前較熱門(mén)的鋼琴音色。","id":""}],"text":"","id":"P6Yody2AaoAUO8xQjqpcSs9Hnqc"},{"type":"image","attrs":{"height":374,"note":[{"type":"text","text":"編曲過(guò)程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/c737499871a144c8a77b2c0a663f88e4","width":620},"text":"","id":"MGg8dMKcQoW0sCxsup3cmN4SnQs"},{"type":"paragraph","children":[{"type":"text","text":"點(diǎn)擊下面這個(gè)鏈接可以一步步學(xué)習(xí)用鋼琴編曲。","id":""}],"text":"","id":"OOmGdwmm6oMOMaxUvtmcbo8ln2g"},{"type":"paragraph","children":[{"type":"text","text":"《【編曲教程】編不好鋼琴？手把手一步步豐富鋼琴伴奏~-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/pBgDhK2"},"children":[{"type":"text","text":"https://b23.tv/pBgDhK2","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"DygcdsSewogYsCx6rqVc3CH0nfc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"吉他","id":""}],"text":"","id":"MasCdW6K4oUa6GxmaXscv0qEnbe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"編寫(xiě)過(guò)程","id":""}],"text":"","id":"MSOMdUiKeoa4CaxIN3mcBClqnkh"},{"type":"paragraph","children":[{"type":"text","text":"1、指彈譜=伴奏（六線(xiàn)譜）+旋律（簡(jiǎn)譜）；","id":""}],"text":"","id":"DagOdcs4cogyI4xM1PYcxDhKnNf"},{"type":"paragraph","children":[{"type":"text","text":"2、以伴奏（六線(xiàn)譜）作為底本，把簡(jiǎn)譜的旋律音（音階）填充到六線(xiàn)譜上；","id":""}],"text":"","id":"TU8adwSUuoMuOExhU3tcPPxSnoW"},{"type":"paragraph","children":[{"type":"text","text":"3、旋律音填充規(guī)律是：把原始音升一個(gè)8度填充上去（要知道吉他指板音階位置）；","id":""}],"text":"","id":"BgysdeEc8o8uUMxOElRc1RRtngd"},{"type":"paragraph","children":[{"type":"text","text":"4、強(qiáng)拍上的前半拍（比如4/4拍的強(qiáng)弱規(guī)律是：強(qiáng)、弱、次強(qiáng)、弱）必須是和聲音程（同時(shí)彈響兩個(gè)音，這兩個(gè)音要綜合兩個(gè)因素考慮：①、按協(xié)和程度排序；②、方便于指法編配）；","id":""}],"text":"","id":"QieAdumoooWcCOxwNeicKCcWnlf"},{"type":"paragraph","children":[{"type":"text","text":"5、弱拍上的旋律音不需要配和聲音程；","id":""}],"text":"","id":"HM0adWEogoUcwMxS6FscXscVn7b"},{"type":"paragraph","children":[{"type":"text","text":"6、編配完后彈幾遍，小問(wèn)題進(jìn)行修改。","id":""}],"text":"","id":"M4SqdM0QcoAO6OxcZxIcrtBlnSc"},{"type":"paragraph","children":[{"type":"text","text":"推薦吉他","id":""}],"text":"","id":"REOadasUQoc0I8x8N0wcLUX1nWh"},{"type":"paragraph","children":[{"type":"text","text":"Ample guitar M(國(guó)產(chǎn)AG系列吉他，音響十分真實(shí))","id":""}],"text":"","id":"DWS4dcUocoKKckx87iqcCArIn5d"},{"type":"image","attrs":{"height":407,"note":[{"type":"text","text":"編寫(xiě)過(guò)程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/cac3a0379e7141ddbc4462487e0a22f2","width":800},"text":"","id":"S6wcdca2eoawmexqawTcuus2nEf"},{"type":"paragraph","children":[{"type":"text","text":"Real Guitar(技法應(yīng)有盡有掃弦聲音比較真實(shí))","id":""}],"text":"","id":"Pmwgdskceom84UxwTNVcd9pvnXf"},{"type":"image","attrs":{"height":588,"note":[{"type":"text","text":"編寫(xiě)過(guò)程","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/2a404b4a8e5148f3bf53019dacba54e7","width":800},"text":"","id":"UaEAd6mO2oksCuxYnuacQqG8nid"},{"type":"paragraph","children":[{"type":"text","text":"結(jié)合以下這個(gè)視頻更有助于","id":""},{"type":"text","text":"學(xué)習(xí)用吉他編曲。","id":""}],"text":"","id":"JGOwdAsSQo6SoKxkGgkceaYxnZx"},{"type":"paragraph","children":[{"type":"text","text":"《【從零實(shí)戰(zhàn)編曲教程！【吉他編寫(xiě)】全干貨無(wú)廢話(huà)！-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/2mk8pi5"},"children":[{"type":"text","text":"https://b23.tv/2mk8pi5","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"EI6WdY00Moo6C8x4shYciEgvnLc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"架子鼓","id":""}],"text":"","id":"YOqcdwY0UoMAwYxg4RPcRHuKnob"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"編曲技巧","id":""}],"text":"","id":"GGwEdU8WOoCg6UxAd1Fc4WDbnsg"},{"type":"paragraph","children":[{"type":"text","text":"1、底鼓","id":""}],"text":"","id":"Jm4cdeIiYoqiEYxyie6cpcRxnyb"},{"type":"paragraph","children":[{"type":"text","text":"（1）主要注意與貝斯、和弦的搭配","id":""}],"text":"","id":"DGwwdQ0C2oosymxagnyc4j8vnre"},{"type":"paragraph","children":[{"type":"text","text":"（2）音色","id":""}],"text":"","id":"HuKMdwySgoIEGMxwHhgcH98un4f"},{"type":"paragraph","children":[{"type":"text","text":"一般需要找比較扎實(shí)、頭音干凈、很悶很重的音色。","id":""}],"text":"","id":"R4MmdCqaMo0CUCxU7g6cfQ2KnJc"},{"type":"paragraph","children":[{"type":"text","text":"注意其高頻、中頻、低頻，厚度，有沒(méi)有落地感。","id":""}],"text":"","id":"U06Qd8QQso80gixqoJRcgGKznje"},{"type":"paragraph","children":[{"type":"text","text":"對(duì)于低頻漫射非常多的音色，一般用在沒(méi)有貝斯的主歌部分。","id":""}],"text":"","id":"K2EgdEqESoS4OOxUZYycCsGLnfg"},{"type":"paragraph","children":[{"type":"text","text":"抒情歌的主歌部分，基本都會(huì)用鼓邊來(lái)替代軍鼓，或者去掉一部分軍鼓，這樣在副歌使用軍鼓時(shí)，就會(huì)形成一個(gè)由弱轉(zhuǎn)強(qiáng)的對(duì)比","id":""}],"text":"","id":"KQMMdaKekoU8WmxuImrczsuSn8b"},{"type":"paragraph","children":[{"type":"text","text":"2、節(jié)拍位置","id":""}],"text":"","id":"XGCidacCEoSyiMxqa8kckhSQnAe"},{"type":"paragraph","children":[{"type":"text","text":"進(jìn)鼓的小節(jié)第一拍一定要有底鼓，但是中間小節(jié)可以靈活處理","id":""}],"text":"","id":"S8EOdI0CQoyiCgxawGkcckY9nBc"},{"type":"paragraph","children":[{"type":"text","text":"和軍鼓不能重拍，也最好不要靠的過(guò)于近","id":""}],"text":"","id":"Wgesdocmkosw0mxc5OvcMT7hnOd"},{"type":"paragraph","children":[{"type":"text","text":"靠近下一拍開(kāi)頭的底鼓，聲音力度可以減小","id":""}],"text":"","id":"WQAUdYoSEo6AO4xSAgycrSNXn5g"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"編寫(xiě)事項(xiàng)","id":""}],"text":"","id":"ImcSdi2kQo0oWexo3SqcrXb9nOg"},{"type":"paragraph","children":[{"type":"text","text":"1、選音色","id":""}],"text":"","id":"FcWIdauqSo0G8kxQ9kacx9vhnWd"},{"type":"paragraph","children":[{"type":"text","text":"（1）先選底鼓，再選軍鼓，最后選hihat","id":""}],"text":"","id":"VmEidIkM4oM68OxcdajcMapinzb"},{"type":"paragraph","children":[{"type":"text","text":"（2）軍鼓和底鼓最好是一遠(yuǎn)一近的關(guān)系，底鼓聽(tīng)起來(lái)離耳朵近，則需要軍鼓聽(tīng)起來(lái)較遠(yuǎn)，這樣可以形成縱向聲場(chǎng)","id":""}],"text":"","id":"UugCdcUUoo8IQKxiUHacynHbndf"},{"type":"paragraph","children":[{"type":"text","text":"2、編寫(xiě)的時(shí)候","id":""}],"text":"","id":"NOqOdkAASoKYuExY7pvcCr5kn5f"},{"type":"paragraph","children":[{"type":"text","text":"（1）先用hihat定位速度、節(jié)奏","id":""}],"text":"","id":"Sy0udm8Q0oK8ugxmyRLcQLyYnjf"},{"type":"paragraph","children":[{"type":"text","text":"（2）再在節(jié)拍的中間重拍上加軍鼓，軍鼓是最基礎(chǔ)的節(jié)奏","id":""}],"text":"","id":"WSqIdoeYyoUaKCxm3iycbosenV0"},{"type":"paragraph","children":[{"type":"text","text":"（3）最后根據(jù)已有的hihat和軍鼓來(lái)聯(lián)想底鼓的律動(dòng)感，增加底鼓","id":""}],"text":"","id":"JcIidYYamoi2YYxAnGJcDCpHn0d"},{"type":"paragraph","children":[{"type":"text","text":"3、RMX","id":""}],"text":"","id":"NiaEdaG6uoUKYmxQJX0csnwRnXb"},{"type":"paragraph","children":[{"type":"text","text":"（1）注意，如果能找到合適的RMX loop，就不需要自己手寫(xiě)，除非在換節(jié)奏或者推動(dòng)情緒的關(guān)鍵節(jié)點(diǎn)","id":""}],"text":"","id":"KgaCdMcMaogaU0xYn6lcnxocnve"},{"type":"paragraph","children":[{"type":"text","text":"（2）連續(xù)的小打，在節(jié)奏中不會(huì)有斷點(diǎn)","id":""}],"text":"","id":"LS24dGyUqoyGC4xqk5OcGmQznug"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"推薦","id":""}],"text":"","id":"A4WOdMcaaoyWusxviVhcELpgnA0"},{"type":"paragraph","children":[{"type":"text","text":"XLN Audio Addictive Drums(ADD鼓)","id":""}],"text":"","id":"O2Q6d2QGsoAWUmxc9wMcri7Mnhg"},{"type":"image","attrs":{"height":516,"note":[{"type":"text","text":"推薦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b4548e58d143466fbfb1e810e397c6a2","width":800},"text":"","id":"CMCIdgUuKoW2QuxqOagcWU6UnHg"},{"type":"paragraph","children":[{"type":"text","text":"Studio Drummer需要Kontakt加載喲~(錄音棚實(shí)用鼓)","id":""}],"text":"","id":"LUyOd4cmioiSqyx4pBDcbVR1nWg"},{"type":"image","attrs":{"height":555,"note":[{"type":"text","text":"推薦","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/6eda730aa36d45849a2be688ce9e21f2","width":800},"text":"","id":"KGkKdaIk2oesmmxckYecH57Vnlb"},{"type":"paragraph","children":[{"type":"text","text":"想要進(jìn)一步","id":""},{"type":"text","text":"學(xué)習(xí)用架子鼓編曲","id":""},{"type":"text","text":"，可參考以下視頻教程","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"L60EduySkow2A0xuBRBcDo4EngT"},{"type":"paragraph","children":[{"type":"text","text":"《【【編曲教程】架子鼓編寫(xiě)系統(tǒng)教程-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/c0Dg7i0"},"children":[{"type":"text","text":"https://b23.tv/c0Dg7i0","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"Fm6udakwSoGACWxkfoVc0lrMn1g"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"貝斯","id":""}],"text":"","id":"GcACdwoksokosex0GrfcNAAHnYe"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"認(rèn)識(shí)貝斯","id":""}],"text":"","id":"TiwadocckoYem0xg9yec9kbGnRb"},{"type":"image","attrs":{"height":1126,"note":[{"type":"text","text":"認(rèn)識(shí)貝斯","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/1821469adb6e4971930dc997e86400ee","width":1080},"text":"","id":"U2MmdIwayom8IWxyiSRcoNlSnGg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"入門(mén)指法","id":""}],"text":"","id":"FmsYdqWOyoUsw8xakB9cZsETnUe"},{"type":"image","attrs":{"height":1060,"note":[{"type":"text","text":"入門(mén)指法","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/ee1ecfcfdab146758c44654766cdf7e8","width":1079},"text":"","id":"G4e0dQ6O8oEgS0xk5WFcGejinrh"},{"type":"paragraph","children":[{"type":"text","text":"Trilogy Bass(各種各樣的音色都有很飽滿(mǎn))","id":""}],"text":"","id":"KECwdqSqqoyk04xc7bGcXuNmnth"},{"type":"image","attrs":{"height":411,"note":[{"type":"text","text":"入門(mén)指法","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/4a687ada4dcc40158fcfabab83053688","width":800},"text":"","id":"XQyWd4CQUoyESmxEvlWcEEzJndg"},{"type":"paragraph","children":[{"type":"text","text":"Spectrasonics Trilian(作為三巨頭之一的它音質(zhì)質(zhì)感不錯(cuò)、貝斯種類(lèi)齊全)","id":""}],"text":"","id":"Ms26dsGOKo2awqxAVpwcInTXnDI"},{"type":"image","attrs":{"height":342,"note":[{"type":"text","text":"入門(mén)指法","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/3a72b799ce814379bdc782848c28f4fc","width":480},"text":"","id":"UQeWdAMq4oOIOIxFvpockinWnkI"},{"type":"paragraph","children":[{"type":"text","text":"結(jié)合我的講解，","id":""},{"type":"text","text":"點(diǎn)擊下面這個(gè)鏈接","id":""},{"type":"text","text":"可更深度地","id":""},{"type":"text","text":"學(xué)習(xí)用貝斯編曲。","id":""}],"text":"","id":"CskkdqMuyowCOYxkPGNcYtZtnDh"},{"type":"paragraph","children":[{"type":"text","text":"《【【編曲教程】貝斯怎么編寫(xiě)？貝斯的編寫(xiě)方法及加花小技巧-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/z7TjUhM"},"children":[{"type":"text","text":"https://b23.tv/z7TjUhM","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"I8w2du4YooGuusxSoI8cHhN0nFe"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"人聲貼唱處理","id":""}],"text":"","id":"WY0adYkwUoo2OcxY5uWcBNgsnYf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"混音與錄音","id":""}],"text":"","id":"Ji0cdkSM0ok0aIxC8FOcNpZunWe"},{"type":"paragraph","children":[{"type":"text","text":"混音是音樂(lè)后期制作中的一個(gè)重要步驟，是把多種來(lái)源的聲音，整合至一個(gè)立體音軌或單音音軌中。而混音師的工作，就是需要將前面所進(jìn)行制作的一些素材混合成成品。在混音的過(guò)程中，混音師會(huì)將每一個(gè)原始信號(hào)的頻率、動(dòng)態(tài)、音質(zhì)、定位、殘響和聲場(chǎng)單獨(dú)進(jìn)行調(diào)整讓各音軌最佳化，之后再疊加于最終成品上。","id":""}],"text":"","id":"DG8udgSywoW84ixo3G7coZ2dnbf"},{"type":"paragraph","children":[{"type":"text","text":"錄音是當(dāng)確定作詞作曲、編曲之后，把每一軌扎扎實(shí)實(shí)地錄下來(lái)，錄音時(shí)需要考究的條件有很多，例如錄音棚的隔音、聲學(xué)空間和反射、演唱者的站位和與話(huà)筒的距離和不同的演唱演奏方式。有時(shí)候追求細(xì)節(jié)的錄音過(guò)程可能一個(gè)樂(lè)甸或者一句歌詞，甚至細(xì)化到每一個(gè)音都要重新錄制和做調(diào)整。","id":""}],"text":"","id":"IMoKd244aos66exCCRwcwOk5nId"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"基本流程","id":""}],"text":"","id":"RyA4dKmaQoUmOgx4cWucDqGXnbb"},{"type":"paragraph","children":[{"type":"text","text":"混音","id":""}],"text":"","id":"Msm0dgYSaoKaqoxD3Spco5Q5nsW"},{"type":"paragraph","children":[{"type":"text","text":"推薦一個(gè)比較好的教程，大家可以配合我的講解進(jìn)一步學(xué)習(xí)","id":""},{"type":"text","text":"。","id":""}],"text":"","id":"UUUGdkOSYoMuuOxw1i9cbh09nYw"},{"type":"paragraph","children":[{"type":"text","text":"《【20個(gè)混音意想不到的創(chuàng)意技巧，提升你的混音編曲效率-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/65pz5qP"},"children":[{"type":"text","text":"https://b23.tv/65pz5qP","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"IqoAdYoSuoQSQOxWqMMcoIgYnJe"},{"type":"paragraph","children":[{"type":"text","text":"1、過(guò)帶（把多軌MIDI輸出成音頻，輸出時(shí)分立體，單聲輸出）","id":""}],"text":"","id":"OGEidyQWioIYWexiSe6cPkG8neg"},{"type":"paragraph","children":[{"type":"text","text":"2、剪切掉不需要的空白部分。","id":""}],"text":"","id":"AwU6dyEIgookUWxyKw4c3mh0nXe"},{"type":"paragraph","children":[{"type":"text","text":"3、試聽(tīng)全曲，記錄每件樂(lè)器的特點(diǎn)和頻率的分布。","id":""}],"text":"","id":"A4A2demquoGQKsxCksCc0mSXnZg"},{"type":"paragraph","children":[{"type":"text","text":"4、開(kāi)始對(duì)底鼓和BASS進(jìn)行處理。","id":""}],"text":"","id":"RgS2dAs2EoYCSKxkFPgcfSePnig"},{"type":"paragraph","children":[{"type":"text","text":"5、再去看樂(lè)器而定，一般我都喜歡也去看哪件樂(lè)器需要壓縮進(jìn)行處理后才開(kāi)對(duì)其他樂(lè)器進(jìn)行EQ處理。","id":""}],"text":"","id":"G2S6dUc2UoCaeOxiqLtc3qaunbb"},{"type":"paragraph","children":[{"type":"text","text":"6、EQ處理完以后開(kāi)始空間擺設(shè)。","id":""}],"text":"","id":"WyyYdmcuCoK06MxCUiQcKjl5ndg"},{"type":"paragraph","children":[{"type":"text","text":"7、對(duì)每個(gè)軌道再進(jìn)行掃頻一次。","id":""}],"text":"","id":"NQGGd40O2ocoSqxqAnNcluU7n6d"},{"type":"paragraph","children":[{"type":"text","text":"錄音","id":""}],"text":"","id":"PsKwdAAmOoQ4kuxyC38cBapXnlc"},{"type":"paragraph","children":[{"type":"text","text":"1、在錄音之前將會(huì)有錄音師和您進(jìn)行交流，首先要準(zhǔn)備好伴奏和歌詞。","id":""}],"text":"","id":"BqyodAysQokCQ0xPfpWcSjzqnnn"},{"type":"paragraph","children":[{"type":"text","text":"2、進(jìn)入錄音室準(zhǔn)備之后，調(diào)整話(huà)筒與耳麥的距離。","id":""}],"text":"","id":"CAe8d60MQoISKKxS4rec3UjXnpf"},{"type":"paragraph","children":[{"type":"text","text":"3、第一遍錄音的時(shí)候，歌手要適應(yīng)錄音棚的環(huán)境，調(diào)整伴奏和人聲大小，以使自己適合整個(gè)錄音棚的環(huán)境。","id":""}],"text":"","id":"DgIQdmkqYoQSSKxQHEqchWv9nef"},{"type":"paragraph","children":[{"type":"text","text":"4、在接下來(lái)錄歌的時(shí)候歌手們便會(huì)進(jìn)入狀態(tài)，此時(shí)就可以正式錄音了。","id":""}],"text":"","id":"QI2MdUMqComw26xKu1ucFf9endf"},{"type":"paragraph","children":[{"type":"text","text":"5、正式錄音的整個(gè)過(guò)程，錄音師將會(huì)指導(dǎo)，要是遇到某個(gè)難的句子會(huì)單獨(dú)錄制。","id":""}],"text":"","id":"D04sdeWOKoi4mqxcdlScYEVcnA3"},{"type":"paragraph","children":[{"type":"text","text":"6、最后完成錄制之后，進(jìn)行后期的制作。","id":""}],"text":"","id":"DyyGdeOi0oIcokxOWH7cp2itnnc"},{"type":"paragraph","children":[{"type":"text","text":"7、后期制作顧名思義就是整個(gè)錄音結(jié)束后，把后期用效果處理一下，調(diào)節(jié)音量之后，在最后導(dǎo)出一個(gè)完整的音樂(lè)文件。","id":""}],"text":"","id":"YmIEdC20ioEGUixs1Cpcwg0CnNg"},{"type":"paragraph","children":[{"type":"text","text":"后期制作的流程包括：","id":""}],"text":"","id":"W02UdA2YOo6euCxqoBWczfqrneh"},{"type":"paragraph","children":[{"type":"text","text":"（1）清除雜音。","id":""}],"text":"","id":"Keg0duaIioeuaUxwtYUcD3Yvn6e"},{"type":"paragraph","children":[{"type":"text","text":"（2）調(diào)整音準(zhǔn)，將跑調(diào)的音修正。","id":""}],"text":"","id":"XEQYd6i64omgA4xUh6tc74TznCe"},{"type":"paragraph","children":[{"type":"text","text":"（3）節(jié)奏調(diào)整，將沒(méi)唱準(zhǔn)的部分對(duì)準(zhǔn)拍子即可。","id":""}],"text":"","id":"I6uAdmsoEo6QWWxusk4cs1rlnnf"},{"type":"paragraph","children":[{"type":"text","text":"（4）修剪呼吸口，在唱歌時(shí)歌手是要進(jìn)行呼吸的，沒(méi)有呼吸的歌曲會(huì)讓聽(tīng)眾聽(tīng)的很累，錄音后氣口會(huì)隨著音樂(lè)情緒的變化有所不同。","id":""}],"text":"","id":"EmKadGQaioQQk2xSerAcMIXpnXc"},{"type":"paragraph","children":[{"type":"text","text":"（5）添加效果器，如壓縮器、均衡器、混響、延遲等等。","id":""}],"text":"","id":"Hs86dSYwoo0uqGxANT0cD5Dtnuh"},{"type":"paragraph","children":[{"type":"text","text":"（6）母帶處理，簡(jiǎn)單的說(shuō)母帶處理后的音樂(lè)會(huì)變得更加飽滿(mǎn)有力度，也適合也在任何放音設(shè)備里進(jìn)行放音。","id":""}],"text":"","id":"Fm0Ydu02OoIEqgxUVcpciirjnZg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"混音插件","id":""}],"text":"","id":"Y866ds028ocGugx4xJ3cqiwpnIh"},{"type":"paragraph","children":[{"type":"text","text":"1、Ableton Live compressora一款A(yù)bleton Live自帶的壓縮器，它的重點(diǎn)在于擁有完整的輸入、輸出與增益衰減的數(shù)字電平表，且在各部分還會(huì)同時(shí)顯示峰值（Peak）與均方根（RMS）的信號(hào)，對(duì)于新手而言非常適合參考閾值的設(shè)定范圍。除此之外還帶有側(cè)鏈功能，更能對(duì)側(cè)鏈信號(hào)進(jìn)行頻率處理，另外還可以調(diào)節(jié)前視值（Lookahead)、拓展模式、另外兩種顯示模式、自動(dòng)補(bǔ)益等功能，可謂好用而又全面。","id":""}],"text":"","id":"UgSSdWk0soMuOCxmFiicG3CAn4G"},{"type":"paragraph","children":[{"type":"text","text":"主要特點(diǎn)：","id":""}],"text":"","id":"FA2admO22oCi8AxyeUdcKydSnhd"},{"type":"paragraph","children":[{"type":"text","text":"（1）視窗界面由Arrangement View和Session View兩個(gè)組成，Arrangement View提供類(lèi)似于常規(guī)音樂(lè)制作軟件的水平剪輯時(shí)間線(xiàn)，而Session View則提供在一個(gè)實(shí)時(shí)表演中所有剪輯的基于網(wǎng)格的描述。","id":""}],"text":"","id":"U6kSd804eoCQQsxzchTc6raAnAe"},{"type":"paragraph","children":[{"type":"text","text":"（2）包含Impulse、Simpler、Instrument Rack和Drum Rack四種基礎(chǔ)樂(lè)器，以及各種類(lèi)型的外部拓展樂(lè)器","id":""}],"text":"","id":"NO40d4UwMo2OgaxaWkpcf7DnnQg"},{"type":"paragraph","children":[{"type":"text","text":"（3）擁有多種專(zhuān)為L(zhǎng)ive設(shè)計(jì)或兼容的MIDI控制設(shè)備，例如Akai的APC40 mk II、Novation的Launchpad、Ableton自己的Push。","id":""}],"text":"","id":"JQYcdEgKeo8qY0x8fPpcOW0Znog"},{"type":"paragraph","children":[{"type":"text","text":"（4）包含大部分?jǐn)?shù)字音頻領(lǐng)域的常見(jiàn)的MIDI和音頻效果器類(lèi)型，專(zhuān)為電子音樂(lè)制作人和DJ量身定制，也同樣適用于傳統(tǒng)樂(lè)器的錄制","id":""}],"text":"","id":"EGSMdAGC4oKiWMxmy6ycd8funJb"},{"type":"paragraph","children":[{"type":"text","text":"（5）更全面的音頻采樣處理功能，包括采樣分析、時(shí)間拉伸、在線(xiàn)素材、MIDI轉(zhuǎn)換等，以更適應(yīng)樂(lè)曲全局的需要","id":""}],"text":"","id":"KQM0dKgqqoM6SYxgL5RcxcS3nVd"},{"type":"paragraph","children":[{"type":"text","text":"（6）幾乎所有參數(shù)都可以通過(guò)包絡(luò)來(lái)自動(dòng)化，不管是音頻剪輯、音頻設(shè)備的參數(shù)控制還是映射到MIDI控件","id":""}],"text":"","id":"AyaWd4oIYoyQSSxmTj4cqqSen12"},{"type":"paragraph","children":[{"type":"text","text":"（7）大部分界面都適應(yīng)現(xiàn)場(chǎng)表演和制作，用戶(hù)界面很少有消息或?qū)υ?huà)框的彈出，可以基于箭頭隨時(shí)隱藏和顯示某些部分","id":""}],"text":"","id":"BWkKd28gWo2QUMxc5V7cGu97nHb"},{"type":"image","attrs":{"height":500,"note":[{"type":"text","text":"混音插件","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/7cf6fe7d3ddd463c8af6d5f6f3b87dd9","width":983},"text":"","id":"Eig6dQAqioySuGxCc0NcqzkZnlf"},{"type":"paragraph","children":[{"type":"text","text":"2、Xfer Record OTT aOTT是一款免費(fèi)多段壓縮器插件，使用起來(lái)非常方便。縱觀(guān)整個(gè)插件，只需調(diào)節(jié)一顆“Depth”旋鈕即可達(dá)到想要的效果，越往右音色就會(huì)越亮，且會(huì)產(chǎn)生更多的壓縮效果。可以算得上是為數(shù)不多的“黑魔法插件”之一，只要加載進(jìn)去用5秒鐘調(diào)一下就會(huì)很好聽(tīng)。","id":""}],"text":"","id":"FSiwdYuC6oqwUIxAdHpc1aA6nzc"},{"type":"image","attrs":{"height":622,"note":[{"type":"text","text":"混音插件","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/38fb660a02b84418897aa8163dab9bc3","width":978},"text":"","id":"BGqyd28qMoU6GYx8Lsyc0gctnib"},{"type":"paragraph","children":[{"type":"text","text":"3、I Heart NY al Heart NY 是一款在業(yè)內(nèi)非常出名的平行壓縮插件，界面十分簡(jiǎn)潔，操作也相當(dāng)簡(jiǎn)單。用來(lái)處理鼓組、樂(lè)器音色或人聲都相當(dāng)不錯(cuò)，會(huì)帶來(lái)更多亮度與沖擊力，這是傳統(tǒng)的串聯(lián)式壓縮處理所不能做到的效果。","id":""}],"text":"","id":"Hoq2dQQGCoYeswxYdPQcFM2fnQg"},{"type":"image","attrs":{"height":686,"note":[{"type":"text","text":"混音插件","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/6b2527bff3f746d1ad490a8bd27baee5","width":983},"text":"","id":"LMeidguIMoEgEMxeW3ucJdb5nTe"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"編曲方法","id":""}],"text":"","id":"FIoIdoQsMoEsoAxwvb4cuuognmh"},{"type":"paragraph","children":[{"type":"text","text":"我的講解配合這個(gè)","id":""},{"type":"text","text":"視頻","id":""},{"type":"text","text":"課程，可更有效地","id":""},{"type":"text","text":"從零開(kāi)始學(xué)習(xí)編曲。《【你還不會(huì)編曲嗎？】B站首個(gè)從零開(kāi)始的完整的編曲教程『275P更新完畢』-嗶哩嗶哩】 ","id":""},{"type":"external_link","attrs":{"url":"https://b23.tv/WGmwiIg"},"children":[{"type":"text","text":"https://b23.tv/WGmwiIg","id":""}],"text":"","id":""},{"type":"text","text":"》","id":""}],"text":"","id":"U2MCduQEEoAqa0xSMiNc7nOInxe"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"編曲中加弦樂(lè)","id":""}],"text":"","id":"ACUgdYy6Co6eKcx4hilc99qknhb"},{"type":"paragraph","children":[{"type":"text","text":"在歌曲中加入弦樂(lè)能明顯增加抒情性，我個(gè)人也是個(gè)弦樂(lè)控，特愛(ài)聽(tīng)弦樂(lè)豐滿(mǎn)的曲子，嘻嘻。弦樂(lè)的編寫(xiě)最簡(jiǎn)單的就是以和聲填充內(nèi)聲部，不過(guò)都這樣寫(xiě)聽(tīng)起來(lái)會(huì)比較機(jī)械，而富于變化的弦樂(lè)編寫(xiě)會(huì)在不知不覺(jué)中給曲子增色不少。弦樂(lè)可以演奏歌曲的副旋律，但要注意不能干擾到主旋律。","id":""}],"text":"","id":"PIQ0dcoiWoYySkxANvqca8fhn2f"},{"type":"paragraph","children":[{"type":"text","text":"編寫(xiě)弦樂(lè)通常需要做到與主旋律前呼后應(yīng)、相輔相成，然后點(diǎn)上CB根音進(jìn)行，再填寫(xiě)內(nèi)聲部，這是個(gè)關(guān)鍵，因?yàn)閮?nèi)聲部不僅要起到和聲的作用，還要有獨(dú)立個(gè)性的旋律性，內(nèi)聲部的編寫(xiě)是需要功力的，這一點(diǎn)可以慢慢摸索練習(xí)。初寫(xiě)弦樂(lè)可以從長(zhǎng)音著手，保持聲部平穩(wěn)流暢，同時(shí)起到豐滿(mǎn)和聲的效果，漸漸熟練后，就可以適當(dāng)加入一些復(fù)調(diào)對(duì)位，增加曲子的推動(dòng)力。","id":""}],"text":"","id":"Scmgdi4YmoQUOYxIJFAcJapenHd"},{"type":"paragraph","children":[{"type":"text","text":"編曲流行配器四大件就是鋼琴、吉他、鼓、貝斯。這四個(gè)樂(lè)器也是最常用的。","id":""}],"text":"","id":"Ye6CdOYy2oi6OCx2vRdcpuGjnEg"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"軌道命名法","id":""}],"text":"","id":"Iy0Uda4GoocuwUxaI78cVIsnnbd"},{"type":"paragraph","children":[{"type":"text","text":"很多編曲學(xué)習(xí)者的工程看起來(lái)比較雜亂，究其原因，無(wú)非是軌道命名沒(méi)有統(tǒng)一的規(guī)則，給大家分享一套軌道命名方法。","id":""}],"text":"","id":"ViecdcWOaoEGmox0839cNUu1nMf"},{"type":"paragraph","children":[{"type":"text","text":"1、大致的規(guī)則：樂(lè)器分組＋樂(lè)器名稱(chēng)（＋特殊技法＋特殊效果＋數(shù)字），","id":""}],"text":"","id":"Qym8dK6okog2sQxuQ79cvzHHnFb"},{"type":"paragraph","children":[{"type":"text","text":"如：DRUM KICK HARD，表示的是：鼓組＋底鼓＋硬的；","id":""}],"text":"","id":"DCUOdMmcWoOCu0xcz9fcYB1onqc"},{"type":"paragraph","children":[{"type":"text","text":"STRINGS VIOLIN PIZZ VERB，表示的是：弦樂(lè)組＋小提琴＋撥奏＋帶混響效果。","id":""}],"text":"","id":"O8sSd864AoImWMx27xzcW3jXnRb"},{"type":"paragraph","children":[{"type":"text","text":"2、樂(lè)器分組，常見(jiàn)的有：","id":""}],"text":"","id":"LW4YdCAUQo026sxqWkycbU9FnEe"},{"type":"paragraph","children":[{"type":"text","text":"DRUM—鼓，PERC—打擊樂(lè)，SFX一特殊效果，BASS—低音，KEYS—鍵盤(pán)，GUITAR—吉他，SYNTH—合成器，STRINGS—弦樂(lè)，WINDS—管樂(lè)，VOX—人聲組，SAMPLE一采樣，TONAL﹣音高樂(lè)器。","id":""}],"text":"","id":"I4qedC6c6o2MCmxGkzpcZzljnpc"},{"type":"paragraph","children":[{"type":"text","text":"3、合并原則，即某類(lèi)樂(lè)器軌數(shù)較少，可以合并到接近的分類(lèi)去，","id":""}],"text":"","id":"TOgUde0o4oUuoKxqGtJcvuGMnxc"},{"type":"paragraph","children":[{"type":"text","text":"如：打擊樂(lè)只有一兩軌，合并到【DRUM﹣鼓組】;合成器只有兩軌，合并到【KEYS﹣鍵盤(pán)組】。","id":""}],"text":"","id":"IqOedeyMao4Mwkx48P2c1tmhnLb"},{"type":"paragraph","children":[{"type":"text","text":"4、分組不宜太多，一般控制在10組以?xún)?nèi)，不過(guò)太少也不好。","id":""}],"text":"","id":"Xi6od4GWeo0cY8x4PqTcapYRnJg"},{"type":"paragraph","children":[{"type":"text","text":"如果吉他、鍵盤(pán)、合成器、弦樂(lè)、管樂(lè)等都只有一兩軌，那么沒(méi)有必要強(qiáng)行分組，默認(rèn)它們都是TONAL組即可。","id":""}],"text":"","id":"Fmued2QqUoQIeKxu4tOcOrTKntg"},{"type":"paragraph","children":[{"type":"text","text":"5、盡量使用英文，且所有英文大寫(xiě)，這樣看起來(lái)會(huì)更統(tǒng)一些。多使用英文縮寫(xiě)，在不影響閱讀的前提下，使用縮寫(xiě)效率會(huì)更高。","id":""}],"text":"","id":"GaoedSMeEoywwKxiqWnct9O9nFe"},{"type":"image","attrs":{"height":1166,"note":[{"type":"text","text":"軌道命名法","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/531fca09c2e741039ab755cedbf31a5b","width":1080},"text":"","id":"RwcEduaOEo0me6xYNRWcnz1Cnhf"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"注意事項(xiàng)","id":""}],"text":"","id":"Va6EdIm60oUm2IxUvJ0cgNy9n8f"},{"type":"paragraph","children":[{"type":"text","text":"1、自學(xué)會(huì)走很多彎路，建議找身邊的有經(jīng)驗(yàn)的編曲老師學(xué)習(xí)，或者網(wǎng)絡(luò)課程。","id":""}],"text":"","id":"ACEEdEi2go0QMoxYVfSc2qlZn0b"},{"type":"paragraph","children":[{"type":"text","text":"2、聽(tīng)具有代表性的音樂(lè)，聽(tīng)它的配器組成，找出與歌曲類(lèi)似的樂(lè)器與織體，研究不同于其他風(fēng)格的編配技巧。","id":""}],"text":"","id":"FwCEdI4meoqmUoxmECLcxF9cnyc"},{"type":"paragraph","children":[{"type":"text","text":"3、如果想成為一名把最終聽(tīng)覺(jué)掌握在自己手中的編曲師，那就要盡量在前期完成大部分的混音。這方面的學(xué)習(xí)，可以直接買(mǎi)書(shū)學(xué)習(xí)，也可以上網(wǎng)站與論壇學(xué)習(xí)。","id":""}],"text":"","id":"BU64d6M4wokWkIxymiQcODYwnoh"},{"type":"paragraph","children":[{"type":"text","text":"4、不排斥任何有音樂(lè)和聲音展現(xiàn)的媒體在觀(guān)看視頻時(shí)，多留意音樂(lè)和聲音出現(xiàn)時(shí)給自己帶來(lái)的情緒上的變化，總結(jié)這些音樂(lè)和聲音的模式。","id":""}],"text":"","id":"H24ydC0cGoKmG4xPUKyczXYtnnn"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"拓展知識(shí)","id":""}],"text":"","id":"HimGdck4mo2oUUxukmlcgsahn8d"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"編曲方向","id":""}],"text":"","id":"K00idAUkwow60uxML52csjgLnBg"},{"type":"paragraph","children":[{"type":"text","text":"音樂(lè)人專(zhuān)輯、廣告配樂(lè)、自媒體、影視配樂(lè)、游戲配樂(lè)、動(dòng)漫配樂(lè)。","id":""}],"text":"","id":"GM4OdE0s2owekgxwlpBcEDBgncb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"編曲風(fēng)格","id":""}],"text":"","id":"ECQYdauieo6U8exYzyCcML11nUf"},{"type":"paragraph","children":[{"type":"text","text":"1、鋼琴為主的Pop流行風(fēng)格。","id":""}],"text":"","id":"CQmgdocwmoua4ExRow7cyd4enM6"},{"type":"paragraph","children":[{"type":"text","text":"這個(gè)體系一般是比較柔和抒情的曲子，以鋼琴作為主要的和聲樂(lè)器。可以用到柱式、分解或者綜合運(yùn)用各種節(jié)奏型，主歌部分的鼓節(jié)奏可以用閉合擊镲的音色支撐，到了副歌部分，為了突出織體，可以使用完整的鼓節(jié)奏。總體要求平穩(wěn)，盡量不要切分。Bass的編寫(xiě)上不用太花哨，跟隨強(qiáng)拍，使用長(zhǎng)時(shí)值演奏。此外，為了更好地表現(xiàn)曲子的抒情性，可以加入一個(gè)pad音色進(jìn)行融合，副歌部分可以加入弦樂(lè)來(lái)加厚織體。","id":""}],"text":"","id":"Oi6ydSIOWoMcCGx21ppcO60gnbc"},{"type":"paragraph","children":[{"type":"text","text":"2、吉他為主的Pop流行風(fēng)格。","id":""}],"text":"","id":"RuswdwOkQoW8OcxgLvGcld6Cn3c"},{"type":"paragraph","children":[{"type":"text","text":"這個(gè)體系也主要是緩慢抒情的曲子，以吉他為主要和聲樂(lè)器。可以選用尼龍弦吉他和鋼絲弦吉他兩種音色，鋼絲弦吉他為主，尼龍弦吉他為輔，聲像一左一右。鼓節(jié)奏可有選擇稍硬朗一些的，有主干節(jié)奏作為骨架，為了增加主歌和副歌的對(duì)比，還可以加入軍鼓的音色，當(dāng)然，節(jié)奏需要加花推進(jìn)的地方一定不要放棄使用。同樣的，在副歌加入弦樂(lè)增加織體厚度。","id":""}],"text":"","id":"W8iydqiqaoWSgqxqqCrcB4fmnIy"},{"type":"paragraph","children":[{"type":"text","text":"3、16Beat的流動(dòng)織體風(fēng)格。","id":""}],"text":"","id":"N2yMdSyaQo4kquxeKbFcmyJcn1d"},{"type":"paragraph","children":[{"type":"text","text":"這種風(fēng)格音符運(yùn)動(dòng)速度加快，音樂(lè)流動(dòng)性增強(qiáng)，以十六分音符為基本時(shí)值單位，節(jié)奏平穩(wěn)流暢，也是抒情類(lèi)的Pop音樂(lè)體系。可以分別用尼龍弦吉他和電鋼琴搭配作為和聲樂(lè)器，使織體音樂(lè)色彩偏暖，突出音樂(lè)的抒情性。其中，尼龍弦吉他主要演奏主體的節(jié)奏音型，電鋼琴則輔以和聲形態(tài)的烘托，相輔相成。Bass同樣是提供長(zhǎng)時(shí)值的低音，有時(shí)也可稍加附點(diǎn)變化。鼓節(jié)奏安排上，可以用閉合擊镲進(jìn)行十六分音符的滾動(dòng)式演奏，底鼓和軍鼓進(jìn)行節(jié)拍上的強(qiáng)弱搭配，軍鼓則作為段落對(duì)比的重要手段，如前面可以用擊鼓邊的音色，后面可以用擊鼓的音色。為了增加音樂(lè)流動(dòng)感，還可以加入色彩性的打擊樂(lè)器如沙球進(jìn)行點(diǎn)綴。","id":""}],"text":"","id":"SyqWdgWSIoU4sgx8cDbcoTsmnhb"},{"type":"paragraph","children":[{"type":"text","text":"4、傳統(tǒng)的搖滾風(fēng)格。","id":""}],"text":"","id":"JSModG2wmoWmAYx8h2Zc7jDznCg"},{"type":"paragraph","children":[{"type":"text","text":"這種體系主要以原聲音色為主，節(jié)奏輕快，情緒對(duì)比以及爆發(fā)性都不是很強(qiáng)烈。主干織體可用雙吉他模式，木吉他進(jìn)行掃弦式音型演奏，電吉他在二、四拍等弱拍上演奏和弦，以此來(lái)改變節(jié)奏的重音，造成搖滾的感覺(jué)。Bass可以選用力度強(qiáng)的PeakBass，基本保持與底鼓節(jié)奏一致，以強(qiáng)化強(qiáng)拍。鼓節(jié)奏處理上，軍鼓的節(jié)奏基本固定，底鼓可進(jìn)行不間斷的切分，增加搖滾的感覺(jué)，可以使用擊镲邊的音色增加氛圍感。另外，還可以加入一個(gè)合唱人聲音色對(duì)織體進(jìn)行豐富和烘托。","id":""}],"text":"","id":"P6gmdoEcIoMcAKxYV30cKggfnTd"},{"type":"paragraph","children":[{"type":"text","text":"5、重金屬風(fēng)格。","id":""}],"text":"","id":"BeyWdGKMuoi4aAxasSIcjBAEntc"},{"type":"paragraph","children":[{"type":"text","text":"重金屬風(fēng)格的特點(diǎn)是低音部分表現(xiàn)比較突出，因此Bass十分厚重，經(jīng)常用失真電吉他展現(xiàn)激勵(lì)的音響效果，間奏也常用電吉他來(lái)演奏大段Solo。為了突出低音，Bass的選擇還是PeakBass，失真吉他音區(qū)選擇也是偏重低音區(qū)，為了突出重金屬感，主干織體可選擇兩把失真吉他作為和聲樂(lè)器，掃弦式音型和長(zhǎng)音相結(jié)合，凸顯厚重的金屬織體。Bass演奏以平穩(wěn)的強(qiáng)弱節(jié)奏為主，注重音色的顆粒感，鋪滿(mǎn)整個(gè)低聲部層。鼓節(jié)奏與普通搖滾節(jié)奏相似，連接處可進(jìn)行填充加花，突出軍鼓力度以增加搖滾的動(dòng)感。副歌部分還可以加入兩個(gè)色彩性打擊樂(lè)器（如沙錘和手鈴）進(jìn)行點(diǎn)綴。","id":""}],"text":"","id":"AG6QdCWosoSkGexqQdhc53yVncd"},{"type":"paragraph","children":[{"type":"text","text":"6、迷幻搖滾風(fēng)格。","id":""}],"text":"","id":"KySCdgey2oUS0yxETZgcbXEBnBf"},{"type":"paragraph","children":[{"type":"text","text":"這類(lèi)的搖滾風(fēng)格，主要是電子加和聲PAD，像陳奕迅和王菲的后期音樂(lè)有很多這樣方面的風(fēng)格編曲.比如香奈兒，再見(jiàn)螢火蟲(chóng)，浮夸，主旋律.這樣的歌用了很多合成器.但是音色的風(fēng)格來(lái)自于英國(guó).像70年代就已經(jīng)存在了.這類(lèi)的特點(diǎn)就是，效果比較詭異和迷幻.喜歡的朋友可以不妨研究一下.","id":""}],"text":"","id":"WoOGdqYmyoCgsaxuUeFcRqQ2nMc"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"學(xué)習(xí)小技巧","id":""}],"text":"","id":"WowwdmgeQo6GcOxkzuxcImzknYf"},{"type":"paragraph","children":[{"type":"text","text":"1、學(xué)會(huì)構(gòu)建體系。編曲學(xué)習(xí)是要建立在體系上的有了一套體系才能有針對(duì)性的選擇性學(xué)習(xí)知識(shí)點(diǎn)完全吸收后再將其填補(bǔ)到它需要到達(dá)的知識(shí)點(diǎn)。","id":""}],"text":"","id":"VCKGda8a6okG0IxkjYmcbGuFnQe"},{"type":"paragraph","children":[{"type":"text","text":"2、適當(dāng)記筆記。在學(xué)習(xí)的過(guò)程中一定要養(yǎng)成記筆記的習(xí)慣否則學(xué)習(xí)內(nèi)容就會(huì)變成過(guò)眼云煙，可以經(jīng)常翻閱，久而久之，一切流程都會(huì)變得水到渠成。","id":""}],"text":"","id":"OmGudE2yaoY2gUxU7aEcDX7enrc"},{"type":"paragraph","children":[{"type":"text","text":"3、在一階段學(xué)習(xí)后嘗試制作一些東西給自己營(yíng)造反饋。編曲是需要實(shí)戰(zhàn)的，光靠看視頻學(xué)來(lái)的東西都會(huì)被遺忘。必須一步一步、腳踏實(shí)地的做好學(xué)到的每一樣?xùn)|西。百分之百的將知識(shí)點(diǎn)還原才能百分之百的提升自我進(jìn)步的速度取決于平時(shí)練習(xí)的勤快與否。有了每一階段的編曲作品反饋，才能總結(jié)出上一階段哪里沒(méi)做好，下一階段需要加強(qiáng)哪一塊知識(shí)點(diǎn)。有方向性的學(xué)習(xí)編曲，實(shí)踐制造反饋后又再次服務(wù)于下一階段的學(xué)習(xí)方向，這樣才能不斷進(jìn)步。","id":""}],"text":"","id":"DAkMdOG4MoGiIOx4ny6cGTern4f"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"編曲常見(jiàn)誤區(qū)","id":""}],"text":"","id":"XiQyd0wU6ocekoxSSrpck1Rrnyg"},{"type":"paragraph","children":[{"type":"text","text":"1、總是想要收集并搞懂所有音源。初學(xué)最好先掌握幾款最重要的主流音源，等了解常用樂(lè)器的音色分布特點(diǎn)和彈奏技巧，把基礎(chǔ)的編曲做好后，再慢慢地接觸新音色，一步步完善自己的能力。","id":""}],"text":"","id":"Y4UMdUeWyogcs0xSu3pcf9jcnnd"},{"type":"paragraph","children":[{"type":"text","text":"2、編得越滿(mǎn)越好聽(tīng)。不考慮頻段打架，拼命在作品中加各種音色，最后作品結(jié)構(gòu)混亂，主次全無(wú)。點(diǎn)綴的樂(lè)器蓋過(guò)了主旋律的表達(dá)。","id":""}],"text":"","id":"RqmSdEYMCooEkqxiqsNcTSFqnId"},{"type":"paragraph","children":[{"type":"text","text":"3、為了“高級(jí)”亂用各種音。把音階上的音用遍不是本事，用盡可能少的音符表意清晰才是高手。刪掉聲部里不必要的音，修改會(huì)出現(xiàn)不良音響效果的音，把要強(qiáng)調(diào)的音調(diào)節(jié)力度和位置突顯出來(lái)。","id":""}],"text":"","id":"VygadOG2youkwexeW1Tc3QEonQc"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"XycUd84KYoeoKAx8dmDcLxPHnkb"},{"type":"paragraph","children":[{"type":"text","text":"","id":""}],"text":"","id":"EQySdCsAsoWgmMxygahckZwGnOJ"}]%3C%2Fhowto_content%3E
